Difference between revisions of "First Russian Art Exhibition"

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* [Branko] Ve Poljanski, [http://digitalna.nb.rs/wb/NBS/casopisi_pretrazivi_po_datumu/Zenit/1923/b022#page/3/mode/1up "Kroz rusku izložbu u Berlinu"], ''Zenit'' 22, Zagreb, Mar 1923, pp [4-5]. {{sc}}
 
* [Branko] Ve Poljanski, [http://digitalna.nb.rs/wb/NBS/casopisi_pretrazivi_po_datumu/Zenit/1923/b022#page/3/mode/1up "Kroz rusku izložbu u Berlinu"], ''Zenit'' 22, Zagreb, Mar 1923, pp [4-5]. {{sc}}
 
** [http://modernistarchitecture.wordpress.com/2010/10/22/branko-ve-poljanski%E2%80%99s-%E2%80%9Cthrough-the-russian-exhibition%E2%80%9D-1923/ "Through the Russian Exhibition in Berlin"], trans. Maja Starčević, in ''From Between Two Worlds: A Sourcebook of Central European Avant-Gardes, 1910-1930'', MIT Press, 2002. {{en}}
 
** [http://modernistarchitecture.wordpress.com/2010/10/22/branko-ve-poljanski%E2%80%99s-%E2%80%9Cthrough-the-russian-exhibition%E2%80%9D-1923/ "Through the Russian Exhibition in Berlin"], trans. Maja Starčević, in ''From Between Two Worlds: A Sourcebook of Central European Avant-Gardes, 1910-1930'', MIT Press, 2002. {{en}}
* Eckhard Neumann, [http://sci-hub.cc/10.2307/775187 "Russia's 'Leftist Art' in Berlin, 1922"], ''Art Journal'' 27:1 (Autumn 1967), pp 20-23.
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* Eckhard Neumann, [http://sci-hub.bz/10.2307/775187 "Russia's 'Leftist Art' in Berlin, 1922"], ''Art Journal'' 27:1 (Autumn 1967), pp 20-23.
 
* ''The 1st Russian Show: A Commemoration of the Van Diemen Exhibition'', ed. Andrei Nakov, London: Annely Juda Fine Art, 1983, 175 pp. {{en}}
 
* ''The 1st Russian Show: A Commemoration of the Van Diemen Exhibition'', ed. Andrei Nakov, London: Annely Juda Fine Art, 1983, 175 pp. {{en}}
 
* Roland Enke, [http://www.db-artmag.com/archiv/06/e/thema-avantgarde.html "Malevich and Berlin"], c2003.
 
* Roland Enke, [http://www.db-artmag.com/archiv/06/e/thema-avantgarde.html "Malevich and Berlin"], c2003.

Revision as of 14:10, 6 June 2017

Catalogue, with cover by El Lissitzky, Log, PDF.

The First Russian Art Exhibition [Erste russische Kunstausstellung] opened at the Van Diemen Gallery on Unter den Linden 21, near the Russian embassy in Berlin, on 15 October 1922. More than 700 works by 167 artists where shown, including paintings, graphic works, sculptures, as well as designs for theater, architectural models, and porcelain. The exhibition's official host was the Russian Ministry for Information, and it was put together by the artists Naum Gabo, David Shterenberg, and Nathan Altman. El Lissitzky designed the catalogue's cover. Gabo was in charge of the three rooms where Russian avant-garde art was presented, including several of his own sculptures. Due to the positive response in the press and the large number of visitors (ca. 15,000), the exhibition was prolonged until the end of the year. On the initiative of the International Workers' Assistance, the show was conceived as a commercial exhibition; the proceeds were to go to "Russia's starving". In the Spring of 1923, a version of the exhibition traveled to Stedelijk Museum, Amsterdam.

After the exhibition, the director of the Modern Department Friedrich A. Lutz, continued to show new art until 1926. The parent company and its subsidiaries were seized by the Nazis in 1935. [1]

Catalogue

Literature

See also

Links


Art exhibitions and events

Second Spring Exhibition of OBMOKhU (Moscow, 1920-21), Congress of International Progressive Artists (Düsseldorf, 1922), Congress of the Constructivists and Dadaists (Weimar, 1922), First Russian Art Exhibition (Berlin, 1922), New Art Exhibition (Vilnius, 1923), Zenit Exhibition (Belgrade, 1924), Contimporanul Exhibition (Bucharest, 1924), Machine-Age Exposition (New York, 1927), a.r. International Collection of Modern Art (Łódź, 1931), New Tendencies (Zagreb, 1961-73), The Responsive Eye (New York, 1965), 9 Evenings: Theatre and Engineering (New York, 1966), Cybernetic Serendipity (London, 1968), Live In Your Head: When Attitudes Become Form (Bern, 1969), Information (New York, 1970), Software - Information Technology: Its New Meaning for Art (New York, 1970), Documenta 5 (Kassel, 1972), Pictures (New York, 1977), Biennial of Dissent (Venice, 1977), Les Immatériaux (Paris, 1985), Magiciens de la Terre (Paris, 1989), Hybrid Workspace (Kassel, 1997)