Difference between revisions of "Free software"

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Fediposter_Jan_2020.png|link=Federated networks|[[Federated networks|Federated networks, Fediverse]]
 
Fediposter_Jan_2020.png|link=Federated networks|[[Federated networks|Federated networks, Fediverse]]
  
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Art_Servers_Unlimited_1998.jpg|link=Art servers|[[Art servers]]
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Constant_arton1-2bd55.png|link=Constant|[[Constant]], artist-run non-profit for copyleft and feminisms, [[Brussels]]
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Bibliotecha_Stuff_Youll_need.jpg|link=Varia|[[Varia]], cooperative for everyday technology, [[Rotterdam]]
  
 
AMRO20.png|link=Art Meets Radical Openness|[[Art Meets Radical Openness]], festival for art, hacktivism and open cultures, [[Linz]]
 
AMRO20.png|link=Art Meets Radical Openness|[[Art Meets Radical Openness]], festival for art, hacktivism and open cultures, [[Linz]]
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Etc-punch.jpg|link=Eclectic Tech Carnival|[[Eclectic Tech Carnival]], feminist gatherings around free software and open hardware
  
 
Piksel.png|link=Piksel|[[Piksel]], festival for kunst og fri teknologi, [[Bergen]]
 
Piksel.png|link=Piksel|[[Piksel]], festival for kunst og fri teknologi, [[Bergen]]
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Art_Servers_Unlimited_1998.jpg|link=Community servers|[[Community servers]]
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Bibliotecha.jpg|link=Shadow_libraries|[[Shadow libraries]]
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Runme.org_2024_detail.png|link=Runme.org|[https://runme.org runme.org], software art repository
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Pure_Data_screenshot.png|link=Pure Data|[[Pure Data]], visual programming for media
  
 
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category            = FLOSS
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category            = Free software
 
ordermethod          = sortkey
 
ordermethod          = sortkey
 
order                = ascending
 
order                = ascending
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==Events==
 
==Events==
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; FLOSS arts festivals and events
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<div class=threecol>
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* [[Eclectic Tech Carnival]], int., *2002
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* [[Piksel]], Bergen, *2003
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* [[Verbindingen / Jonctions]], Brussels, [2000] 2004-2013
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* [[HAIP]], Ljubljana, 2004-2012
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* [[OpenLab]], London, 2005-2012
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* [[Make Art]], Poitiers, 2006-2010
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* [[Libre Graphics Meeting]], int., *2006
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* [[Art Meets Radical Openness]] (formerly LiWoLi), Linz, *2008
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* [[Flossie]], London, 2012-2013
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* [https://piksel.no/transpiksel TransPiksel], int., *2016
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 +
</div>
  
 
; Conferences and summits
 
; Conferences and summits
  
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<div class=threecol>
  
 
* [http://www.oscon.com/oscon2014/public/content/about OSCON], Portland, *1999
 
* [http://www.oscon.com/oscon2014/public/content/about OSCON], Portland, *1999
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* [http://koppelting.org/en/archive FabFuse], Amersfoort, 2012-2015
 
* [http://koppelting.org/en/archive FabFuse], Amersfoort, 2012-2015
 
* [http://koppelting.org Koppelting], Amersfoort, *2016
 
* [http://koppelting.org Koppelting], Amersfoort, *2016
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* [https://ps.zoethical.org/c/engagement/offdem/129 OFFDEM], Brussels, *2020
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* [https://ps.zoethical.org/c/engagement/offdem/129 OFFDEM], Brussels, *2020, [https://ps.zoethical.org/pub/offdem-ozone-cfp]
  
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</div>
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* ''Event listings'': [https://foss.events/ foss.events] (Europe & online, *2019).
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; FLOSS arts festivals and events
 
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<div class="dpl" style="-moz-column-count:3; -webkit-column-count:3; column-count:3;">
 
−
 
 
−
* [[Eclectic Tech Carnival]], int., *2002
 
−
* [[Piksel]], Bergen, *2003
 
−
* [[Verbindingen / Jonctions]], Brussels, [2000] 2004-2013
 
−
* [[HAIP]], Ljubljana, 2004-2012
 
−
* [[OpenLab]], London, 2005-2012
 
−
* [[Make Art]], Poitiers, 2006-2010
 
−
* [[Libre Graphics Meeting]], int., *2006
 
−
* [[Art Meets Radical Openness]] (formerly LiWoLi), Linz, *2008
 
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* [[Flossie]], London, 2012-2013
 
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* [https://piksel.no/transpiksel TransPiksel], int., *2016
 
  
 
</div>
 
</div>
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* Chun Lee, ''[https://eprints.mdx.ac.uk/4963/ Art Unlimited: An Investigation into Contemporary Digital Arts and the Free Software Movement]'', London: Middlesex University, 2008, 166 pp. PhD dissertation.
 
* Chun Lee, ''[https://eprints.mdx.ac.uk/4963/ Art Unlimited: An Investigation into Contemporary Digital Arts and the Free Software Movement]'', London: Middlesex University, 2008, 166 pp. PhD dissertation.
 +
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* Christopher M. Kelty, ''[https://monoskop.org/log/?p=239 Two Bits: The Cultural Significance of Free Software]'', Durham, NC: Duke University Press, 2008, xvi+378 pp, [[Media:Kelty_Christopher_M_Two_Bits_The_Cultural_Significance_of_Free_Software_2008.pdf|PDF]].
 +
** ''[https://monoskop.org/log/?p=239 Two Bits: la trascendencia cultural del software libre]'', ed. Florencio Cabello, Barcelona: Icaria, 2019, 455 pp, [[Media:Kelty_Christopher_M_Two_Bits_la_trascendencia_cultural_del_software_libre_2019.pdf|PDF]]. {{es}}
  
 
* Marloes de Valk, [https://bleu255.com/~marloes/txts/Tools_to_Fight_Boredom/ "Tools to Fight Boredom: FLOSS and GNU/Linux for Artists Working in the Field of Generative Music and Software Art"], ''Contemporary Music Review'' 28(1): "Generative Music", eds. Nick Collins and Andrew R. Brown, 2009, pp 89-101, [[Media:de Valk Marloes 2009 Tools to Fight Boredom FLOSS and GNU Linux for Artists Working in the Field of Generative Music and Software Art.pdf|PDF]]. [https://doi.org/10.1080/07494460802664056]
 
* Marloes de Valk, [https://bleu255.com/~marloes/txts/Tools_to_Fight_Boredom/ "Tools to Fight Boredom: FLOSS and GNU/Linux for Artists Working in the Field of Generative Music and Software Art"], ''Contemporary Music Review'' 28(1): "Generative Music", eds. Nick Collins and Andrew R. Brown, 2009, pp 89-101, [[Media:de Valk Marloes 2009 Tools to Fight Boredom FLOSS and GNU Linux for Artists Working in the Field of Generative Music and Software Art.pdf|PDF]]. [https://doi.org/10.1080/07494460802664056]
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* Paula Roush, [https://www.furtherfield.org/towards-a-free-libre-open-source-university/ "Towards a Free/ Libre/ Open/ Source/ University"], ''Furtherfield'', Feb 2013.
 
* Paula Roush, [https://www.furtherfield.org/towards-a-free-libre-open-source-university/ "Towards a Free/ Libre/ Open/ Source/ University"], ''Furtherfield'', Feb 2013.
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* [http://peerproduction.net/issues/issue-3-free-software-epistemics/ ''Journal of Peer Production'' 3: "The Critical Power of Free Software"], Jul 2013.
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** Christopher Kelty, [http://peerproduction.net/issues/issue-3-free-software-epistemics/debate/there-is-no-free-software/ "There Is No Free Software"].
  
 
* Aymeric Mansoux, [http://hz-journal.org/n19/mansoux.html "My Lawyer is an Artist"], ''Hz #19'', ed. Sashiko Hayashi, Fylkingen, 2014.
 
* Aymeric Mansoux, [http://hz-journal.org/n19/mansoux.html "My Lawyer is an Artist"], ''Hz #19'', ed. Sashiko Hayashi, Fylkingen, 2014.
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* ''[https://monoskop.org/log/?p=13943 I Think That Conversations Are the Best, Biggest Thing That Software Has to Offer its User]'', Brussels: Constant, 2015, 351 pp. {{en}}
  
 
* Aymeric Mansoux, ''[https://monoskop.org/log/?p=18777 Sandbox Culture: A Study of the Application of Free and Open Source Software Licensing Ideas to Art and Cultural Production]'', London: Goldsmiths University of London, 2017, xxxviii+486 pp. PhD dissertation.
 
* Aymeric Mansoux, ''[https://monoskop.org/log/?p=18777 Sandbox Culture: A Study of the Application of Free and Open Source Software Licensing Ideas to Art and Cultural Production]'', London: Goldsmiths University of London, 2017, xxxviii+486 pp. PhD dissertation.
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* ''[https://thx.zoethical.org/pub/presence-solidaire THX - Présence Solidaire. Pænser Ensemble: le Collectif et le Soin Radical]'', Brussels: petites singularités, 2021, 168 pp. {{fr}},{{en}},{{es}}
 
* ''[https://thx.zoethical.org/pub/presence-solidaire THX - Présence Solidaire. Pænser Ensemble: le Collectif et le Soin Radical]'', Brussels: petites singularités, 2021, 168 pp. {{fr}},{{en}},{{es}}
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* ''[https://www.spacesandcities-toolkit.com/ Toolkit for Homes of Commons]'', European Cultural Foundation, 2021.
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* [https://march.international/feature/publishing-as-protocol/ ''MARCH'': "Publishing as Protocol"], eds. Constant and Vessel, 2021-2023. [https://monoskop.org/log/?p=23411]
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* Johan Söderberg, Maxigas, ''[https://doi.org/10.7551/mitpress/13466.001.0001 Resistance to the Current: The Dialectics of Hacking]'', forew. Richard Barbrook, MIT Press, Nov 2022, 264 pp, [[Media:Soederberg Johan_Maxigas_Resistance_to_The_Current_The_Dialectics_of_Hacking 2022.pdf|PDF]]. [https://mitpress.mit.edu/9780262544566/ Publisher].
  
 
* [https://monoskop.org/log/?tag=floss Publications on FLOSS on Monoskop/log]
 
* [https://monoskop.org/log/?tag=floss Publications on FLOSS on Monoskop/log]
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==Resources==
 
==Resources==
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 +
* [http://redecentralize.github.io/alternative-internet/ Alternative Internet], a collection of  networks, tools and devices aiming at decentralisation.
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* [http://www.a-s-c.org/ Anti-Subscription Catalogue], a catalogue of non-subscription, free, open-source, and one-time fee software.
  
 
* [http://cecpublic.pbworks.com/w/page/13063884/OpensourcePeople Open Source People and Community]
 
* [http://cecpublic.pbworks.com/w/page/13063884/OpensourcePeople Open Source People and Community]
  
−
* [http://redecentralize.github.io/alternative-internet/ Alternative Internet], a collection of networks, tools and devices aiming at decentralisation.
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* [http://web.archive.org/web/20200120000944/http://eightycolumn.net/ Eightycolumn] (80c; archived), a network of free culture aware educators in art, music and design education.
  
 
==See also==
 
==See also==
  
−
[[Federated networks]], [[Hacker culture]], [[Copyright activism]], [[Commons]], [[Data activism]], [[Art servers]], [[Pure Data]], [[SuperCollider]], [[Live coding]], [[Libre graphics]]
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[[Commons]], [[Community servers]], [[Copyright activism]], [[Data activism]], [[Federated networks]], [[Hacker culture]], [[Libre graphics]], [[Live coding]], [[Pure Data]], [[Shadow libraries]], [[Software art]], [[SuperCollider]]
  
  

Latest revision as of 20:36, 20 April 2024

For free, libre and open-source software, culture and the arts

Events[edit]

FLOSS arts festivals and events
Conferences and summits

Publications[edit]

  • Armin Medosch, "Roots Culture: Free Software Vibrations Inna Babylon", in How Open is the Future? Economic, Social & Cultural Scenarios Inspired by Free and Open Source Software, eds. Marleen Wynants and Jan Cornelis, Brussels: VUB Brussels University Press, 2005, pp 135-162; upd. in Engineering Culture: On 'The Author as (Digital) Producer' , eds. Geoff Cox and Joasia Krysa, New York: Autonomedia, 2005, pp 177-201; repr. in Sarai Reader 2005: Bare Acts, New Delhi: Sarai, 2005, pp 222-239. Draft.
  • Aymeric Mansoux, Marloes de Valk (eds.), FLOSS+Art, Poitiers: Goto10, and London: Mute, 2008, 320 pp.
  • Aymeric Mansoux, "How Deep is Your Source", in Digital Art Conservation, Preservation of Digital Art: Theory and Practice, ed. Bernhard Serexhe, Karlsruhe: ZKM, 2012.

Documentary films[edit]

  • Art Meets Radical Openness, 2009, 26 min. Documentary of the 2009 festival edition. Film conceived by Annalisa Cannito, Chui Yong Jian, Santiago Bence.

Resources[edit]

  • Eightycolumn (80c; archived), a network of free culture aware educators in art, music and design education.

See also[edit]

Commons, Community servers, Copyright activism, Data activism, Federated networks, Hacker culture, Libre graphics, Live coding, Pure Data, Shadow libraries, Software art, SuperCollider



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