Difference between revisions of "Georges Didi-Huberman"
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* ''Fra Angelico. Dissemblance et figuration'', Paris: Flammarion, 1990. | * ''Fra Angelico. Dissemblance et figuration'', Paris: Flammarion, 1990. | ||
| + | ** ''Fra Angelico: Dissemblance and Figuration'', trans. Jane Marie Todd, The University of Chicago Press, 1995. {{en}} | ||
* ''Devant l’image. Questions posées aux fins d'une histoire de l'art'', Paris: Minuit, 1990. | * ''Devant l’image. Questions posées aux fins d'une histoire de l'art'', Paris: Minuit, 1990. | ||
Revision as of 10:14, 16 February 2015
Georges Didi-Huberman (13 June 1953) is a French philosopher and art historian.
Books
- Invention de l’hystérie. Charcot et l’Iconographie photographique de la Salpêtrière, sur l'École de la Salpêtrière, Macula, 1982.
- Invention of Hysteria. Charcot and the Photographic Iconography of the Salpêtrière, trans. Alisa Hartz, Cambridge, Massachusetts and London: The MIT Press, 2003. [1] (English)
- Mémorandum de la peste. Le fléau d’imaginer, Christian Bourgois, 1983.
- La Peinture incarnée followed by Chef-d'œuvre inconnu de Balzac, Minuit, 1985.
- La pittura incarnata. Saggio sull'immagine vivente, 2008. (Italian)
- Fra Angelico. Dissemblance et figuration, Paris: Flammarion, 1990.
- Fra Angelico: Dissemblance and Figuration, trans. Jane Marie Todd, The University of Chicago Press, 1995. (English)
- Devant l’image. Questions posées aux fins d'une histoire de l'art, Paris: Minuit, 1990.
- Confronting Images: Questioning The Ends Of A Certain History Of Art, trans. John Goodman,University Park, Pennsylvania: The Pennsylvania State University Press, 2008. (English)
- Ce que nous voyons, ce qui nous regarde, Paris: Minuit, 1992.
- L'Homme qui marchait dans la couleur, Paris: Minuit, 2001.
- Survivance des lucioles, Paris: Minuit, 2009.
- Sobrevivência dos vaga-lumes, trans. Consuelo Salomé, Belo Horizonte: Editora UFMG, 2011. (Portuguese)
- Supervivencia de las luciérnagas, trans. Juan Calatrava, Madrid: Abada Edittores, 2012. (Spanish)
- L'Œil de l'histoire, 4 vols., Paris: Minuit, 2009-2012
- Tome 1: Quand les images prennent position, 2009.
- Tome 2: Remontages du temps subi, 2010.
- Tome 3: Atlas ou le gai savoir inquiet, 2011.
- Tome 4: Peuples exposés, peuples figurants, 2012.
- Écorces, Paris: Minuit, 2009; 2011.
- Kore, trans. Ksenija Stevanović, Zagreb: Multimedia Institute, 2012. 54 pp. (in Serbian)
