Difference between revisions of "Goran Đorđević"

From Monoskop
Jump to navigation Jump to search
Line 1: Line 1:
 
Artist (1950, Yugoslavia). Originally trained as a nuclear physicist. He has realised works such as ''Short History of Art'' (1979/81), ''Harbingers of Apocalypse'' (1981), ''"Last Futurist Show" by Kasimir Malevich'', ''Walter Benjamin: Mondrian 1963-1996'' (1986), and ''The International Exhibition of Modern Art (Armory Show)''. Since 1993, he has worked as a doorman of the Salon de Fleurus, New York, a live reenactment of [[Gertrude Stein]]'s Paris salon from the early 20th century housing her collection of modern art. Djordjevic also collaborated on the project ''International Exhibition of Modern Art Presents Alfred Bar's Museum of Modern Art in New York'' which was part of the official selection of Serbia and Montenegro on the Venice Bienale in 2003. In recent years he became an associate of the Museum of American Art in Berlin, giving interviews and publishing articles on art, originality, museums, art history, etc.
 
Artist (1950, Yugoslavia). Originally trained as a nuclear physicist. He has realised works such as ''Short History of Art'' (1979/81), ''Harbingers of Apocalypse'' (1981), ''"Last Futurist Show" by Kasimir Malevich'', ''Walter Benjamin: Mondrian 1963-1996'' (1986), and ''The International Exhibition of Modern Art (Armory Show)''. Since 1993, he has worked as a doorman of the Salon de Fleurus, New York, a live reenactment of [[Gertrude Stein]]'s Paris salon from the early 20th century housing her collection of modern art. Djordjevic also collaborated on the project ''International Exhibition of Modern Art Presents Alfred Bar's Museum of Modern Art in New York'' which was part of the official selection of Serbia and Montenegro on the Venice Bienale in 2003. In recent years he became an associate of the Museum of American Art in Berlin, giving interviews and publishing articles on art, originality, museums, art history, etc.
  
; Video lectures
+
==Lectures (video)==
* [http://vimeo.com/61669696 Walter Benjamin: Mondrian '63-'96], Marxist Center, Ljubljana, 1986. "Benjamin" presents several works of the abstract artist ranging in date from 1963 to 1996. Originally broadcasted on Belgrade TV (TV Galerija).
+
* [http://vimeo.com/61669696 ''Walter Benjamin: Mondrian '63-'96''], Marxist Center, Ljubljana, 1986. "Benjamin" presents several works of the abstract artist ranging in date from 1963 to 1996. Originally broadcasted on Belgrade TV (TV Galerija).
* [http://archive.org/details/IstorijaMuzejaModerneUmetnostiGoranorevi Dordevic on the history of Museum of Modern Art] at [[Kuda]], Novi Sad, 2005. (in Serbian) [http://www.kuda.org/en/history-and-museum-modern-art-goran-or-evi]
+
* [http://archive.org/details/IstorijaMuzejaModerneUmetnostiGoranorevi ''Istorija Muzeja Moderne Umetnosti''] at [[Kuda]], Novi Sad, 2005. (in Serbian) [http://www.kuda.org/en/history-and-museum-modern-art-goran-or-evi]
* "The Unmaking of Art", Times Museum, Guangzhou; Arnolfini, Bristol; Museo Universitario de Arte Contemporaneo, Mexico City, 2012; Tranzit, Budapest, 2012, [http://hu.tranzit.org/en/free_school/0/2012-04-19/against-art---frre-school-jelena-vesic]; Institutions by Artists, Vancouver; Le Plateau, Paris, 2013.
+
* ''The Unmaking of Art'', Times Museum, Guangzhou, 2011, [http://www.timesmuseum.org/enhdhg/434.jhtml]; Arnolfini, Bristol; Museo Universitario de Arte Contemporaneo, Mexico City, 2012; Tranzit, Budapest, 2012, [http://hu.tranzit.org/en/free_school/0/2012-04-19/against-art---frre-school-jelena-vesic]; Institutions by Artists, Vancouver; Le Plateau, Paris, 2013.
  
; Publications
+
==Exhibitions==
* ''[http://razgovori.files.wordpress.com/2010/07/ukp-goran-djordjevic.pdf Umetnik kao publika]'', Belgrade: Museum of Contemporary Art, 2011, 12 pp. Exhibition booklet for the ''Kopije 1979-1985'' exhibition. (in Serbian) [http://razgovori.wordpress.com/umetnici/goran-dordevic/]
 
* ''Walter Benjamin: Recent Writings 1986-2013'', New Documents, 2014, 216 pp. Collects nine essays by "Walter Benjamin", augmented with interviews and a bibliography. [http://lareviewofbooks.org/review/walter-benjamin-writings-death Review], [http://new-documents.org/books/walter-benjamin].
 
** "The Unmaking of Art", pp 128-154, [http://gr.aaaaarg.org/ref/0db37ea0de912fe01cc4651c693fecff#0.01 ARG].
 
 
 
; Exhibitions
 
 
* ''Protiv umetnosti'', [[SKC]], Belgrade, 1980.
 
* ''Protiv umetnosti'', [[SKC]], Belgrade, 1980.
 
* ''Glasnidi apokalipse, original i kopije / Harbingers of Apocalypse, Original & Copies'', III bulevar 106/15, Belgrade, 1980; Museum für (-Sub)Kultur, Berlin, 1980; PM Gallery, Zagreb, 1981; [[Škuc Gallery]], Ljubljana, 1981.
 
* ''Glasnidi apokalipse, original i kopije / Harbingers of Apocalypse, Original & Copies'', III bulevar 106/15, Belgrade, 1980; Museum für (-Sub)Kultur, Berlin, 1980; PM Gallery, Zagreb, 1981; [[Škuc Gallery]], Ljubljana, 1981.
Line 22: Line 17:
 
* ''Kunsthistorisches Mausoleum'', Belgrade, since 2002.
 
* ''Kunsthistorisches Mausoleum'', Belgrade, since 2002.
 
* ''Museum of Modern Art, New York, 1936'', Galerie 35, c2004.
 
* ''Museum of Modern Art, New York, 1936'', Galerie 35, c2004.
* [http://www.mgml.si/en/city-art-gallery/archive-of-exhibitions-411/against-art-goran-djordjevic-copies-1979-1985-solo/ Proti umetnosti / Against Art: Copies 1979–1985], City Gallery, Ljubljana, 2012-13. Curated by [[Branislav Dimitrijević]], [[Dejan Sretenović]] and [[Jelena Vesić]]. [http://www.delo.si/kultura/razstave/goran-Dordevic-proti-umetnosti.html]
+
* [http://www.mgml.si/en/city-art-gallery/archive-of-exhibitions-411/against-art-goran-djordjevic-copies-1979-1985-solo/ ''Proti umetnosti / Against Art: Copies 1979–1985''], City Gallery, Ljubljana, 2012-13. Curated by [[Branislav Dimitrijević]], [[Dejan Sretenović]] and [[Jelena Vesić]]. [http://www.delo.si/kultura/razstave/goran-Dordevic-proti-umetnosti.html]
 +
 
 +
==Publications==
 +
* ''What is Modern Art? (Group Show)'', eds. Inke Arns and Walter Benjamin, 2006, 93 pp. Catalogue of an exhibition at Bethanien, Berlin. [http://www.inkearns.de/_websites/wima/katalog/E-WiMA-Catalogue-Text-Arns.pdf Preface]. (in English/German)
 +
* ''[http://razgovori.files.wordpress.com/2010/07/ukp-goran-djordjevic.pdf Umetnik kao publika]'', Belgrade: Museum of Contemporary Art, 2011, 12 pp. Exhibition booklet for the ''Kopije 1979-1985'' exhibition. (in Serbian) [http://razgovori.wordpress.com/umetnici/goran-dordevic/]
 +
* ''Walter Benjamin: Recent Writings 1986-2013'', New Documents, 2014, 216 pp. Collects nine essays by "Walter Benjamin", augmented with interviews and a bibliography. [http://lareviewofbooks.org/review/walter-benjamin-writings-death Review], [http://new-documents.org/books/walter-benjamin].
 +
** "The Unmaking of Art", pp 128-154, [http://gr.aaaaarg.org/ref/0db37ea0de912fe01cc4651c693fecff#0.01 ARG].
  
 
[[Category:Neoism|Djordjevic, Goran]]
 
[[Category:Neoism|Djordjevic, Goran]]
 
[[Category:Appropriation|Djordjevic, Goran]]
 
[[Category:Appropriation|Djordjevic, Goran]]

Revision as of 11:57, 26 October 2014

Artist (1950, Yugoslavia). Originally trained as a nuclear physicist. He has realised works such as Short History of Art (1979/81), Harbingers of Apocalypse (1981), "Last Futurist Show" by Kasimir Malevich, Walter Benjamin: Mondrian 1963-1996 (1986), and The International Exhibition of Modern Art (Armory Show). Since 1993, he has worked as a doorman of the Salon de Fleurus, New York, a live reenactment of Gertrude Stein's Paris salon from the early 20th century housing her collection of modern art. Djordjevic also collaborated on the project International Exhibition of Modern Art Presents Alfred Bar's Museum of Modern Art in New York which was part of the official selection of Serbia and Montenegro on the Venice Bienale in 2003. In recent years he became an associate of the Museum of American Art in Berlin, giving interviews and publishing articles on art, originality, museums, art history, etc.

Lectures (video)

  • Walter Benjamin: Mondrian '63-'96, Marxist Center, Ljubljana, 1986. "Benjamin" presents several works of the abstract artist ranging in date from 1963 to 1996. Originally broadcasted on Belgrade TV (TV Galerija).
  • Istorija Muzeja Moderne Umetnosti at Kuda, Novi Sad, 2005. (in Serbian) [1]
  • The Unmaking of Art, Times Museum, Guangzhou, 2011, [2]; Arnolfini, Bristol; Museo Universitario de Arte Contemporaneo, Mexico City, 2012; Tranzit, Budapest, 2012, [3]; Institutions by Artists, Vancouver; Le Plateau, Paris, 2013.

Exhibitions

  • Protiv umetnosti, SKC, Belgrade, 1980.
  • Glasnidi apokalipse, original i kopije / Harbingers of Apocalypse, Original & Copies, III bulevar 106/15, Belgrade, 1980; Museum für (-Sub)Kultur, Berlin, 1980; PM Gallery, Zagreb, 1981; Škuc Gallery, Ljubljana, 1981.
  • Kopije / Copies, SKC, Belgrade, 1981; Studentski centar, Osijek, 1981; Museum für Kultur, Hamburg, 1982; GSC, Zagreb, 1982; PM Gallery, Zagreb, 1984; Škuc Gallery, Ljubljana, 1984.
  • Bilder über Bilder, Kunstmuseum Hannover, Hanover, 1982; Wilhelm-Hack-Museum, Ludwigshafen am Rhein, 1984.
  • Kako kopirati Mondrijana, National Museum, Belgrade, 1983.
  • Prizori moderne umetnosti, SKC, Belgrade, 1985; Škuc Gallery, Ljubljana, 1985.
  • Kazimir Malevich: Last Futurist Exhibition 0,10, Ljubljana, March 1986.
  • Salon de Fleurus, New York, since 1993.
  • Kunsthistorisches Mausoleum, Belgrade, since 2002.
  • Museum of Modern Art, New York, 1936, Galerie 35, c2004.
  • Proti umetnosti / Against Art: Copies 1979–1985, City Gallery, Ljubljana, 2012-13. Curated by Branislav Dimitrijević, Dejan Sretenović and Jelena Vesić. [4]

Publications

  • What is Modern Art? (Group Show), eds. Inke Arns and Walter Benjamin, 2006, 93 pp. Catalogue of an exhibition at Bethanien, Berlin. Preface. (in English/German)
  • Umetnik kao publika, Belgrade: Museum of Contemporary Art, 2011, 12 pp. Exhibition booklet for the Kopije 1979-1985 exhibition. (in Serbian) [5]
  • Walter Benjamin: Recent Writings 1986-2013, New Documents, 2014, 216 pp. Collects nine essays by "Walter Benjamin", augmented with interviews and a bibliography. Review, [6].
    • "The Unmaking of Art", pp 128-154, ARG.