Difference between revisions of "Gregory Bateson"
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==Visual anthropology== | ==Visual anthropology== | ||
| − | [[File:Cover_balinese.jpg|thumb|150px|[[Media:Balinese-Character-a-photographic-analysis.pdf|''Balinese Character. A photographic analysis'', Download in PDF]]]] | + | [[File:Cover_balinese.jpg|thumb|150px|[[Media:Balinese-Character-a-photographic-analysis.pdf|''Balinese Character. A photographic analysis'', 1942 Download in PDF]]]] |
In the 1930s, Bateson and Mead conducted an ambitious photography and film project in Bali, inspired by Mead's conviction that visual anthropology could serve a scientific, objective anthropology. They studied the people of the Balinese village Bajoeng Gede. David Lipset states that "in the short history of [their] ethnographic fieldwork, film was used both on a large scale and as the primary research tool". Indeed, they took around 25,000 photographs, and also shot a short documentary ''Trance and Dance in Bali'', which was not released until 1952. | In the 1930s, Bateson and Mead conducted an ambitious photography and film project in Bali, inspired by Mead's conviction that visual anthropology could serve a scientific, objective anthropology. They studied the people of the Balinese village Bajoeng Gede. David Lipset states that "in the short history of [their] ethnographic fieldwork, film was used both on a large scale and as the primary research tool". Indeed, they took around 25,000 photographs, and also shot a short documentary ''Trance and Dance in Bali'', which was not released until 1952. | ||
| − | Margaret Mead and | + | [[Margaret Mead]] and Gregory Bateson, in a book entitled Balinese Character, a Photographic Analysis (1942) demonstrate their common experience in visual anthropology. Gregory Bateson made many photographs and some short films, |
while Mead collected the other necessary materials for analysis. They have published over seven hundred photographs and classified according commented | while Mead collected the other necessary materials for analysis. They have published over seven hundred photographs and classified according commented | ||
various topics relating to social and religious life of the group studied (meals, | various topics relating to social and religious life of the group studied (meals, | ||
Revision as of 12:40, 18 March 2014
 Bateson with Margaret Mead in the late 1930s. Photo by C. H. Waddington. | |
| Born |
May 9, 1904 Grantchester, United Kingdom |
|---|---|
| Died |
April 14, 1980 (aged 78) San Francisco, United States |
Gregory Bateson was an English anthropologist, social scientist, linguist, visual anthropologist, semiotician and cyberneticist whose work intersected that of many other fields.
He was born in 1904 as the third and youngest son of [Caroline] Beatrice Durham and of the distinguished geneticist William Bateson. Resisting family pressures to follow in his father's footsteps, he completed his degree in anthropology instead of the natural sciences, and left England to do field work in New Guinea. It was on his second trip there, in 1956, that he met his fellow anthropologist Margaret Mead, whom he later married; their only child, Mary Catherine Bateson, is also an anthropologist. Bateson and Mead were divorced in 1950, but they continued to collaborate professionally and maintained their friendship until Mead's death in 1978.
In the years to follow, Bateson became a visiting professor of anthropology at Harvard (1947); was appointed research associate at the Langley Porrer Neuropsychiatric Institute in San Francisco; worked as ethnologist at the Palo Alto Veterans Administration Hospital (where he developed the double-bind theory of schizophrenia and formulated a new theory of learning). He worked with dolphins at the Oceanographic Institute in Hawaii and taught at the University of Hawaii. In 1972 he joined the University of California at Santa Cruz.
Visual anthropology
In the 1930s, Bateson and Mead conducted an ambitious photography and film project in Bali, inspired by Mead's conviction that visual anthropology could serve a scientific, objective anthropology. They studied the people of the Balinese village Bajoeng Gede. David Lipset states that "in the short history of [their] ethnographic fieldwork, film was used both on a large scale and as the primary research tool". Indeed, they took around 25,000 photographs, and also shot a short documentary Trance and Dance in Bali, which was not released until 1952. Margaret Mead and Gregory Bateson, in a book entitled Balinese Character, a Photographic Analysis (1942) demonstrate their common experience in visual anthropology. Gregory Bateson made many photographs and some short films, while Mead collected the other necessary materials for analysis. They have published over seven hundred photographs and classified according commented various topics relating to social and religious life of the group studied (meals, parties, religious ceremonies). Setting new and original pages, as boards sometimes combining photographs and drawings, allows simultaneous reading several images that complement (eg bodily attitudes of children with their parents). In 1999 the film was deemed "culturally significant" by the United States Library of Congress and selected for preservation in the National Film Registry.
Legacy
The documentary An Ecology of Mind (2011) by his daughter Nora Bateson premiered at the Vancouver International Film Festival.
Books
- Bateson, G. (1958), Naven (2nd ed.). Stanford, CA: Stanford University Press.
- Bateson, G. (1972), Steps to an ecology of mind. San Francisco: Chandler.
Literature
- Gregory Bateson, Margaret Mead, Balinese Character: A Photographic Analysis., New York Academy of Sciences, 1942. ISBN 0-89072-780-5.
- Lawrence B. Slobodkin, "Mind, bind, and ecology: A review of Gregory Bateson's collected essays", Human Ecology, Vol. 2, No. 1, 1974:67-74.
- David Lipset, Gregory Bateson the Legacy of a Scientist, Beacon Press, 1982.
- Brian Stagoll, "Gregory Bateson (1904–1980): a reappraisal", Australian and New Zealand Journal of Psychiatry, Vol. 39, No. 11-12, 2005:1036-1045.
- Sarah Pink, "Interdisciplinary Agendas. (Re)situating Visual Anthropology", chapter 2 of The Future of Visual Anthropology: Engaging the Senses, London & New York: Routledge, 2006, pp 25-29.
- Ira Jacknis, "Margaret Mead and Gregory Bateson in Bali: Their Use of Photography and Film", 'Cultural Anthropology', Vol. 3, No. 2 (May, 1988), pp. 160-177.
- Gerald Sullivan, Margaret Mead, Gregory Bateson, and Highland Bali: Fieldwork Photographs of Bayung Gede, 1936-1939, University Of Chicago Press, 1999.
- http://thefprorg.files.wordpress.com/2013/05/heims_1977.pdf
