Difference between revisions of "Griselda Pollock"

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* ''Millet'', London: Oresko Books, 1977.
 
* ''Millet'', London: Oresko Books, 1977.
 
* ''Avant-Garde Gambits: Gender and the Colour of Art History'', London: Thames and Hudson, 1993.
 
* ''Avant-Garde Gambits: Gender and the Colour of Art History'', London: Thames and Hudson, 1993.
* editor, ''[http://gen.lib.rus.ec/book/index.php?md5=ADA892E64AB72B5FF4F7DCC3582CBFD2 Julia Kristeva 1966–96: Aesthetics Politics Ethics]'', Parallax, 1998.
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* editor, ''[http://libgen.rs/book/index.php?md5=ADA892E64AB72B5FF4F7DCC3582CBFD2 Julia Kristeva 1966–96: Aesthetics Politics Ethics]'', Parallax, 1998.
 
* ''[http://library.memoryoftheworld.org/#/book/fdf5c305-6775-40f3-8a80-8f818badc3d4 Differencing the Canon: Feminism and the Writing of Art's Histories]'', Routledge, 1999.
 
* ''[http://library.memoryoftheworld.org/#/book/fdf5c305-6775-40f3-8a80-8f818badc3d4 Differencing the Canon: Feminism and the Writing of Art's Histories]'', Routledge, 1999.
* editor, ''[http://gen.lib.rus.ec/book/index.php?md5=66794B69E40EE1B526EE0EC19DE17073 Psychoanalysis and the Image: Transdisciplinary Perspectives]'', Boston and Oxford: Blackwell, 2006.
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* editor, ''[http://libgen.rs/book/index.php?md5=66794B69E40EE1B526EE0EC19DE17073 Psychoanalysis and the Image: Transdisciplinary Perspectives]'', Boston and Oxford: Blackwell, 2006.
 
* editor, with Vanessa Corby, ''[https://aaaaarg.fail/thing/5dc6f0259ff37c4187612602 Encountering Eva Hesse]'', Munich: Prestel, 2006.
 
* editor, with Vanessa Corby, ''[https://aaaaarg.fail/thing/5dc6f0259ff37c4187612602 Encountering Eva Hesse]'', Munich: Prestel, 2006.
* editor, ''[http://gen.lib.rus.ec/book/index.php?md5=DF1E6791380FA37E7ED712E71740EFC3 Museums After Modernism: Strategies of Engagement]'', Blackwell, 2007.
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* editor, ''[http://libgen.rs/book/index.php?md5=DF1E6791380FA37E7ED712E71740EFC3 Museums After Modernism: Strategies of Engagement]'', Blackwell, 2007.
 
* editor, Victoria Turvey-Sauron, ''[http://library.memoryoftheworld.org/#/book/71943cba-0eb0-47c1-a70f-6f7acf0fa97a The Sacred and the Feminine: Imagination and Sexual Difference]'', London: I.B. Tauris, 2007.
 
* editor, Victoria Turvey-Sauron, ''[http://library.memoryoftheworld.org/#/book/71943cba-0eb0-47c1-a70f-6f7acf0fa97a The Sacred and the Feminine: Imagination and Sexual Difference]'', London: I.B. Tauris, 2007.
 
* ''[http://library.memoryoftheworld.org/#/book/4a4173c4-58ac-4dfb-8b53-9b429d4756da Vision and Difference: Feminism, Femininity and the Histories of Art]'', London and New York: Routledge, 2008.
 
* ''[http://library.memoryoftheworld.org/#/book/4a4173c4-58ac-4dfb-8b53-9b429d4756da Vision and Difference: Feminism, Femininity and the Histories of Art]'', London and New York: Routledge, 2008.
* editor, ''[http://gen.lib.rus.ec/book/index.php?md5=B79BBA5A0263D8B1E94F33263CFC2F8D Conceptual Odysseys: Passages to Cultural Analysis]'', London: I.B. Tauris, 2008.
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* editor, ''[http://libgen.rs/book/index.php?md5=B79BBA5A0263D8B1E94F33263CFC2F8D Conceptual Odysseys: Passages to Cultural Analysis]'', London: I.B. Tauris, 2008.
 
* editor, with Victoria Anderson, ''[http://library.memoryoftheworld.org/#/book/534ab2ee-0193-414e-b9c0-89d62062b8f6 Bluebeard's Legacy: Death and Secrets from Bartók to Hitchcock]'', London: I.B. Tauris, 2009.
 
* editor, with Victoria Anderson, ''[http://library.memoryoftheworld.org/#/book/534ab2ee-0193-414e-b9c0-89d62062b8f6 Bluebeard's Legacy: Death and Secrets from Bartók to Hitchcock]'', London: I.B. Tauris, 2009.
 
* editor, with Anthony Bryant, ''[http://library.memoryoftheworld.org/#/book/2b5b722b-c282-435a-b4ae-acb11f1bcdd3 Digital and Other Virtualities: Renegotiating the Image]'', London: I.B. Tauris, 2010.
 
* editor, with Anthony Bryant, ''[http://library.memoryoftheworld.org/#/book/2b5b722b-c282-435a-b4ae-acb11f1bcdd3 Digital and Other Virtualities: Renegotiating the Image]'', London: I.B. Tauris, 2010.

Revision as of 09:30, 5 March 2021

Griselda Pollock (1949) is a visual theorist and cultural analyst, and scholar of international, postcolonial feminist studies in the visual arts. She is best known for her theoretical and methodological innovation, combined with readings of historical and contemporary art, film and cultural theory.

Publications

Links