Difference between revisions of "Guy Brett"

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(Created page with "Guy Brett (1942) is a London-based art critic, curator and lecturer on art. He has published widely in the international art press and is the author of monographic essays on R...")
 
 
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Brett contributed as critic and as curator to the development of European and Latin-American kinetic art during the 1960s. He curated influential exhibitions such as ''In Motion'', an international exhibition of kinetic art for the Arts Council of Great Britain (1966) and ''Force Fields: Phases of the Kinetic'' for MACBA in Barcelona and the Hayward Gallery in London (2001).
 
Brett contributed as critic and as curator to the development of European and Latin-American kinetic art during the 1960s. He curated influential exhibitions such as ''In Motion'', an international exhibition of kinetic art for the Arts Council of Great Britain (1966) and ''Force Fields: Phases of the Kinetic'' for MACBA in Barcelona and the Hayward Gallery in London (2001).
  
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; Publications
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* ''[[Media:Brett_Guy_Kinetic_Art_The_Language_of_Movement_1968.pdf|Kinetic Art: The Language of Movement]]'', London: Studio Vista, and New York: Reinhold, 1968, 95 pp. Review: [https://muse.jhu.edu/article/596584/summary Taylor] (Leonardo). [http://www.studiomontespecchio.it/zero_light%20and%20movement%27.html]
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; Links
 
* http://www.iniva.org/library/archive/people/b/brett_guy
 
* http://www.iniva.org/library/archive/people/b/brett_guy
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* http://www.vivavoices.org/website.asp?page=Guy%20Brett
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* http://pt.wikipedia.org/wiki/Guy_Brett
  
 
[[Category:Kinetic art|Brett, Guy]]
 
[[Category:Kinetic art|Brett, Guy]]

Latest revision as of 16:08, 28 June 2020

Guy Brett (1942) is a London-based art critic, curator and lecturer on art. He has published widely in the international art press and is the author of monographic essays on Rasheed Araeen, Derek Boshier, Lygia Clark, Eugenio Dittborn, Rose Finn-Kelcey, Tina Keane, Victor Grippo, Brion Gysin, Mona Hatoum, Susan Hiller, Ghisha Koenig, David Medalla, Helio Oiticica, Lygia Pape and Aubrey Williams.

Brett contributed as critic and as curator to the development of European and Latin-American kinetic art during the 1960s. He curated influential exhibitions such as In Motion, an international exhibition of kinetic art for the Arts Council of Great Britain (1966) and Force Fields: Phases of the Kinetic for MACBA in Barcelona and the Hayward Gallery in London (2001).

Publications
Links