Guy Debord

Guy Louis Debord (28 December 1931, Paris – 30 November 1994, Bellevue-la-Montagne, Haute-Loire) was a French writer, theoretician, filmmaker, poet and revolutionary. He was one of the founders of Lettrist International from 1952 to 1957, then of the Situationist International from 1957 to 1972, of which he edited the French magazine. He is the author of Society of the Spectacle.

Films

• Critique de la séparation, 1961.
• Hurlements en faveur de Sade, 1952.
• In Girum Imus Nocte Et Consumimur Igni, 1978.
• Refutation of All the Judgements, Pro or Con, Thus Far Rendered on the Film “The Society of the Spectacle”, 1975.
• Society of the Spectacle, Part 1, 1973.
• Society of the Spectacle, Part 2, 1973.

Publications

• editor, Internationale lettriste, 4 numbers, ed. G.-E. Debord, Paris: Internationale lettriste, Dec 1952-Jun 1954. Journal.

• with Asger Jorn, Fin de Copenhague, Edition Bauhaus Imaginiste, May 1957, 40 pp.

• Rapport sur la construction des situations et sur les conditions de l'organisation et de l'action de la tendance Situationniste Internationale, [Brussels]: Internationale Situationniste, [Jun 1957], 20 pp; repr. in Inter 44, Quebec, 1989, xi pp; repr. as Rapport sur la construction des situations, Paris: Fayard, 2000, 64 pp. [1] [2]
  • Rapporto sulla costruzione di situazioni e sulle condizioni dell'organizzazione e dell'azione delle tendenza situazionista internazionale, Brescia: Gruppo anarchico bresciano, 1976, 46 pp; repr., Turin: Nautilus, 1989, 46 pp. [3] (Italian)
  • Rapport über die Konstruktion von Situationen und die Organisations- und Aktionsbedingungen der Internationalen Situationistischen Tendenz und andere Schriften, Hamburg: Nautilus, 1980, 87 pp. (German)
  • Rapporto sulla creazione delle situazioni, Turin: El paso, 1990, 22 pp. (Italian)
  • Ékthesi perí tis kataskevís katastáseon [Έκθεση περί της κατασκευής καταστάσεων], trans. Νίκος Β. Αλεξίου, ed. Νίκος Κούρκουλος, Athens: Typos (Τύπος), 1998, 94 pp. [4] (Greek)

• with Asger Jorn, Mémoires, Paris: Internationale Situationniste, 1958, [64] pp; 2nd ed., Copenhagen, 1959; repr., Jean-Jacques Pauvert aux Belles Lettres, 1993.
  • Mémoires, trans. Ian Thompson, 2015. Facsimile trans. (English)

• editor, Internationale situationniste. Bulletin central éd. par les sections de l'Internationale situationniste, 12 numbers, Paris, Jun 1958-Sep 1969, HTML. Journal. (French)
  • Internationale Situationniste. Réédition d’articles (Supplement a 4 Millions de Jeunes Travailleurs), Paris: Les Amis de 4 millions de jeunes travailleurs, [1970], 44 pp.
  • Internacional Situacionista, 1: La realización del arte, numbers 1-6, trans. Luis Navarro, 1999. (Spanish)

• Contre le cinéma, Aarhus: Institut scandinave de vandalisme comparé, 1964, 87 pp. [5]
  • Enántia ston kinimatográfo [Ενάντια στον κινηματογράφο], ed. Asger Jorn, trans. Μ. Τ., Acne (Άκμων), 1977, 101 pp.
  • Gegen den Film, trans. Pierre Gallissaires and Hanna Mittelstädt, Hamburg: Nautilus, 1978, 135 pp. (German)
  • "Eiga ni hantaishite", in Debord, Eiga ni hantaishite. Dubōru eiga sakuhin zenshū [映画に反対して : ドゥボール映画作品全集], 2 vols., trans. Makoto Kinoshita (木下誠), Tokyo: Gendai shichō shinsha (現代新聞新社), 1999, 217+262 pp. (Japanese)

• La Société du Spectacle, Paris: Buchet-Chastel, Nov 1967, 175 pp; repr., Paris: Champ Libre, 1971; 3rd ed., 1992. (French)
  • La società dello spettacolo, Bari: De Donato, 1968, 174 pp. (Italian)
  • Society of the Spectacle, trans. Fredy Perlman and Jon Supak, Madison, WI: Radical America, and Detroit, MI: Black & Red, 1970. (English)
  • Proletariatet som subjekt och som representation, Stockholm, 1970, 48 pp. Trans. of chapter 4. (Swedish)
  • Die Gesellschaft des Spektakels, trans. Projektgruppe Gegengesellschaft, Düsseldorf: Projektgruppe Gegengesellschaft, 1971, 167 pp; repr., Vienna: Edition Revolutionsbräuhof, 1996, 90 pp. (German)
  • Skuespilsamfundet, trans. Ole Klitgaard, Rhodos, 1972, 171 pp. (Danish)
  • "La sociedad del espectaculo", trans. Jorge Diamant, in Debord, La sociedad del espectaculo, y otros textos situacionistas, Buenos Aires: Ediciones de la Flor, 1974. (Spanish)
  • La sociedad del espectáculo, trans. Fernando Casado, Madrid: Castellote, 1976, 153 pp. (Spanish)
  • De spektakelmaatschappij, trans. Jaap Kloosterman and René van de Kraats, Baarn: Het Wereldvenster, 1976, 139 pp; new ed., Amsterdam: De Dolle Hond, 2001, xxviii+145 pp. (Dutch)
  • Hē koinōnia tou theamatos [Η Κοινωνία του Θεάματος], trans. Panos Tsachageas (Πάνος Τσαχαγέας) and Nikos B. Alexiou (Νίκος Β. Αλεξίου), Athens: Typos (Τύπος), 1977, 160 pp. [6] (Greek)
  • Die Gesellschaft des Spektakels, trans. Jean-Jacques Raspaud, Hamburg: Nautilus, 1978, 121 pp, HTML; repr. as "Die Gesellschaft des Spektakels", in Debord, Die Gesellschaft des Spektakels. Kommentare zur Gesellschaft des Spektakels, Berlin: Tiamat, 1996; 2nd ed., 2013. (German)
  • La società dello spettacolo, trans. Paolo Salvadori, Firenze: Vallecchi, 1979, 165 pp; repr. as "La società dello spettacolo", in Debord, La società dello spettacolo. Commentari sulla società dello spettacolo, note Giorgio Agamben, Milan: SugarCo, 1990; repr., intro. Carlo Freccero and Daniela Strumia, Milan: Baldini & Castoldi, 2001, 254 pp, HTML. (Italian)
  • Hē koinōnia tou theamatos [Η Κοινωνία του Θεάματος], trans. Vasilis Tomanas (Βασίλης Τομανάς), Thessaloniki, 1986, 159 pp. [7] (Greek)
  • La società dello spettacolo, pref. Franco Berardi, Bologna: Agalev, 1990, 125 pp. (Italian)
  • Mujtamaʻ al-furjah: al-insān al-muʻj̄aṣir fı̄ mujtamaʻ al-istiʻrāḍ, trans. Aḥmad Ḥassān, Cairo: Dār Sharqı̄yāt, 1994, 97 pp; new ed. as Mujtamaʻ al-iʻtirāḍ maʻ al-taʻlīqāt ʻalayhi [مجتمع الاعتراض مع التعليقات عليه], Cairo: Dār Sharqīyāt lil-Nashr wa-al-Tawzīʻ, 2000, 162 pp. (Arabic)
  • Society of the Spectacle, trans. Donald Nicholson-Smith, New York: Zone Books, 1994, 154 pp. [8] (English)
  • La sociedad del espectáculo, ed. & intro. Christian Ferrer, trans. Fidel Alegre, Buenos Aires: La Marca, 1995, 211 pp; 2nd ed., 2008; 3rd ed., 2018, 184 pp. [9] [10] (Spanish)
  • La sociedad del espectáculo, trans. Rodrigo Vicuña Navarro, Santiago de Chile: Naufragio, 1995, 131 pp. [11] [12] (Spanish)
  • Gösteri toplumu ve yorumlar, trans. Ayşen Ekmekçi and Okşan Taşkent, Istanbul: Ayrıntı, 1996, 254 pp. (Turkish)
  • Sŭp'ekt'ak'ŭl ŭi sahoe [스펙타클의사회], trans. Kyŏn-suk Yi, Seoul: Hyŏnsil Munhwa Yŏn'gu, 1996, 198 pp. (Korean)
  • "A Sociedade do espetáculo", in Debord, A Sociedade do espetáculo. Comentários sobre a sociedade do espetáculo, trans. Estela dos Santos Abreu, Rio de Janeiro: Contraponto, 1997. (Brazilian Portuguese)
  • Społeczeństwo spektaklu, trans. & afterw. Anka Ptaszkowska, Gdańsk: Słowo/Obraz Terytoria, 1998, 126 pp. (Polish)
  • La sociedad del espectáculo, intro., trans. & notes José Luis Pardo, Valencia: Pre-textos, 1999, 176 pp. [13] (Spanish)
  • "Družba spektakla", trans. Meta Štular, in Debord, Družba spektakla. Komentarji k Družbi spektakla. Panegirik: prvi del, Ljubljana: ŠOU-Študentska založba, 1999. (Slovenian)
  • "Societatea spectacolului", in Debord, Societatea spectacolului. Comentarii la societatea spectacolului, trans. & notes Ciprian Mihali and Radu Stoenescu, pref. Radu Stoenescu, Cluj-Napoca: Casa Cărţii de Ştiinţă, 1998; repr., Bucharest: Est, 2001. (Romanian)
  • Hē koinōnia tou theamatos [Η Κοινωνία του Θεάματος], trans. Sylvia (Σύλβια), Athens: International Library (Διεθνής Βιβλιοθήκη), 2000, 170 pp. [14] (Greek)
  • Ḥevrat ha-raʼaṿah, trans. Dafnah Raz, Tel Aviv: Bavel, 762 [2001]. (Hebrew)
  • Society of the Spectacle, trans. Ken Knabb, London: Rebel Press, 2002; 2005, 119 pp. (English)
  • La società dello spettacolo, intro. & ed. Pasquale Stanziale, Bolsena, VT: Massari, 2002, 191 pp. (Italian)
  • La sociedad del espectacul, 2002. (Spanish)
  • Skådespelssamhället, trans. Bengt Ericson, forew. Olov Hyllienmark, Göteborg: Daidalos, 2002, 159 pp. (Swedish)
  • Supekutakuru no shakai [スペクタクルの社会], trans. Makoto Kinoshita (木下誠), Tokyo: Chikuma gakugei bunko (竹間学芸文庫), 2003, 282 pp. (Japanese)
  • Društvo spektakla, trans. Aleksa Golijanin, anarhija/blok 45, 2003; Anarhistička biblioteka, 2012. (Serbian)
  • A sociedade do espectáculo, Lisbon: Antipáticas, 2005, 157 pp. (Portuguese)
  • Spektaakkelin yhteiskunta, intro. Jussi Vähämäki, trans. Tommi Uschanov, Helsinki: Summa, 2005, 191 pp. (Finnish)
  • Jing guan she hui [景观社会], trans. Wang Zhaofeng, Nanjing: Nanjing da xue chu ban she, 2006, [44]+211 pp. (Chinese)
  • Spektaklio visuomenė, trans. Dainius Gintalas, Kaunas: Radikaliai kitos knygos, 2006, 189 pp. (Lithuanian)
  • Spektákulum társadalma, trans. Miklós Erhardt, Budapest: Balassi, 2006, 158 pp. (Hungarian)
  • "Społeczeństwo spektaklu", in Debord, Społeczeństwo spektaklu oraz Rozważania o społeczeństwie spektaklu, trans., intro. & comm. Mateusz Kwaterko, Warsaw: Państwowy Instytut Wydawniczy, 2006. [15] (Polish)
  • Společnost spektáklu, trans. Josef Fulka and Pavel Siostrzonek, Prague: Intu, 2007, ix+157 pp. (Czech)
  • La sociedad del espectáculo, trans. Colectivo Maldeojo, Sevilla: Doble J, 2009, xxii+149 pp. [16] (Spanish)
  • Societatea spectacolului, trans. Cristina Săvoiu, Bucharest: RAO, 2011, 153 pp. (Romanian)
  • "De spektakelmaatschappij", in Debord, De spektakelmaatschappij & Commentaar op de spektakelmaatschappij, trans. Rokus Hofstede, Utrecht: IJzer, 2014. [17] (Dutch)
  • Hē koinōnia tou theamatos [Η Κοινωνία του Θεάματος], trans. Giorgos-Ikaros Bampasakis (Γιώργος-Ίκαρος Μπαμπασάκης), Athens: Metaichmio (Μεταίχμιο), 2016, 204 pp. [18] (Greek)

• with Gianfranco Sanguinetti, La veritable scission dans l'internationale, Paris: Champ Libre, 1972, 147 pp; exp.ed., Paris: Fayard, 1998, 175 pp.
  • Die wirkliche Spaltung in der Internationalen, trans. Projektgruppe Gegengesellschaft Düsseldorf, Düsseldorf: Projektgruppe Gegengesellschaft, 1973, 161 pp. (German)
  • The Veritable Split in the International [Public Circular of the Situationist International], London: B.M. Piranha, 1974, 125 pp; 2nd ed., London: Chronos, 1985, 125 pp; 3rd ed. as The Veritable Split in the International: Theses on the Situationist International and Its Time, London: Chronos, 1990, 138 pp; repr., trans. John McHale, Pluto Press, 2003, viii+184 pp. (English)
  • Internazionale situazionista: la vera scissione, Rome: Manifestolibri, 1999, 148 pp. (Italian)

• Oeuvres cinématographiques complètes 1952-1978, Paris: Champ Libre, 1978, 287 pp; new ed., Paris: Gallimard, 1994, 282+[26] pp.
  • Opere cinematografiche complete, 1952-1978, trans. Paolo Salvadori, Rome: Arcana, 1980, 321 pp. (Italian)
  • "Dubōru eiga sakuhin zenshū", in Debord, Eiga ni hantaishite. Dubōru eiga sakuhin zenshū [映画に反対して : ドゥボール映画作品全集], 2 vols., trans. Makoto Kinoshita (木下誠), Tokyo: Gendai shichō shinsha (現代新聞新社), 1999, 217+262 pp. (Japanese)
  • Complete Cinematic Works: Scripts, Stills, Documents, trans. & ed. Ken Knabb, Oakland, CA: AK Press, 2003, xi+258 pp. (English)
  • Opere cinematografiche, intro. Enrico Ghezzi, trans. Fabrizio Ascari, Milan: Bompiani, 2004, xix+315 pp. (Italian)
  • Dzieła filmowe, trans., intro. & comm. Mateusz Kwaterko, Kraków: Korporacja Ha!art, 2007, 221 pp. (Polish)
  • Das filmische Gesamtwerk, ed. & trans. Werner Rappl, Vienna: Austrian Film Museum, 2019, 400 pp. (German)

• Préface à la quatrième édition italienne de "La société du spectacle", Paris: Champ libre, 1979, 40 pp. Written in Jan 1979. (French)
  • Preface to the fourth Italian edition of "The Society of the Spectacle", trans. Michel Prigent and Lucy Forsyth, London: Chronos Publications, 1979, 24 pp. (English)
  • Voorwoord bij de vierde Italiaanse editie van "La société du spectacle", Amsterdam: De Lantaarn, 1983, 19 pp; repr. in De spektakelmaatschappij, Amsterdam: De Dolle Hond, 2001. (Dutch)
  • "Vorwort zur vierten italienischen Ausgabe von Die Gesellschaft des Spektakels", in Debord, In girum imus nocte et consumimur igni im Anh.: Vorw. zur 4. ital. Ausg. von "Die Gesellschaft des Spektakels". Wir irren des Nachts im Kreis umher und werden vom Feuer verzehrt, Berlin: Tiamat, 1985; repr. in Debord, Die Gesellschaft des Spektakels. Kommentare zur Gesellschaft des Spektakels, Berlin: Tiamat, 1996; 2nd ed., 2013. (German)
  • "Prefacio a 4. edição italiana", in Debord, A Sociedade do espetáculo. Comentários sobre a sociedade do espetáculo, trans. Estela dos Santos Abreu, Rio de Janeiro: Contraponto, 1997. (Brazilian Portuguese)

• Commentaires sur la société du spectacle (1988) suivi de Préface à la quatrième édition italienne de 'La Société du Spectacle' (1979), Paris: Gallimard, 1992. [19]
  • Comments on the Society of the Spectacle, trans. Malcolm Imrie, London: Verso, 1988, 94 pp. (English)
  • Scholia panō stēn koinōnia tou theamatos [Σχόλια πάνω στην κοινωνία του θεάματος], trans. Panos Tsachageas (Πάνος Τσαχαγέας), Athens: Typos (Τύπος), 1988, 80 pp. [20] (Greek)
  • Comentarios sobre la sociedad del espectáculo, trans. Carme López and J. R. Capella, Barcelona: Anagrama, 1990, 109 pp. (Spanish)
  • "Commentari sulla società dello spettacolo", trans. Fabio Vasarri, in Debord, La società dello spettacolo. Commentari sulla società dello spettacolo, note Giorgio Agamben, Milan: SugarCo, 1990; repr., intro. Carlo Freccero and Daniela Strumia, Milan: Baldini & Castoldi, 2001, 254 pp, HTML. (Italian)
  • "Kommentare zur Gesellschaft des Spektakels", trans. Wolfgang Kukulies, in Debord, Die Gesellschaft des Spektakels. Kommentare zur Gesellschaft des Spektakels, Berlin: Tiamat, 1996; 2nd ed., 2013. (German)
  • "Comentários sobre a sociedade do espetáculo", in Debord, A Sociedade do espetáculo. Comentários sobre a sociedade do espetáculo, trans. Estela dos Santos Abreu, Rio de Janeiro: Contraponto, 1997. (Brazilian Portuguese)
  • "Komentarji k Družbi spektakla", trans. Tanja Lesničar Pučko, in Debord, Družba spektakla. Komentarji k Družbi spektakla. Panegirik: prvi del, Ljubljana: ŠOU-Študentska založba, 1999. (Slovenian)
  • Comentarios sobre la sociedad del espectáculo, trans. Luis A Bredlow, Barcelona: Anagrama, 1999, 135 pp; 3rd ed. as Comentarios sobre la sociedad del espectáculo; seguido de prólogo a la cuarta edición italiana de La sociedad del espectáculo, 2003, 135 pp. [21] (Spanish)
  • "Comentarii la societatea spectacolului", in Debord, Societatea spectacolului. Comentarii la societatea spectacolului, trans. & notes Ciprian Mihali and Radu Stoenescu, pref. Radu Stoenescu, Cluj-Napoca: Casa Cărţii de Ştiinţă, 1998; repr., Bucharest: Est, 2001. (Romanian)
  • Supekutakuru no shakai ni tsuite no chūkai [スペクタクルの社会についての注解], trans. Makoto Kinoshita (木下誠), Tokyo: Gendai shichō shinsha (現代新聞新社), 2000, 204 pp. (Japanese)
  • "Rozważania o społeczeństwie spektaklu", in Debord, Społeczeństwo spektaklu oraz Rozważania o społeczeństwie spektaklu, trans., intro. & comm. Mateusz Kwaterko, Warsaw: Państwowy Instytut Wydawniczy, 2006. [22] (Polish)
  • Kommentárok A spektákulum társadalmához, trans. Miklós Erhardt, Budapest: Trafó, 2008, 99 pp. (Hungarian)
  • Comments on the society of the Spectacle, London: Verso, 2011. (English)
  • Comentarii asupra societăţii spectacolului, trans. Cristina Săvoiu, Bucharest: RAO, 2011, 121 pp. (Romanian)
  • "Commentaar op de spektakelmaatschappij", in Debord, De spektakelmaatschappij & Commentaar op de spektakelmaatschappij, trans. Rokus Hofstede, Utrecht: IJzer, 2014. [23] (Dutch)

• Considérations sur l'assassinat de Gérard Lebovici, Paris: Gallimard, 1993, 96 pp. [24]
  • Paratiríseis gia tin dolofonía tou Zerár Lempovisí [Παρατηρήσεις για την δολοφονία του Ζεράρ Λεμποβισί], trans. Βασίλης Τομανάς, Nisides (Νησίδες), 1996, 58 pp. [25] (Greek)
  • Considerations on the Assassination of Gérard Lebovici, trans. & intro. Robert Greene, Los Angeles: TamTam Books, 2001, ix+81 pp. (English)
  • Consideraciones sobre el asesinato de Gérad Lebovici, trans. Luis Andrés Bredlow, Barcelona: Anagrama, 2001, 113 pp. [26] (Spanish)

• Panégyrique, tome premier, Paris: Gallimard, 1993, 88 pp. [27]
  • Panegyric, trans. James Brook, London: Verso, 1991, 175 pp; repr. in Debord, Panegyric. Volumes 1 & 2, London: Verso, 2002. (English)
  • Panigyrikós [Πανηγυρικός], trans. Κώστας Οικονόμου, eds. Πάνος Τσαχαγέας and Νίκος Β. Αλεξίου, Athens: Typos (Τύπος), 1995, 80 pp. [28] (French)
  • Panegírico, Lisbon: Antígona, 1995, 80 pp. (Portuguese)
  • Panegirico, tomo primo, trans. Paolo Salvadori, Rome: Castelvecchi, 1996, 60 pp; repr. as "Panegirico, tomo primo", in Debord, Panegirico, Rome: Castelvecchi, 2005. (Italian)
  • Panegyrikus, trans. Wolfram Bayer, Berlin: Tiamat, 1997, 95 pp. (German)
  • Panegírico: tomo primero, trans. & ed. Tomás González López and Amador Fernández-Savater, Madrid: Acuarela, 1999, 55 pp. (Spanish)
  • "Panegirik: prvi del", trans. Tanja Lesničar Pučko, in Debord, Družba spektakla. Komentarji k Družbi spektakla. Panegirik: prvi del, Ljubljana: ŠOU-Študentska založba, 1999. (Slovenian)
  • Panegírico, trans. Edison Cardoni, São Paulo: Conrad Livros, 2002, 77 pp. (Brazilian Portuguese)
  • "Panegírico: tomo primero", in Debord, Panegírico: tomo primero y segundo, forew. Greil Marcus, Madrid: Machado, 2009. (Spanish)

• "Cette mauvaise réputation...", Paris: Gallimard, 1993. [29]
  • Esa mala fama, trans. Federico Corriente, Logroño: Pepitas de Calabaza, 2011, 110 pp. (Spanish)
  • Questa cattiva reputazione, trans. Monica Rapetti, Milan: Postmedia Books, 2014, 78 pp. (Italian)

• Panégyrique, tome second, Paris: Fayard, 1997, 118 pp. [30]
  • "Panegyric, Volume 2", trans. John McHale, in Debord, Panegyric. Volumes 1 & 2, London: Verso, 2002. (English)
  • "Panegirico, tomo secondo", trans. Michele Bertolini, in Debord, Panegirico, Rome: Castelvecchi, 2005. (Italian)
  • "Panegírico: tomo segundo", in Debord, Panegírico: tomo primero y segundo, forew. Greil Marcus, Madrid: Machado, 2009. (Spanish)

• In girum imus nocte et consumimur igni, suivi, d' Ordures et décombres, Paris: Gallimard, 1999, 160 pp. [31]
  • In girum imus nocte et consumimur igni, London: Pelagian, 1991, 76+[12] pp. (English)
  • In girum imus nocte et consummur igni, trans. Ανδρέας Βαρίκας, Gavriilides (Γαβριηλίδης), 1995, 108 pp. [32] (Greek)
  • In girum imus nocte et consumimur igni, trans. Donata Feroldi, Milan: Mondadori, 1998, 82 pp. (Italian)
  • In girum imus nocte et consumimur igni: damos vueltas en la noche y somos devorados por el fuego, Valencia: Al Margen, 1999, 47 pp. (Spanish)
  • In girum imus nocte et consumimur igni: seguido de basura y escombros, trans. Luis Andrés Bredlow, Barcelona: Anagrama, 2000, 169 pp. Critical edition. [33] (Spanish)
  • In girum imus nocte et consumimur igni im Anh.: Vorw. zur 4. ital. Ausg. von "Die Gesellschaft des Spektakels". Wir irren des Nachts im Kreis umher und werden vom Feuer verzehrt, Berlin: Tiamat, 1985, 137 pp. (German)

• La planète malade, Paris: Gallimard, 2004, 96 pp. [34]
  • El planeta enfermo, trans. Luis Andrés Bredlow, Barcelona: Anagrama, 2006, 89 pp. [35] (Spanish)
  • Il Pianeta malato, seguito da L'Ammazzafame, Turin: Nautilus, 2005, 27 pp. [36] (Italian)
  • Il pianeta malato, trans. Edoardo Acotto, Rome: Nottetempo, 2007, 61 pp. (Italian)
  • A Sick Planet, trans. Donald Nicholson-Smith, London: Seagull, 2008, 94 pp. (English)

• with Alice Becker-Ho, Le Jeu de la Guerre. Relevé des positions successives de toutes les forces au cours d'une partie, Paris: Gallimard, 2006, 176 pp. [37]

• Oeuvres, ed. Jean-Louis Rançon, pref. Vincent Kaufmann, Paris: Gallimard, 2006, 1996 pp. [38]

• Enregistrements magnétiques, 1952-1961, ed. Jean-Louis Rançon, Paris: Gallimard, 2010, 117 pp.

• Lire Debord, avec des notes inédites de Guy Debord, eds. Laurence Le Bras and Emmanuel Guy, Paris: Échappée, 2016, 437 pp.

Sound recordings

• UbuWeb

Correspondence

• Correspondance, volume 1, juin 1957 - août 1960, Paris: Fayard, 1999, 381 pp. [39]
  • Correspondence: The Foundation of the Situationist International (June 1957-August 1960), intro. McKenzie Wark, trans. Stuart Kendall and John McHale, Los Angeles: Semiotext(e), 2008, 397 pp. [40] (English)
• Correspondance, volume 2, septembre 1960 - décembre 1964, Paris: Fayard, 2001, 320 pp. [41]
• Correspondance, volume 3, janvier 1965 - décembre 1968, Paris: Fayard, 2003, 312 pp. [42]
• Correspondance, volume 4, janvier 1969 - décembre 1972, Paris: Fayard, 2004, 624 pp. [43]
• Le marquis de Sade a des yeux de fille, Paris: Fayard, 2004, 184 pp. Correspondence between Debord, Hervé Falcou and Ivan Chtcheglov in the early 1950s. [44]
• Correspondance, volume 5, janvier 1973 - décembre 1978, Paris: Fayard, 2005, 504 pp. [45]
• Correspondance, volume 6, janvier 1979 - décembre 1987, Paris: Fayard, 2007, 496 pp. [46]
• Correspondance, volume 7, janvier 1988 - novembre 1994, Paris: Fayard, 2008, 480 pp. [47]
• Correspondance, volume 0, septembre 1951 - juillet 1957, Paris: Fayard, 2010, 400 pp. [48]
• Ausgewählte Briefe, 1957-1994, trans. Bernadette Grubner, Berlin: Tiamat, 2011, 334 pp. (German)
• Lettres à Marcel Mariën [Oct 1954-Jul 1957], Toulon: La Nerthe, 2015, 160 pp.
• Lettres a Gil J Wolman 1952-1956, Paris: Edition privée hors commerce, 2017, 97 pp. [49]

Literature

• Anselm Jappe, Guy Debord, Pescara: Tracce, 1993. Biography. Excerpt. (Italian)
  • Guy Debord, Marseille: Via Valeriano, 1995. Revised ed. (French)
  • Guy Debord, trans. Luis A. Bredlow, Barcelona: Anagrama, 1998. (Spanish)
  • Guy Debord, trans. Donald Nicholson-Smith, forew. T.J. Clark, afterw. Anselm Jappe, University of California Press, 1999, xvii+188 pp. (English)

• Anselm Jappe, "Sic transit gloria artis. El fin del arte segn Theodor W. Adorno y Guy Debord", Iter 7, 1994. (Italian)
  • "Sic transit gloria artis. El «fin del arte» según Theodor W. Adorno y Guy Debord", Mania 1, Barcelona, 1995. (Spanish)
  • "Sic transit gloria artis. Theorien über das Ende der Kunst bei Theodor W. Adorno und Guy Debord", Krisis 15, 1995. (German)
  • "Sic transit gloria artis. O „fim da arte“ segundo Theodor W. Adorno e Guy Debord", trans. Iraci D. Poleti, Krisis, 1995. (Portuguese)
  • "Sic Transit Gloria Artis: 'The End of Art' for Theodor Adorno and Guy Debord", trans. Donald Nicholson-Smith, SubStance 90: "Guy Debord", 1999, pp 102-128. (English)
  • L'avant-garde inacceptable: réflexions sur Guy Debord, Paris: Lignes, 2004, 120 pp. (French)
  • To télos tis téchnis ston Antórno kai ton Ntempór [Το τέλος της τέχνης στον Αντόρνο και τον Ντεμπόρ], trans. Λία Γυιόκα, Athens: Εκδόσεις των Ξένων, 2007, 104 pp. (Greek)

• Cécile Guilbert, Pour Guy Debord, Paris: Gallimard, 1996. (French)
• Michael Löwy, "Consume par le feu de la nuit (Le romantisme noir de Guy Debord)", Lignes 31, 1997, pp 161-169. (French)
  • "Consumed by Night’s Fire: The Dark Romanticism of Guy Debord", trans. David Macey, Radical Philosophy 87, Jan-Feb 1998, pp 31-34, PDF. (English)
  • "Consumed by Night’s Fire: The Dark Romanticism of Guy Debord", trans. Marie Stuart, ch 9 in Löwy, Morning Star: Surrealism, Marxism, Anarchism, Situationism, Utopia, University of Texas Press, 2009, pp 97-104. (English)
• Jean-Marie Apostolidès, Les tombeaux de Guy Debord, précédé de Portrait de Guy-Ernest en jeune libertin, Paris: Exils, 1999, 161 pp. Biography. (French)
  • The Tombs of Guy Debord, trans. Laure Katsaros and Rene Kooiker, Massachusetts Review, 2018. [50] (English)
• SubStance 90: "Guy Debord", 1999. [51] (English)
• Vincent Kaufmann, Guy Debord: la révolution au service de la poésie, Paris: Fayard, 2001, 418 pp. Intellectual biography. [52] (French)
  • Guy Debord. Die Revolution im Dienste der Poesie, Munich, 2004. (German)
• Andrew Hussey, The Game of War: The Life and Death of Guy Debord, London: Cape, 2001, x+420 pp; London: Pimlico, 2002. Biography. (English)
  • Guy Debord: la société du spectacle et son héritage punk, trans. Marguerite Baux and Lucie Delplanque, pref. Will Self, Paris: Globe, 2014, 540 pp. (French)
• Guy Debord: (contro) il cinema, eds. Enrico Ghezzi and Roberto Turigliatto, Milan: Il Castoro, and Venice: La Biennale di Venezia, 2001, 206 pp. Catalogue. (Italian)
• Toulouse-la-Rose, Pour en finir, avec Guy Debord, Talus d’approche, 2004. [53] (French)
• Mathurin Maugarlonne [François George], À la rencontre des disparus, Grasset, 2004. [54] (French)
• Olivier Assayas, Une adolescence dans l’après-Mai. Lettre à Alice Debord, Paris: Cahiers du cinéma, 2005. [55] (French)
• Guy Debord. Un art de la guerre, eds. Laurence Le Bras and Emmanuel Guy, Paris: BnF, 2013, 224 pp. Catalogue. [56] (French)
• Thomas Y. Levin, "Dismantling the Spectacle: The Cinema of Guy Debord", in On the Passage of a Few People through a Rather Brief Moment in Time: The Situationist International, 1957-1972, ed. Elisabeth Sussman, MIT Press, and Boston: ICA, 1991, pp 72-123. (English)
• Jason E. Smith, "Guy Debord, Filmmaker", Grey Room 52, Summer 2013, pp 62-81. (English)
• Aragorn Moser, Cathy Levine, John Moore, Saul Newman, Debord, Ressentiment, and Revolutionary Anarchism, 2017, 46 pp. [57] (English)
• Tom Bunyard, Debord, Time and Spectacle: Hegelian Marxism and Situationist Theory, Leiden and Boston: Brill, 2018. 430 pp. Review: Russell (Radical Phil). (English)
• Scott Mackenzie, The Cinema, too, Must be Destroyed: The Films of Guy Debord, Manchester: Manchester University Press, forthcoming. (English)

Exhibitions

• Guy Debord. Un art de la guerre / An Art of War, BnF, Paris, 2013. Press kit.

Links

• Debordi@na, a comprehensive collection of Debord's work and writing
• Debord's holdings and biography, Beinecke Rare Book & Manuscript Library, Yale U
• Debord on Not Bored!, a pro-situationist digital zine run by Bill Brown, featuring chronology, texts, correspondence, and images related to Debord, Lettrism, and SI
• Resource on Debord's films, Bureau of Public Secrets, run by Ken Knabb
• Debord on La Revue des Ressources
• Society of the Spectacle by Guy Debord with a new and unauthorized translation, voiceover by Paul Chan, 2013.