Difference between revisions of "Hito Steyerl"

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'''Hito Steyerl''' works as filmmaker, videoartist and author in the area of essayist documentary film, postcolonial criticism, as producer as well as theorist. The works are located on the interface between film and fine arts. Main topics: cultural globalisation, political theory, global feminism, and migration. Further activities include work as political journalist, film and art critic, catalogue and book author. The films have received international awards and are screened on TV in many countries. Phd in philosophy. Visiting Professor for Experimental Media Creation at Universitaet der Kuenste, Berlin, numerous lecturerships at art and filmschools in Vienna, Munich, Hannover, etc.
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{{Infobox artist
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|image = Hito Steyerl 2017.jpg
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|imagesize = 250px
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|caption =
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|birth_date = {{birth date|1966|9|17|mf=y}}
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|birth_place = Munich, West Germany (today Germany)
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|based_in = [[Berlin]], Germany
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|collections = [[VanAbbe::{{VanAbbe|steyerl%2C%20hito}}|Van Abbe]], [[MoMA::{{MoMA|43752}}|MoMA]], [[ReinaSofia::{{ReinaSofia|steyerl-hito}}|Reina Sofia]], [[Artic::{{Artic|111971}}|Artic]], [[Tate::{{Tate|22462}}|Tate]]
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|web = [[UbuWeb::http://ubu.com/film/steyerl.html|UbuWeb Film]], [[Aaaaarg::http://aaaaarg.fail/maker/53108555334fe072692080a1|Aaaaarg]], [[Wikipedia::http://en.wikipedia.org/wiki/Hito_Steyerl|Wikipedia]], [http://www.imdb.com/name/nm1022256/ IMDB]
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}}
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'''Hito Steyerl''' (1966, Munich) works as a filmmaker, philosopher, and cultural critic. She roots her investigative practice in the proliferation of digital images and the large-scale implications of such circumstances. Steyerl’s work takes the form of essays, lectures, installations, video, and photography.
  
; Films
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Considering such topics as the ways in which money enters and influences the art world, post-structural philosophy, free ports, and military propaganda, Steyerl’s practice is both acutely political and timely. In addition to teaching, she co-founded the [http://rcpp.lensbased.net/ Research Center for Proxy Politics], together with Vera Tollmann and Boaz Levin. Operating from 2014 through 2017, the organisation hosted lectures and discussions on various topics, including the potential for resistance within a networked society and the role of art in emergency situations.
* ''[http://ubu.com/film/steyerl_empty.html The Empty Center]'', 1998.
 
* ''[http://vimeo.com/88484604 November]'', 2004, 25 min. Film.
 
* ''[http://ubu.com/film/steyerl_andrea.html Lovely Andrea]'', 2007.
 
* ''[http://ubu.com/film/steyerl_strike.html Strike]'', 2010.
 
  
; Selected exhibitions
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Steyerl's works were shown at the 3rd Berlin Biennale (2004), Manifesta 5 (2004), documenta 12 (2007), the Shanghai Biennale (2008) and in the German Pavilion at the Venice Biennale 2015.
* [http://hitosteyerl.vanabbe.nl/ Steyerl's first mid-career retrospective], Van Abbemuseum, Eindhoven, 2014. [https://vanabbemuseum.nl/en/programme/programme/hito-steyerl/]  
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She studied in Tokyo, Munich, and [[Vienna]] before moving to [[Berlin]], where she lives and works today.
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==Filmography==
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* ''Deutschland und das Ich'', 1994, 42 min.
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* ''Land des Lächelns / Land of Smiles'', 1996, 2 min.
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* ''Babenhausen'', 1997, 4 min.
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* ''[http://ubu.com/film/steyerl_empty.html Die leere Mitte / The Empty Center]'', 1998, 62 min.
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* ''Normalität 1-10 / Normality 1–10'', 1999, 32 min.
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* ''Europas Traum / Europe’s Dream'', 2001, 80 min.
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* ''[http://vimeo.com/88484604 November]'', 2004, 25 min.
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* ''Journal #1—An Artist's Impression'', 2007, 21 min.
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* ''[http://ubu.com/film/steyerl_andrea.html Lovely Andrea]'', 2007, 30 min.
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* ''In/Dependence'', 2008, 6 min.
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* ''After the Crash'', 2009, 7 min.
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* ''In Free Fall'', 2010, 32 min.
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* ''[http://ubu.com/film/steyerl_strike.html Strike]'', 2010, 1 min.
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* ''Abstract'', 2012, 5 min.
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* ''Adorno's Grey'', 2012, 14 min.
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* ''Guards'', 2012, 20 min.
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* ''[https://www.artforum.com/video/mode=large&id=51651 How not to be seen: a fucking didactic .MOV file]'', 2013, 16 min.
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* ''Liquidity Inc.'', 2014, 30 min.
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* ''Factory of the Sun'', 2015, 23 min.
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 +
==Publications==
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===Monographs, catalogues===
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[[Image:Steyerl_Hito_Duty_Free_Art_Art_in_the_Age_of_Planetary_Civil_War_2017.jpg|thumb|258px|''Duty Free Art: Art in the Age of Planetary Civil War'', 2017, [https://monoskop.org/log/?p=19848 Log], [https://monoskop.org/media/text/steyerl_2017_duty_free_art/ HTML].]]
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* editor, with Encarnación Gutiérrez Rodríguez, ''Spricht die Subalterne deutsch? Postkoloniale Kritik und Migration'', Münster: Unrast, 2003, 296 pp; repr., 2012. [https://d-nb.info/967948258/04 TOC]. [https://www.unrast-verlag.de/gesamtprogramm/allgemeines-programm/antirassismus/spricht-die-subalterne-deutsch-41-detail] {{de}}
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* ''[[Media:Steyerl Hito Die Farbe der Wahrheit 2008.pdf|Die Farbe der Wahrheit. Dokumentarismen im Kunstfeld]]'', Vienna: Turia + Kant (republicart 8), 2008. [http://eipcp.net/publications/republicart8] [http://www.turia.at/titel/hito_s.php] {{de}}
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* editor, with Maria Lind, ''The Green Room: Reconsidering the Documentary and Contemporary Art #1'', Berlin: Sternberg, and Annandale-on-Hudson, NY: Center for Curatorial Studies and Hessel Museum of Art/Bard College, 2008, 231 pp. [http://www.lespressesdureel.com/PDF/1433.pdf Introduction]. [http://www.sternberg-press.com/index.php?pageId=1225&bookId=120&l=en] Exh. catalogue. {{en}}
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* ''Hito Steyerl'', ed. & intro. Marius Babias, Cologne: Walther König, 2010, 196 pp. Texts by T.J. Demos and Bert Rebhandl. [http://www.nbk.org/en/ausstellungen/hito_steyerl.html Exh.] held at n.b.k. Berlin, 29 Aug-18 Oct 2009. [http://www.nbk.org/en/publikationen/ausstellung_05.html] {{de}}/{{en}}
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* ''Hito Steyerl: Seven Seconds from the Exhibition'', intro. Tone Hansen, Høvikodden: Henie Onstad Art Centre, 2010, 93 pp. Essays by Pablo Lafuente, Hito Steyerl, and Maria Muhle. Exh. held 20 May-15 Aug 2010. [https://cargocollective.com/torpedopress/Hito-Steyerl] {{en}}
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* ''Ricochet #3. Hito Steyerl'', ed. Michael Buhrs, Munich: Museum Villa Stuck, 2010, 48 pp. Text by Michael Buhrs, interview with Steyerl. [http://www.villastuck.de/ausstellungen/2010/steyerl/index.htm Exh.] held 22 Jul-26 Sep 2010. [https://www.kerberverlag.com/en/ricochet-3.html] {{de}}/{{en}}
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* ''[http://monoskop.org/log/?p=6094 The Wretched of the Screen]'', intro. Franco "Bifo" Berardi, Berlin: Sternberg (e-flux journal), 2012, 198 pp. {{en}}
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** ''[http://monoskop.org/log/?p=6094 Los condenados de la pantalla]'', trans. Marcelo Expósito, Buenos Aires: Caja Negra, 2014, 204 pp. {{es}}
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** 히토 슈타이얼, 〈스크린의 추방자들〉, Seoul: Workroom, 2016, 296 pp; rev.ed., 2018, 328 pp. [http://workroompress.kr/wp/?p=969] [http://workroompress.kr/wp/?p=1182] {{ko}}
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* ''[[Media:Hito_Steyerl_ARTIC_2012.pdf|Hito Steyerl]]'', Chicago: Art Institute Chicago, 2013, [10] pp. Exh. brochure; exh. held 1 Nov 2012-27 Jan 2013. {{en}}
  
; Writings, catalogues
 
* ''[http://monoskop.org/log/?p=6094 The Wretched of the Screen]'', intro. Franco "Bifo" Berardi, Berlin: Sternberg Press, Berlin, and New York: e-flux, 2012.
 
** ''[http://monoskop.org/log/?p=6094 Los condenados de la pantalla]'', trans. Marcelo Expósito, Buenos Aires: Caja Negra, 2014. {{es}}
 
* [http://www.e-flux.com/journal/too-much-world-is-the-internet-dead/ "Too Much World: Is the Internet Dead?"], ''e-flux'' 49 (November 2013).
 
 
* ''[https://monoskop.org/log/?p=17320 Circulacionismo. Circulationism]'', Mexico, DF: MUAC, 2014, 71 pp. {{es}}/{{en}}
 
* ''[https://monoskop.org/log/?p=17320 Circulacionismo. Circulationism]'', Mexico, DF: MUAC, 2014, 71 pp. {{es}}/{{en}}
* ''[https://monoskop.org/log/?p=17925 Duty-Free Art]'', Madrid: Museo Nacional Centro de Arte Reina Sofía, 2015, 173 pp. {{es}}/{{en}}
 
  
; Interviews
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* ''[http://artistsspace.org/exhibitions/hito-steyerl Hito Steyerl]'', New York: Artists Space, 2015. Online anthology of 15 essays published in ''transversal'' and ''e-flux''. [http://artistsspace.org/exhibitions/hito-steyerl Exh.] held 8 Mar-24 May 2015. {{en}}
* [http://artforum.com/inprint/issue=201505&id=51563 "Techniques of the Observer. Hito Steyerl and Laura Poitras in Conversation"], ''Artforum'', May 2015.
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* ''[[Media:Hito_Steyerl_Left_To_Our_Own_Devices_2015.pdf|Left To Our Own Devices]]'', Berlin: KOW, 2015, 14 pp. Exh. booklet. Text by Alexander Koch. [http://www.kow-berlin.info/exhibitions/hito_steyerl Exh.] held at KOW, 17 Sep-5 Dec 2015. {{en}}/{{de}}
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* ''[https://monoskop.org/log/?p=17925 Duty-Free Art]'', Madrid: Museo Nacional Centro de Arte Reina Sofía, 2015, 173 pp. [http://www.museoreinasofia.es/en/exhibitions/hito-steyerl Exh.] held 11 Nov 2015-21 Mar 2016. {{es}}/{{en}}
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* ''Jenseits der Repräsentation / Beyond Representation. Essays 1999-2009'', ed. Marius Babias, Cologne: Walther König (n.b.k. Diskurs 4), 2016, 272 pp. Contributions by Thomas Elsässer, Simon Sheik. [https://d-nb.info/1012096394/04 TOC]. [http://www.nbk.org/publikationen/diskurs_04.html] {{en}}/{{de}}
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** ''Dincolo de reprezentare'', trans. Andrei Anastasescu, Cluj: IDEA Design & Print, 2017, 168 pp. [http://www.idea.ro/editura/ro/dincolo-de-reprezentare-d166.html] {{ro}}
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* ''[https://monoskop.org/log/?p=19848 Duty Free Art: Art in the Age of Planetary Civil War]'', London: Verso, 2017, 244 pp.  {{en}}
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* with Clemens Apprich, Wendy Hui Kyong Chun, and Florian Cramer, ''[https://monoskop.org/log/?p=20571 Pattern Discrimination]'', Lüneburg: meson press & University of Minnesota Press, 2018, xii+123 pp. {{en}}
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===Book chapters, articles===
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* [https://www.springerin.at/1999/1/the-whole-of-babel/ "The (W)hole of Babel. Magische Geografien des Globalen"], ''Springerin'' 1, 1999; repr. in Steyerl, ''Beyond Representation'', 2016, pp 73-79. {{de}}
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** "The (W)hole of Babel: Magic Geographies of the Global", in Steyerl, ''Beyond Representation'', 2016, pp 197-203. {{en}}
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* [https://www.springerin.at/2000/1/lacrimosa/ "Lacrimosa. »Dark Matters« – Shaheen Meralis Tableaus rassistischer Verhältnisse"], ''Springerin'' 1, 2000. {{de}}
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* [http://eipcp.net/transversal/0101/steyerl/de "Kultur und Verbrechen"], ''transversal'', Vienna: eipcp, Oct 2000; repr. in Steyerl, ''Beyond Representation'', 2016, pp 84-88. {{de}}
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** [http://eipcp.net/transversal/0101/steyerl/en "Culture and Crime"], ''transversal'', Vienna: eipcp, Oct 2000; repr. in Steyerl, ''Beyond Representation'', 2016, pp 208-211. {{en}}
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* [http://eipcp.net/transversal/0601/steyerl/de "Multikulti, Lenin Style. Auf Messers Schneide: Inter-Nationalismus"], ''transversal'', Vienna: eipcp, Jan 2001. {{de}}
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* "Expo 2000: A Bourgeois Utopia", in ''Gallery (Dante) Marino Cettina: Future Perspectives'', eds. Marina Grzinic, et al., Umag, 2001; repr. in Steyerl, ''Beyond Representation'', 2016, pp 212-221. {{en}}
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** "Expo 2000: eine bürgerliche Utopie", in Steyerl, ''Beyond Representation'', 2016, pp 89-99. {{de}}
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* "Haunting Humanism", in ''Wie wird man fremd?'', ed. Jour fixe initiative Berlin, Freiburg: Unrast, 2001, pp 153-171.
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* "Ones and Zeros", in ''First Story: Women Building New Narratives for the Twenty-First Century'', vol. 2, ed. Ute Meta Bauer, Cologne: Walther König, 2002. {{en}}
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* "Reise und Rasse", in ''Im Handgepäck Rassismus: Beiträge zu Tourismus und Kultur'', eds. Martina Backes, Tina Goethe, Stephan Günther, and Rosaly Magg, Freiburg: Informationszentrum Dritte Welt, 2002, pp 19-42. {{de}}
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* [http://eipcp.net/transversal/0902/steyerl/de "Spricht die Subalterne deutsch? Postkoloniale Kritik"], ''transversal'', Vienna: eipcp, May 2002; repr. in ''Globalisierung / Hierarchisierung: Zur Konstruktion und Funktion kultureller Dominanzen'', eds. Beatrice von Bismarck and Irene Below, Marburg: Jonas, 2004, pp 39-44; repr. in Steyerl, ''Beyond Representation'', 2016, pp 80-83. [http://translate.eipcp.net/strands/03/steyerl-strands01en/?lid=steyerl-strands01de] {{de}}
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** [http://eipcp.net/transversal/0902/steyerl/en "Can the Subaltern speak German? Postcolonial Critique"], trans. Aileen Derieg, ''transversal'', Vienna: eipcp, May 2002; repr. in ''Musen und Mythen 10'', ed. Sigrid Haase, Berlin: University of the Arts, 2003, pp 121-129; repr. in Steyerl, ''Beyond Representation'', 2016, pp 204-207. [http://translate.eipcp.net/strands/03/steyerl-strands01en] {{en}}
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** [http://eipcp.net/transversal/0902/steyerl/fr "Can the Subaltern speak German? Critique post-coloniale"], trans. Francisco Padilla, ''transversal'', Vienna: eipcp, May 2002. [http://translate.eipcp.net/strands/03/steyerl-strands01en/?lid=steyerl-strands01fr] {{fr}}
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** [http://eipcp.net/transversal/0902/steyerl/hr "Can the Subaltern speak German? Postkolonijalna kritika"], trans. Boris Buden, ''transversal'', Vienna: eipcp, May 2002. {{cr}}
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* [http://eipcp.net/transversal/0303/steyerl/de "Die Artikulation des Protestes"], ''transversal'', Vienna: eipcp, Sep 2002; repr. in ''Transversal. Kunst und Globalisierungskritik'', ed. Gerald Raunig, Vienna: Turia+Kant (republicart), 2003, pp 19-28; repr. in Steyerl, ''Beyond Representation'', 2016, pp 25-31. [http://eipcp.net/publications/republicart1] {{de}}
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** [http://eipcp.net/transversal/0303/steyerl/en "The Articulation of Protest"], trans. Aileen Derieg, ''transversal'', Vienna: eipcp, Sep 2002; [https://monoskop.org/images/0/09/Tester_2004.pdf#page=34 repr. in] ''Tester'', eds. Fundación Rodríguez and Arteleku, San Sebastian: Arteleku, 2004, pp 34-41; repr. in Steyerl, ''The Wretched of the Screen'', 2012; repr. in Steyerl, ''Beyond Representation'', 2016, pp 154-159. {{en}}
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** [http://eipcp.net/transversal/0303/steyerl/es "La articulación de la protesta"], trans. Marcelo Expósito, ''transversal'', Vienna: eipcp, [Sep 2002]; [https://monoskop.org/images/7/72/Steyerl_Hito_Los_condenados_de_la_pantalla.pdf#page=42 repr. in] Steyerl, ''Los condenados de la pantalla'', 2014. {{es}}
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** [http://eipcp.net/transversal/0303/steyerl/fr "L'articulation de la contestation"], trans. Julie Bingen, ''transversal'', Vienna: eipcp, Sep 2002. {{fr}}
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** [http://eipcp.net/transversal/0303/steyerl/hr "Artikulacija protesta"], trans. Boris Buden, ''transversal'', Vienna: eipcp, Sep 2002. {{cr}}
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** [http://eipcp.net/transversal/0303/steyerl/tu "Protestonun Eklemlenmesi"], ''transversal'', Vienna: eipcp, Sep 2002. {{tr}}
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** [http://eipcp.net/transversal/0303/steyerl/eu "Protestaren artikulazida"], ''transversal'', Vienna: eipcp, [Sep 2002]. {{eu}}
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** [http://eipcp.net/transversal/0303/steyerl/fa "مفصلبندیِ اعتراض"], trans. Iman Ganji, ''transversal'', Vienna: eipcp, [Sep 2002]. {{fa}}
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* [[Media:Steyerl_Hito_2003_Postkolonialismus_und_Biopolitik.pdf|"Postkolonialismus und Biopolitik"]], in ''Spricht die Subalterne deutsch? Postkoloniale Kritik und Migration'', eds. Hito Steyerl and Encarnación Gutiérrez Rodríguez, Münster: Unrast, 2003, pp 38-55. {{de}}
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* "Framing Globalities", in ''Gouvernementalität'', eds. Encarnacion Gutierrez-Rodriguez and Marianne Pieper, Frankfurt am Main: Campus, 2003, pp 32-37.
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* [https://www.springerin.at/2003/3/politik-der-wahrheit/ "Politik der Wahrheit. Dokumentarismen im Kunstfeld"], ''Springerin'' 3, 2003. {{de}}
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** [https://www.springerin.at/en/2003/3/politik-der-wahrheit/ "Politics of Truth: Documentarism in the Art Field"], trans. Aileen Derieg, ''Springerin'' 3, 2003. {{en}}
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* [http://eipcp.net/transversal/1003/steyerl2/de "Dokumentarismus als Politik der Wahrheit"], ''transversal'', Vienna: eipcp, May 2003; repr. in ''Bildräume und Raumbilder. Repräsentationskritik in Film und Aktivismus'', ed. Gerald Raunig, Vienna: Turia + Kant (republicart), 2004; repr. in Steyerl, ''Beyond Representation'', 2016, pp 57-63. [http://eipcp.net/publications/republicart2] {{de}}
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** [http://eipcp.net/transversal/1003/steyerl2/en "Documentarism as Politics of Truth"], trans. Aileen Derieg, ''transversal'', Vienna: eipcp, May 2003; repr. in Steyerl, ''Beyond Representation'', 2016, pp 181-187. {{en}}
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** [http://eipcp.net/transversal/1003/steyerl2/fr "Le documentarisme en tant que politique de la vérité"], trans. Yasemin Vaudable, ''transversal'', Vienna: eipcp, May 2003. {{fr}}
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** [http://app.samladeskrifter.se/article/63 "Dokumentarism som sanningspolitik"], trans. Nina Katarina Karlsson, ''Ord & Bild'' 5: "Dokument, Dokumentär, Dokumentation", 2010, pp 26-32. [http://www.tidskriftsbutiken.se/issue/16807?page=4] {{sw}}
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* [http://eipcp.net/transversal/1003/steyerl/de "Das Babelfights-Syndrom. Kinoki Lumal"], ''transversal'', Vienna: eipcp, May 2003. {{de}}
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* [https://monoskop.org/images/3/36/Biemann_Ursula_ed_Stuff_It_The_Video_Essay_in_the_Digital_Age_2003.pdf#page=47 "The Empty Center"], in ''In Stuff It: The Video Essay in the Digital Age'', ed. Ursula Biemann, Zurich: Voldemeer, and Vienna: Springer, 2003, pp 46-54. {{en}}
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* "Gaps and Potentials: The Exhibition "Heimat Kunst": Migrant Culture as an Allegory of the Global Market", ''New German Critique'' 92: "Multicultural Germany: Art, Performance and Media", Spring-Summer 2004, pp 159-168. [https://www.jstor.org/stable/4150472] {{en}}
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* "Dokumentarismus und Dokumentalität", in ''Die Visualität der Theorie vs. Die Theorie der Visualität'', eds. Nina Möntmann and Dorothee Richter, Frankfurt am Main: Revolver, 2004, pp 141-160. {{de}}
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** "The Violence of Images: Documentarism and Documentality", in ''Concerning War: A Critical Reader'', eds. Maria Hlavajova and Jill Winder, Utrecht: BAK, and Frankfurt am Main: Revolver, 2006; 2nd ed. as ''Concerning War: A Critical Reader in Contemporary Art'', 2010. [https://archive.bakonline.org/nl/Research/Itineraries/Concerning-War/Publications-And-Texts/Concerning-War-A-Critical-Reader] [https://archive.bakonline.org/nl/Research/Itineraries/Concerning-War/Publications-And-Texts/Concerning-War-A-Critical-Reader-In-Contemporary-Art-Second-Edition] [http://www.post-editions.com/?page=concerningwar] {{en}}
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** "Dokumentation och dokumentalitet", trans. Daniel Holdenmark and Michael Ranta, in ''Konst, makt och politik'', ed. Simon Sheikh, Stockholm: Raster, 2007, pp 214-237. {{sw}}
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* "Euroscapes", in ''3 Berlin Biennale für zeitgenössische Kunst'', ed. Ute Meta Bauer, Cologne: Walter König, 2004, pp 22-27.
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* "Fiktion Europa", in ''Das Neue Europa'', eds. Marius Babias and Dan Perjovshi, Vienna: Generali Foundation, 2005, pp 65-73. {{de}}
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* "Mimesis und Anpassung", in ''Filmriss'', ed. Willi Bischof. Münster: Unrast, 2005, pp 29-38. {{de}}
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* "White Cube and Black Box", in ''Mythen, Masken und Subjekte. Kritische Weißseinsforschung in Deutschland'', eds. Susan Arndt, Maureen Maisha Eggers, Grada Kilomba, and Peggy Piesche, Münster: Unrast, 2005, pp 135-144. {{de}}
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* [http://eipcp.net/transversal/0106/steyerl/en "The Institution of Critique"], ''transversal'', Vienna: eipcp, Jan 2006; [https://monoskop.org/images/4/46/Raunig_Gerald_Ray_Gene_eds_Art_and_Contemporary_Critical_Practice_Reinventing_Institutional_Critique.pdf#page=34 repr. in] ''Art and Contemporary Critical Practice: Reinventing Institutional Critique'', eds. Gerald Raunig and Gene Ray, London: MayFly Books, 2009, pp 13-19; repr. in Steyerl, ''Beyond Representation'', 2016, pp 223-227. {{en}}
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** [http://eipcp.net/transversal/0106/steyerl/de "Die Institution der Kritik"], ''transversal'', Vienna: eipcp, Jan 2006; repr. in Steyerl, ''Beyond Representation'', 2016, pp 101-106. {{de}}
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** [http://eipcp.net/transversal/0106/steyerl/es "La institución de la crítica"], trans. Marcelo Expósito, ''transversal'', Vienna: eipcp, Jan 2006. {{es}}
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** [http://eipcp.net/transversal/0106/steyerl/ro/steyerl-ro.pdf "Instituţia criticii"], trans. Andreea Lazăr, ''IDEA arts+society'' 28, Bucharest, pp 12-15. {{ro}}
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* [http://translate.eipcp.net/transversal/0606/steyerl/de "Die Sprache der Dinge"], ''transversal'', Vienna: eipcp, Jun 2006; repr. in Steyerl, ''Beyond Representation'', 2016, pp 64-71. {{de}}
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** [http://translate.eipcp.net/transversal/0606/steyerl/en "The Language of Things"], ''transversal'', Vienna: eipcp, Jun 2006; repr. in Steyerl, ''Beyond Representation'', 2016, pp 188-195, [https://aaaaarg.fail/thing/5bab99d19ff37c20da622bce ARG]. {{en}}
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** [http://translate.eipcp.net/transversal/0606/steyerl/es "El lenguaje de las cosas"], trans. Marcelo Expósito, ''transversal'', Vienna: eipcp, Jun 2006. {{es}}
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** [http://translate.eipcp.net/transversal/0606/steyerl/fr "Le langage des choses"], trans. Pierre Rusch, ''transversal'', Vienna: eipcp, Jun 2006. {{fr}}
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* [http://transform.eipcp.net/correspondence/1210774009 "Mind Wide Shut. Art in the Age of Fear"], ''transform'', Vienna: eipcp, 18 Jan 2007. {{en}}
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** [http://transform.eipcp.net/correspondence/1210774009/?lid=1210774373 "Den Verstand fest verschlossen. Kunst im Zeitalter der Angst"], trans. Tom Waibel, ''transform'', Vienna: eipcp, 18 Jan 2007. {{de}}
 +
 
 +
* "Die Gegenwart der Subalternen", intro. in Gayatri Spivak, ''Can the Subaltern speak? Postkolonialität und subalterne Artikulation'', Vienna: Turia + Kant, 2007, pp 5-15; [http://translate.eipcp.net/strands/03/steyerl-strands02en/?lid=steyerl-strands02de repr.], ''Translate'', Vienna: eipcp, 9 Dec 2007. [http://www.turia.at/pdf/inh_spivak.pdf Excerpt]. [http://www.turia.at/titel/spivak.php]
 +
** [http://translate.eipcp.net/strands/03/steyerl-strands02en "The Subalterns’ Present"], trans. Aileen Derieg, ''Translate'', 9 Dec 2007. {{en}}
 +
 
 +
* [http://web.archive.org/web/20101219084555/http://www.aprior.org:80/apm15_steyerl_docu.htm "Documentary Uncertainty"], ''A Prior Magazine'' 15, Jun 2007. {{en}}
 +
 
 +
* [http://eipcp.net/transversal/1007/steyerl/en "The Empire of Senses: Police as art and the crisis of representation"], ''transversal'', Vienna: eipcp, Jun 2007; repr. in Steyerl, ''Beyond Representation'', 2016, pp 173-179. {{en}}
 +
** [http://eipcp.net/transversal/1007/steyerl/de "Das Reich der Sinne. Polizei-Kunst und die Krise der Repräsentation "], ''transversal'', Vienna: eipcp, Jun 2007; repr. in Steyerl, ''Beyond Representation'', 2016, pp 47-55. {{de}}
 +
** [http://eipcp.net/transversal/1007/steyerl/es "El imperio de los sentidos"], trans. Marta Malo de Molina, ''transversal'', Vienna: eipcp, Jun 2007. {{es}}
 +
 
 +
* [http://translate.eipcp.net/transversal/0608/steyerl/de "Politics of the Archive: Translations in Film"], ''transversal'', Vienna: eipcp, Mar 2008; repr. in Steyerl, ''Beyond Representation'', 2016, pp 160-166. {{en}}
 +
** [http://translate.eipcp.net/transversal/0608/steyerl/en "Politik des Archivs. Übersetzungen im Film"], trans. Birgit Mennel and Tom Waibel, ''transversal'', Vienna: eipcp, Mar 2008; repr. in ''Borders, Nations, Translations. Übersetzung in einer globalisierten Welt'', eds. translate & eipcp, Vienna: Turia+Kant, 2008; repr. in Steyerl, ''Beyond Representation'', 2016, pp 32-39. {{de}}
 +
** [http://translate.eipcp.net/transversal/0608/steyerl/zh "資料庫的政治. 電影領域內的翻譯"], trans. Felix Loi, ''transversal'', Vienna: eipcp, Mar 2008. {{cn}}
 +
 
 +
* [http://translate.eipcp.net/transversal/0408/steyerl/de "Können Zeugen sprechen? Zur Philosophie des Interviews"], ''transversal'', Vienna: eipcp, May 2008. [http://eipcp.net/transversal/0408/steyerl/de] {{de}}
 +
** [http://translate.eipcp.net/transversal/0408/steyerl/en "Can Witnesses Speak? On the Philosophy of the Interview"], trans. Aileen Derieg, ''transversal'', Vienna: eipcp, May 2008. {{en}}
 +
** [http://translate.eipcp.net/transversal/0408/steyerl/es "¿Pueden hablar los testigos? Acerca de la filosofía de la entrevista"], trans. Gudrun Rath, ''transversal'', Vienna: eipcp, May 2008. {{es}}
 +
 
 +
* [http://translate.eipcp.net/transversal/0908/solomon-steyerl/it "Mission Imbpossible: Jon Solomon im Gespräch mit Hito Steyerl über das Projekt „DeriVeD“"], trans. Birgit Mennel and Tom Waibel, ''transversal'', Vienna: eipcp, Jun 2008, [http://translate.eipcp.net/transversal/0908/solomon-steyerl/de HTML]. {{de}}
 +
** [http://eipcp.net/transversal/0908/solomon-steyerl/it "Mission Imbpossible: Intervista di Hito Steyerl a Jon Solomon sul progetto da lei realizzato “DeriVeD”], trans. Viviana Costabile, ''transversal'', Vienna: eipcp, Jun 2008, [http://translate.eipcp.net/transversal/0908/solomon-steyerl/it HTML]. {{it}}
 +
 
 +
* [http://eipcp.net/transversal/0910/steyerl/en "Truth Unmade: Productivism and Factography"], ''transversal'', Vienna: eipcp, Mar 2009. {{en}}
 +
** [http://eipcp.net/transversal/0910/steyerl/de "Ungeschaffene Wahrheit. Produktivismus und Faktographie"], trans. Birgit Mennel, ''transversal'', Vienna: eipcp, Mar 2009. {{en}}
 +
** [http://eipcp.net/transversal/0910/steyerl/es "La verdad deshecha. Productivismo y factografía"], trans. Marcelo Expósito, ''transversal'', Vienna: eipcp, Mar 2009. {{en}}
 +
 
 +
* "Notes about Spamsoc", ''Pages'' 7, Mar 2009, pp 59-67; repr. in Steyerl, ''Beyond Representation'', 2016, pp 167-172. [http://www.pagesmagazine.net/2006/article.php?ma_id=6343414#3874500] {{en}}
 +
** "Bemerkungen über Spamsoc", in Steyerl, ''Beyond Representation'', 2016, pp 40-46. {{de}}
 +
 
 +
* [http://www.e-flux.com/journal/07/61390/ "Is a Museum a Factory?"], ''e-flux'' 7, New York: e-flux, Jun 2009; repr. in Steyerl, ''The Wretched of the Screen'', 2012; repr. in Steyerl, ''Beyond Representation'', 2016, pp 228-237. {{en}}
 +
** [https://monoskop.org/images/7/72/Steyerl_Hito_Los_condenados_de_la_pantalla.pdf#page=33 "¿Es el museo una fábrica?"], trans. Marcelo Expósito, in Steyerl, ''Los condenados de la pantalla'', 2014. {{es}}
 +
** "Ist das Museum eine Fabrik", in Steyerl, ''Beyond Representation'', 2016, pp 107-115. {{de}}
 +
 
 +
* [http://www.e-flux.com/journal/10/61362/ "In Defense of the Poor Image"], ''e-flux'' 10, New York: e-flux, Nov 2009; repr. in Steyerl, ''The Wretched of the Screen'', 2012, pp 31-45; repr. in Steyerl, ''Beyond Representation'', 2016, pp 147-153. An earlier version was improvised in a response given at the conference ''Essayfilm: Ästhetik und Aktualität'' in Lüneburg organised by Thomas Tode and Sven Kramer in 2007. {{en}}
 +
** [[Media:Steyerl_Hito_2011_In_Defense_of_the_Poor_Image_ZH.pdf|Chinese trans.]], [2011]. {{cn}}
 +
** [https://monoskop.org/images/7/72/Steyerl_Hito_Los_condenados_de_la_pantalla.pdf#page=18 "En defensa de la imagen pobre"], trans. Marcelo Expósito, in Steyerl, ''Los condenados de la pantalla'', 2014. {{es}}
 +
** [https://sumrevija.files.wordpress.com/2014/11/shum3-web.pdf#page=111 "V bran revne podobe"], trans. Miha Šuštar, ''ŠUM'' 3, Ljubljana: Društvo Galerija Boks, Oct 2014, pp 251-261, [http://sumrevija.si/article/sum-3-hito-steyerl-v-bran-revne-podobe-prevod/ HTML]. {{sl}}
 +
** "In Verteidigung des armen Bildes", in Steyerl, ''Beyond Representation'', 2016, pp 17-24. {{de}}
 +
 
 +
* [http://eipcp.net/transversal/0311/steyerl/en "Aesthetics of Resistance? Artistic Research as Discipline and Conflict"], ''transversal'', Vienna: eipcp, Jan 2010. {{en}}
 +
** [http://eipcp.net/transversal/0311/steyerl/de "Ästhetik des Widerstands? Künstlerische Forschung als Disziplin und Konflikt"], trans. Birgit Mennel, ''transversal'', Vienna: eipcp, Jan 2010. {{de}}
 +
** [http://eipcp.net/transversal/0311/steyerl/es "¿Una estética de la resistencia? La investigación artística como disciplina y conflicto"], trans. Marta Malo de Molina, ''transversal'', Vienna: eipcp, Jan 2010. {{es}}
 +
 
 +
* "A Thing Like You and Me", in ''Hito Steyerl: Seven Seconds from the Exhibition'', 2010; [http://www.e-flux.com/journal/15/61298/ repr. in] ''e-flux'' 15, New York: e-flux, Apr 2010; repr. in Steyerl, ''The Wretched of the Screen'', 2012. {{en}}
 +
** [https://monoskop.org/images/7/72/Steyerl_Hito_Los_condenados_de_la_pantalla.pdf#page=26 "Una cosa como tú y yo"], trans. Marcelo Expósito, in Steyerl, ''Los condenados de la pantalla'', 2014. {{es}}
 +
 
 +
* [http://www.e-flux.com/journal/21/67696/ "Politics of Art: Contemporary Art and the Transition to Post-Democracy"], ''e-flux'' 21, New York: e-flux, Dec 2010; repr. in Steyerl, ''The Wretched of the Screen'', 2012. {{en}}
 +
** [https://monoskop.org/images/7/72/Steyerl_Hito_Los_condenados_de_la_pantalla.pdf#page=49 "Políticas del arte: el arte contemporáneo y la transición a la posdemocracia"], trans. Marcelo Expósito, in Steyerl, ''Los condenados de la pantalla'', 2014. {{es}}
 +
 
 +
* [http://www.e-flux.com/journal/22/67731/ "Right in Our Face"], ''e-flux'' 22, New York: e-flux, Jan 2011. {{en}}
 +
 
 +
* "In Free Fall: A Thought Experiment", in ''On Horizons: A Critical Reader in Contemporary Art'', eds. Maria Hlavajova, Simon Sheikh, and Jill Winder, Rotterdam: Post Editions, and Utrecht: BAK, 2011; rev. as [http://www.e-flux.com/journal/24/67860/ "In Free Fall: A Thought Experiment on Vertical Perspective"], ''e-flux'' 24, New York: e-flux, Apr 2011; repr. in Steyerl, ''The Wretched of the Screen'', 2012. Commissioned by Simon Sheikh for the 2nd Former West Research Congress in Istanbul, which took place 4-6 Nov 2010. [http://www.post-editions.com/?page=horizons] {{en}}
 +
** [https://monoskop.org/images/7/72/Steyerl_Hito_Los_condenados_de_la_pantalla.pdf#page=9 "En caída libre. Un experimento mental sobre la perspectiva vertical"], trans. Marcelo Expósito, in Steyerl, ''Los condenados de la pantalla'', 2014. {{es}}
 +
 
 +
* [[Media:Steyerl Hito 2011 Digital Debris Spam and Scam.pdf|"Digital Debris: Spam and Scam"]], ''October'' 138: "Digital Art", ed. David Joselit, Fall 2011, pp 70-80. The first part of a trilogy about spam. {{en}}
 +
 
 +
* [[Media:Steyerl_Hito_2011_Epistolary_Affect_and_Romance_Scams_Letter_from_an_Unknown_Woman.pdf|"Epistolary Affect and Romance Scams: Letter from an Unknown Woman"]], ''October'' 138: "Digital Art", ed. David Joselit, Fall 2011, pp 57-69. The second part of a trilogy about spam. {{en}}
 +
 
 +
* [http://www.e-flux.com/journal/30/68140/ "Art as Occupation: Claims for an Autonomy of Life"], ''e-flux'' 30, New York: e-flux, Dec 2011; repr. in Steyerl, ''The Wretched of the Screen'', 2012. {{en}}
 +
** [https://monoskop.org/images/7/72/Steyerl_Hito_Los_condenados_de_la_pantalla.pdf#page=55 "El arte como ocupación: demandas para una autonomía de la vida"], trans. Marcelo Expósito, in Steyerl, ''Los condenados de la pantalla'', 2014. {{es}}
 +
 
 +
* [http://www.e-flux.com/journal/32/68260/ "The Spam of the Earth: Withdrawal from Representation"], ''e-flux'' 32, New York: e-flux, Feb 2012; [https://monoskop.org/images/d/d2/Steyerl_Hito_The_Wretched_of_the_Screen.pdf#page=81 repr. in] Steyerl, ''The Wretched of the Screen'', 2012, pp 160-175. The essay originated as a presentation at the ''Human Snapshot'' conference, organized by Tirdad Zolghadr and Tom Keenan at the Luma Foundation in Arles, 2-4 Jul 2011; it is the third part of a trilogy about spam. {{en}}
 +
** [https://monoskop.org/images/7/72/Steyerl_Hito_Los_condenados_de_la_pantalla.pdf#page=85 "Los spam de la Tierra: desertar de la representación"], trans. Marcelo Expósito, in Steyerl, ''Los condenados de la pantalla'', 2014. {{es}}
 +
 
 +
* [http://www.e-flux.com/journal/38/61209/ "Missing People: Entanglement, Superposition, and Exhumation as Sites of Indeterminacy"], ''e-flux'' 38, New York: e-flux, Oct 2012; [https://monoskop.org/images/d/d2/Steyerl_Hito_The_Wretched_of_the_Screen.pdf#page=70 repr. in] Steyerl, ''The Wretched of the Screen'', 2012, pp 138-159. {{en}}
 +
** [https://monoskop.org/images/7/72/Steyerl_Hito_Los_condenados_de_la_pantalla.pdf#page=73 "Desaparecidos: entrelazamiento, superposición y exhumación como lugares de indeterminación"], trans. Marcelo Expósito, in Steyerl, ''Los condenados de la pantalla'', 2014. {{es}}
 +
 
 +
* [https://monoskop.org/images/d/d2/Steyerl_Hito_The_Wretched_of_the_Screen.pdf#page=61 "Freedom from Everything: Freelancers and Mercenaries"], in Steyerl, ''The Wretched of the Screen'', 2012, pp 121-137; [http://www.e-flux.com/journal/41/60229/ repr.], ''e-flux'' 41, New York: e-flux, Jan 2013. Commissioned by Hendrik Folkerts for the lecture series ''Facing Forward'' co-organised by Stedelijk Museum, University of Amsterdam, de Appel arts centre, W139, Stedelijk Museum Bureau Amsterdam, and Metropolis M. {{en}}
 +
** [https://monoskop.org/images/7/72/Steyerl_Hito_Los_condenados_de_la_pantalla.pdf#page=65 "Liberarse de todo: trabajo "freelance" y mercenario"], trans. Marcelo Expósito, in Steyerl, ''Los condenados de la pantalla'', 2014. {{es}}
 +
 
 +
* [https://monoskop.org/images/d/d2/Steyerl_Hito_The_Wretched_of_the_Screen.pdf#page=89 "Cut! Reproduction and Recombination"], in Steyerl, ''The Wretched of the Screen'', 2012, pp 176-190. {{en}}
 +
** [https://monoskop.org/images/7/72/Steyerl_Hito_Los_condenados_de_la_pantalla.pdf#page=94 "¡Corten! Reproducción y recombinación"], trans. Marcelo Expósito, in Steyerl, ''Los condenados de la pantalla'', 2014. {{es}}
 +
 
 +
* [http://www.e-flux.com/journal/45/60100/ "International Disco Latin"], ''e-flux'' 45, New York: e-flux, May 2013. {{en}}
 +
 
 +
* [http://www.e-flux.com/journal/49/60004/ "Too Much World: Is the Internet Dead?"], ''e-flux'' 49, New York: e-flux, Nov 2013; [https://monoskop.org/images/c/c6/Steyerl_Hito_Circulacionismo_Circulationism.pdf#page=28 repr. in] Steyerl, ''Circulacionismo. Circulationism'', 2014, pp 28-39. {{en}}
 +
** [https://monoskop.org/images/c/c6/Steyerl_Hito_Circulacionismo_Circulationism.pdf#page=14 "Demasiado mundo: ¿murió el internet?"], trans. Jaime Soler Frost, in Steyerl, ''Circulacionismo. Circulationism'', 2014, pp 14-27. {{es}}
 +
 
 +
* [https://monoskop.org/images/c/c6/Steyerl_Hito_Circulacionismo_Circulationism.pdf#page=52 "Theodor W. Adorno. Timeline"], in Steyerl, ''Circulacionismo. Circulationism'', 2014, pp 52-63. {{en}}
 +
** [https://monoskop.org/images/c/c6/Steyerl_Hito_Circulacionismo_Circulationism.pdf#page=40 "Theodor W. Adorno. Línea del tiempo"], trans. Jaime Soler Frost, in Steyerl, ''Circulacionismo. Circulationism'', 2014, pp 40-51. {{es}}
 +
 
 +
* [http://www.e-flux.com/announcements/30525/koban-is-not-falling/ "Kobanê Is Not Falling"], ''e-flux'', 10 Oct 2014; [https://monoskop.org/images/5/5f/New_World_Academy_Reader_5_Stateless_Democracy_2015.pdf#page=112 repr. in] ''New World Academy Reader, 5: Stateless Democracy'', eds. Renée In der Maur and Jonas Staal, et al., Utrecht: BAK, 2015, pp 223-227. {{en}}
 +
 
 +
* [http://www.e-flux.com/journal/59/61140/ "Beginnings"], ''e-flux'' 59, New York: e-flux, Nov 2014. {{en}}
 +
 
 +
* [http://www.e-flux.com/journal/60/61045/ "Proxy Politics: Signal and Noise"], ''e-flux'' 60, New York: e-flux, Dec 2014. {{en}}
 +
 
 +
* [http://www.e-flux.com/journal/63/60894/ "Duty-Free Art"], ''e-flux'' 63, New York: e-flux, Mar 2015. {{en}}
 +
** [https://monoskop.org/images/e/ee/Steyerl_Hito_Duty-Free_Art_2015.pdf#page=111 "Duty-Free Art"], in Steyerl, ''Duty-Free Art'', 2015, pp 111-133. {{es}}
 +
 
 +
* [http://www.e-flux.com/journal/70/60543/ "A Tank on a Pedestal: Museums in an Age of Planetary Civil War"], ''e-flux'' 70, New York: e-flux, Feb 2016. {{en}}
 +
 
 +
* [http://www.e-flux.com/journal/72/60480/ "A Sea of Data: Apophenia and Pattern (Mis-)Recognition"], ''e-flux'' 72, New York: e-flux, Apr 2016. {{en}}
 +
 
 +
* [http://www.e-flux.com/journal/76/69732/ "If You Don’t Have Bread, Eat Art!: Contemporary Art and Derivative Fascisms"], ''e-flux'' 76, New York: e-flux, Oct 2016. {{en}}
 +
 
 +
==Conversations, interviews==
 +
* with Harun Farocki, ''[[Media:Farocki_Harun_Steyerl_Hito_A_Magical_Imitation_of_Reality.pdf|A Magical Imitation of Reality]]'', ed. Joanna Fiduccia, Kaleidoscope Press, 2011, 30 pp, [http://monoskop.org/log/?p=5953 Log]. {{en}}
 +
* with Marvin Jordan, [http://dismagazine.com/disillusioned-2/62143/hito-steyerl-politics-of-post-representation/ "Hito Steyerl: Politics of Post-Representation"], ''DIS Magazine'', Jun 2014. {{en}}
 +
* [https://www.academia.edu/17292883 "'If People Want to Oppress You They Make You Say I'. Hito Steyerl in Conversation with Angelica Fenner and Robin Curtis"], in ''The Autobiographical Turn in Germanophone Documentary and Autobiographical Film'', eds. Robin Curtis and Angelica Fenner, Rochester: Camden House Press, 2014, pp. 37-51. {{en}}
 +
* Amelia Groom, [http://web.archive.org/web/20161012133355/ameliagroom.com/interview-with-hito-steyerl/ "Interview with Hito Steyerl"], ''Discipline'' 4, 2015.
 +
* [http://web.archive.org/web/20150506200742/https://www.artforum.com/inprint/issue=201505&id=51563 "Techniques of the Observer. Hito Steyerl and Laura Poitras in Conversation"], ''Artforum'', May 2015. [http://www.ramona.org.ar/node/55561] {{en}}
 +
* [https://monoskop.org/images/e/ee/Steyerl_Hito_Duty-Free_Art_2015.pdf#page=157 "Art, a Test Site: Hito Steyerl in conversation with João Fernandes"], in Steyerl, ''Duty-Free Art'', 2015, pp 157-170. {{en}}
 +
** [https://monoskop.org/images/e/ee/Steyerl_Hito_Duty-Free_Art_2015.pdf#page=23 "El arte, un lugar de ensayo. Hito Steyler en conversación con João Fernandes"], in Steyerl, ''Duty-Free Art'', 2015, pp 23-40. {{es}}
 +
* "Hito Steyerl. „Die Realität hat sich erweitert, und ich folge ihr“. Ein Gespräch von Katja Kwastek", ''Kunstforum'' 242: "Postdigital", 2016, pp 122-131. [https://www.kunstforum.de/lesen/artikel.aspx?a=242010 Excerpt]. {{de}}
 +
* with Anton Vidokle, [http://www.e-flux.com/journal/82/134989/ "Cosmic Catwalk and the Production of Time"], ''e-flux'' 82, New York: e-flux, May 2017. {{en}}
 +
* [http://www.glass-bead.org/article/simulated-subjects/?lang=enview "Simulated Subjects: Glass Bead in conversation with Ian Cheng and Hito Steyerl"], ''Glass Bead'' 2, 2017. {{en}}
 +
** [http://www.glass-bead.org/article/simulated-subjects/?lang=frview "Sujets Simulés: Glass Bead en conversation avec Ian Cheng et Hito Steyerl"], ''Glass Bead'' 2, 2017. {{fr}}
 +
 
 +
==Literature==
 +
* T.J. Demos, [[Media:Demos TJ 2008 Traveling Images The Art of Hito Steyerl.pdf|"Traveling Images: The Art of Hito Steyerl"]], ''Artforum'' 46:10, Summer 2008, pp 408-413, 473; repr. as [https://slowrotation.memoryoftheworld.org/T.%20J.%20Demos/The%20Migrant%20Image_%20The%20Art%20and%20Pol%20%2849240%29/The%20Migrant%20Image_%20The%20Art%20and%20-%20T.%20J.%20Demos.pdf#page=99 "Hito Steyerl's Traveling Images"], in Demos, ''The Migrant Image: The Art and Politics of Documentary during Global Crisis'', Duke University Press, 2013, pp 74-94. [https://read.dukeupress.edu/books/book/1686/chapter-abstract/180365/Hito-Steyerl-s-Traveling-Images?redirectedFrom=fulltext] {{en}}
 +
* Kerstin Stakemeier, [http://www.metamute.org/editorial/articles/plane-destructive-recent-films-hito-steyerl "Plane Destructive: the Recent Films of Hito Steyerl"], ''Mute'', 23 Feb 2011. {{en}}
 +
* Paolo Magagnoli, [http://sci-hub.tw/10.1080/09528822.2013.857899 "Capitalism as Creative Destruction"], ''Third Text'' 27:125, Nov 2013, pp 723-734. {{en}}
 +
* ''[https://monoskop.org/log/?p=17626 Too Much World: The Films of Hito Steyerl]'', ed. Nick Aikens, Berlin: Sternberg Press, Eindhoven: Van Abbemuseum, and Brisbane: Institute of Modern Art, 2014, 274 pp, [https://aaaaarg.fail/thing/56a656129ff37c4543aac830 ARG]. Exh. held at Van Abbemuseum, Eindhoven, 12 Apr-22 Jun 2014; Institute of Modern Art, Brisbane, 13 Dec 2014-21 Mar 2015. {{en}}
 +
* McKenzie Wark, [http://www.publicseminar.org/2015/04/on-hito-steyerl/ "On Hito Steyerl"], ''Public Seminar'', 5 Apr 2015. {{en}}
 +
* Catherine A. Steinmann, ''[https://open.library.ubc.ca/cIRcle/collections/ubctheses/24/items/1.0135689 Visceral Exposure: Melanie Gilligan, Hito Steyerl, and the Biopolitics of Visibility]'', University of British Columbia, 2015. PhD dissertation. {{en}}
 +
 
 +
==Links==
 +
* [http://rcpp.lensbased.net/ Research Center for Proxy Politics]
 +
* [http://hitosteyerl.vanabbe.nl/ Online companion to Steyerl's first mid-career retrospective], Van Abbemuseum, Eindhoven, 2014. [https://vanabbemuseum.nl/en/programme/programme/hito-steyerl/]
 +
* [http://hitosteyerl.serpentinegalleries.org/ Actual Reality OS / Power Plants OS], Serpentine Galleries, London, 2019. [https://www.serpentinegalleries.org/exhibitions-events/hito-steyerl-power-plants]
  
; Literature
+
[[Category:Film]] [[Category:Video]] [[Category:Writers]] {{DEFAULTSORT:Steyerl, Hito}} {{featured article}}
* ''[https://monoskop.org/log/?p=17626 Too Much World: The Films of Hito Steyerl]'', ed. Nick Aikens, Berlin: Sternberg Press, Eindhoven: Van Abbemuseum, and Brisbane: Institute of Modern Art, 2014, 274 pp.
 

Revision as of 12:32, 13 December 2019

Born September 17, 1966(1966-09-17)
Munich, West Germany (today Germany)
Based in Berlin, Germany
Collections Van Abbe, MoMA, Reina Sofia, Artic, Tate
Web UbuWeb Film, Aaaaarg, Wikipedia, IMDB

Hito Steyerl (1966, Munich) works as a filmmaker, philosopher, and cultural critic. She roots her investigative practice in the proliferation of digital images and the large-scale implications of such circumstances. Steyerl’s work takes the form of essays, lectures, installations, video, and photography.

Considering such topics as the ways in which money enters and influences the art world, post-structural philosophy, free ports, and military propaganda, Steyerl’s practice is both acutely political and timely. In addition to teaching, she co-founded the Research Center for Proxy Politics, together with Vera Tollmann and Boaz Levin. Operating from 2014 through 2017, the organisation hosted lectures and discussions on various topics, including the potential for resistance within a networked society and the role of art in emergency situations.

Steyerl's works were shown at the 3rd Berlin Biennale (2004), Manifesta 5 (2004), documenta 12 (2007), the Shanghai Biennale (2008) and in the German Pavilion at the Venice Biennale 2015.

She studied in Tokyo, Munich, and Vienna before moving to Berlin, where she lives and works today.

Filmography

  • Deutschland und das Ich, 1994, 42 min.
  • Land des Lächelns / Land of Smiles, 1996, 2 min.
  • Babenhausen, 1997, 4 min.
  • Die leere Mitte / The Empty Center, 1998, 62 min.
  • Normalität 1-10 / Normality 1–10, 1999, 32 min.
  • Europas Traum / Europe’s Dream, 2001, 80 min.
  • November, 2004, 25 min.
  • Journal #1—An Artist's Impression, 2007, 21 min.
  • Lovely Andrea, 2007, 30 min.
  • In/Dependence, 2008, 6 min.
  • After the Crash, 2009, 7 min.
  • In Free Fall, 2010, 32 min.
  • Strike, 2010, 1 min.
  • Abstract, 2012, 5 min.
  • Adorno's Grey, 2012, 14 min.
  • Guards, 2012, 20 min.
  • How not to be seen: a fucking didactic .MOV file, 2013, 16 min.
  • Liquidity Inc., 2014, 30 min.
  • Factory of the Sun, 2015, 23 min.

Publications

Monographs, catalogues

Duty Free Art: Art in the Age of Planetary Civil War, 2017, Log, HTML.
  • editor, with Encarnación Gutiérrez Rodríguez, Spricht die Subalterne deutsch? Postkoloniale Kritik und Migration, Münster: Unrast, 2003, 296 pp; repr., 2012. TOC. [1] (German)
  • editor, with Maria Lind, The Green Room: Reconsidering the Documentary and Contemporary Art #1, Berlin: Sternberg, and Annandale-on-Hudson, NY: Center for Curatorial Studies and Hessel Museum of Art/Bard College, 2008, 231 pp. Introduction. [4] Exh. catalogue. (English)
  • Hito Steyerl, ed. & intro. Marius Babias, Cologne: Walther König, 2010, 196 pp. Texts by T.J. Demos and Bert Rebhandl. Exh. held at n.b.k. Berlin, 29 Aug-18 Oct 2009. [5] (German)/(English)
  • Hito Steyerl: Seven Seconds from the Exhibition, intro. Tone Hansen, Høvikodden: Henie Onstad Art Centre, 2010, 93 pp. Essays by Pablo Lafuente, Hito Steyerl, and Maria Muhle. Exh. held 20 May-15 Aug 2010. [6] (English)
  • Ricochet #3. Hito Steyerl, ed. Michael Buhrs, Munich: Museum Villa Stuck, 2010, 48 pp. Text by Michael Buhrs, interview with Steyerl. Exh. held 22 Jul-26 Sep 2010. [7] (German)/(English)
  • The Wretched of the Screen, intro. Franco "Bifo" Berardi, Berlin: Sternberg (e-flux journal), 2012, 198 pp. (English)
    • Los condenados de la pantalla, trans. Marcelo Expósito, Buenos Aires: Caja Negra, 2014, 204 pp. (Spanish)
    • 히토 슈타이얼, 〈스크린의 추방자들〉, Seoul: Workroom, 2016, 296 pp; rev.ed., 2018, 328 pp. [8] [9] (Korean)
  • Hito Steyerl, Chicago: Art Institute Chicago, 2013, [10] pp. Exh. brochure; exh. held 1 Nov 2012-27 Jan 2013. (English)
  • Hito Steyerl, New York: Artists Space, 2015. Online anthology of 15 essays published in transversal and e-flux. Exh. held 8 Mar-24 May 2015. (English)
  • Left To Our Own Devices, Berlin: KOW, 2015, 14 pp. Exh. booklet. Text by Alexander Koch. Exh. held at KOW, 17 Sep-5 Dec 2015. (English)/(German)
  • Duty-Free Art, Madrid: Museo Nacional Centro de Arte Reina Sofía, 2015, 173 pp. Exh. held 11 Nov 2015-21 Mar 2016. (Spanish)/(English)
  • Jenseits der Repräsentation / Beyond Representation. Essays 1999-2009, ed. Marius Babias, Cologne: Walther König (n.b.k. Diskurs 4), 2016, 272 pp. Contributions by Thomas Elsässer, Simon Sheik. TOC. [10] (English)/(German)
    • Dincolo de reprezentare, trans. Andrei Anastasescu, Cluj: IDEA Design & Print, 2017, 168 pp. [11] (Romanian)
  • with Clemens Apprich, Wendy Hui Kyong Chun, and Florian Cramer, Pattern Discrimination, Lüneburg: meson press & University of Minnesota Press, 2018, xii+123 pp. (English)

Book chapters, articles

  • "Kultur und Verbrechen", transversal, Vienna: eipcp, Oct 2000; repr. in Steyerl, Beyond Representation, 2016, pp 84-88. (German)
    • "Culture and Crime", transversal, Vienna: eipcp, Oct 2000; repr. in Steyerl, Beyond Representation, 2016, pp 208-211. (English)
  • "Expo 2000: A Bourgeois Utopia", in Gallery (Dante) Marino Cettina: Future Perspectives, eds. Marina Grzinic, et al., Umag, 2001; repr. in Steyerl, Beyond Representation, 2016, pp 212-221. (English)
    • "Expo 2000: eine bürgerliche Utopie", in Steyerl, Beyond Representation, 2016, pp 89-99. (German)
  • "Haunting Humanism", in Wie wird man fremd?, ed. Jour fixe initiative Berlin, Freiburg: Unrast, 2001, pp 153-171.
  • "Ones and Zeros", in First Story: Women Building New Narratives for the Twenty-First Century, vol. 2, ed. Ute Meta Bauer, Cologne: Walther König, 2002. (English)
  • "Reise und Rasse", in Im Handgepäck Rassismus: Beiträge zu Tourismus und Kultur, eds. Martina Backes, Tina Goethe, Stephan Günther, and Rosaly Magg, Freiburg: Informationszentrum Dritte Welt, 2002, pp 19-42. (German)
  • "Postkolonialismus und Biopolitik", in Spricht die Subalterne deutsch? Postkoloniale Kritik und Migration, eds. Hito Steyerl and Encarnación Gutiérrez Rodríguez, Münster: Unrast, 2003, pp 38-55. (German)
  • "Framing Globalities", in Gouvernementalität, eds. Encarnacion Gutierrez-Rodriguez and Marianne Pieper, Frankfurt am Main: Campus, 2003, pp 32-37.
  • "The Empty Center", in In Stuff It: The Video Essay in the Digital Age, ed. Ursula Biemann, Zurich: Voldemeer, and Vienna: Springer, 2003, pp 46-54. (English)
  • "Gaps and Potentials: The Exhibition "Heimat Kunst": Migrant Culture as an Allegory of the Global Market", New German Critique 92: "Multicultural Germany: Art, Performance and Media", Spring-Summer 2004, pp 159-168. [18] (English)
  • "Dokumentarismus und Dokumentalität", in Die Visualität der Theorie vs. Die Theorie der Visualität, eds. Nina Möntmann and Dorothee Richter, Frankfurt am Main: Revolver, 2004, pp 141-160. (German)
    • "The Violence of Images: Documentarism and Documentality", in Concerning War: A Critical Reader, eds. Maria Hlavajova and Jill Winder, Utrecht: BAK, and Frankfurt am Main: Revolver, 2006; 2nd ed. as Concerning War: A Critical Reader in Contemporary Art, 2010. [19] [20] [21] (English)
    • "Dokumentation och dokumentalitet", trans. Daniel Holdenmark and Michael Ranta, in Konst, makt och politik, ed. Simon Sheikh, Stockholm: Raster, 2007, pp 214-237. (Swedish)
  • "Euroscapes", in 3 Berlin Biennale für zeitgenössische Kunst, ed. Ute Meta Bauer, Cologne: Walter König, 2004, pp 22-27.
  • "Fiktion Europa", in Das Neue Europa, eds. Marius Babias and Dan Perjovshi, Vienna: Generali Foundation, 2005, pp 65-73. (German)
  • "Mimesis und Anpassung", in Filmriss, ed. Willi Bischof. Münster: Unrast, 2005, pp 29-38. (German)
  • "White Cube and Black Box", in Mythen, Masken und Subjekte. Kritische Weißseinsforschung in Deutschland, eds. Susan Arndt, Maureen Maisha Eggers, Grada Kilomba, and Peggy Piesche, Münster: Unrast, 2005, pp 135-144. (German)
  • "The Institution of Critique", transversal, Vienna: eipcp, Jan 2006; repr. in Art and Contemporary Critical Practice: Reinventing Institutional Critique, eds. Gerald Raunig and Gene Ray, London: MayFly Books, 2009, pp 13-19; repr. in Steyerl, Beyond Representation, 2016, pp 223-227. (English)
  • "Die Gegenwart der Subalternen", intro. in Gayatri Spivak, Can the Subaltern speak? Postkolonialität und subalterne Artikulation, Vienna: Turia + Kant, 2007, pp 5-15; repr., Translate, Vienna: eipcp, 9 Dec 2007. Excerpt. [22]
  • "Notes about Spamsoc", Pages 7, Mar 2009, pp 59-67; repr. in Steyerl, Beyond Representation, 2016, pp 167-172. [24] (English)
    • "Bemerkungen über Spamsoc", in Steyerl, Beyond Representation, 2016, pp 40-46. (German)
  • "Is a Museum a Factory?", e-flux 7, New York: e-flux, Jun 2009; repr. in Steyerl, The Wretched of the Screen, 2012; repr. in Steyerl, Beyond Representation, 2016, pp 228-237. (English)
    • "¿Es el museo una fábrica?", trans. Marcelo Expósito, in Steyerl, Los condenados de la pantalla, 2014. (Spanish)
    • "Ist das Museum eine Fabrik", in Steyerl, Beyond Representation, 2016, pp 107-115. (German)
  • "In Defense of the Poor Image", e-flux 10, New York: e-flux, Nov 2009; repr. in Steyerl, The Wretched of the Screen, 2012, pp 31-45; repr. in Steyerl, Beyond Representation, 2016, pp 147-153. An earlier version was improvised in a response given at the conference Essayfilm: Ästhetik und Aktualität in Lüneburg organised by Thomas Tode and Sven Kramer in 2007. (English)
    • Chinese trans., [2011]. (Chinese)
    • "En defensa de la imagen pobre", trans. Marcelo Expósito, in Steyerl, Los condenados de la pantalla, 2014. (Spanish)
    • "V bran revne podobe", trans. Miha Šuštar, ŠUM 3, Ljubljana: Društvo Galerija Boks, Oct 2014, pp 251-261, HTML. (Slovenian)
    • "In Verteidigung des armen Bildes", in Steyerl, Beyond Representation, 2016, pp 17-24. (German)
  • "A Thing Like You and Me", in Hito Steyerl: Seven Seconds from the Exhibition, 2010; repr. in e-flux 15, New York: e-flux, Apr 2010; repr. in Steyerl, The Wretched of the Screen, 2012. (English)
  • "Kobanê Is Not Falling", e-flux, 10 Oct 2014; repr. in New World Academy Reader, 5: Stateless Democracy, eds. Renée In der Maur and Jonas Staal, et al., Utrecht: BAK, 2015, pp 223-227. (English)
  • "Beginnings", e-flux 59, New York: e-flux, Nov 2014. (English)

Conversations, interviews

Literature

Links