Howard Slater

Howard Slater is a volunteer play therapist, writer and ex-housing worker. Whilst he has been writing since the early 1980s he has mainly been published in small press magazines, independent publishing initiatives and web sites. His texts and poetry have been supported and published by: 10th Floor, Alien Underground, Audiolab Arteleku, Autonomedia, Autotoxicity, Break/Flow, Copenhagen Free University, Datacide, Difficult Fun, Fatuous Times, Five Leaves Left, Here & Now, Infopool, Infotainment, Mute, Night Class, Noise Gate, Obsessive Eye, Palantir, Papakura Post Office, Penniless Press, Rebel Ink, Resonance Magazine (LMC), School of Walls & Space, Smile, TechNET, Variant, Working Press. He was the editor of Break/Flow. He is a member of the London-based MayDay Rooms initiative.

Publications

• editor, Datacide, 17 numbers, 1997-2017. Magazine.
• Howard Slater/Eddie Miller/Flint Michigan, "Post-Media Operators", Break/Flow, 28 Feb 1997; repr. in Datacide 2, Jun 1997; repr. in ReadMe! ASCII Culture & The Revenge of Knowledge. Filtered by Nettime, New York: Autonomedia, 1999, pp 398-399.
• "Parallaxed", Datacide 3, Oct 1997.
• "The New Wave Films and the Loneliness of a Long Distance Runner", London: Working Press, n.d., TXT. [1]
• Working Class Novelists 1930-1950, London: Working Press, n.d. Pamphlet. [2]
• "Graveyard And Ballroom: A Factory Records Scrapbook", Mar 1998.
• "The Western", Datacide 4, Mar-Jul 1998.
• "Minimal Apertures (Insert to The Western)", Datacide 4, Mar-Jul 1998.
• "Post-Media Operators: An Imaginary Address", Break/Flow, 22 Sep 1998.
• "Autotraumatisation – On the Movies of John Carpenter", Datacide 5, Jan 1999.
• "'Long Live Death': On Pasolini’s Salo", Datacide 6, May 1999.
• "'Involutionary Music': Ultra-red: An Electroacoustic Pastoral (Mille Plateaux)", Datacide 6, May 1999.
• "Break/Flow", Datacide 6, May 1999.
• "Loose Watch: a Lost and Found Times Critical Anthology (Invisible Books)", Datacide 6, May 1999.
• "Past Imperfect in the Electronic Archive", Nettime, 10 Aug 1999.
• "Post-Media Operators: 'Sovereign and Vague'", Infotainment 5, 1999; repr. in Datacide 7, Aug 2000; repr. in An@rchitexts: Voices from the Global Digital Resistance, ed. Joanne Richardson, New York: Autonomedia, 2005, pp 194-202; repr. in Mute, 8 Feb 2012; repr. in Provocative Alloys: A Post-Media Anthology, eds. Clemens Apprich, Josephine Berry Slater, Anthony Iles, and Oliver Lerone Schultz, London: Mute, and Lüneburg: Post-Media Lab, 2013, pp 28-43.
• The Art of Governance: On The Artist Placement Group 1966-1989 , Break/Flow, Feb/Mar 2000; repr. in Variant 2:11, Summer 2000.
• The Spoiled Ideals of Lost Situations: Some Notes on Political Conceptual Art, Break/Flow, Jun 2000.
• Divided We Stand: Notes on Scandinavian Situationism, Infopool, 2001. Pamphlet.
• "Rimbaud: Intermediary Militant: Through Rimbaud's Season in Hell", Break/Flow, Mar 2002.
• "Godard – THE CHILD OF MARX & COCA COLA: On Godard’s Masculin/Feminin", Datacide 8, Oct 2002.
• "Lotta Continua: Roots Music and the Politics of Production", Datacide 9, May 2006.
• "Convergent Suggestion – Notes on Organisation and Surrealism", Datacide 10, Oct 2008.
• "Infra-Noir. 23 Untitled Poems", Datacide 11, Feb 2011.
• Anomie/Bonhomie & Other Writings, London: Mute, 2012, 152 pp. [3]. Review: Hanson (Nyx).
  • Anomija/Bonomija. I drugi tekstovi, Novi Sad: Kuda.org, 2013. [4] [5] (Serbo-Croatian)
• ARG