Difference between revisions of "I. Rice Pereira"
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* ''The Simultaneous 'Ever-Coming To Be' '', 1961. | * ''The Simultaneous 'Ever-Coming To Be' '', 1961. | ||
* ''The Infinite Versus the Finite'', 1962 | * ''The Infinite Versus the Finite'', 1962 | ||
| − | * ''The Transcendental Formal Logic of the Infinite'', New York, 1966. Self-published. | + | * ''The Transcendental Formal Logic of the Infinite'', New York, 1966. Self-published. [http://www.radicalsoftware.org/volume2nr5/pdf/VOLUME2NR5_art10.pdf] |
* ''The Poetics of the Form of Space, Light and the Infinite'', 1968. | * ''The Poetics of the Form of Space, Light and the Infinite'', 1968. | ||
Revision as of 15:21, 16 December 2013
Literature
- By Pereira
- "An Abstract Painter on Abstract Art", 1944.
- Light and the New Reality, 1951.
- The Transformation of Nothing, 1952.
- The Paradox of Space, 1952.
- The Nature of Space, 1956.
- The Lapis, 1957.
- Crystal of the Rose, 1959.
- Space, Light and the Infinite, 1961.
- The Simultaneous 'Ever-Coming To Be' , 1961.
- The Infinite Versus the Finite, 1962
- The Transcendental Formal Logic of the Infinite, New York, 1966. Self-published. [1]
- The Poetics of the Form of Space, Light and the Infinite, 1968.
- On Pereira
- Martha Hill, John L. Brown, Irene Rice Pereira's Library: A Metaphysical Journey, Washingon D.C.: The National Museum of Women in the Arts, 1988.
