Difference between revisions of "I. Rice Pereira"
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* ''[http://archive.org/stream/betweenmondrianm15whit#page/n1/mode/2up Between Mondrian and Minimalism, Neo-Plasticism in America]'', Whitney Museum of American Art, 1991. | * ''[http://archive.org/stream/betweenmondrianm15whit#page/n1/mode/2up Between Mondrian and Minimalism, Neo-Plasticism in America]'', Whitney Museum of American Art, 1991. | ||
| − | == | + | ==Links== |
| + | * http://web.archive.org/web/20130907150932/http://www.irenericepereira.com/ | ||
| + | * [http://web.archive.org/web/20120722131217/http://www.irenericepereira.com/chronology Chronology] | ||
* http://en.wikipedia.org/wiki/I._Rice_Pereira | * http://en.wikipedia.org/wiki/I._Rice_Pereira | ||
| + | * http://www.aaa.si.edu/collections/irene-rice-pereira-papers-8932 | ||
| + | * http://www.americanart.si.edu/collections/search/artwork/?id=19551 | ||
Latest revision as of 11:32, 2 June 2015
Literature[edit]
- By Pereira
- "An Abstract Painter on Abstract Art", 1944.
- Light and the New Reality, 1951.
- The Transformation of Nothing, 1952.
- The Paradox of Space, 1952.
- The Nature of Space, 1956.
- The Lapis, 1957.
- Crystal of the Rose, 1959.
- Space, Light and the Infinite, 1961.
- The Simultaneous 'Ever-Coming To Be' , 1961.
- The Infinite Versus the Finite, 1962
- The Transcendental Formal Logic of the Infinite, New York, 1966. Self-published. [1]
- The Poetics of the Form of Space, Light and the Infinite, 1968.
- On Pereira
- Martha Hill, John L. Brown, Irene Rice Pereira's Library: A Metaphysical Journey, Washingon D.C.: The National Museum of Women in the Arts, 1988.
- Between Mondrian and Minimalism, Neo-Plasticism in America, Whitney Museum of American Art, 1991.
