Difference between revisions of "Igor Aleinikov"
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==Shorts movies== | ==Shorts movies== | ||
| − | * ''Tractors'' | + | * ''Metastases'', 16 mm, 16:01 min, USSR, 1984. |
| − | * ''I'm Frigid, But it Doesn't Matter'' | + | * ''A Revolutionary Sketch'', 07:36 min, USSR, 1987. |
| − | * ''The Severe Illness of Men'' | + | * ''Tractors'', 16 mm, 12:10 min, USSR 1987. |
| + | * ''I’m Cold, So What? / I'm Frigid, But it Doesn't Matter'', 15:35 min, USSR, 1987. | ||
| + | * ''The Severe Illness of Men'', 16 mm, 09:58 min, USSR 1987. | ||
* ''Postpolitical Cinema'' (1988). | * ''Postpolitical Cinema'' (1988). | ||
* ''Someone Has Been Here'' (1989) | * ''Someone Has Been Here'' (1989) | ||
Revision as of 10:02, 2 December 2013
In the 80s Igor and Gleb Aleinikov belonged to the school of Moscow conceptualism and took active part in art underground activities, working in such genres as mail-art, book-art, soc-art, and home-art. Brothers Aleinikov made history as founders of Parallel Cinema, experimental underground movies short on narrow film, the aesthetics and ideology of which were absolutely incompatible with the canons common for Soviet cinema. In March 1994 Igor Aleinikov died in a plane accident, a year after his brother founded the Cine Fantom Club.
Colin Marshall's reviews of 3 films: [1] [2] [3]
Shorts movies
- Metastases, 16 mm, 16:01 min, USSR, 1984.
- A Revolutionary Sketch, 07:36 min, USSR, 1987.
- Tractors, 16 mm, 12:10 min, USSR 1987.
- I’m Cold, So What? / I'm Frigid, But it Doesn't Matter, 15:35 min, USSR, 1987.
- The Severe Illness of Men, 16 mm, 09:58 min, USSR 1987.
- Postpolitical Cinema (1988).
- Someone Has Been Here (1989)
- Tractor Drivers 2 (1992) (full-length film).
