Difference between revisions of "Ivor Diosi"

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* Daniel Grúň, [http://www.divus.cc/london/en/article/what-it-means-to-travel-by-metro-in-bratislava ''"What it Means to Travel by Metro in Bratislava (Metro : Exhibition, Gallery Priestor for Contemporary Arts)"''], Umělec Magazine / Divus, February 2004, (English, Slovensky (Slovak))
 
* Daniel Grúň, [http://www.divus.cc/london/en/article/what-it-means-to-travel-by-metro-in-bratislava ''"What it Means to Travel by Metro in Bratislava (Metro : Exhibition, Gallery Priestor for Contemporary Arts)"''], Umělec Magazine / Divus, February 2004, (English, Slovensky (Slovak))
  
* ZKM Center for Art and Media Karlsruhe, [http://zkm.de/en/event/2003/11/the-50-best ''International Media Art Award 2003 Statement''], November 2003 (Deutsch)
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* ZKM Center for Art and Media Karlsruhe, [http://zkm.de/en/event/2003/11/the-50-best ''International Media Art Award 2003 Jury Statement''], November 2003 (Deutsch)
  
 
* The Daniel Langlois Foundation Collection, [http://collections.cinematheque.qc.ca/recherche/en/collection-fondation-daniel-langlois/fiche/23169 ''Anthologie 2003''], 2003 (English, Française)
 
* The Daniel Langlois Foundation Collection, [http://collections.cinematheque.qc.ca/recherche/en/collection-fondation-daniel-langlois/fiche/23169 ''Anthologie 2003''], 2003 (English, Française)

Revision as of 18:02, 25 January 2015

Born 1973. Ivor Diosi majored in information security, and wandered through courses on information systems management, philosophy and cinema history. He has been exhibiting since 1999 and received several awards and recognitions at international new media art festivals (ACA Tokyo, Vida 4.0, ZKM Constructed Life, and Transmediale 2004). Currently, he is an artist-in-residence at CIANT (International Centre for Art and New Technologies). He is best known for his game engine modifications, and has worked with virtual reality, artificial life and human interface design to produce art, which in his words “strives to be detached from socially conditioned perception and simian legacy, as much as possible, and focus on what really matters: the human being as autonomous conscience in the unvoid”. Lives in Prague.

Literature

Books
  • Aurel Hrabušický, Václav Macek, Slovenská Fotografia 1925-2000: Moderna, Postmoderna, Postfotografia (Slovak Photography, 1925-2000: Modernism, Post-Modernism, Post-Photography), Slovenská Národná Galéria (Slovak National Gallery), January 2002, ISBN-13: 978-8080590581 (English, Slovensky (Slovak)) [Amazon] [artforum.sk]


Articles
  • Pavel Sedlák, "Nové umění z kráteru (New Art from the Crater)", Flash Art No.9, July-October 2008 (Česky (Czech)) [Mirror]
  • CIANT International Centre for Art and New Technologies Prague, "Interview: Ivor Diosi", Prague TV, October 2007 (English)
  • Stredoeurópsky dom fotografie (Central European House of Photography) Bratislava, "Ivor Diosi - VERT.EGO", Newsletter, Mesiac fotografie 2005, September 2005 (English, Slovensky (Slovak))
  • EnterMultimediale Festival of Art and New Technologies Prague, "Ivor Diosi - vert.ego", Newsletter, EnterMultimediale 2, May 2005 (English)
  • The Daniel Langlois Foundation Collection, Anthologie 2003, 2003 (English, Française)
  • Rafael Lozano-Hemmer, Fundación Telefónica Madrid, "Vida 4.0 Artificial Life Art International Competition Jury Statement", November 2001 (English) [Mirror]

Links