Difference between revisions of "Janneke Adema"

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Janneke Adema holds an MA in History, an MA in Philosophy (both University of Groningen) and, an MA in Book and Digital Media Studies (Leiden University). She has been conducting research for the OAPEN project from 2008 to 2010. Her research for this project focused on user needs and publishing models concerning Open Access books in the Humanities and Social Sciences. At the moment she is doing a PhD in Media and Communication at Coventry University.
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'''Janneke Adema''' is an Assistant Professor in Digital Media at the Centre for Postdigital Cultures at Coventry University. In her research, she explores the future of scholarly communications and experimental forms of knowledge production, where her work incorporates processual and performative publishing, radical open access, scholarly poethics, media studies, book history, cultural studies, and critical theory. She explores these issues in depth in her various publications, but also by supporting a variety of scholar-led, not-for-profit publishing projects, including the [http://radicaloa.disruptivemedia.org.uk/ Radical Open Access Collective], [http://openhumanitiespress.org/ Open Humanities Press], and [https://postoffice.media/pages/pop/ Post Office Press] (POP). [https://pureportal.coventry.ac.uk/en/persons/janneke-adema (2021)]
  
Her current research concentrates on the influence of online information transmission on research practices within the Humanities and on the way the monograph, as an important form of scholarly communication in this field, is being produced and shaped. She will investigate the possibility of the fusion or remix of media in the process of Humanities knowledge production to explore potential new roles and futures for the monograph as a form of scholarly communication on the web.
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Janneke Adema holds an MA in History, an MA in Philosophy (both University of Groningen), an MA in Book and Digital Media Studies (Leiden University), and a PhD in Media and Communication (Coventry University).
  
http://openreflections.wordpress.com/
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Janneke Adema has conducted research for both the OAPEN Foundation and for the DOAB project. She is the author of amongst others the OAPEN report ''[https://curve.coventry.ac.uk/open/file/a976330e-ed7a-4bd5-b0ed-47cab90e9a5e/1/ademaoapen2comb.pdf Overview of Open Access Models for eBooks in the HSS]'' (2010) and the ''[https://doabooks.files.wordpress.com/2012/11/doab-user-needs.pdf DOAB User Needs Analysis]'' (2012). She has published in ''New Formations; The International Journal of Cultural Studies; New Media & Society; Cultural Studies; New Review of Academic Librarianship; Krisis. Journal for Contemporary Philosophy; Scholarly and Research Communication''; and ''LOGOS: The Journal of the World Book Community'', and she has co-edited a living book on ''[http://www.livingbooksaboutlife.org/books/Symbiosis Symbiosis]'' together with Pete Woodbridge (Open Humanities Press, 2011). From 2010 until 2013 she organised the Open Media Research Seminar Series at the School of Media and Performing Arts at Coventry University. She is also one of the editors, together with Clare Birchall, Gary Hall and Pete Woodbridge, of the ''[https://culturemachinepodcasts.podbean.com/ Culture Machine Live]'' podcast series. [https://pureportal.coventry.ac.uk/en/persons/janneke-adema (2018)]
  
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==Publications==
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===Books, reports, journal issues===
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* with Eelco Ferwerda and Ronald Snijder, ''[https://openreflections.files.wordpress.com/2011/03/oapen-nl-final-report.pdf OAPEN‐NL: A Project Exploring Open Access Monograph Publishing in the Netherlands – Final Report (OAPEN Project Report)]'', The Hague, 2013.
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* ''[http://curve.coventry.ac.uk/open/items/8222ccb2-f6b0-4e5f-90de-f4c62c77ac86/1/ Knowledge Production Beyond The Book? Performing the Scholarly Monograph in Contemporary Digital Culture]'', Coventry: Coventry University, Jun 2015, x+248 pp, [https://curve.coventry.ac.uk/open/file/8222ccb2-f6b0-4e5f-90de-f4c62c77ac86/1/ademacomb.pdf PDF], [http://www.openreflections.org/wiki/ Wiki]. PhD dissertation. [https://openreflections.wordpress.com/a-differential-thesis/]
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* editor, with Gary Hall, ''[http://liquidbooks.pbworks.com/w/page/106236504/The%20Academia_edu%20Files Really, We're Helping to Build This ... Business: The Academia.edu Files]'', London: Open Humanities Press, Apr 2016.
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* editor, with Gary Hall, [https://www.journalofelectronicpublishing.org/disrupting-humanities.html ''Journal of Electronic Publishing'' 19(2): "Disrupting the Humanities: Towards Posthumanities"], Winter 2016.
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* with Graham Stone, ''[http://repository.jisc.ac.uk/6666/1/Changing-publishing-ecologies-report.pdf Changing Publishing Ecologies: A Landscape Study of New University Presses and Academic-Led Publishing]'', intro. Chris Keene, London: Jisc, 2017, 102 pp. [http://repository.jisc.ac.uk/6652/ Interview transcripts].
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* with Marcell Mars and Tobias Steiner, ''[https://doi.org/10.21428/785a6451.933fa904 Books Contain Multitudes: Exploring Experimental Publishing]'', COPIM, Jan 2021, [https://doi.org/10.5281/zenodo.4471571 PDF]. Report.
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* ''[https://monoskop.org/log/?p=23278 Living Books: Experiments in the Posthumanities]'', MIT Press, 2021, xiii+335 pp.
  
[[Category:Digital humanities|Adema, Janneke]]
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===Articles===
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* with Gary Hall, [[Media:Adema Janneke Hall Gary 2013 The Political Nature of the Book On Artists Books and Radical Open Access.pdf|"The Political Nature of the Book: On Artists' Books and Radical Open Access"]], ''New Formations'' 78, Summer 2013, pp 138-156. [https://openreflections.files.wordpress.com/2011/03/the-political-nature-of-the-book.pdf Preprint]. [http://dx.doi.org/10.3898/NewF.78.07.2013].
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** [https://openreflections.files.wordpress.com/2018/10/adema-hall-murphie-ludovico-circulaciocc81n-y-resonancia.pdf#page=34 "La naturaleza política del libro: sobre libros de artista y acceso abierto radical"], trans. Sol Aréchiga Mantilla, in ''Circulación y resonancia I'', ed. Nicolás Pradilla, Guadalajara, MX: Taller de Ediciones Económicas, 2016, pp 35-96. [http://www.t-e-e.org/index.php/circulacion-y-resonancia/] {{es}}
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* [http://sci-hub.se/10.1177/1367877912474559 "Practice What You Preach: Engaging in Humanities Research Through Critical Praxis"], ''International Journal of Cultural Studies'' 16:5, Sep 2013, pp 491-505. [https://openreflections.files.wordpress.com/2011/03/practice-what-you-preach.pdf Preprint].
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* [http://dx.doi.org/10.1080/09502386.2013.839728 "Reviving the undead book: review of Planned Obsolescence. Publishing, Technology, and the Future of the Academy, Kathleen Fitzpatrick"], ''Cultural Studies'', 2013, [https://openreflections.files.wordpress.com/2011/03/fitzpatrick-review-cultural-studies.pdf PDF].
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* with Eelco Ferwerda, [https://openreflections.files.wordpress.com/2011/03/515678.pdf#page=132 "Publication Practices in Motion: The Benefits of Open Access Publishing for the Humanities"], in ''New Publication Cultures in the Humanities: Exploring the Paradigm Shift'', ed. Péter Dávidházi, Amsterdam University Press, 2014, pp 131-146.
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* [http://web.archive.org/web/20151005143652/cdckeywords.leuphana.com/open_access/ "Open Access"], in ''Critical Keywords for the Digital Humanities'', Lueneburg: Meson Press, 2014.
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* [https://openreflections.files.wordpress.com/2011/03/eduardo-navas-the-routledge-companion-to-remix-studies.pdf#page=283 "Cutting Scholarship Together/Apart: Rethinking the Political-Economy of Scholarly Book Publishing"], in ''The Routledge Companion to Remix Studies'', eds. xtine Burrough, Eduardo Navas and Owen Gallagher, London and New York: Routledge, 2014, pp 258-269, [https://openreflections.files.wordpress.com/2011/03/cutting-scholarship-together-apart.docx DOC].
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* [https://blogs.lse.ac.uk/impactofsocialsciences/2014/11/18/embracing-messiness-adema-pdsc14/ "Embracing Messiness: Open Access Offers the Chance to Creatively Experiment with Scholarly Publishing"], ''LSE Impact Blog'', 18 Nov 2014.
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* [https://openreflections.wordpress.com/2016/04/07/dont-give-your-labour-to-academia-edu-use-it-to-strengthen-the-academic-commons/ "Don't Give Your Labour to Academia.edu. Use It to Strengthen the Academic Commons"], ''Open Reflections'', 7 Apr 2016; [http://liquidbooks.pbworks.com/w/page/106882533/Don%E2%80%99t%20Give%20Your%20Labour%20To%20Academia_edu%20Use%20It%20To%20Strengthen%20The%20Academic%20Commons repr. in] ''Really, We're Helping to Build This ... Business: The Academia.edu Files'', eds. Janneke Adema and Gary Hall, London: Open Humanities Press, 2016.
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* with Gary Hall, [http://dx.doi.org/10.3998/3336451.0019.201 "Posthumanities: The Dark Side of “The Dark Side of the Digital”"], ''Journal of Electronic Publishing'' 9(2): "Disrupting the Humanities: Towards Posthumanities", eds. Janneke Adema and Gary Hall, Winter 2016.
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* "Lectura posthumana", ''La Maleta de Portbou'' 22: "Leer en la era digital", Mar/Apr 2017. [https://lamaletadeportbou.com/articulos/lectura-posthumana/] {{es}}
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** [https://openreflections.wordpress.com/2017/03/02/posthuman-reading/ "Posthuman Reading"], ''Open Reflections'', 2 Mar 2017.
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* with Graham Stone, [http://doi.org/10.18352/lq.10210 "The Surge in New University Presses and Academic-Led Publishing: An Overview of a Changing Publishing Ecology in the UK"], ''LIBER Quarterly'' 27:1, 2017, pp 97-126, [https://www.liberquarterly.eu/articles/10.18352/lq.10210/galley/10710/download/ PDF].
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* with Graham Stone, [https://blogs.lse.ac.uk/impactofsocialsciences/2017/09/20/taking-back-control-the-new-university-and-academic-presses-that-are-re-envisioning-scholarly-publishing/ "Taking Back Control: The New University and Academic Presses That Are Re-Envisioning Scholarly Publishing"], ''LSE Impact Blog'', 20 Sep 2017.
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* with Samuel Moore, [https://blogs.lse.ac.uk/impactofsocialsciences/2017/10/27/the-radical-open-access-collective-building-alliances-for-a-progressive-scholar-led-commons/ "The Radical Open Access Collective: Building Alliances for a Progressive, Scholar-Led Commons"], ''LSE Impact Blog'', 27 Oct 2017.
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* [https://marcell.memoryoftheworld.org/Eduardo%20Navas/Keywords%20in%20Remix%20Studies%20%283543%29/Keywords%20in%20Remix%20Studies%20-%20Eduardo%20Navas.pdf#page=127 "Cut-up"], in ''Keywords in Remix Studies'', eds. Eduardo Navas, Owen Gallagher, and xtine burrough, London and New York: Routledge, 2017, pp 104-114. [https://openreflections.files.wordpress.com/2017/12/adema-cut-up-post-print.docx Postprint].
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* with Samuel Moore, [http://doi.org/10.1629/uksg.399 "Collectivity and Collaboration: Imagining New Forms of Communality to Create Resilience in Scholar-led Publishing"], ''Insights'' 31:3, Mar 2018, [https://insights.uksg.org/articles/10.1629/uksg.399/galley/723/download/ PDF].
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* editor, with Jonathan Shaw and Luca Morini, [http://doi.org/10.1080/14682753.2017.1362167 ''Media Practice and Education'' 19(1): "Disrupted Journal of Media Practice"], May 2018, 115 pp.
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* [https://doi.org/10.1080/14682753.2017.1362174 "Performative Publications"], ''Media Practice and Education'' 19(1): "Disrupted Journal of Media Practice", eds. Jonathan Shaw, Luca Morini, and Janneke Adema, May 2018, pp 68-81, [https://hcommons.org/deposits/item/hc:16747 PDF].
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* [https://monoskop.org/images/f/f4/Post_Office_Press_ed_The_Poethics_of_Scholarship_2018.pdf#page=9 "The Poethics of Openness"], in ''The Poethics of Scholarship'', ed. Post Office Press, Coventry: Post Office Press/Rope Press, 2018, pp 16-26, [https://monoskop.org/log/?p=21232 Log].
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* [https://www.openbookpublishers.com/htmlreader/978-1-78374-648-4/ch3.xhtml#_idTextAnchor026 "The Ethics Of Emergent Creativity: Can We Move Beyond Writing As Human Enterprise, Commodity And Innovation?"], in ''Whose Book is it Anyway? A View From Elsewhere on Publishing, Copyright and Creativity'', eds. Janis Jefferies and Sarah Kember, Cambridge: Open Book Publishers, 2019, pp 65-90, [https://www.openbookpublishers.com/reader/925#page/80/mode/2up Reader], [https://monoskop.org/images/b/b8/Jefferies_Janis_Kember_Sarah_eds_Whose_Book_is_it_Anyway_A_View_From_Elsewhere_on_Publishing_Copyright_and_Creativity_2019.pdf#page=81 PDF], [https://monoskop.org/log/?p=21100 Log].
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* with Kamila Kuc, [http://doi.org/10.3384/cu.2000.1525.2019111190 "Unruly Gestures: Seven Cine-Paragraphs on Reading/Writing Practices in our Post-Digital Condition"], ''Culture Unbound'' 11:1, Linköping: LiU E-Press, 2019, pp 190-208, [http://www.cultureunbound.ep.liu.se/v11/a11/cu19v11a11.pdf PDF], [http://www.cultureunbound.ep.liu.se/v11/a11/unruly_gestures.mp4 Video].
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* with Kaja Marczewska, "Post It", ''Convolution'' 5-6, Sep 2019. [https://postoffice.media/posts/delivered-the-same-day/] [http://convolutionjournal.com/]
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* [https://openreflections.wordpress.com/publications/ more]
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===Interviews===
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* Julia Rehfeldt, [http://web.archive.org/web/20161017175404/https://hybridpublishing.org/2014/09/janneke-adema-on-the-mess-that-open-access-has-become/ "Janneke Adema on “The Mess that Open Access has become”"], ''Hybrid Publishing Lab'', 22 Sep 2014.
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* Davide Giorgetta, Valerio Nicoletti, [http://p-dpa.net/a-conversation-on-digital-archiving-practices-with-janneke-adema/ "A Conversation on Digital Archiving Practices with Janneke Adema"], ''Post-Digital Publishing Archive'', 22 Jun 2015.
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* [https://www.openlibhums.org/news/278/ "The Radical Open Access Collective: Community, Resilience, Collaboration: An Open Insights Interview with Janneke Adema and James Smith"], ''Open Insights'', 16 Apr 2018.
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* ''[https://repository.jisc.ac.uk/7413/ Towards a Roadmap for Open Access Monographs: A Knowledge Exchange Report]'', Bristol: Knowledge Exchange/Jisc, May 2019; rev.v., Jun 2019, 38 pp, [http://repository.jisc.ac.uk/7413/3/Towards_a_Roadmap_for_Open_Access_Monographs_June_2019.pdf PDF]. [http://www.knowledge-exchange.info/event/open-access-monographs Publisher].
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==Links==
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* [http://openreflections.wordpress.com/ Blog]
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* [https://pureportal.coventry.ac.uk/en/persons/janneke-adema Profile on U Coventry]
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* [https://twitter.com/openreflections Twitter]
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* [http://coventry.academia.edu/JannekeAdema Academia.edu]
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* [https://disruptivemedia.org.uk/author/janneke/ Blog on Centre for Distruptive Media], 2013-2016
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[[Category:Open access]] [[Category:Writers]] {{DEFAULTSORT:Adema, Janneke}}

Revision as of 10:56, 6 December 2021

Janneke Adema is an Assistant Professor in Digital Media at the Centre for Postdigital Cultures at Coventry University. In her research, she explores the future of scholarly communications and experimental forms of knowledge production, where her work incorporates processual and performative publishing, radical open access, scholarly poethics, media studies, book history, cultural studies, and critical theory. She explores these issues in depth in her various publications, but also by supporting a variety of scholar-led, not-for-profit publishing projects, including the Radical Open Access Collective, Open Humanities Press, and Post Office Press (POP). (2021)

Janneke Adema holds an MA in History, an MA in Philosophy (both University of Groningen), an MA in Book and Digital Media Studies (Leiden University), and a PhD in Media and Communication (Coventry University).

Janneke Adema has conducted research for both the OAPEN Foundation and for the DOAB project. She is the author of amongst others the OAPEN report Overview of Open Access Models for eBooks in the HSS (2010) and the DOAB User Needs Analysis (2012). She has published in New Formations; The International Journal of Cultural Studies; New Media & Society; Cultural Studies; New Review of Academic Librarianship; Krisis. Journal for Contemporary Philosophy; Scholarly and Research Communication; and LOGOS: The Journal of the World Book Community, and she has co-edited a living book on Symbiosis together with Pete Woodbridge (Open Humanities Press, 2011). From 2010 until 2013 she organised the Open Media Research Seminar Series at the School of Media and Performing Arts at Coventry University. She is also one of the editors, together with Clare Birchall, Gary Hall and Pete Woodbridge, of the Culture Machine Live podcast series. (2018)

Publications

Books, reports, journal issues

Articles

Interviews

Links