Difference between revisions of "Japan"

From Monoskop
Jump to navigation Jump to search
m (Text replacement - "/b/fvXcfGr-yKqm4EhyhfSZmOL-GtBa8t2Bsajp2fFPMJ1JyUg-" to "/#/book/33d64cf2-88d3-4e68-8a7e-24f7e3c3b947")
Line 7: Line 7:
 
* [[Fyūzankai]] (Fusain Society, 1912), post-impressionists.
 
* [[Fyūzankai]] (Fusain Society, 1912), post-impressionists.
 
* [[Nika-kai]] (Nika Society, Second Section Association), fauvists.
 
* [[Nika-kai]] (Nika Society, Second Section Association), fauvists.
* [[Miraiha bijutsu kyōkai]] (未来派美術協会, Futurist Art Association, 1920-22; Asano, Fumon, Kinoshita), futurists, [http://ja.wikipedia.org/wiki/大正期新興美術運動].
+
* [[Miraiha bijutsu kyōkai]] (未来派美術協会, Futurist Art Association, 1920-1922; Asano, Fumon, Kinoshita), futurists, [http://ja.wikipedia.org/wiki/大正期新興美術運動].
 
* [[Akushon]] (アクション, Action, 1923; Nakagawa, Yabe, Kanbara, Koga, Nakahara), futurists.
 
* [[Akushon]] (アクション, Action, 1923; Nakagawa, Yabe, Kanbara, Koga, Nakahara), futurists.
* [[MAVO]] (1923-25).
+
* [[MAVO]] (1923-1925).
 
* [[Sanka zōkei bijutsu kyōkai]] (Three Division Plastic Arts Society, 1924; Kinoshita).
 
* [[Sanka zōkei bijutsu kyōkai]] (Three Division Plastic Arts Society, 1924; Kinoshita).
 
* [[NNK]] (Okada, Takamizawa, Toda).
 
* [[NNK]] (Okada, Takamizawa, Toda).
 
* [[Senkyūhyaku sanjū-nen kyōkai]] (1930; Koga, Noguchi, Kawaguchi, Fukuzawa; 1930).
 
* [[Senkyūhyaku sanjū-nen kyōkai]] (1930; Koga, Noguchi, Kawaguchi, Fukuzawa; 1930).
* [[Dokuritsu bijutsu kyōkai]] (Independent Art Society, 1931-39; Satomi, Kojima).
+
* [[Dokuritsu bijutsu kyōkai]] (Independent Art Society, 1931-1939; Satomi, Kojima).
 
* [[Shin seisaku kyōkai]] (New Art Work Society; Nakanishi, Inokuma).
 
* [[Shin seisaku kyōkai]] (New Art Work Society; Nakanishi, Inokuma).
* [[Shinzōkei]] (1935-37).
+
* [[Shinzōkei]] (1935-1937).
* [[Jiyū bijutsu]] (1937-43).
+
* [[Jiyū bijutsu]] (1937-1943).
 
* [http://www.cjspubs.lsa.umich.edu/electronic/facultyseries/list/series/prewar/books.php Prokino] (日本プロレタリア映画同盟; Nihon Puroretaria Eiga Dōmei; Proletarian Film League of Japan).
 
* [http://www.cjspubs.lsa.umich.edu/electronic/facultyseries/list/series/prewar/books.php Prokino] (日本プロレタリア映画同盟; Nihon Puroretaria Eiga Dōmei; Proletarian Film League of Japan).
  
Line 49: Line 49:
 
===Publications===
 
===Publications===
 
; Mavo
 
; Mavo
* "Mavo Manifesto", in the pamphlet for the first Mavo exhibition at Denpōin Temple in Asakusa, 1923; repr. in ''Nihon no Dada 1920-1970'', ed. Yoshio Shirakawa, Tokyo: Hakuba Shobō and Kazenobara, 1988, pp 35-36.
+
 
 +
* ''[[Media:MAVO_1923_catalogue.pdf|Mavo]]'', 1923, [20] pp. Catalogue for the first Mavo exhibition, held at Denpōin Temple in Asakusa, 28 July-3 August 1923.
 +
* [https://monoskop.org/images/0/08/MAVO_1923_catalogue.pdf#page=2 "Mavo Manifesto"], ''Mavo'', 1923, pp [1-2]; repr. in ''Nihon no Dada 1920-1970'', ed. Yoshio Shirakawa, Tokyo: Hakuba Shobō and Kazenobara, 1988, pp 35-36.
 
* Tomoyoshi Murayama, ''Ichimei ishikiteki kōsei shugi e no dōtei'' [現在の藝術と未來の藝術 一名、意識的構成主義への道程], 1924.
 
* Tomoyoshi Murayama, ''Ichimei ishikiteki kōsei shugi e no dōtei'' [現在の藝術と未來の藝術 一名、意識的構成主義への道程], 1924.
 
* ''[[MAVO#Magazine|Mavo]]'', eds. Tatsuo Okada and Tomoyoshi Murayama, 7 issues, July 1924-August 1925.  
 
* ''[[MAVO#Magazine|Mavo]]'', eds. Tatsuo Okada and Tomoyoshi Murayama, 7 issues, July 1924-August 1925.  
Line 81: Line 83:
  
 
===Literature===
 
===Literature===
* Gennifer Weisenfeld, [http://fds.duke.edu/db/attachment/1784 "Mavo’s Conscious Constructivism: Art, Individualism, and Daily Life in Interwar Japan"], ''Art Journal'' 55:3 (Autumn 1996), pp 64-73.
+
* Gennifer Weisenfeld, [http://sci-hub.tw/10.2307/777767 "Mavo's Conscious Constructivism: Art, Individualism, and Daily Life in Interwar Japan"], ''Art Journal'' 55:3, Autumn 1996, pp 64-73.
 
* James Fraser, Steven Heller, Seymour Chwast, ''Japanese Modern: Graphic Design Between the Wars'', Chronicle Books, 1996, 144 pp. [http://www.adsw.org/perspective/1998/JapaneseModern/ Review].
 
* James Fraser, Steven Heller, Seymour Chwast, ''Japanese Modern: Graphic Design Between the Wars'', Chronicle Books, 1996, 144 pp. [http://www.adsw.org/perspective/1998/JapaneseModern/ Review].
 
* Toshiharu Omuka, "Tada Dada (Devotedly Dada) For the Stage: the Japanese Movement 1920-1925", in ''The Eastern Dada Orbit: Russia, Georgia, Ukraine, Central Europe and Japan'', ed. Stephen Foster, G.K. Hall, 1998, pp 223-310.
 
* Toshiharu Omuka, "Tada Dada (Devotedly Dada) For the Stage: the Japanese Movement 1920-1925", in ''The Eastern Dada Orbit: Russia, Georgia, Ukraine, Central Europe and Japan'', ed. Stephen Foster, G.K. Hall, 1998, pp 223-310.
Line 94: Line 96:
 
* Gennifer Weisenfeld, [http://fds.duke.edu/db/attachment/1779 "Publicity and Propaganda in 1930s Japan: Modernism as Method"], ''Design Issues'' 25:4 (Autumn 2009), pp 13-28.
 
* Gennifer Weisenfeld, [http://fds.duke.edu/db/attachment/1779 "Publicity and Propaganda in 1930s Japan: Modernism as Method"], ''Design Issues'' 25:4 (Autumn 2009), pp 13-28.
 
* William J. Tyler (ed.), ''Modanizumu: Modernist Fiction from Japan, 1913-1938'', University of Hawaii Press, 2008, 605 pp. [http://books.google.com/books?id=wwJnQZSosw0C&printsec=frontcover]
 
* William J. Tyler (ed.), ''Modanizumu: Modernist Fiction from Japan, 1913-1938'', University of Hawaii Press, 2008, 605 pp. [http://books.google.com/books?id=wwJnQZSosw0C&printsec=frontcover]
* Majella Munro, [http://www.essex.ac.uk/arthistory/research/pdfs/rebus_issue_4/Munro.pdf "Dada, MAVO and the Japanese Avant-Garde: A Prologue to the Introduction of Surrealism to Japan"], ''re.bus'' 4 (Autumn/Winter 2009).
+
* Majella Munro, [https://www1.essex.ac.uk/arthistory/research/pdfs/rebus/rebus_issue_4.pdf#page=80 "Dada, MAVO and the Japanese Avant-Garde: A Prologue to the Introduction of Surrealism to Japan"], ''Rebus'' 4, Autumn/Winter 2009.  
 
* Yang Wang, [http://kb.osu.edu/rest/bitstreams/192607/retrieve "Russia Constructed: the Practice of Avant-gardism in Taisho-era Japan, 1912-1926"], Dec 2009, 28 pp.
 
* Yang Wang, [http://kb.osu.edu/rest/bitstreams/192607/retrieve "Russia Constructed: the Practice of Avant-gardism in Taisho-era Japan, 1912-1926"], Dec 2009, 28 pp.
 
* Gennifer Weisenfeld, [http://fds.duke.edu/db/attachment/1778 "Japanese Typographic Design and the Art of Letterforms"], in ''Bridges to Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong, Vol. 1'', New Jersey: P.Y. and Kinmay W. Tang Center for East Asian Art, 2011, 827-848.
 
* Gennifer Weisenfeld, [http://fds.duke.edu/db/attachment/1778 "Japanese Typographic Design and the Art of Letterforms"], in ''Bridges to Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong, Vol. 1'', New Jersey: P.Y. and Kinmay W. Tang Center for East Asian Art, 2011, 827-848.
Line 108: Line 110:
  
 
==Anti-art, Non-art==
 
==Anti-art, Non-art==
* [[Jikken Kōbō]], Tokyo, 1951-57.
+
* [[Jikken Kōbō]], Tokyo, 1951-1957.
* [[Gutai Art Association]] [Gutai Bijutsu Kyōkai], Osaka and Ashiya, 1954-72.
+
* [[Gutai Art Association]] [Gutai Bijutsu Kyōkai], Osaka and Ashiya, 1954-1972.
  
* [[Kyushu Group]] (Kyūshū-ha), Fukuoka City, late 1950s-early 60s.
+
* [[Kyushu Group]] (Kyūshū-ha), Fukuoka City, late 1950s-early 1960s.
  
* [[Sōgetsu|Sōgetsu Art Center]] (SAC), 1958-71.
 
* [[Neo Dada]], Tokyo, 1960-62.
 
* [[Ongaku]] group, Tokyo, 1960-62.
 
 
* [[Fluxus|Tokyo Fluxus]], 1957-1970s
 
* [[Fluxus|Tokyo Fluxus]], 1957-1970s
* [[Hi Red Center]], Tokyo, 1963-64.
+
* [[Sōgetsu|Sōgetsu Art Center]] (SAC), 1958-1971.
* 1000-Yen Note Incident Discussion Group, Tokyo, 1964-c70.
+
* [[Neo Dada]], Tokyo, 1960-1962.
 +
* [[Ongaku]] group, Tokyo, 1960-1962.
 +
* [[Hi Red Center]], Tokyo, 1963-1964.
 +
* 1000-Yen Note Incident Discussion Group, Tokyo, 1964-c1970.
  
 
* [[Ankoku|Ankoku Butoh Group]], Tokyo, c1959-early 1970s.
 
* [[Ankoku|Ankoku Butoh Group]], Tokyo, c1959-early 1970s.
* [[Vivo]], Tokyo, 1959-61.
+
* [[Vivo]], Tokyo, 1959-1961.
* Underground theatres, Tokyo, c1966-c75.
+
* Underground theatres, Tokyo, c1966-c1975.
* [[Provoke]], Tokyo, 1968-70.
+
* [[Provoke]], Tokyo, 1968-1970.
  
* Intermedia, Tokyo and Osaka, c1968-c70.
+
* Intermedia, Tokyo and Osaka, c1968-c1970.
* [[Psychophysiology Research Institute]], 1969-70.
+
* [[Psychophysiology Research Institute]], 1969-1970.
* [[Bikyōtō]], Tokyo, 1969-74.
+
* [[Bikyōtō]], Tokyo, 1969-1974.
 
* Japan World Exposition '70, Osaka  
 
* Japan World Exposition '70, Osaka  
  
Line 142: Line 144:
  
 
=== Literature===
 
=== Literature===
* David Elliot, Kazo Kaido, Ichiro Hariu, et al., ''Reconstructions: Avant-Garde Art in Japan 1945-1965'', Oxford: Museum of Modern Art Oxford, 1985. Catalogue.  
+
* David Elliot, Kazo Kaido, Ichiro Hariu, et al., ''Reconstructions: Avant-Garde Art in Japan 1945-1965'', Oxford: Museum of Modern Art Oxford, 1985, 96 pp. Catalogue. [https://www.modernartoxford.org.uk/product/reconstructions-avant-garde-art-in-japan-1945-1965/] [https://aaa.org.hk/en/collection/search/library/reconstructions-avant-garde-art-in-japan-1945-1965]
* ''Geijutsu to nichijō – hangeijutsu/hangeijutsu'' [Art and the Everyday – Anti-Art], ed. Kokuritsu Kokusai Bijutsukan, Osaka: Kokuritsu Kokukusai, 1991. {{jp}}
+
* ''Geijutsu to nichijō – hangeijutsu/hangeijutsu'' [Art and the Everyday – Anti-Art], ed. Kokuritsu Kokusai Bijutsukan, Osaka: Kokuritsu Kokukusai, 1991. Catalogue. {{jp}}
 
* Mokuma Kikuhata, ''Sengo bijutsu to han geijutsu'' [Post-war fine art and anti-art], Fukuoka City: Kaichōsha, 1993. {{jp}}
 
* Mokuma Kikuhata, ''Sengo bijutsu to han geijutsu'' [Post-war fine art and anti-art], Fukuoka City: Kaichōsha, 1993. {{jp}}
 
* ''Japanese Art After 1945: Scream Against the Sky'', ed. Alexandra Munroe, New York: Abrams, and New York: Solomon R. Guggenheim Museum, 1994, 416 pp. Catalogue; surveys Japanese art from the 1950s through the early 1990s. [https://www.guggenheim.org/exhibition/japanese-art-after-1945-scream-against-the-sky] [http://www.alexandramunroe.com/exhibitions/scream-against-the-sky/] [http://worldcat.org/oclc/29877932] {{en}},{{jp}}
 
* ''Japanese Art After 1945: Scream Against the Sky'', ed. Alexandra Munroe, New York: Abrams, and New York: Solomon R. Guggenheim Museum, 1994, 416 pp. Catalogue; surveys Japanese art from the 1950s through the early 1990s. [https://www.guggenheim.org/exhibition/japanese-art-after-1945-scream-against-the-sky] [http://www.alexandramunroe.com/exhibitions/scream-against-the-sky/] [http://worldcat.org/oclc/29877932] {{en}},{{jp}}
 
* Midori Yoshimoto, ''[http://gen.lib.rus.ec/book/index.php?md5=a10f4f272e18c35417694d778b926b2b Into Performance: Japanese Women Artists in New York]'', Rutgers University Press, 2005.
 
* Midori Yoshimoto, ''[http://gen.lib.rus.ec/book/index.php?md5=a10f4f272e18c35417694d778b926b2b Into Performance: Japanese Women Artists in New York]'', Rutgers University Press, 2005.
 
* Midori Yoshimoto, [http://www.academia.edu/2037539 "Women Artists in the Japanese Postwar Avant-Garde: Celebrating a Multiplicity"], ''Woman's Art Journal'', Summer 2006, pp 1-7.
 
* Midori Yoshimoto, [http://www.academia.edu/2037539 "Women Artists in the Japanese Postwar Avant-Garde: Celebrating a Multiplicity"], ''Woman's Art Journal'', Summer 2006, pp 1-7.
* Thomas R. H. Havens, ''Radicals and Realists in the Japanese Nonverbal Arts: The Avant-Garde Rejection of Modernism'', University of Hawaii Press, 2006. [http://www.uhpress.hawaii.edu/books/havens-intro.pdf Introduction].
+
* Thomas R. H. Havens, ''Radicals and Realists in the Japanese Nonverbal Arts: The Avant-Garde Rejection of Modernism'', University of Hawaii Press, 2006. [http://www.uhpress.hawaii.edu/books/havens-intro.pdf Introduction]. [https://books.google.com/books?id=jYr_DZeyQhUC&printsec=frontcover]
 
* Charles Merewether, Rika Iezumi Hiro (eds.), ''Art, Anti-art, Non-art: Experimentations in the Public Sphere in Postwar Japan, 1950-1970'', Getty Publications, 2007, 140 pp. Catalogue. [http://books.google.com/books?id=Mc_6WLKf39wC&printsec=frontcover] [http://post.at.moma.org/sources/5/publications/84]
 
* Charles Merewether, Rika Iezumi Hiro (eds.), ''Art, Anti-art, Non-art: Experimentations in the Public Sphere in Postwar Japan, 1950-1970'', Getty Publications, 2007, 140 pp. Catalogue. [http://books.google.com/books?id=Mc_6WLKf39wC&printsec=frontcover] [http://post.at.moma.org/sources/5/publications/84]
 
* Midori Yoshimoto, [http://www.academia.edu/2061680 "From Space to Environment: The Origins of Kankyo and the Emergence of Intermedia Art in Japan"], ''Art Journal'' 67:3, Fall 2008, pp 25-46.
 
* Midori Yoshimoto, [http://www.academia.edu/2061680 "From Space to Environment: The Origins of Kankyo and the Emergence of Intermedia Art in Japan"], ''Art Journal'' 67:3, Fall 2008, pp 25-46.
 
* Reiko Tomii, [http://shinku.nichibun.ac.jp/jpub/pdf/jr/JN2103.pdf "'International Contemporaneity' in the 1960s: Discoursing on Art in Japan and Beyond"], ''Japan Review'' 21 (2009), pp 123-147.
 
* Reiko Tomii, [http://shinku.nichibun.ac.jp/jpub/pdf/jr/JN2103.pdf "'International Contemporaneity' in the 1960s: Discoursing on Art in Japan and Beyond"], ''Japan Review'' 21 (2009), pp 123-147.
 
* Yoshimoto, Knowles, Schneemann, Seagull, Moore, [http://www.academia.edu/6210694 "An evening with Fluxus women: a roundtable discussion"], ''Women & Performance'' 19:3 (Nov 2009), pp 369-389.
 
* Yoshimoto, Knowles, Schneemann, Seagull, Moore, [http://www.academia.edu/6210694 "An evening with Fluxus women: a roundtable discussion"], ''Women & Performance'' 19:3 (Nov 2009), pp 369-389.
* Miryam Sas, ''[http://cdn.anonfiles.com/1394116315847.pdf Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return]'', Harvard University Asia Center, 2011. [http://quod.lib.umich.edu/t/tap/7977573.0003.111/--miryam-sas-experimental-arts-in-postwar-japan-moments?rgn=main;view=fulltext Review], [http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8681935 Review].
+
* Taro Nettleton, ''[http://hdl.handle.net/1802/14175 Throw Out the Books, Get Out in the Streets: Subjectivity and Space in Japanese Underground Art of the 1960s]'', University of Rochester, 2010, vi+232 pp. PhD dissertation.
 +
* Miryam Sas, ''[http://gen.lib.rus.ec/book/index.php?md5=DE06CFFC9D14C61D20F176B0689C06F4 Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return]'', Harvard University Asia Center, 2011. [http://quod.lib.umich.edu/t/tap/7977573.0003.111/--miryam-sas-experimental-arts-in-postwar-japan-moments?rgn=main;view=fulltext Review], [http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8681935 Review].
 
* Steven C. Ridgely, ''[http://ge.tt/api/1/files/7TGdF6P1/0/blob?download Japanese Counterculture: The Antiestablishment Art of Terayama Shūji]'', University of Minnesota Press, 2011.
 
* Steven C. Ridgely, ''[http://ge.tt/api/1/files/7TGdF6P1/0/blob?download Japanese Counterculture: The Antiestablishment Art of Terayama Shūji]'', University of Minnesota Press, 2011.
 
* Midori Yoshimoto, [http://www.academia.edu/2037690/ "Expo ’70 and Japanese Art: Dissonant Voices An Introduction and Commentary"], ''Review of Japanese Culture and Society'' (December 2011), pp 1-12.
 
* Midori Yoshimoto, [http://www.academia.edu/2037690/ "Expo ’70 and Japanese Art: Dissonant Voices An Introduction and Commentary"], ''Review of Japanese Culture and Society'' (December 2011), pp 1-12.
Line 180: Line 183:
 
==Film==
 
==Film==
 
; Exhibitions
 
; Exhibitions
* ''Art Theater Guild and Japanese Underground Cinema, 1960–1986'', MoMA, New York, 2012-13. [http://www.moma.org/visit/calendar/films/1337]
+
* ''Art Theater Guild and Japanese Underground Cinema, 1960–1986'', MoMA, New York, 2012-2013. [http://www.moma.org/visit/calendar/films/1337]
  
 
==Theatre==
 
==Theatre==

Revision as of 08:35, 30 August 2019

Woodblock print (ukiyo-e)

Avant-garde

Groups
Artists and writers

Ryūsei Kishida (岸田 劉生) (1891−1929) [2], [3]; Jirō Yoshihara (吉原 治良), [4]; Tai Kanbara (神原 拓也); Tomoyoshi Murayama (村山知義); Masamu Yanase; Kamenosuke Ogata; Shuzo Oura; Shinro Kadowaki; Shuichiro Kinoshita; Osamu Shibuya; Iwane Sumiya; Tatsuo Okada (岡田竜夫); Kimimaro Yabashi; Tatsuo Toda; Masao Kato; Hideichirō Kinoshita; Ogata Kamenosuke (尾形亀之助), [5]; Yanase Masamu (柳瀬正夢) [6]; Shūzō Ōura (大浦周造); Michinao Takamizawa; Yamada Shinkichi (山田伸吉), dadaist; Hagiwara Kyōjirō (萩原恭次郎), writer [7]; Hayashi Fumiko, writer; Jun Tsuji (辻潤), dadaist, [8]; Yoshiyuki Eisuke (吉行 エイスケ), dadaist, [9]; Noboru Kitawaki.

Publications

Mavo
  • Mavo, 1923, [20] pp. Catalogue for the first Mavo exhibition, held at Denpōin Temple in Asakusa, 28 July-3 August 1923.
  • "Mavo Manifesto", Mavo, 1923, pp [1-2]; repr. in Nihon no Dada 1920-1970, ed. Yoshio Shirakawa, Tokyo: Hakuba Shobō and Kazenobara, 1988, pp 35-36.
  • Tomoyoshi Murayama, Ichimei ishikiteki kōsei shugi e no dōtei [現在の藝術と未來の藝術 一名、意識的構成主義への道程], 1924.
  • Mavo, eds. Tatsuo Okada and Tomoyoshi Murayama, 7 issues, July 1924-August 1925.
On art and the machine
  • Tomoyoshi Murayama, "Kikaiteki yōso no geijutsu he no dō'nyū" [The Introduction of Mechanical Elements into Art], Mizue 227 (January 1924).
  • Shin keitai bi danmen [Profile of the New Form of Beauty], Special Issue of Atorie 6:5 (May 1929).
    • Sadanosuke Nakada, [A Theory of the New Form of Beauty].
    • Tomoyoshi Murayama, "Saikin no geijutsu ni okeru kikaibi" [The Beauty of the Machine in Contemporary Art].
  • Takao Itagaki, Kikai to geijutsu to no kōryū [Interactions Between Art and the Machine], Tokyo: Iwanami Shoten, 1929.
  • Kikai geijutsuron [機械藝術論; Theory of the Machine and Art], Tokyo: Tenninsha [天人社], 1930; repr. by Tokyo: Yumani Shobō, 1991. Articles by ten authors from different fields of art, each writing on the relationship between the machine and their particular genre. [10]
  • Toshimi Kimura (ed.), Kikai to geijutsu kakumei [The Machine and Artistic Revolution], Tokyo: Hakuyōsha, 1930; repr. in Kikai to geijutsu (Korekushon Modan Toshi Bunka 45) [Machine and Art (Modern Urban Culture Collection 45)], ed. Nobuhiko Baba, Tokyo: Yumani Shobō, 2009. Translations of articles by R.M. Fox, Edward J. O'Brien, and others, and two articles by Kimura. The book focuses on reviewing how the machine played crucial roles at the times when various new artistic styles emerged as well as on the relationship between the machine and capitalism or the proletariat.
  • Harue Koga, "Kikai to bijutsu" [The Machine and Art], Wakakusa (June 1931).
Artists' books
  • Hagiwara Kyōjirō, Shikei senkoku [Death Sentence], Tokyo: Chōryūsha, 1925, 161+6 pp. Illustrated by Mavo. Anthology of visual poetry. [11]
  • Ernst Toller, Tsubame no sho [The Swallow Book], trans. Tomoyoshi Murayama, Tokyo: Chōryūsha, 1925, 106 pp. Illustrated by Tatsuo Okada. [12]
  • Hideo Saito, Aozameta douteikyo [The Pale-Faced Virgin's Mad Thoughts], Tokyo: Chōryūsha, 1926, 120 pp. Illustrated by Tatsuo Okada. Anthology of visual poetry. [13] [14]
Other
  • Tai Kanbara, Miraiha kenkyū [未来派研究, Futurism Studies], Tokyo, 1925, 362 pp. Comprehensive work on Italian Futurism. [15]
  • Jun Tsuji, Furō mango [浮浪漫語], 1922.
  • Jun Tsuji, Desu pera [ですぺら], 1924.
  • Jun Tsuji, Zetsubō no sho [絶望の書; Book of Despair], 1930, 458 pp.
  • Hagiwara Kyōjirō, Danpen: Hagiwara Kyōjirō shishū [断片: 萩原恭次郎詩集], 1931, 71 pp.

Resources

Literature

Anti-art, Non-art

  • Kyushu Group (Kyūshū-ha), Fukuoka City, late 1950s-early 1960s.

Exhibitions

Resources

Literature

Visual art

Exhibitions
Literature
Resources

Music

Film

Exhibitions
  • Art Theater Guild and Japanese Underground Cinema, 1960–1986, MoMA, New York, 2012-2013. [42]

Theatre

Literature

Onkyo

Media art

  • Yvonne Spielmann, Hybridkultur, Berlin: Suhrkamp, 2010, 293 pp. [45] (German)
    • Hybrid Culture: Japanese Media Arts in Dialogue with the West, trans. Anja Welle and Stan Jones, MIT Press, 2012, 280 pp. [46]


Countries
avant-garde, modernism and after

Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Macedonia, Malta, Mexico, Moldova, Montenegro, Netherlands, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States