Difference between revisions of "Japan"

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===Literature===
 
===Literature===
 
* Gennifer Weisenfeld, [http://sci-hub.tw/10.2307/777767 "Mavo's Conscious Constructivism: Art, Individualism, and Daily Life in Interwar Japan"], ''Art Journal'' 55:3, Autumn 1996, pp 64-73.
 
* Gennifer Weisenfeld, [http://sci-hub.tw/10.2307/777767 "Mavo's Conscious Constructivism: Art, Individualism, and Daily Life in Interwar Japan"], ''Art Journal'' 55:3, Autumn 1996, pp 64-73.
* James Fraser, Steven Heller, Seymour Chwast, ''Japanese Modern: Graphic Design Between the Wars'', Chronicle Books, 1996, 144 pp. [http://www.adsw.org/perspective/1998/JapaneseModern/ Review].
+
* James Fraser, Steven Heller, Seymour Chwast, ''Japanese Modern: Graphic Design Between the Wars'', Chronicle Books, 1996, 144 pp. Review: [http://web.archive.org/web/20140703113758/www.adsw.org/perspective/1998/JapaneseModern/ Sweeney] (Trans-Lux).
 
* Toshiharu Omuka, "Tada Dada (Devotedly Dada) For the Stage: the Japanese Movement 1920-1925", in ''The Eastern Dada Orbit: Russia, Georgia, Ukraine, Central Europe and Japan'', ed. Stephen Foster, G.K. Hall, 1998, pp 223-310.
 
* Toshiharu Omuka, "Tada Dada (Devotedly Dada) For the Stage: the Japanese Movement 1920-1925", in ''The Eastern Dada Orbit: Russia, Georgia, Ukraine, Central Europe and Japan'', ed. Stephen Foster, G.K. Hall, 1998, pp 223-310.
 
* William O. Gardner, ''Avant-Garde Literature and the New City: Tokyo, 1923—1931 (Japan, Kyojiro Hagiwara, Hayashi Fumiko)'', Stanford University, 1999, 243 pp. Ph.D. Thesis. [http://phdtree.org/pdf/25230978-avant-garde-literature-and-the-new-city-tokyo-1923-1931/]  
 
* William O. Gardner, ''Avant-Garde Literature and the New City: Tokyo, 1923—1931 (Japan, Kyojiro Hagiwara, Hayashi Fumiko)'', Stanford University, 1999, 243 pp. Ph.D. Thesis. [http://phdtree.org/pdf/25230978-avant-garde-literature-and-the-new-city-tokyo-1923-1931/]  
 
* ''Avant-garde in Japan: Art into Life 1900-1940'', Kyoto: National Museum of Modern Art, 1999. Catalogue. [http://www.aaa.org.hk/Collection/Details/12670]
 
* ''Avant-garde in Japan: Art into Life 1900-1940'', Kyoto: National Museum of Modern Art, 1999. Catalogue. [http://www.aaa.org.hk/Collection/Details/12670]
 +
* Miryam Sas, ''Fault Lines: Cultural Memory and Japanese Surrealism'', Stanford University Press, 1999, xvi+250 pp. [http://books.google.com/books?id=kQEgQdDhFxcC&printsec=frontcover]. Reviews: [http://sci-hub.tw/10.2307/4126607 Hirata] (Harvard J Asiatic Studies), [http://sci-hub.tw/http://www.jstor.org/stable/25064395 Vincent] (J Japanese Studies), [http://sci-hub.tw/10.1353/atj.2002.0041 Swain] (Asian Theatre J), [http://sci-hub.tw/10.1093/fmls/39.1.114-a Forum for Modern Language Studies], [https://ericselland.wordpress.com/2010/05/24/miryam-sas-on-japanese-surrealism/ Selland].
 
* Toshiharu Omuka, [http://books.google.com/books?id=LcshAAAAQBAJ&pg=PA244 "Futurism in Japan, 1909-1920"], in ''International Futurism in Arts and Literature'', ed. Günter Berghaus, Walter de Gruyter, 2000, pp 244-270.
 
* Toshiharu Omuka, [http://books.google.com/books?id=LcshAAAAQBAJ&pg=PA244 "Futurism in Japan, 1909-1920"], in ''International Futurism in Arts and Literature'', ed. Günter Berghaus, Walter de Gruyter, 2000, pp 244-270.
* Miryam Sas, ''Fault Lines: Cultural Memory and Japanese Surrealism'', Stanford University Press, 2001. [http://books.google.com/books?id=kQEgQdDhFxcC&printsec=frontcover]
 
 
* Gennifer Weisenfeld, ''[http://monoskop.org/log/?p=10684 Mavo: Japanese Artists and the Avant-Garde, 1905-1931]'', University of California Press, 2002, 368 pp.
 
* Gennifer Weisenfeld, ''[http://monoskop.org/log/?p=10684 Mavo: Japanese Artists and the Avant-Garde, 1905-1931]'', University of California Press, 2002, 368 pp.
 
* Toshiko Ellis, "The Topography of Dalian and the Cartography of Fantastic Asia in Anzai Fuyue's Poetry", ''Comparative Literature Studies'', 41:4 (2004), pp 482-500. [http://www.jstor.org/stable/40247445] [http://muse.jhu.edu/journals/comparative_literature_studies/v041/41.4ellis.pdf]
 
* Toshiko Ellis, "The Topography of Dalian and the Cartography of Fantastic Asia in Anzai Fuyue's Poetry", ''Comparative Literature Studies'', 41:4 (2004), pp 482-500. [http://www.jstor.org/stable/40247445] [http://muse.jhu.edu/journals/comparative_literature_studies/v041/41.4ellis.pdf]
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* Midori Yoshimoto, ''[http://gen.lib.rus.ec/book/index.php?md5=a10f4f272e18c35417694d778b926b2b Into Performance: Japanese Women Artists in New York]'', Rutgers University Press, 2005.
 
* Midori Yoshimoto, ''[http://gen.lib.rus.ec/book/index.php?md5=a10f4f272e18c35417694d778b926b2b Into Performance: Japanese Women Artists in New York]'', Rutgers University Press, 2005.
 
* Midori Yoshimoto, [http://www.academia.edu/2037539 "Women Artists in the Japanese Postwar Avant-Garde: Celebrating a Multiplicity"], ''Woman's Art Journal'', Summer 2006, pp 1-7.
 
* Midori Yoshimoto, [http://www.academia.edu/2037539 "Women Artists in the Japanese Postwar Avant-Garde: Celebrating a Multiplicity"], ''Woman's Art Journal'', Summer 2006, pp 1-7.
* Thomas R. H. Havens, ''Radicals and Realists in the Japanese Nonverbal Arts: The Avant-Garde Rejection of Modernism'', University of Hawaii Press, 2006. [http://www.uhpress.hawaii.edu/books/havens-intro.pdf Introduction]. [https://books.google.com/books?id=jYr_DZeyQhUC&printsec=frontcover]
+
* Thomas R.H. Havens, ''Radicals and Realists in the Japanese Nonverbal Arts: The Avant-Garde Rejection of Modernism'', Honolulu: University of Hawaii Press, 2006, 296 pp. [http://www.uhpress.hawaii.edu/books/havens-intro.pdf Introduction]. [https://books.google.com/books?id=jYr_DZeyQhUC&printsec=frontcover]. Reviews: [http://dx.doi.org/10.3202/caa.reviews.2007.53 Tiampo] (CAA), [http://sci-hub.tw/10.1353/mni.0.0015 Gardner] (Monumenta Nipponica), [http://sci-hub.tw/10.1017/S0021911807001647 Igarashi] (J Asian Studies), [http://sci-hub.tw/10.1111/j.1467-8357.2007.00814.x Bunch] (Art Book).
 
* Charles Merewether, Rika Iezumi Hiro (eds.), ''Art, Anti-art, Non-art: Experimentations in the Public Sphere in Postwar Japan, 1950-1970'', Getty Publications, 2007, 140 pp. Catalogue. [http://books.google.com/books?id=Mc_6WLKf39wC&printsec=frontcover] [http://post.at.moma.org/sources/5/publications/84]
 
* Charles Merewether, Rika Iezumi Hiro (eds.), ''Art, Anti-art, Non-art: Experimentations in the Public Sphere in Postwar Japan, 1950-1970'', Getty Publications, 2007, 140 pp. Catalogue. [http://books.google.com/books?id=Mc_6WLKf39wC&printsec=frontcover] [http://post.at.moma.org/sources/5/publications/84]
 
* Midori Yoshimoto, [http://www.academia.edu/2061680 "From Space to Environment: The Origins of Kankyo and the Emergence of Intermedia Art in Japan"], ''Art Journal'' 67:3, Fall 2008, pp 25-46.
 
* Midori Yoshimoto, [http://www.academia.edu/2061680 "From Space to Environment: The Origins of Kankyo and the Emergence of Intermedia Art in Japan"], ''Art Journal'' 67:3, Fall 2008, pp 25-46.
* Reiko Tomii, [http://shinku.nichibun.ac.jp/jpub/pdf/jr/JN2103.pdf "'International Contemporaneity' in the 1960s: Discoursing on Art in Japan and Beyond"], ''Japan Review'' 21 (2009), pp 123-147.
+
* Reiko Tomii, [http://shinku.nichibun.ac.jp/jpub/pdf/jr/JN2103.pdf "'International Contemporaneity' in the 1960s: Discoursing on Art in Japan and Beyond"], ''Japan Review'' 21, 2009, pp 123-147.
* Yoshimoto, Knowles, Schneemann, Seagull, Moore, [http://www.academia.edu/6210694 "An evening with Fluxus women: a roundtable discussion"], ''Women & Performance'' 19:3 (Nov 2009), pp 369-389.
+
* Yoshimoto, Knowles, Schneemann, Seagull, Moore, [http://www.academia.edu/6210694 "An evening with Fluxus women: a roundtable discussion"], ''Women & Performance'' 19:3, Nov 2009, pp 369-389.
 
* Taro Nettleton, ''[http://hdl.handle.net/1802/14175 Throw Out the Books, Get Out in the Streets: Subjectivity and Space in Japanese Underground Art of the 1960s]'', University of Rochester, 2010, vi+232 pp. PhD dissertation.  
 
* Taro Nettleton, ''[http://hdl.handle.net/1802/14175 Throw Out the Books, Get Out in the Streets: Subjectivity and Space in Japanese Underground Art of the 1960s]'', University of Rochester, 2010, vi+232 pp. PhD dissertation.  
* Miryam Sas, ''[http://gen.lib.rus.ec/book/index.php?md5=DE06CFFC9D14C61D20F176B0689C06F4 Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return]'', Harvard University Asia Center, 2011. [http://quod.lib.umich.edu/t/tap/7977573.0003.111/--miryam-sas-experimental-arts-in-postwar-japan-moments?rgn=main;view=fulltext Review], [http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8681935 Review].
 
 
* Steven C. Ridgely, ''[http://ge.tt/api/1/files/7TGdF6P1/0/blob?download Japanese Counterculture: The Antiestablishment Art of Terayama Shūji]'', University of Minnesota Press, 2011.
 
* Steven C. Ridgely, ''[http://ge.tt/api/1/files/7TGdF6P1/0/blob?download Japanese Counterculture: The Antiestablishment Art of Terayama Shūji]'', University of Minnesota Press, 2011.
* Midori Yoshimoto, [http://www.academia.edu/2037690/ "Expo ’70 and Japanese Art: Dissonant Voices An Introduction and Commentary"], ''Review of Japanese Culture and Society'' (December 2011), pp 1-12.
+
* Midori Yoshimoto, [http://www.academia.edu/2037690/ "Expo ’70 and Japanese Art: Dissonant Voices An Introduction and Commentary"], ''Review of Japanese Culture and Society'', Dec 2011, pp 1-12.
* Diana C. Stoll (ed.), ''Tokyo 1955-1970: A New Avant-Garde'', New York: Museum of Modern Art, 2012, 228 pp. Catalogue for the exhibition curated by Doryun Chong with Nancy Linn. [http://www.moma.org/interactives/exhibitions/2012/tokyo/] [http://books.google.com/books?id=oGeO8euGgTkC&printsec=frontcover] [http://www.moma.org/momaorg/shared/pdfs/docs/publication_pdf/3166/Tokyo_PREVIEW.pdf] [http://www.aaa.org.hk/Collection/Details/52413]  
+
* Diana C. Stoll (ed.), ''Tokyo 1955-1970: A New Avant-Garde'', New York: Museum of Modern Art, 2012, 228 pp. Catalogue for the exhibition curated by Doryun Chong with Nancy Linn. [http://www.moma.org/momaorg/shared/pdfs/docs/publication_pdf/3166/Tokyo_PREVIEW.pdf Excerpt]. [http://www.moma.org/interactives/exhibitions/2012/tokyo/ Exhibition]. [http://books.google.com/books?id=oGeO8euGgTkC&printsec=frontcover] [http://www.aaa.org.hk/Collection/Details/52413]  
 
* ''positions'' 21(2): "Collectivism in 20th-Century Japanese Art", eds. Reiko Tomii and Midori Yoshimoto, Spring 2013. [https://read.dukeupress.edu/positions/issue/21/2]
 
* ''positions'' 21(2): "Collectivism in 20th-Century Japanese Art", eds. Reiko Tomii and Midori Yoshimoto, Spring 2013. [https://read.dukeupress.edu/positions/issue/21/2]
 
* Namiko Kunimoto, ''Stakes of Exposure: Anxious Bodies in Postwar Japanese Art'', University of Minnesota Press, 2017. [https://www.upress.umn.edu/book-division/books/the-stakes-of-exposure]
 
* Namiko Kunimoto, ''Stakes of Exposure: Anxious Bodies in Postwar Japanese Art'', University of Minnesota Press, 2017. [https://www.upress.umn.edu/book-division/books/the-stakes-of-exposure]
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; Literature
 
; Literature
 +
* Thomas R.H. Havens, ''Artist and Patron in Postwar Japan: Dance, Music, Theater, and the Visual Arts, 1955-1980'', Princeton University Press, 1982.
 
* Doryun Chong, Michio Hayashi, Kenji Kajiya, Fumihiko Sumitomo (eds.), ''From Postwar To Postmodern, Art In Japan 1945-1989: Primary Documents'', New York: Museum of Modern Art, 2012, 464 pp. [https://store.moma.org/museum/moma/ProductDisplay_From-Postwar-to-Postmodern%2C-Art-in-Japan-1945-1989%3A-Primary-Documents_10451_10001_146542_-1_26683_11486_146554]
 
* Doryun Chong, Michio Hayashi, Kenji Kajiya, Fumihiko Sumitomo (eds.), ''From Postwar To Postmodern, Art In Japan 1945-1989: Primary Documents'', New York: Museum of Modern Art, 2012, 464 pp. [https://store.moma.org/museum/moma/ProductDisplay_From-Postwar-to-Postmodern%2C-Art-in-Japan-1945-1989%3A-Primary-Documents_10451_10001_146542_-1_26683_11486_146554]
 
* Adrian Favell, ''[https://monoskop.org/log/?p=19514 Before and After Superflat: A Short History of Japanese Contemporary Art 1990-2011]'', Hong Kong: Blue Kingfisher, 2012, 246 pp; new ed., 2017.
 
* Adrian Favell, ''[https://monoskop.org/log/?p=19514 Before and After Superflat: A Short History of Japanese Contemporary Art 1990-2011]'', Hong Kong: Blue Kingfisher, 2012, 246 pp; new ed., 2017.
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* ''[http://www.cjspubs.lsa.umich.edu/electronic/michclassics/online/books/concerned.php Concerned Theatre Japan]'', ed. David G. Goodman, 9 issues, 1969-73. [http://karagarga.net/details.php?id=182569]
 
* ''[http://www.cjspubs.lsa.umich.edu/electronic/michclassics/online/books/concerned.php Concerned Theatre Japan]'', ed. David G. Goodman, 9 issues, 1969-73. [http://karagarga.net/details.php?id=182569]
 
* Akihiko Senda, ''Gendai engeki no kokai'', Riburo Poto, 1988. {{jp}}
 
* Akihiko Senda, ''Gendai engeki no kokai'', Riburo Poto, 1988. {{jp}}
** ''[http://gen.lib.rus.ec/get.php?md5=d2ca24d565f8243f8d6b9144b9669b75 The Voyage of Contemporary Japanese Theatre]'', trans. J. Thomas Rimer, University of Hawaii Press, 1997, 306 pp. Reviews: [http://www.jstor.org/stable/2385709 Boyd] (1997), [http://muse.jhu.edu/journals/asian_theatre_journal/v017/17.2kominz.html Kominz] (2000). [http://www.uhpress.hawaii.edu/p-476-9780824817220.aspx]
+
** ''[http://gen.lib.rus.ec/get.php?md5=d2ca24d565f8243f8d6b9144b9669b75 The Voyage of Contemporary Japanese Theatre]'', trans. J. Thomas Rimer, University of Hawaii Press, 1997, 306 pp. Reviews: [http://sci-hub.tw/http://www.jstor.org/stable/2385709 Boyd] (Monumenta Nipponica), [http://muse.jhu.edu/journals/asian_theatre_journal/v017/17.2kominz.html Kominz] (Asian Theatre J), [http://sci-hub.tw/10.1080/09555809908721625 Japan Forum]. [http://www.uhpress.hawaii.edu/p-476-9780824817220.aspx]
 +
* David Goodman, ''Japanese Drama and Culture in the 1960s: The Return of the Gods'', M.E. Sharpe, 1988.
 
* Peter Eckersall, ''[http://library.memoryoftheworld.org/#/book/ea3d55d8-94bf-4fa1-8196-59caa86f49a6 Theorizing the Angura Space: Avant-garde Performance and Politics in Japan, 1960-2000]'', Leiden: Brill, 2006.
 
* Peter Eckersall, ''[http://library.memoryoftheworld.org/#/book/ea3d55d8-94bf-4fa1-8196-59caa86f49a6 Theorizing the Angura Space: Avant-garde Performance and Politics in Japan, 1960-2000]'', Leiden: Brill, 2006.
 +
* Miryam Sas, ''[http://gen.lib.rus.ec/book/index.php?md5=DE06CFFC9D14C61D20F176B0689C06F4 Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return]'', Harvard University Asia Center, 2011, xvii+275 pp. Reviews: [http://sci-hub.tw/10.1080/09555803.2012.707813 Ridgely] (Japan Forum), [https://muse.jhu.edu/article/501190 Baird] (Monumenta Nipponica), [http://sci-hub.tw/10.1017/S0307883312000624 Sorgenfrei] (Theatre Research Int'l), [http://hdl.handle.net/2027/spo.7977573.0003.111 Fujii] (Trans-Asia Photography R), [http://www.aarongerow.com/news/experimental-arts-in-postwa.html Gerow].
  
 
==Onkyo==
 
==Onkyo==

Revision as of 09:00, 31 August 2019

Woodblock print (ukiyo-e)

Avant-garde

Groups
Artists and writers

Ryūsei Kishida (岸田 劉生) (1891−1929) [2], [3]; Jirō Yoshihara (吉原 治良), [4]; Tai Kanbara (神原 拓也); Tomoyoshi Murayama (村山知義); Masamu Yanase; Kamenosuke Ogata; Shuzo Oura; Shinro Kadowaki; Shuichiro Kinoshita; Osamu Shibuya; Iwane Sumiya; Tatsuo Okada (岡田竜夫); Kimimaro Yabashi; Tatsuo Toda; Masao Kato; Hideichirō Kinoshita; Ogata Kamenosuke (尾形亀之助), [5]; Yanase Masamu (柳瀬正夢) [6]; Shūzō Ōura (大浦周造); Michinao Takamizawa; Yamada Shinkichi (山田伸吉), dadaist; Hagiwara Kyōjirō (萩原恭次郎), writer [7]; Hayashi Fumiko, writer; Jun Tsuji (辻潤), dadaist, [8]; Yoshiyuki Eisuke (吉行 エイスケ), dadaist, [9]; Noboru Kitawaki.

Publications

Mavo
  • Mavo, 1923, [20] pp. Catalogue for the first Mavo exhibition, held at Denpōin Temple in Asakusa, 28 July-3 August 1923.
  • "Mavo Manifesto", Mavo, 1923, pp [1-2]; repr. in Nihon no Dada 1920-1970, ed. Yoshio Shirakawa, Tokyo: Hakuba Shobō and Kazenobara, 1988, pp 35-36.
  • Tomoyoshi Murayama, Ichimei ishikiteki kōsei shugi e no dōtei [現在の藝術と未來の藝術 一名、意識的構成主義への道程], 1924.
  • Mavo, eds. Tatsuo Okada and Tomoyoshi Murayama, 7 issues, July 1924-August 1925.
On art and the machine
  • Tomoyoshi Murayama, "Kikaiteki yōso no geijutsu he no dō'nyū" [The Introduction of Mechanical Elements into Art], Mizue 227 (January 1924).
  • Shin keitai bi danmen [Profile of the New Form of Beauty], Special Issue of Atorie 6:5 (May 1929).
    • Sadanosuke Nakada, [A Theory of the New Form of Beauty].
    • Tomoyoshi Murayama, "Saikin no geijutsu ni okeru kikaibi" [The Beauty of the Machine in Contemporary Art].
  • Takao Itagaki, Kikai to geijutsu to no kōryū [Interactions Between Art and the Machine], Tokyo: Iwanami Shoten, 1929.
  • Kikai geijutsuron [機械藝術論; Theory of the Machine and Art], Tokyo: Tenninsha [天人社], 1930; repr. by Tokyo: Yumani Shobō, 1991. Articles by ten authors from different fields of art, each writing on the relationship between the machine and their particular genre. [10]
  • Toshimi Kimura (ed.), Kikai to geijutsu kakumei [The Machine and Artistic Revolution], Tokyo: Hakuyōsha, 1930; repr. in Kikai to geijutsu (Korekushon Modan Toshi Bunka 45) [Machine and Art (Modern Urban Culture Collection 45)], ed. Nobuhiko Baba, Tokyo: Yumani Shobō, 2009. Translations of articles by R.M. Fox, Edward J. O'Brien, and others, and two articles by Kimura. The book focuses on reviewing how the machine played crucial roles at the times when various new artistic styles emerged as well as on the relationship between the machine and capitalism or the proletariat.
  • Harue Koga, "Kikai to bijutsu" [The Machine and Art], Wakakusa (June 1931).
Artists' books
  • Hagiwara Kyōjirō, Shikei senkoku [Death Sentence], Tokyo: Chōryūsha, 1925, 161+6 pp. Illustrated by Mavo. Anthology of visual poetry. [11]
  • Ernst Toller, Tsubame no sho [The Swallow Book], trans. Tomoyoshi Murayama, Tokyo: Chōryūsha, 1925, 106 pp. Illustrated by Tatsuo Okada. [12]
  • Hideo Saito, Aozameta douteikyo [The Pale-Faced Virgin's Mad Thoughts], Tokyo: Chōryūsha, 1926, 120 pp. Illustrated by Tatsuo Okada. Anthology of visual poetry. [13] [14]
Other
  • Tai Kanbara, Miraiha kenkyū [未来派研究, Futurism Studies], Tokyo, 1925, 362 pp. Comprehensive work on Italian Futurism. [15]
  • Jun Tsuji, Furō mango [浮浪漫語], 1922.
  • Jun Tsuji, Desu pera [ですぺら], 1924.
  • Jun Tsuji, Zetsubō no sho [絶望の書; Book of Despair], 1930, 458 pp.
  • Hagiwara Kyōjirō, Danpen: Hagiwara Kyōjirō shishū [断片: 萩原恭次郎詩集], 1931, 71 pp.

Resources

Literature

Anti-art, Non-art

  • Kyushu Group (Kyūshū-ha), Fukuoka City, late 1950s-early 1960s.

Exhibitions

Resources

Literature

Visual art

Exhibitions
Literature
Resources

Music

Film

Exhibitions
  • Art Theater Guild and Japanese Underground Cinema, 1960–1986, MoMA, New York, 2012-2013. [40]

Theatre

Literature

Onkyo

Media art

  • Yvonne Spielmann, Hybridkultur, Berlin: Suhrkamp, 2010, 293 pp. [43] (German)
    • Hybrid Culture: Japanese Media Arts in Dialogue with the West, trans. Anja Welle and Stan Jones, MIT Press, 2012, 280 pp. [44]


Countries
avant-garde, modernism and after

Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Macedonia, Malta, Mexico, Moldova, Montenegro, Netherlands, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States