Difference between revisions of "Jerko Denegri"

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Born 1936 in Split. As a critic and art historian, he observed and influenced above all the generation of the 1970s, including [[New Tendencies]]. His theory of the "other line", in which he came up with a genealogy of the neo-avant-garde that deviated from canonic models, became an influential factor in recent artistic developments.  
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'''Jerko Denegri''' (1936, Split) is a critic and art historian. He observed and influenced above all the generation of the 1970s, including [[New Tendencies]]. His theory of the "other line", in which he came up with a genealogy of the neo-avant-garde that deviated from canonic models, became an influential factor in recent artistic developments.  
  
 
Studied history and geography at the Viša pedagoška škola u Splitu in Split (1955–1958) and art history at the Faculty of Philosophy, University of Belgrade (1954–1964, 1990 Ph.D. in history of contemporary art). 1965–1989 curator, Muzej savremene umetnosti, Beograd, Belgrade. Editor in chief of the contemporary art magazine Moment: casopis za vizuelne medije. Curator of the Yugoslavian contributions to the Paris Biennales of 1971, 1976, and 1983, and the Venice Biennales of 1976 and 1982. Lives in [[Belgrade]].
 
Studied history and geography at the Viša pedagoška škola u Splitu in Split (1955–1958) and art history at the Faculty of Philosophy, University of Belgrade (1954–1964, 1990 Ph.D. in history of contemporary art). 1965–1989 curator, Muzej savremene umetnosti, Beograd, Belgrade. Editor in chief of the contemporary art magazine Moment: casopis za vizuelne medije. Curator of the Yugoslavian contributions to the Paris Biennales of 1971, 1976, and 1983, and the Venice Biennales of 1976 and 1982. Lives in [[Belgrade]].
  
Redovni profesor na Grupi za istoriju umetnosti Filozofskog fakulteta, Bg, za predmet Umetnost dvadesetog veka. Doktorirao. Kustos i visi muzejski savetnik u Muzeju savremene umetnosti (do 1991). Profesor Filozofskog fakulteta (od 1991). 
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==Works==
 
 
 
 
 
; Books
 
; Books
* Jerko Denegri, ''Constructive Approach Art: Exat 51 and New Tendencies'', Zagreb: Horetzky, 2004. 336 pages. ISBN 953-7159-01-9 [http://horetzky.net/index.php?option=com_content&task=view&id=17&Itemid=2]; Croatian original: ''Umjetnost konstruktivnog pristupa: Exat 51 i Nove tendencije''. Zagreb: Horetzky, 2000.  
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* with Ivan Čižmek, ''Radomir Damnjanović-Damnjan'', Zagreb, 1966.  
* Jerko Denegri, ''Teme srpske umetnosti'' (u pet knjiga, 1993-1999).- Novi Sad: Svetovi.   
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* ''Konstruktivno slikarstvo. Treća decenija'', Belgrade, 1967.  
* Jerko Denegri, ''Fragmenti postmodernog pluralizma'', Beograd: Cicero, 1997.   
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* ''Eksat 1951'', 1979.
* Jerko Denegri, ''Jedna moguca istorija moderne umetnosti: Beograd kao internacionalna umetnicka scena 1965-1998'', Beograd: Drustvo istoricara umetnosti Srbije, 1998.   
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* editor, ''Dizajn i kultura'', anthology, 1985.
* Jerko Denegri and Ivan Čižmek, Radomir Damnjanović-Damnjan, Zagreb, 1966.  
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* ''Teme srpske umetnosti'', 5 vols., Novi Sad: Svetovi, 1993-99.   
* Jerko Denegri, Konstruktivno slikarstvo. Treća decenija, Belgrade, 1967.  
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* ''Fragmenti postmodernog pluralizma'', Belgrade: Cicero, 1997.   
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* ''Jedna moguca istorija moderne umetnosti: Beograd kao internacionalna umetnicka scena 1965-1998'', Belgrade: Drustvo istoricara umetnosti Srbije, 1998.   
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* ''Umjetnost konstruktivnog pristupa: Exat 51 i Nove tendencije'', Zagreb: Horetzky, 2000. {{cr}}
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** ''Constructive Approach Art: Exat 51 and New Tendencies'', Zagreb: Horetzky, 2004, 336 pp. [http://horetzky.net/index.php?option=com_content&task=view&id=17&Itemid=2] {{en}}
  
 
; Articles
 
; Articles
* Ješa Denegri, "Die Bedingungen und Umstände, die den ersten beiden Ausstellungen der Nove Tendencije in Zagreb [1961-1963] vorausgingen", 2007. [http://www02.zkm.de/bit/index.php?option=com_content&task=view&id=15&Itemid=33]
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* “On the Occasion of New Tendency 4 and Computers and Visual Research,” ''Arhitektura i urbanizam'' 10:56/57 (1969).
* Jerko Denegri, "Eksat 1951", monography, 1979.
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* “Computers and Visual Research,” in: Umetnost, vol. 15, no. 7–9 and no. 10–12, 1969, n. p.
* Jerko Denegri, "Apstraktna umetnost u Hrvatskoj - geometrijske tendencije", 1985.
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* "Teme i funkcije medija fotografije", MSU, 1979. 
* Jerko Denegri (ed.), ''Dizajn i kultura'', anthology, 1985.
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* "Apstraktna umetnost u Hrvatskoj - geometrijske tendencije", 1985.
* Jerko Denegri, "Teme i funkcije medija fotografije", MSU, 1979. 
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* "Die Bedingungen und Umstände, die den ersten beiden Ausstellungen der Nove Tendencije in Zagreb [1961-1963] vorausgingen", 2007. [http://www02.zkm.de/bit/index.php?option=com_content&task=view&id=15&Itemid=33]
* Stevan Vukovic, "The Other Line. Interview with the art historian Jerko (Jesa) Denegri", ''Springerin'', 2007. [http://www.springerin.at/dyn/heft_text.php?textid=1935&lang=en]
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* Jerko Denegri, “Computers and Visual Research,” in: Umetnost, vol. 15, no. 7–9 and no. 10–12, 1969, n. p.
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; Interviews
* Jerko Denegri, “On the Occasion of New Tendency 4 and Computers and Visual Research,” in: Arhitektura i urbanizam, vol. 10, no. 56/57, 1969, n. p.
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* Stevan Vukovic, [http://www.springerin.at/dyn/heft_text.php?textid=1935&lang=en "The Other Line. Interview with the art historian Jerko (Jesa) Denegri"], ''Springerin'', 2007.  
  
 
; Links
 
; Links
 
* [http://en.wikipedia.org/wiki/Jerko_Je%C5%A1a_Denegri Denegri on Wikipedia]
 
* [http://en.wikipedia.org/wiki/Jerko_Je%C5%A1a_Denegri Denegri on Wikipedia]

Revision as of 14:32, 21 December 2015

Jerko Denegri (1936, Split) is a critic and art historian. He observed and influenced above all the generation of the 1970s, including New Tendencies. His theory of the "other line", in which he came up with a genealogy of the neo-avant-garde that deviated from canonic models, became an influential factor in recent artistic developments.

Studied history and geography at the Viša pedagoška škola u Splitu in Split (1955–1958) and art history at the Faculty of Philosophy, University of Belgrade (1954–1964, 1990 Ph.D. in history of contemporary art). 1965–1989 curator, Muzej savremene umetnosti, Beograd, Belgrade. Editor in chief of the contemporary art magazine Moment: casopis za vizuelne medije. Curator of the Yugoslavian contributions to the Paris Biennales of 1971, 1976, and 1983, and the Venice Biennales of 1976 and 1982. Lives in Belgrade.

Works

Books
  • with Ivan Čižmek, Radomir Damnjanović-Damnjan, Zagreb, 1966.
  • Konstruktivno slikarstvo. Treća decenija, Belgrade, 1967.
  • Eksat 1951, 1979.
  • editor, Dizajn i kultura, anthology, 1985.
  • Teme srpske umetnosti, 5 vols., Novi Sad: Svetovi, 1993-99.
  • Fragmenti postmodernog pluralizma, Belgrade: Cicero, 1997.
  • Jedna moguca istorija moderne umetnosti: Beograd kao internacionalna umetnicka scena 1965-1998, Belgrade: Drustvo istoricara umetnosti Srbije, 1998.
  • Umjetnost konstruktivnog pristupa: Exat 51 i Nove tendencije, Zagreb: Horetzky, 2000. (Croatian)
    • Constructive Approach Art: Exat 51 and New Tendencies, Zagreb: Horetzky, 2004, 336 pp. [1] (English)
Articles
  • “On the Occasion of New Tendency 4 and Computers and Visual Research,” Arhitektura i urbanizam 10:56/57 (1969).
  • “Computers and Visual Research,” in: Umetnost, vol. 15, no. 7–9 and no. 10–12, 1969, n. p.
  • "Teme i funkcije medija fotografije", MSU, 1979.
  • "Apstraktna umetnost u Hrvatskoj - geometrijske tendencije", 1985.
  • "Die Bedingungen und Umstände, die den ersten beiden Ausstellungen der Nove Tendencije in Zagreb [1961-1963] vorausgingen", 2007. [2]
Interviews
Links