Difference between revisions of "Julije Knifer"
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The central motif of Knifer’s art is the exploration of meander, a geometric form which he had been creating since 1960 in various painting techniques such as print, oil, acrylic paint, collage and mural. An example of which is the colossal meander created by Knifer on a 20 x 30 m canvas in a quarry in Tübingen (1975). | The central motif of Knifer’s art is the exploration of meander, a geometric form which he had been creating since 1960 in various painting techniques such as print, oil, acrylic paint, collage and mural. An example of which is the colossal meander created by Knifer on a 20 x 30 m canvas in a quarry in Tübingen (1975). | ||
| − | He exhibited at many national and international shows including ''[[ | + | He exhibited at many national and international shows including the ''[[New Tendencies]]'' exhibitions (1961, 1963, 1969 and 1973), ''Art Abstrait Constructif International'' at the Denise René Gallery (Paris, 1961–1962), ''Konstruktivisten at the Städtisches Museum Leverkusen'' (Leverkusen, 1962), ''Oltre l’informale'' (San Marino, 1963), the Venice Biennale (1976 and 2001), the São Paulo Art Biennale (1973 with Juraj Dobrović and Vjenceslav Richter, 1979 and 1981). He collaborated with the Dany Keller Gallery in Munich, the Hoffmann Gallery in Friedberg and the Frank Elbaz Gallery in Paris. |
In 1994 he moved to Paris, where he lived until his death. His first posthumous exhibition was organized by Arnauld Pierre at the Frank Elbaz Gallery in Paris (2010). In 2002 he was the recipient of the Vladimir Nazor Life Achievement Award. | In 1994 he moved to Paris, where he lived until his death. His first posthumous exhibition was organized by Arnauld Pierre at the Frank Elbaz Gallery in Paris (2010). In 2002 he was the recipient of the Vladimir Nazor Life Achievement Award. | ||
| − | + | ==Catalogues== | |
| + | * ''[[Media:Julije Knifer GSU Zagreb 1966.pdf|Julije Knifer]]'', Zagreb: Galerija suvremene umjetnosti, 1966. {{cr}} | ||
| + | * ''[[Media:Julije Knifer GSU Zagreb 1970.pdf|Julije Knifer]]'', Zagreb: Galerija suvremene umjetnosti, 1970. {{cr}} | ||
| + | * ''[[Media:Knifer Julije Crtezi 1959-1979 1980 Zagreb.pdf|Crtezi, 1959-1979]]'', Zagreb: Galerija suvremene umjetnosti, 1980. {{cr}} | ||
| + | * ''[[Media:Juraj_Dobrovic_Julije_Knifer_Vjenceslav_Richter_1973.pdf|Juraj Dobrović, Julije Knifer, Vjenceslav Richter. Yugoslavia. XII Bienial de Sao Paulo]]'', ed. Božo Bek, Interrepublic Coordinative Commitee for Cultural Relations with Foreign Countries of R.S.F. Yugoslavia, 1973, [39] pp. {{en}} | ||
| + | * ''[[Media:Julije_Knifer_Galerija_Adris_2013.pdf|Julije Knifer]]'', ed. Predrag D. Grubić, Rovinj: Galerija Adris, 2013, 56 pp. {{cr}} | ||
| + | * [https://www.bibliofil.hr/en/julije-knifer more] | ||
| + | |||
| + | ==Literature== | ||
* Žarko Radaković (ed.), ''Julije Knifer. Mäander 1960-1990'', Stuttgart: Flugasche, 1990. {{de}} | * Žarko Radaković (ed.), ''Julije Knifer. Mäander 1960-1990'', Stuttgart: Flugasche, 1990. {{de}} | ||
* Žarko Radaković, ''Knifer, Povest o Juliju Kniferu'', Belgrade: Radio B92, 1994. | * Žarko Radaković, ''Knifer, Povest o Juliju Kniferu'', Belgrade: Radio B92, 1994. | ||
* Arnauld Pierre, ''Julije Knifer – Méandres'', Paris: Adam Biro, 2001, 128 pp. {{fr}} | * Arnauld Pierre, ''Julije Knifer – Méandres'', Paris: Adam Biro, 2001, 128 pp. {{fr}} | ||
| − | * Zvonko Maković, ''Julije Knifer'', Zagreb: Meandar & Studio Rašić, 2002. | + | * Zvonko Maković, ''Julije Knifer'', Zagreb: Meandar & Studio Rašić, 2002, 272 pp. [https://www.bibliofil.hr/en/zvonko-makovic-julije-knifer] {{cr}} |
| − | + | ==See also== | |
* [[Gorgona]] | * [[Gorgona]] | ||
* [[New Tendencies]] | * [[New Tendencies]] | ||
| − | + | ==Links== | |
* [https://en.wikipedia.org/wiki/Julije_Knifer Wikipedia] | * [https://en.wikipedia.org/wiki/Julije_Knifer Wikipedia] | ||
Revision as of 12:33, 7 October 2017
Julije Knifer (23 April 1924, Osijek – 7 December 2004, Paris) was a Croatian abstract painter and a founding member of the 1960s art collective Gorgona.
Knifer studied painting at the Akademija likovnih umjetnosti u Zagrebu, Zagreb (1950–1956).
The central motif of Knifer’s art is the exploration of meander, a geometric form which he had been creating since 1960 in various painting techniques such as print, oil, acrylic paint, collage and mural. An example of which is the colossal meander created by Knifer on a 20 x 30 m canvas in a quarry in Tübingen (1975).
He exhibited at many national and international shows including the New Tendencies exhibitions (1961, 1963, 1969 and 1973), Art Abstrait Constructif International at the Denise René Gallery (Paris, 1961–1962), Konstruktivisten at the Städtisches Museum Leverkusen (Leverkusen, 1962), Oltre l’informale (San Marino, 1963), the Venice Biennale (1976 and 2001), the São Paulo Art Biennale (1973 with Juraj Dobrović and Vjenceslav Richter, 1979 and 1981). He collaborated with the Dany Keller Gallery in Munich, the Hoffmann Gallery in Friedberg and the Frank Elbaz Gallery in Paris.
In 1994 he moved to Paris, where he lived until his death. His first posthumous exhibition was organized by Arnauld Pierre at the Frank Elbaz Gallery in Paris (2010). In 2002 he was the recipient of the Vladimir Nazor Life Achievement Award.
Contents
Catalogues
- Julije Knifer, Zagreb: Galerija suvremene umjetnosti, 1966. (Croatian)
- Julije Knifer, Zagreb: Galerija suvremene umjetnosti, 1970. (Croatian)
- Crtezi, 1959-1979, Zagreb: Galerija suvremene umjetnosti, 1980. (Croatian)
- Juraj Dobrović, Julije Knifer, Vjenceslav Richter. Yugoslavia. XII Bienial de Sao Paulo, ed. Božo Bek, Interrepublic Coordinative Commitee for Cultural Relations with Foreign Countries of R.S.F. Yugoslavia, 1973, [39] pp. (English)
- Julije Knifer, ed. Predrag D. Grubić, Rovinj: Galerija Adris, 2013, 56 pp. (Croatian)
- more
Literature
- Žarko Radaković (ed.), Julije Knifer. Mäander 1960-1990, Stuttgart: Flugasche, 1990. (German)
- Žarko Radaković, Knifer, Povest o Juliju Kniferu, Belgrade: Radio B92, 1994.
- Arnauld Pierre, Julije Knifer – Méandres, Paris: Adam Biro, 2001, 128 pp. (French)
- Zvonko Maković, Julije Knifer, Zagreb: Meandar & Studio Rašić, 2002, 272 pp. [1] (Croatian)
