Difference between revisions of "Keiko Sei"

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Writer, curator, and advocate of independent media. After working as a video curator in Japan since the early 1980s, running an organization for videoart and independent video, she has moved to Eastern Europe in 1988 to research the communist bloc media scene. Since 2002 she has been based in [[Bangkok]] to continue her research on independent media in Southeast Asia, especially [[Burma]] where she founded the [[Myanmar Moving Image Center]] in 2003.
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[[Image:Keiko Sei 2013.jpg|thumb|258px|Keiko Sei, 2013. [https://formerwest.org/DocumentsConstellationsProspects/Contributions/ImpenetrableSpotonaSoftShell (Source)] ]]
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'''Keiko Sei''' is a writer, curator, and advocate of independent media.
  
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She has initiated and worked as curator on various projects, including [[The Media Are With Us]] - The Role of Television in the Romanian Revolution (Budapest, 1990); video program [[The Age of Nikola Tesla]] (Osnabrück, 1991); [[Ostranenie]] (Dessau, 1993), [[Ex Oriente Lux]] - Romanian Video Week (Bucharest, 1993); [[Orbis Fictus]] exhibition (Prague, 1995)
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and exhibition POLITIK-UM/New Engamement, (Prague, 2002); and as editor of [[documenta 12]] magazines project (2006–2007).
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After working as a video curator in Japan from the early 1980s, running an organisation for videoart and independent video, she moved to Eastern Europe in 1988 to research the communist bloc media scene. In 2002, she has moved from Czech Republic to [[Bangkok]] to continue her research on independent media in Southeast Asia, especially [[Burma]], where she founded the [[Myanmar Moving Image Center]] in 2003.
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She has initiated and worked as curator on various projects, including [[The Media Are With Us]] - The Role of Television in the Romanian Revolution (Budapest, 1990); the video program ''The Age of Nikola Tesla'' (Osnabrück, 1991); [[Ostranenie]] (Dessau, 1993); [[Prague Media Symposium]]; [[Ex Oriente Lux]] - Romanian Video Week (Bucharest, 1993); [[Orbis Fictus]] exhibition (Prague, 1995) and the exhibition POLITIK-UM/New Engamement, (Prague, 2002); and as editor of ''documenta 12'' magazines project (2006-2007).
  
 
She has taught and given lectures on media art, independent media, and media activism at numerous institutions, including [[Video_FaVU_VUT_Brno|Video/Performance/Multimedia Studio]] of the Technical University of [[Brno]] (1998-2002); Kazakhstan (1999); and the University of Media Art and Design in Karlsruhe (HfG) where she currently teaches as a guest professor.  
 
She has taught and given lectures on media art, independent media, and media activism at numerous institutions, including [[Video_FaVU_VUT_Brno|Video/Performance/Multimedia Studio]] of the Technical University of [[Brno]] (1998-2002); Kazakhstan (1999); and the University of Media Art and Design in Karlsruhe (HfG) where she currently teaches as a guest professor.  
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She has written for [[Umělec]] magazine and Respekt in the Czech Republic and numerous publications worldwide, with the overall focus of her essays being society in transition.
 
She has written for [[Umělec]] magazine and Respekt in the Czech Republic and numerous publications worldwide, with the overall focus of her essays being society in transition.
  
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==Literature==
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==Publications==
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; Books by Keiko Sei
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===Books===
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* ''Konečná krajina'', Prague: One Woman Press, 2004, 267 pp. ISBN 80-86356-28-0 (in Czech). Edited by Vladimír Havlík. Translated by Jakub Geisler, Pavla Niklová, Lucie Simerová and Vladan Šír. [http://www.owp.cz/konecnakrajina.html] [http://www.ikaros.cz/node/2031 Review (Czech)]
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* editor, ''[http://monoskop.org/log/?p=15738 Von der Bürokratie zur Telekratie. Rumänien im Fernsehen. Ein Symposion aus Budapest]'', Berlin: Merve, 1990, 165 pp. Contributions by Paolino Accolla, László Beke, Magda Cârneci, Mihaela Cristea, Serge Daney, Jean-Paul Fargier, Vilém Flusser, Ingo Günther, Veijo Hietala, Ari Honka-Hallila, Erkki Huhtamo, Derrick de Kerckhove, Richard Kriesche, Geert Lovink, Margaret Morse, Morgan Russel, Jeffrey Shaw, Tjebbe van Tijen, Paul Virilio, Peter Weibel. {{de}}
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* ''Konečná krajina'', ed. Vladimír Havlík, trans. Jakub Geisler, Pavla Niklová, Lucie Simerová and Vladan Šír, Prague: One Woman Press, 2004, 267 pp. ISBN 80-86356-28-0. [http://www.owp.cz/konecnakrajina.html] Review: [http://www.ikaros.cz/node/2031 Denisa Kera] (Ikaros, 2005). {{cz}}
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===Articles===
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* [http://web.archive.org/web/20080114032211/http://www.sero.org/handshake/D/ostranenie/texte_zu_ostrannenie/ostranenie_keiko.eng.html "Quick review of my days with video in Eastern Europe"], in ''OSTranenie '93: Shattered Myths - New Realities. 1st International Video Festival at the Bauhaus Dessau'', Dessau, 1993. [http://www.blankjeron.com/sero/Handshake-Feldreise/D/ostranenie/texte_zu_ostrannenie/ostranenie_keiko.eng.html]
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** [http://web.archive.org/web/20030515143450/http://sero.org/handshake/D/ostranenie/texte_zu_ostrannenie/ostranenie_keiko.html "Schnelldurchlauf meiner Tage mit Vide in Osteuropa"]. [http://www.blankjeron.com/sero/Handshake-Feldreise/D/ostranenie/texte_zu_ostrannenie/ostranenie_keiko.html], in ''OSTranenie '93: Shattered Myths - New Realities. 1st International Video Festival at the Bauhaus Dessau'', Dessau, 1993. {{de}}
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* "Po stopách médií: pohled na mezinárodní scénu mediálního umění z Čech" / "Tracing Media: Viewing the International Media-scape from the Czech Lands", in ''Orbis Fictus: nová média v současném umění / New Media in Contemporary Arts'', eds. Ludvík Hlaváček and Marta Smolíková, Prague: Sorosovo centrum současného umění, 1995, pp 141-156. {{cz}}/{{en}}
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* "Flusser, média a východní Evropa", ''Výtvarné umění'' 3-4, 1996, pp 231-235. {{cz}}
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* "Morphed Transition Art, Public Art, and Advertising in Pos-Communist Easten Europe" / [https://cca.fcca.cz/fileadmin/user_upload/CENTRUM/Archiv_projektu/Vyrocni_vystavy/1997/Umelecke_dilo_ve_verejnem_prostoru/Hladky_prechod.pdf "Hladký přechod. Umění, umění ve veřejném prostoru a reklama v post-komunistické východní Evropě"], trans. Pavla Niklova, in ''Umělecké dílo ve veřejném prostoru / Artwork in Public Space'', Prague, 1997, pp 61-69, [http://web.archive.org/web/20030912121922/https://www.fcca.cz/shared/events/prostor/enc_czech/TIC11.html HTML]. {{cz}}
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* "N.J.P., world citizen", ''Detail'' 5, Prague, 1999. {{en}}/{{cz}}
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* [http://www.divus.cc/praha/en/author/keiko-sei Articles in ''Umelec''], 1999-2002.
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* "'Navigator. 1988ff.' Fragmente eines osteuropäischen Medienarchivs", ''Springerin'' 1, Vienna, 1999. [https://springerin.at/1999/1/] {{de}}
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* [https://www.springerin.at/en/2003/4/traumerei-und-trauma/ "Reverie and Trauma: Thai contemporary art and issues of globalization"], ''Springerin'' 4: "Post-Empire", Vienna, 2003.
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* [https://monoskop.org/images/7/7d/Kunst.ee_3_2003.pdf#page=42 "Some Thoughts on Media Education in Eastern Europe that Came Out of My Experience" / "Mõtteid meediaharidusest Ida-Euroopas. Isiklike kogemuste alusel"], ''kunst.ee'' 3, 2003, pp 42-43. {{en}}/{{ee}}
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* [https://www.springerin.at/en/2007/4/pseudo-demokratie-offentlicher-raum-und-web-foren/ "Pseudo-democracy, the public sphere and web forums: The situation for on-line media in Southeast Asia"], ''Springerin'' 4, Vienna, 2007.
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** [https://www.springerin.at/2007/4/pseudo-demokratie-offentlicher-raum-und-web-foren/ "Pseudo-Demokratie, öffentlicher Raum und Web-Foren. Zur Situation der Onlinemedien in Südostasien"], ''Springerin'' 4, Vienna, 2007. {{de}}
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* [http://web.archive.org/web/20130517234012/http://www.metropolism.com/magazine/2008-no2/leven-met-censuur/ "Living with Censorship"], ''Metropolis M'' 2, April/May 2008.
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* [http://www.monumenttotransformation.org/en/activities/texts/keiko-sei#more "Troubled adults and the modernist experiments of transformation"], in ''Atlas of Transformation'', Prague: Tranzit, 2008.
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** [http://www.monumenttotransformation.org/cs/aktivity/texty/keiko-sei "Moderní experimenty transformace a dospělí v nesnázích"], in ''Atlas of Transformation'', Prague: Tranzit, 2008. {{cz}}
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* [https://monoskop.org/images/c/ca/Luksch_Manu_Patel_Mukul_eds_Ambient_Information_Systems.pdf#page=79 "The Need for Brother TV"] [2006], in ''Ambient Information Systems'', eds. Manu Luksch and Mukul Patel, London, 2009, pp 78-81, [http://lo-res.org/~manu/pdf/AIS_CH2_pp070-091.pdf PDF].
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* [https://springerin.at/en/2010/4/der-moment-an-dem-design-politisch-wird/ The moment that made a designer political"], ''Springerin'' 4: "Political Design", Vienna, 2010.
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** [https://springerin.at/2010/4/der-moment-an-dem-design-politisch-wird/ "Der Moment, an dem Design politisch wird"], ''Springerin'' 4: " Politisches Design", Vienna, 2010.  {{de}}
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* co-author, [https://www.springerin.at/en/2012/1/kunst-und-kunstinstitution-in-zeiten-der-katastrophe-und-wie-die-japanische-kunstgemeinde-daruber-denkt/ "The role of art and art institution in a time of disaster. How art community in Tohoku region sees it (a compilation of essays)"], ''Springerin'' 1: "Bon Travail", Vienna, 2012.
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==Interviews==
  
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; Articles by Keiko Sei
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* Lubor Benda, Ivan Adamovič, [http://www.zivel.net/archiv?magazin=9&kapitola=157 "Zpátky na měsíc (Keiko Sei)"], ''Živel'' 7, Prague, 1997. {{cz}}
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* "[http://web.archive.org/web/20080114032211/http://www.sero.org/handshake/D/ostranenie/texte_zu_ostrannenie/ostranenie_keiko.eng.html Quick review of my days with video in Eastern Europe]".
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* [https://www.springerin.at/2000/3/malcolm-x-mcluhan-media-study/ "Malcolm X, McLuhan, Media Study. Interview mit dem Medientheoretiker Gerald O'Grady"], ''Springerin'' 3, Vienna, 2000. [https://www.springerin.at/en/2000/3/] {{de}}
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* "[http://www.springerin.at/dyn/heft_text.php?textid=733&lang=en Productive Unclarities. An interview with media artist Barbara Lattanzi]".  
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* [https://www.springerin.at/en/2001/4/produktive-unklarheiten/ "Productive Unclarities. An interview with media artist Barbara Lattanzi"], ''Springerin'' 4, Vienna, 2001.
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* "[http://www.springerin.at/dyn/heft.php?id=10&pos=1&textid=90&lang=de Malcolm X, McLuhan, Media Study. Interview mit dem Medientheoretiker Gerald O'Grady]". (in German)
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* Petr Szczepanik, [[Media:Szczepanik_Petr_2002_Rozhovor_s_Keiko_Sei.pdf|"Média mezi kulturami a žánry. Rozhovor s Keiko Sei"]], ''Cinepur'' 23-24, 2002, pp 16-19. [https://agosto-foundation.org/sites/default/files/files/petr_szczepanik_media_mezi_kulturami_a_z.pdf] [http://www.academia.edu/5683701] {{cz}}
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* http://www.springerin.at/dyn/search_result.php?index_autorinnen=Sei%2C+Keiko
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* "Keiko Sei in Conversation with Chris Hill", in ''Aesthetics of Risk: SoCCAS Symposium Vol. III'', ed. John C. Welchman, Zürich: JRP Ringier, 2008. [http://books.jrp-editions.com/pages/index.php?id_r=4&id_t=&id_p=7&id_b=853]
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* "[http://www.fcca.cz/shared/events/prostor/enc_czech/TIC11.html Hladký přechod. Umění, umění ve veřejném prostoru a reklama v post-komunistické východní Evropě]". (in Czech)
 
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* "[http://lo-res.org/~manu/pdf/AIS_CH2_pp070-091.pdf The Need for Brother TV]", 2006. In: Luksch, Patel (eds.), ''Ambient Information Systems'', 2009.
 
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* "[http://www.metropolism.com/magazine/2008-no2/leven-met-censuur/ Living with Censorship]", ''Metropolis M'' No 2, April/May 2008.  
 
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* "[http://www.monumenttotransformation.org/en/activities/texts/keiko-sei#more Troubled adults and the modernist experiments of transformation]", 2008.
 
  
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== External links==
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==Links==
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* http://flyingcircusproject.weebly.com/1/post/2013/01/public-intellectual-4-keiko-sei.html
 
* http://web.archive.org/web/20090214142325/http://solaris.hfg-karlsruhe.de/hfg/inhalt/de/Lehrende/10001
 
* http://web.archive.org/web/20090214142325/http://solaris.hfg-karlsruhe.de/hfg/inhalt/de/Lehrende/10001
 
* http://web.archive.org/web/20071201130655/http://www.labinary.org/media.art.theory.week/Keiko-CV-more.txt
 
* http://web.archive.org/web/20071201130655/http://www.labinary.org/media.art.theory.week/Keiko-CV-more.txt
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* [http://cs.wikipedia.org/wiki/Keiko_Sei Wikipedia-CS]
  
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[[Category:Media culture writers|Sei, Keiko]]
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[[Category:Writers|Sei, Keiko]]

Revision as of 14:07, 13 April 2020

Keiko Sei, 2013. (Source)

Keiko Sei is a writer, curator, and advocate of independent media.

After working as a video curator in Japan from the early 1980s, running an organisation for videoart and independent video, she moved to Eastern Europe in 1988 to research the communist bloc media scene. In 2002, she has moved from Czech Republic to Bangkok to continue her research on independent media in Southeast Asia, especially Burma, where she founded the Myanmar Moving Image Center in 2003.

She has initiated and worked as curator on various projects, including The Media Are With Us - The Role of Television in the Romanian Revolution (Budapest, 1990); the video program The Age of Nikola Tesla (Osnabrück, 1991); Ostranenie (Dessau, 1993); Prague Media Symposium; Ex Oriente Lux - Romanian Video Week (Bucharest, 1993); Orbis Fictus exhibition (Prague, 1995) and the exhibition POLITIK-UM/New Engamement, (Prague, 2002); and as editor of documenta 12 magazines project (2006-2007).

She has taught and given lectures on media art, independent media, and media activism at numerous institutions, including Video/Performance/Multimedia Studio of the Technical University of Brno (1998-2002); Kazakhstan (1999); and the University of Media Art and Design in Karlsruhe (HfG) where she currently teaches as a guest professor.

Her video archive, which has been collected in transition across different continents (1988-1999), was exhibited to the public at translocation_new media/art, Generali Foundation, in Vienna in 1999, and the German media described it as "the biggest collection of revolutionary videos in private hand."

She has written for Umělec magazine and Respekt in the Czech Republic and numerous publications worldwide, with the overall focus of her essays being society in transition.

Publications

Books

  • editor, Von der Bürokratie zur Telekratie. Rumänien im Fernsehen. Ein Symposion aus Budapest, Berlin: Merve, 1990, 165 pp. Contributions by Paolino Accolla, László Beke, Magda Cârneci, Mihaela Cristea, Serge Daney, Jean-Paul Fargier, Vilém Flusser, Ingo Günther, Veijo Hietala, Ari Honka-Hallila, Erkki Huhtamo, Derrick de Kerckhove, Richard Kriesche, Geert Lovink, Margaret Morse, Morgan Russel, Jeffrey Shaw, Tjebbe van Tijen, Paul Virilio, Peter Weibel. (German)
  • Konečná krajina, ed. Vladimír Havlík, trans. Jakub Geisler, Pavla Niklová, Lucie Simerová and Vladan Šír, Prague: One Woman Press, 2004, 267 pp. ISBN 80-86356-28-0. [1] Review: Denisa Kera (Ikaros, 2005). (Czech)

Articles

  • "Po stopách médií: pohled na mezinárodní scénu mediálního umění z Čech" / "Tracing Media: Viewing the International Media-scape from the Czech Lands", in Orbis Fictus: nová média v současném umění / New Media in Contemporary Arts, eds. Ludvík Hlaváček and Marta Smolíková, Prague: Sorosovo centrum současného umění, 1995, pp 141-156. (Czech)/(English)
  • "Flusser, média a východní Evropa", Výtvarné umění 3-4, 1996, pp 231-235. (Czech)
  • "N.J.P., world citizen", Detail 5, Prague, 1999. (English)/(Czech)
  • "'Navigator. 1988ff.' Fragmente eines osteuropäischen Medienarchivs", Springerin 1, Vienna, 1999. [4] (German)

Interviews

Links

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