Difference between revisions of "LEF"

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Although ''LEF'' was catholic in its choices of writers, it broadly reflected the concerns of the Productivist left-wing of [[Constructivism]]. The editors were [[Osip Brik]] and [[Vladimir Mayakovsky]]: fittingly, one a Russian Formalist critic and one a poet and designer who helped compose the 1912 manifesto of Russian Futurists entitled, ''[http://monoskop.org/log/?p=6040 A Slap in the Face of Public Taste]''. The covers were designed by [[Alexander Rodchenko]], and featured photomontages early on, being followed by photographs in ''New LEF''. Among the writings published in ''LEF'' for the first time were Mayakovsky's long poem "About This" [http://elib.shpl.ru/ru/nodes/3515 (turned into a book)], and [[Sergei Eisenstein]]'s The "Montage of Attractions", as well as more political and journalistic works like Isaac Babel's "Red Cavalry". The journal had funding from the state, and was discussed critically, but not unsympathetically by [[Leon Trotsky]] in ''Literature and Revolution'' (1924).
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Although ''LEF'' was catholic in its choices of writers, it broadly reflected the concerns of the Productivist left-wing of [[Constructivism]]. The editors were [[Osip Brik]] and [[Vladimir Mayakovsky]]: fittingly, one a Russian Formalist critic and one a poet and designer who helped compose the 1912 manifesto of Russian Futurists entitled, ''[http://monoskop.org/log/?p=6040 A Slap in the Face of Public Taste]''. The covers were designed by [[Alexander Rodchenko]], and featured photomontages early on, being followed by photographs in ''New LEF''. Among the writings published in ''LEF'' for the first time were Mayakovsky's long poem [[#ProEto|"About This"]] [http://elib.shpl.ru/ru/nodes/3515 (turned into a book)], and [[Sergei Eisenstein]]'s [[#MontazhAttraktsionov|The "Montage of Attractions"]], as well as more political and journalistic works like Isaac Babel's [[#Konarmiya|"Red Cavalry"]]. The journal had funding from the state, and was discussed critically, but not unsympathetically by [[Leon Trotsky]] in ''[http://www.marxists.org/archive/trotsky/1924/lit_revo/ch04.htm Literature and Revolution]'' (1924).
  
 
The later ''New LEF'' [Новый ЛЕФ; Novyi Lef], which was edited by Mayakovsky along with the playwright, screenplay writer and photographer [[Sergei Tretyakov]], tried to popularise the idea of "Factography": the idea that new technologies such as photography and film should be utilised by the working class for the production of 'factographic' works. In this it had a great deal of influence on theorists in the West, especially [[Walter Benjamin]] and [[Bertolt Brecht]]. Linked journals also appeared such as the Constructivist architectural journal ''[[SA]]'' (edited by [[Moisei Ginzburg]] and [[Alexander Vesnin]]) and ''Proletarskoe Foto'', on photography. The ''New LEF'' closed in 1929 over a dispute over its direction between Mayakovsky and Tretyakov, and under pressure for its "Formalism", which jarred with the incipient Socialist Realism.  
 
The later ''New LEF'' [Новый ЛЕФ; Novyi Lef], which was edited by Mayakovsky along with the playwright, screenplay writer and photographer [[Sergei Tretyakov]], tried to popularise the idea of "Factography": the idea that new technologies such as photography and film should be utilised by the working class for the production of 'factographic' works. In this it had a great deal of influence on theorists in the West, especially [[Walter Benjamin]] and [[Bertolt Brecht]]. Linked journals also appeared such as the Constructivist architectural journal ''[[SA]]'' (edited by [[Moisei Ginzburg]] and [[Alexander Vesnin]]) and ''Proletarskoe Foto'', on photography. The ''New LEF'' closed in 1929 over a dispute over its direction between Mayakovsky and Tretyakov, and under pressure for its "Formalism", which jarred with the incipient Socialist Realism.  
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* [http://www.ruthenia.ru/sovlit/j/2763.html Хлебников В. Уструг Разина] [Стихотворение], 58-60
 
* [http://www.ruthenia.ru/sovlit/j/2763.html Хлебников В. Уструг Разина] [Стихотворение], 58-60
 
* [http://www.ruthenia.ru/sovlit/j/2764.html Б. А. Овеществленная утопия] [Статья], 61-64
 
* [http://www.ruthenia.ru/sovlit/j/2764.html Б. А. Овеществленная утопия] [Статья], 61-64
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* [http://www.ruthenia.ru/sovlit/j/2765.html Маяковский В. Про это] [Стихотворение], 65-103
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* {{a|ProEto}} [http://www.ruthenia.ru/sovlit/j/2765.html Маяковский В. Про это] [Стихотворение], 65-103
 
* [http://www.ruthenia.ru/sovlit/j/2766.html Маяковский В. Баллада Редингской тюрьмы] [Стихотворение], 67-77
 
* [http://www.ruthenia.ru/sovlit/j/2766.html Маяковский В. Баллада Редингской тюрьмы] [Стихотворение], 67-77
 
* [http://www.ruthenia.ru/sovlit/j/2767.html Маяковский В. Ночь под Рождество] [Стихотворение], 77-98
 
* [http://www.ruthenia.ru/sovlit/j/2767.html Маяковский В. Ночь под Рождество] [Стихотворение], 77-98
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* [http://www.ruthenia.ru/sovlit/j/2859.html С. Т. Молодняк Лефа] [Статья], 69
 
* [http://www.ruthenia.ru/sovlit/j/2859.html С. Т. Молодняк Лефа] [Статья], 69
 
* [http://www.ruthenia.ru/sovlit/j/2860.html Кармазинский Н. Артему Веселому] [Стихотворение], 69
 
* [http://www.ruthenia.ru/sovlit/j/2860.html Кармазинский Н. Артему Веселому] [Стихотворение], 69
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* [http://www.ruthenia.ru/sovlit/j/2861.html Эйзейнштейн С. Монтаж аттракционов: (К постановке "На всякого мудреца довольно простоты" А. Н. Островского в Московском Пролеткульте)] [Статья], 70-75
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* {{a|MontazhAttraktsionov}} [http://www.ruthenia.ru/sovlit/j/2861.html Эйзейнштейн С. Монтаж аттракционов: (К постановке "На всякого мудреца довольно простоты" А. Н. Островского в Московском Пролеткульте)] [Статья], 70-75
 
* [http://www.ruthenia.ru/sovlit/j/2862.html Арватов Б. Маркс о художественной реставрации] [Статья], 76-96
 
* [http://www.ruthenia.ru/sovlit/j/2862.html Арватов Б. Маркс о художественной реставрации] [Статья], 76-96
 
* [http://www.ruthenia.ru/sovlit/j/2863.html Кушнер Б. Организаторы производства: (Доклад, читанный в Институте Художественной культуры 30 марта 1922 г.)] [Статья], 97-103
 
* [http://www.ruthenia.ru/sovlit/j/2863.html Кушнер Б. Организаторы производства: (Доклад, читанный в Институте Художественной культуры 30 марта 1922 г.)] [Статья], 97-103
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* [http://www.ruthenia.ru/sovlit/j/2907.html В. Проз-работа], 59
 
* [http://www.ruthenia.ru/sovlit/j/2907.html В. Проз-работа], 59
 
* [http://www.ruthenia.ru/sovlit/j/2908.html В. Конкурсный проект "Дворца Труда"] [Статья], 59-62
 
* [http://www.ruthenia.ru/sovlit/j/2908.html В. Конкурсный проект "Дворца Труда"] [Статья], 59-62
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* [http://www.ruthenia.ru/sovlit/j/2909.html Бабель И. Письмо: Из книги "Конармия"] [Рассказ], 63-66
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* {{a|Konarmiya}} [http://www.ruthenia.ru/sovlit/j/2909.html Бабель И. Письмо: Из книги "Конармия"] [Рассказ], 63-66
 
* [http://www.ruthenia.ru/sovlit/j/2910.html Бабель И. Смерть Долгушова: Из книги "Конармия"] [Рассказ], 66-68
 
* [http://www.ruthenia.ru/sovlit/j/2910.html Бабель И. Смерть Долгушова: Из книги "Конармия"] [Рассказ], 66-68
 
* [http://www.ruthenia.ru/sovlit/j/2911.html Бабель И. Дьяков: Из книги "Конармия"] [Рассказ], 69-70
 
* [http://www.ruthenia.ru/sovlit/j/2911.html Бабель И. Дьяков: Из книги "Конармия"] [Рассказ], 69-70

Revision as of 18:30, 11 August 2015

Selected covers of the journal.

LEF [ЛЕФ] was the journal of the Left Front of the Arts [Левый фронт искусств; Levy Front Iskusstv], a wide-ranging association of avant-garde writers, photographers, critics and designers in the Soviet Union. It had two runs, one from 1923 to 1925 as LEF, and later from 1927 to 1929 as Novyi LEF [New LEF]. The journal's objective, as set out in one of its first issues, was to "re-examine the ideology and practices of so-called leftist art, and to abandon individualism to increase art's value for developing communism."

Although LEF was catholic in its choices of writers, it broadly reflected the concerns of the Productivist left-wing of Constructivism. The editors were Osip Brik and Vladimir Mayakovsky: fittingly, one a Russian Formalist critic and one a poet and designer who helped compose the 1912 manifesto of Russian Futurists entitled, A Slap in the Face of Public Taste. The covers were designed by Alexander Rodchenko, and featured photomontages early on, being followed by photographs in New LEF. Among the writings published in LEF for the first time were Mayakovsky's long poem "About This" (turned into a book), and Sergei Eisenstein's The "Montage of Attractions", as well as more political and journalistic works like Isaac Babel's "Red Cavalry". The journal had funding from the state, and was discussed critically, but not unsympathetically by Leon Trotsky in Literature and Revolution (1924).

The later New LEF [Новый ЛЕФ; Novyi Lef], which was edited by Mayakovsky along with the playwright, screenplay writer and photographer Sergei Tretyakov, tried to popularise the idea of "Factography": the idea that new technologies such as photography and film should be utilised by the working class for the production of 'factographic' works. In this it had a great deal of influence on theorists in the West, especially Walter Benjamin and Bertolt Brecht. Linked journals also appeared such as the Constructivist architectural journal SA (edited by Moisei Ginzburg and Alexander Vesnin) and Proletarskoe Foto, on photography. The New LEF closed in 1929 over a dispute over its direction between Mayakovsky and Tretyakov, and under pressure for its "Formalism", which jarred with the incipient Socialist Realism.

In 1924-25, an affiliated magazine, Yugo-LEF, was published in Odessa with L. Nedolya as editor and Semyon Kirsanov as key contributor. [1] [2]

A selection of texts in English translation appeared in the Winter 1971-72 issue of Screen.

Issues

LEF 1 (Mar 1923). PDF (192 mb), HTML.
LEF 2 (Apr-May 1923). PDF (8 mb), HTML.
LEF 3 (1923). PDF (202 mb), HTML.
LEF 4 (1924). PDF (227 mb), HTML.
LEF 5/II-1 (1924). PDF (7 mb), HTML.
LEF 6/II-2 (1924). PDF (148 mb), HTML.
LEF 7/II-3 (1925). PDF (6 mb), HTML.
Novyi LEF 1 (1927). PDF (54 mb), HTML.
Novyi LEF 2 (1927). PDF (3 mb), HTML.
Novyi LEF 3 (1927). PDF (54 mb), HTML.
Novyi LEF 4 (1927). PDF (3 mb), HTML.
Novyi LEF 5 (1927). PDF (3 mb), HTML.
Novyi LEF 6 (1927). PDF (3 mb), HTML.
Novyi LEF 7 (1927). PDF (3 mb), HTML.
Novyi LEF 8-9 (1927). PDF (5 mb), HTML.
Novyi LEF 10 (1927). PDF (3 mb), HTML.
Novyi LEF 11-12 (1927). PDF (5 mb), HTML.
Novyi LEF 1 (1928). PDF (3 mb), HTML.
Novyi LEF 2 (1928). PDF (5 mb), HTML.
Novyi LEF 3 (1928). PDF (4 mb), HTML.
Novyi LEF 4 (1928). PDF (4 mb), HTML.
Novyi LEF 5 (1928). PDF (5 mb), HTML.
Novyi LEF 6 (1928). PDF (55 mb), HTML.
Novyi LEF 7 (1928). PDF (3 mb), HTML.
Novyi LEF 8 (1928). PDF (4 mb), HTML.
Novyi LEF 9 (1928). PDF (6 mb), HTML.
Novyi LEF 10 (1928). PDF (4 mb), HTML.
Novyi LEF 11 (1928). PDF (4 mb), HTML.
Novyi LEF 12 (1928). PDF (60 mb), HTML.

Full-color PDFs (the above files larger than 10 mb) are linked from Bibliothèque Kandinsky, [3].

Contents

Tables of contents of 7 numbers of Lef and 24 numbers of Novyi Lef with links to HTML versions on the SovLit website.

LEF

Леф. 1923 N 1
Леф. 1923 N 2
Леф. 1923 N 3
Леф. 1923 N 4
Леф. 1924 N 5/II-1
Леф. 1924 N 6/II-2
Леф. 1925 N 7/II-3

Novyi LEF

Новый Леф. 1927 N 1
Новый Леф. 1927 N 2
Новый Леф. 1927 N 3
Новый Леф. 1927 N 4
Новый Леф. 1927 N 5
Новый Леф. 1927 N 6
Новый Леф. 1927 N 7
Новый Леф. 1927 N 8-9
Новый Леф. 1927 N 10
Новый Леф. 1927 N 11-12
Новый Леф. 1928 N 1
Новый Леф. 1928 N 2
Новый Леф. 1928 N 3
Новый Леф. 1928 N 4
Новый Леф. 1928 N 5
Новый Леф. 1928 N 6
Новый Леф. 1928 N 7
Новый Леф. 1928 N 8
Новый Леф. 1928 N 9
Новый Леф. 1928 N 10
Новый Леф. 1928 N 11
Новый Леф. 1928 N 12

Selections and translations

Literature

See also

Links


Avant-garde and modernist magazines

Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38).

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