Difference between revisions of "Linda Hilfling Ritasdatter"

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(Created page with "Danish artist. Works with the premises of participation and public space within media structures, with a focus on means of control (codes, organisation and law) and their cultura...")
 
 
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Danish artist. Works with the premises of participation
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'''Linda Hilfling Ritasdatter''' is an artist researcher examining the cultural impact of media and technological development as it manifests itself in asymmetric power structures. Linda‘s practice takes the form of humorous interventions reflecting upon and revealing hidden gaps in the existing structures. Her methodology is based on extensive research and field work which e.g encounters outsourced work and educational forces as well as engaging materials such as programming languages and outmoded technical apparatuses. Works range from software interventions to concepts for re-appropriating infrastructures such as ATM-machines or surveillance cameras to local-media platforms. Linda has presented and exhibited her work widely, among others at: transmediale/Berlin, Impakt festival/Utrecht, Tent/International Film Festival Rotterdam, Overgaden – Copenhagen Institute of Contemporary Art, The Winchester Gallery/UK, Netherlands Media Art Institute/Amsterdam, HTMLles/Montreal, Piksel Festival/Bergen, Pikslaverk/Reykjavik, File festival/Brazil, Futuresonic/UK, Observatori/ES, Århus Kunsthal and SMK - The Danish National Gallery. [http://lnd4.net/ (2022)]
and public space within media structures, with a focus on means of
 
control (codes, organisation and law) and their cultural impact. Her
 
artistic practice takes the form of humorous interventions reflecting
 
upon or revealing hidden gaps in such structures.  
 
  
http://apd.lnd4.net
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; Links
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* http://lnd4.net/
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* http://www.overheads.org
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* http://apd.lnd4.net
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* https://doi.org/10.24834/isbn.9789178771165

Latest revision as of 10:48, 6 September 2022

Linda Hilfling Ritasdatter is an artist researcher examining the cultural impact of media and technological development as it manifests itself in asymmetric power structures. Linda‘s practice takes the form of humorous interventions reflecting upon and revealing hidden gaps in the existing structures. Her methodology is based on extensive research and field work which e.g encounters outsourced work and educational forces as well as engaging materials such as programming languages and outmoded technical apparatuses. Works range from software interventions to concepts for re-appropriating infrastructures such as ATM-machines or surveillance cameras to local-media platforms. Linda has presented and exhibited her work widely, among others at: transmediale/Berlin, Impakt festival/Utrecht, Tent/International Film Festival Rotterdam, Overgaden – Copenhagen Institute of Contemporary Art, The Winchester Gallery/UK, Netherlands Media Art Institute/Amsterdam, HTMLles/Montreal, Piksel Festival/Bergen, Pikslaverk/Reykjavik, File festival/Brazil, Futuresonic/UK, Observatori/ES, Århus Kunsthal and SMK - The Danish National Gallery. (2022)

Links