Difference between revisions of "Linda Hilfling Ritasdatter"

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Danish artist and critical designer, Linda Hilfling, works with the premises of participation and public space within media structures, with a focus on means of control (codes, organisation and law) and their cultural impact. Her artistic practice takes the form of interventions which in humoristic and often absurd ways reflect on and reveal gaps within existing structures – the place where a system fails and its inadequacies become visible. Works range from concepts for using ATM-machines or surveillance cameras as local-media platforms to software interventions. Linda is a devoted FLOSS user and her works are most often freely distributed tools with a wrenched or dysfunctional aspect. She holds an MA in [[Media_Design_and_Communication_Piet_Zwart_Institute_Rotterdam|Networked Media]] from Piet Zwart Institute in [[Rotterdam]] and a BA in Architecture from the Royal Academy of Arts in [[Copenhagen]]. Linda is also the co-director and initiator of the [[Art of the Overhead]] – a media archaeological festival celebrating the overhead projector.
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'''Linda Hilfling Ritasdatter''' is an artist researcher examining the cultural impact of media and technological development as it manifests itself in asymmetric power structures. Linda‘s practice takes the form of humorous interventions reflecting upon and revealing hidden gaps in the existing structures. Her methodology is based on extensive research and field work which e.g encounters outsourced work and educational forces as well as engaging materials such as programming languages and outmoded technical apparatuses. Works range from software interventions to concepts for re-appropriating infrastructures such as ATM-machines or surveillance cameras to local-media platforms. Linda has presented and exhibited her work widely, among others at: transmediale/Berlin, Impakt festival/Utrecht, Tent/International Film Festival Rotterdam, Overgaden – Copenhagen Institute of Contemporary Art, The Winchester Gallery/UK, Netherlands Media Art Institute/Amsterdam, HTMLles/Montreal, Piksel Festival/Bergen, Pikslaverk/Reykjavik, File festival/Brazil, Futuresonic/UK, Observatori/ES, Århus Kunsthal and SMK - The Danish National Gallery. [http://lnd4.net/ (2022)]
  
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; Links
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http://www.overheads.org<br>
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* http://lnd4.net/
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http://apd.lnd4.net
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* http://www.overheads.org
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* http://apd.lnd4.net
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* https://doi.org/10.24834/isbn.9789178771165

Latest revision as of 10:48, 6 September 2022

Linda Hilfling Ritasdatter is an artist researcher examining the cultural impact of media and technological development as it manifests itself in asymmetric power structures. Linda‘s practice takes the form of humorous interventions reflecting upon and revealing hidden gaps in the existing structures. Her methodology is based on extensive research and field work which e.g encounters outsourced work and educational forces as well as engaging materials such as programming languages and outmoded technical apparatuses. Works range from software interventions to concepts for re-appropriating infrastructures such as ATM-machines or surveillance cameras to local-media platforms. Linda has presented and exhibited her work widely, among others at: transmediale/Berlin, Impakt festival/Utrecht, Tent/International Film Festival Rotterdam, Overgaden – Copenhagen Institute of Contemporary Art, The Winchester Gallery/UK, Netherlands Media Art Institute/Amsterdam, HTMLles/Montreal, Piksel Festival/Bergen, Pikslaverk/Reykjavik, File festival/Brazil, Futuresonic/UK, Observatori/ES, Århus Kunsthal and SMK - The Danish National Gallery. (2022)

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