Lucinda Furlong

Lucinda B. Furlong (1954) is a critic and curator. She was curator of Media Arts, American Center, Paris, and assistant curator (1986-1991), Film and Video Department, Whitney Museum of American Art, New York.

Publications

• "Recipes for Television: Theory Creams Practice at the Kitchen", Afterimage, Jan 1981, pp 3-4.

• "New York Council on the Arts Revokes Rochester's TV Workshop Funding", Afterimage 9:6, Jan 1982, p 3. [1]

• "State of the Art Scan: The Ithaca Video Festival", Afterimage 9:6, Jan 1982, pp 12-14. [2]

• "A Mixed Blessing: 1981 San Francisco International Travelling Video Festival", Afterimage 9:10, May 1982, p 17. [3]

• "Color My World: Chicago Video", Afterimage 10:3, Oct 1982, pp 18-19. [4]

• "Big Bird Goes to the Museum: Video + Satellite", Afterimage 10:6, Jan 1983, pp 15-16. [5]

• "A Manner of Speaking: An Interview with Gary Hill", Afterimage 10:8, Mar 1983, pp 9-16. [6]

• "Notes Towards a History of Image-processed Video: Eric Siegel, Stephen Beck, Dan Sandin, Steve Rutt, Bill and Louise Etra", Afterimage, Summer 1983, pp 35-38. [7]

• "Notes Towards a History of Image-processed Video: Steina and Woody Vasulka", Afterimage, Dec 1983, pp 12-17, HTML; repr. in Mémoires vives: From Nam June Paik to Sliders_Lab, ed. Jean-Marie Dallet, Tielt: Lannoo, 2019, pp 56-73. [8]
  • "Du signal video au traitement d'images digitales", trans. Isabelle Delord and Dominique Willoughby, in Steina et Woody Vasulka: Vidéastes: 1969-1984, 2nd ed., rev. & corr., ed. Dominique Willoughby, Paris: Ciné-MBXA/Cinédoc, 1984, pp 33-47. (French)

• "Raster Masters: Review of Video Art: A History", Afterimage 11:8, Mar 1984, pp 17-18. Review of Barbara London's MoMA exhibition. [9]

• "Getting High Tech: The 'New' Television", The Independent 8:2, Mar 1985, pp 14-16.

• "Tracking Video Art: ‘Image Processing’ as a Genre", Art Journal 45, Fall 1985, pp 233-237. [10]

• "Talking Union: The Screen Actors Guild and Independent Film", The Independent 9:2, Mar 1986, pp 16-18.

• "Electronic Backtalk: The Art of Interactive Video", The Independent 11:4, May 1988, pp 14-20, IA.

• "AIDS Media: Counter-Representations", in New American Film and Video Series, New York: Whitney Museum of American Art, 1989, pp 1-4. [11]

• "From Object to Subject", program notes, New York: Whitney Museum of American Art, 1992.

• "Shu Lea Cheang's Genre-Bending Affirmations", Art Journal 54(4): "Video Art", Winter 1995, pp 65-68. [12]

See also

• Video art