Difference between revisions of "MSS"
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| − | '''MSS''' (Manuscripts) was a magazine edited by Herbert J. Seligmann and published in | + | '''MSS''' (Manuscripts) was a magazine edited by [[Paul Rosenfeld]], [[Alfred Stieglitz]] and Herbert J. Seligmann and published in 6 issues in New York between February 1922 and May 1923. |
==Issues== | ==Issues== | ||
{| class="imgtable" | {| class="imgtable" | ||
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| − | [[Image: | + | [[Image:MSS_1_Feb_1922.jpg|thumb|185px|''MSS'' 1 (Feb 1922). 26 x 18,5 cm. [[Media:MSS_1_Feb_1922.pdf|Download]] (20 mb).]] |
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| − | [[Image:MSS_5_Mar_1923.jpg|thumb|185px|''MSS'' 5: The Tin Whistle (Mar 1923). [[Media:MSS_5_Mar_1923.pdf|Download]].]] | + | [[Image:MSS_2_Mar_1922.jpg|thumb|185px|''MSS'' 2 (Mar 1922). 26 x 18,5 cm. [[Media:MSS_2_Mar_1922.pdf|Download]] (10 mb).]] |
| + | | | ||
| + | [[Image:MSS_3_Apr_1922.jpg|thumb|185px|''MSS'' 3: What is True Art? (Apr 1922). 26 x 18,5 cm. [[Media:MSS_3_Apr_1922.pdf|Download]] (6 mb).]] | ||
| + | |} | ||
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| + | {| class="imgtable" | ||
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| + | [[Image:MSS_4_Dec_1922.jpg|thumb|185px|''MSS'' 4: Can the Photograph Have the Significance of Art? (Dec 1922). 26 x 18,5 cm. [[Media:MSS_4_Dec_1922.pdf|Download]] (20 mb).]] | ||
| + | | | ||
| + | [[Image:MSS_5_Mar_1923.jpg|thumb|185px|''MSS'' 5: The Tin Whistle (Mar 1923). 26 x 18,5 cm. [[Media:MSS_5_Mar_1923.pdf|Download]] (17 mb).]] | ||
| + | | | ||
| + | [[Image:MSS_6_May_1923.jpg|thumb|185px|''MSS'' 6: How Art is Created for the Public on a Newspaper (May 1923). 26 x 18,5 cm. [[Media:MSS_6_May_1923.pdf|Download]] (5 mb).]] | ||
|} | |} | ||
| − | The | + | The above PDFs are sourced from [http://bibliothequekandinsky.centrepompidou.fr/clientBookline/service/reference.asp?INSTANCE=INCIPIO&OUTPUT=PORTAL&DOCID=0474035&DOCBASE=CGPP Bibliothèque Kandinsky]. |
| + | |||
| + | * Issue 4 in [http://digital.lib.uiowa.edu/cdm/compoundobject/collection/dada/id/29081/rec/1 Iowa Digital Library]. | ||
{{Avant-garde and modernist magazines}} | {{Avant-garde and modernist magazines}} | ||
Latest revision as of 09:15, 21 August 2014
MSS (Manuscripts) was a magazine edited by Paul Rosenfeld, Alfred Stieglitz and Herbert J. Seligmann and published in 6 issues in New York between February 1922 and May 1923.
Issues[edit]
 MSS 1 (Feb 1922). 26 x 18,5 cm. Download (20 mb). |
 MSS 2 (Mar 1922). 26 x 18,5 cm. Download (10 mb). |
 MSS 3: What is True Art? (Apr 1922). 26 x 18,5 cm. Download (6 mb). |
 MSS 4: Can the Photograph Have the Significance of Art? (Dec 1922). 26 x 18,5 cm. Download (20 mb). |
 MSS 5: The Tin Whistle (Mar 1923). 26 x 18,5 cm. Download (17 mb). |
 MSS 6: How Art is Created for the Public on a Newspaper (May 1923). 26 x 18,5 cm. Download (5 mb). |
The above PDFs are sourced from Bibliothèque Kandinsky.
- Issue 4 in Iowa Digital Library.
| Avant-garde and modernist magazines | ||
|---|---|---|
|
Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38). | ||
| Full list | ||
|---|---|---|
|
Entretiens politiques et littéraires (1890-93), Moderní revue (1894-1925), Volné směry (1897-1948), Mir iskusstva (1898-1904), Vesy (1904-09), Poesia (1905-09, 1920), Zolotoe runo (1906-10), The Mask (1908-29), Apollon (1909-17), Ukraïnska khata (1909-14), Der Sturm (1910-32), Thalia (1910-13), Rhythm (1911-13), Trudy i dni (1912), Simbolul (1912), The Glebe (1913-14), Ocharovannyi strannik (1913-16), Revolution (1913), Blast (1914-15), The Little Review (1914-29), Futuristy (1914), Zeit-Echo (1914-17), The Egoist (1914-19), L'Élan (1915-16), 291 (1915-16), Orpheu (1915), La Balza futurista (1915), MA (1916-25), SIC (1916-19), flamman (1916-21), The Blindman (1917), Nord-Sud (1917-18), De Stijl (1917-20, 1921-32), Dada (1917-21), Klingen (1917-20, 1942), Noi (1917-25), 391 (1917-24), Modernisme et compréhension (1917), Anarkhiia (1917-18), Iskusstvo kommuny (1918-19), Formiści (1919-21), S4N (1919-25), La Cité (1919-35), Aujourd'hui (1919), Exlex (1919-20), L'Esprit nouveau (1920-25), Orfeus (1920-21), Action (1920-22), Proverbe (1920-22), Ça ira (1920-23), Zenit (1921-26), Kinofon (1921-22), Het Overzicht (1921-25), Jednodńuwka futurystuw (1921), Nowa sztuka (1921-22), Broom (1921-24), Život (1921-48), Creación (1921-24), Jar-Ptitza (1921-26), New York Dada (1921), Aventure (1921-22), Spolokhi (1921-23), Gargoyle (1921-22), Veshch/Gegenstand/Objet (1922), Kino-fot (1922-23), Le Coeur à barbe (1922), Die Form (1922, 1925-35), 7 Arts (1922-28), Manomètre (1922-28), Ultra (1922), Út (1922-25), Dada-Jok (1922), Dada Tank (1922), Dada Jazz (1922), Mécano (1922-23), Contimporanul (1922-32), Zwrotnica (1922-23, 1926-27), Secession (1922-24), Stavba (1922-38), Gostinitsa dlya puteshestvuyuschih v prekrasnom (1922-24), Putevi (1922-24), Klaxon (1922-23), Akasztott Ember (1922-23), MSS (1922-23), Perevoz Dada (1922-49), Egység (1922-24), L'Architecture vivante (1923-33), Merz (1923-32), LEF (1923-25), G (1923-26), The Next Call (1923-26), Russkoye iskusstvo (1923), Disk (1923-25), Irradiador (1923), Surréalisme (1924), Almanach Nowej Sztuki (1924-25), La Révolution surréaliste (1924-29), Blok (1924-26), Pásmo (1924-26), DAV (1924-37), Bulletin de l'Effort moderne (1924-27), ABC (1924-28), CAP (1924-28), Athena (1924-25), Punct (1924-25), 75HP (1924), Le Tour de Babel (1925), Periszkop (1925-26), Integral (1925-28), Praesens (1926, 1930), Sovremennaya architektura (1926-30), bauhaus (1926-31), Das neue Frankfurt (1926-31), L'Art cinématographique (1926-31), Dokumentum (1926-27), Kritisk Revy (1926-28), Novyi LEF (1927-29), i 10 (1927-29), Nova generatsiia (1927-30), ReD (1927-31), Dźwignia (1927-28), Tank (1927-28), Close Up (1927-33), Horizont (1927-32), transition (1927-38), Discontinuité (1928), Munka (1928-39), Quosego (1928-29), Urmuz (1928), Unu (1928-32), Revista de Antropofagia (1928-29), 50 u Evropi (1928-29), Documents (1929-30), L'Art Contemporain - Sztuka Współczesna (1929-30), Adam (1929-40), Art concret (1930), Zvěrokruh (1930), Alge (1930-31), Le Surréalisme au service de la révolution (1930-33), Levá fronta (1930-33), Kvart (1930-37, 1945-49), Nová Bratislava (1931-32), Linja (1931-33), Spektrum (1931-33), Nadrealizam danas i ovde (1931-32), Ulise (1932-33), Die neue Stadt (1932-33), Mouvement (1933), PLAN (1933-36), Karavan (1934-35), Ekran (1934), Axis (1935-37), Acéphale (1936-39), Telehor (1936), aka (1937-38), Plastique (1937-39), Plus (1938-39), Les Réverbères (1938-39). | ||
