Difference between revisions of "Margaret A. Rose"
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; Works | ; Works | ||
* ''The Functions of Biblical Language in the Poetry of Heinrich Heine'', Monash University, 1973. Dissertation. | * ''The Functions of Biblical Language in the Poetry of Heinrich Heine'', Monash University, 1973. Dissertation. | ||
| − | ** ''Die Parodie, Eine Funktion Der Biblischen Sprache in Heines Lyrik'', Meisenheim am Glan: Hain, 1976, 138 pp. | + | ** ''Die Parodie, Eine Funktion Der Biblischen Sprache in Heines Lyrik'', Meisenheim am Glan: Hain, 1976, 138 pp. {{de}}. An abridged translation. |
* ''Reading the Young Marx and Engels: Poetry, Parody, and the Censor'', London: Croom Helm, and Totowa, N.J.: Rowman and Littlefield, 1978, 165 pp. | * ''Reading the Young Marx and Engels: Poetry, Parody, and the Censor'', London: Croom Helm, and Totowa, N.J.: Rowman and Littlefield, 1978, 165 pp. | ||
* ''Parody//Meta Fiction: An Analysis Of Parody As A Critical Mirror To The Writing And Reception Of Fiction'', London: Croom Helm, 1979, 197 pp. | * ''Parody//Meta Fiction: An Analysis Of Parody As A Critical Mirror To The Writing And Reception Of Fiction'', London: Croom Helm, 1979, 197 pp. | ||
| Line 9: | Line 9: | ||
* ''The Symbolist Theatre Tradition from Maeterlinck and Yeats to Beckett and Pinter'', Milan: Unicopli, 1989, 241 pp. | * ''The Symbolist Theatre Tradition from Maeterlinck and Yeats to Beckett and Pinter'', Milan: Unicopli, 1989, 241 pp. | ||
* ''The Post-Modern and the Post-Industrial: A Critical Analysis'', Cambridge University Press, 1991, 317 pp. | * ''The Post-Modern and the Post-Industrial: A Critical Analysis'', Cambridge University Press, 1991, 317 pp. | ||
| − | ** ''后现代与后工业 : 评论性分析'', Shenyang Shi: Liaoning jiao yu chu ban she, 2002. | + | ** ''后现代与后工业 : 评论性分析'', Shenyang Shi: Liaoning jiao yu chu ban she, 2002. {{zh}} |
| − | * "Les Mots et les Mots: la funzione della parodia nel nostro episteme", ''Immagine riflessa'' 1:2 (1992), Genova. | + | * "Les Mots et les Mots: la funzione della parodia nel nostro episteme", ''Immagine riflessa'' 1:2 (1992), Genova. {{it}} |
* ''Parody: Ancient, Modern, and Post-Modern'', Cambridge University Press, 1993, 316 pp. | * ''Parody: Ancient, Modern, and Post-Modern'', Cambridge University Press, 1993, 316 pp. | ||
| − | * Editor, ''Das Album für Minna (1855-1857): nebst weiteren neuentdeckten Materialien'', Bielefeld: Aisthesis, 2003, 171 pp. | + | * Editor, ''Das Album für Minna (1855-1857): nebst weiteren neuentdeckten Materialien'', Bielefeld: Aisthesis, 2003, 171 pp. {{de}} |
| − | * ''Parodie, Intertextualtät, Interbildlichkeit'', Bielefeld: Aisthesis, 2006, 123 pp. | + | * ''Parodie, Intertextualtät, Interbildlichkeit'', Bielefeld: Aisthesis, 2006, 123 pp. {{de}} |
* Editor, ''Flaneurs & Idlers'', Bielefeld: Aisthesis, 2007, 355. (in English and French) | * Editor, ''Flaneurs & Idlers'', Bielefeld: Aisthesis, 2007, 355. (in English and French) | ||
| − | * ''Pictorial Irony, Parody, and Pastiche: Comic Interpictoriality in the Arts of the 19th and 20th Centuries'', Bielefeld: Aisthesis, 2011, 333 pp. | + | * ''Pictorial Irony, Parody, and Pastiche: Comic Interpictoriality in the Arts of the 19th and 20th Centuries'', Bielefeld: Aisthesis, 2011, 333 pp. [http://www.aisthesis.de/titel/9783895288418.htm] |
Latest revision as of 20:14, 18 October 2016
- Works
- The Functions of Biblical Language in the Poetry of Heinrich Heine, Monash University, 1973. Dissertation.
- Die Parodie, Eine Funktion Der Biblischen Sprache in Heines Lyrik, Meisenheim am Glan: Hain, 1976, 138 pp. (German). An abridged translation.
- Reading the Young Marx and Engels: Poetry, Parody, and the Censor, London: Croom Helm, and Totowa, N.J.: Rowman and Littlefield, 1978, 165 pp.
- Parody//Meta Fiction: An Analysis Of Parody As A Critical Mirror To The Writing And Reception Of Fiction, London: Croom Helm, 1979, 197 pp.
- The Human Condition: Forms of Alienation in Modern Thought and Culture. Non-alienated Labour in the Utopian Society, Waurn Ponds, Vic.: School of Humanities, Open Campus Program, Deakin University, 1981, 33 pp. For the course team.
- Marx's Lost Aesthetic: Karl Marx and the Visual Arts, Cambridge University Press, 1984, 216 pp; 1988. Commentary, Review.
- Victorian artists : Margaret Baskerville (1861-1930) and C. Douglas Richardson (1853-1932), Nunawading, Vic., 1988, 268 pp.
- The Symbolist Theatre Tradition from Maeterlinck and Yeats to Beckett and Pinter, Milan: Unicopli, 1989, 241 pp.
- The Post-Modern and the Post-Industrial: A Critical Analysis, Cambridge University Press, 1991, 317 pp.
- 后现代与后工业 : 评论性分析, Shenyang Shi: Liaoning jiao yu chu ban she, 2002. (Chinese)
- "Les Mots et les Mots: la funzione della parodia nel nostro episteme", Immagine riflessa 1:2 (1992), Genova. (Italian)
- Parody: Ancient, Modern, and Post-Modern, Cambridge University Press, 1993, 316 pp.
- Editor, Das Album für Minna (1855-1857): nebst weiteren neuentdeckten Materialien, Bielefeld: Aisthesis, 2003, 171 pp. (German)
- Parodie, Intertextualtät, Interbildlichkeit, Bielefeld: Aisthesis, 2006, 123 pp. (German)
- Editor, Flaneurs & Idlers, Bielefeld: Aisthesis, 2007, 355. (in English and French)
- Pictorial Irony, Parody, and Pastiche: Comic Interpictoriality in the Arts of the 19th and 20th Centuries, Bielefeld: Aisthesis, 2011, 333 pp. [1]
