Marina Gržinić
Jump to navigation
Jump to search
Marina Gržinić (1958, Rijeka) is a philosopher, theoretician and artist.
Since 1993 she is employed at the Institute of Philosophy at the Scientific and Research Center of the Slovenian Academy of Science and Arts (short ZRC-SAZU in Slovenian and SRC-SASA in English). Today, she serves as a professor and research adviser. Since 2003, she has also served as Full Professor at the Academy of Fine Arts in Vienna, Austria. She publishes extensively, lectures worldwide.
She has been involved in video art since 1982. In collaboration with Aina Smid she has produced more than 30 video art projects, a short film, numerous video and media installations, Internet websites and an interactive CD-ROM (ZKM, Karlsruhe, Germany).
Works
Books
- In the Line for Virtual Bread. Time, Space, Subject and the New Media in the Year 2000, Ljubljana: ZPS, 1996; Zagreb, 1999. Gržinić: "In the book I present, link and supplement for the internal, Slavic space, the general paradigms of theories and philosophies of the new media in connection with our post-socialist reality". (English)
- with Adele Eisenstein: The Spectralization of Technology: From Elsewhere to Cyberfeminism and Back: Institutional Modes of the Cyberworld, Maribor, 1999. (English)
- Fiction Reconstruced: Eastern Europe, Post-Socialism and the Retro-Avant-Garde, Vienna: edition selene & Springerin, 2000. From introduction. (English)
- editor, The Future of Computer Arts & the History of The International Festival of Computer Arts, Maribor 1995-2004, Ljubljana, 2004. (English)
- Re-Politicizing art, Theory, Representation and New Media Technology, Vienna: Akademie Bildenden Künste Wien & SCHLEBRÜGGE.EDITOR, 2008. Excerpt. (English)
Essays, articles
- "Osteuropa als der unteilbare postkommunistische Rest @: es ist nicht Rot, es ist Blut!" [Eastern Europe as the indivisible Post-Communist remainder @: it is not red, it is blood!], in Ost-West Internet: elektronische Medien im Transformationsprozess Ost- und Mitteleuropas, ed. Stephen Kovats, Edition Bauhaus, Bd. 6. Frankfurt/Main, New York 1999.
- "Exposure Time, the Aura, and Telerobotics" in The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet, ed. Ken Goldberg, MIT Press, 2000.
- "Video as civic discourse in Slovenia and the former Yugoslavia. Strategies of Visualisation and the Aesthetics of Video in the New Europe" in Culture and Technology in the New Europe: Civic Discourse in Transformation in Post-Communist Nations, ed. Laura Lengel, London: Ablex, 2000. [1].
- "A theoretical-political positioning of philosophy, media and cyberfeminism", in Technics of Cyber<>feminism <mode=message>, eds. Claudia Reiche and Andrea Sick, Bremen, 2002.
