McKenzie Wark

McKenzie (Ken) Wark is Professor of Culture and Media in Liberal Studies at The New School for Social Research. His research interests are media theory, new media, critical theory, cinema, music, and visual art.

Writings

• Virtual Geography: Living With Global Media Events, Bloomington: Indiana University Press, 1994.
• The Virtual Republic: Australia’s Culture wars of the 1990s, Sydney: Allen & Unwin, 1997
• Ray Edgar, Ashley Crawford (eds) Transit Lounge, Melbourne: Fine Art Publishing, 1998. Includes several of Wark’s essays.
• Celebrities, Culture and Cyberspace, Sydney: Pluto Press Australia, 1999.
• Josephine Bosma, et al. (eds.), Readme!, New York: Autonomedia, 1999.
• Dispositions, Cambridge: Salt, 2002.
• with Bernard Cohen, John Kinsella and Terri-Ann White, Speed Factory, Fremantle: Fremantle Arts Centre Press, 2002.
• A Hacker Manifesto, Harvard University Press, 2004.
• Gam3r 7h3ory, Institute for the Future of the Book, 2006-.
• Gamer Theory, Harvard University Press, 2007.
• 50 Years of Recuperation of the Situationist International, New York: Princeton Architectural Press, 2008.
• The Beach Beneath the Street: The Everyday Life and Glorious Times of the Situationist International, Verso, 2011.
• Telesthesia: Communication, Culture and Class, Polity, 2012.
• The Spectacle of Disintegration: Situationist Passages out of the Twentieth Century, Verso, 2013.
• with Rachel Law, W.A.N.T: Weaponized Adorables Negotiation Tactics, 2013.
• "Blue Ruin: Totality and Acceleration", Rhizome, 10 March 2014.
• Texts at PublicSeminar.org, 2013-.

External links

• Wark's page at the New School
• Wark at Wikipedia