https://monoskop.org/index.php?title=Media_Research_Foundation&feed=atom&action=historyMedia Research Foundation - Revision history2024-03-28T15:09:30ZRevision history for this page on the wikiMediaWiki 1.33.0https://monoskop.org/index.php?title=Media_Research_Foundation&diff=102945&oldid=prevDusan at 11:16, 6 January 20212021-01-06T11:16:16Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Dec 1999, [[Ronda Hauben]] lecture at the Intermedia Deptartment, Budapest</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Dec 1999, [[Ronda Hauben]] lecture at the Intermedia Deptartment, Budapest</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Oct 1997, publication of ''[https://monoskop.org/log/?p=254 Buldózer]'', ISSN: 1417-6033 </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Oct 1997, publication of ''[https://monoskop.org/log/?p=254 Buldózer]'', ISSN: 1417-6033 </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Jun 1997, [http://web.archive.org/web/19990505100145/http://www.c3.hu/c3/mr.html Select All], Media Research exhibition, C3, Budapest</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Jun 1997, [http://web.archive.org/web/19990505100145/http://www.c3.hu/c3/mr.html Select All], Media Research exhibition, C3, Budapest<ins class="diffchange diffchange-inline">. [http://www.c3.hu/events/97/select_all/index.html]</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Jun 1997, The Train Rolls on: Chris Marker and Alexander Medvedkin Film program.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Jun 1997, The Train Rolls on: Chris Marker and Alexander Medvedkin Film program.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Sep 1997, participation in the [[ISEA|International Symposia of Electronic Arts]], Chicago, USA. </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Sep 1997, participation in the [[ISEA|International Symposia of Electronic Arts]], Chicago, USA. </div></td></tr>
</table>Dusanhttps://monoskop.org/index.php?title=Media_Research_Foundation&diff=97605&oldid=prevDusan at 09:06, 28 March 20202020-03-28T09:06:26Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 09:06, 28 March 2020</td>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''Media Research''' existed in various forms prior to officially becoming a Foundation in [[1990]] in [[Budapest]]. The founding members were [[Gábor Bora]], aesthetician; [[András Böröcz]], sculptor; [[Miklós Peternák]], art historian; [[László Révész]], artist, filmmaker; [[János Sugár]], artist, filmmaker; and [[Katalin Timár]], art historian. The group comprised a unique wealth of expertise, with each member being an expert in his or her respective field. [[Diana McCarty]], media critic and [[Geert Lovink]], theoretician, media activist, joined the group in [[1994]]. Originally, the group was formed to create a shared environment for the exchange of ideas, focusing on gaining knowledge and insight concerning the impact of new technology on society and the Arts. The Media Research Foundation (MRF) has, since then, concentrated its efforts on the promotion of both the theoretical and practical aspects of new technology, and the cultural applications that emerge. During its years of existence, the MRF has been active in three different areas, 1) appearing in the contemporary art context (the group exhibited a painting in 1991, and in the same year a Media Research bond was exhibited), 2) suppporting the [[Intermedia MKE Budapest|Intermedia Department]] of the Academy of Fine Arts, (actively cooperating with the Intermedia, i.e.. obtaining support in the form of hardware and equipment, presenting international lecturers, etc. With the help of the MRF, national and international lecturers were invited and the students received the two MRF publications ''Buldozer'', 1997, ''Digital Identity'', 2000 for free.) 3) Facilitating critical media discourse. In addition to these activities, the MRF has continuously organized, meetings, symposiums and events in an effort to educate the public about the impact of new technology on culture and society. Among the more significant events, were [[The Media Are With Us]], [[Linz Ars Electronica Presents Itself]] and the [[MetaForum]] conference series. </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''Media Research''' existed in various forms prior to officially becoming a Foundation in [[1990]] in [[Budapest]]. The founding members were [[Gábor Bora]], aesthetician; [[András Böröcz]], sculptor; [[Miklós Peternák]], art historian; [[László Révész]], artist, filmmaker; [[János Sugár]], artist, filmmaker; and [[Katalin Timár]], art historian. The group comprised a unique wealth of expertise, with each member being an expert in his or her respective field. [[Diana McCarty]], media critic and [[Geert Lovink]], theoretician, media activist, joined the group in [[1994]]. Originally, the group was formed to create a shared environment for the exchange of ideas, focusing on gaining knowledge and insight concerning the impact of new technology on society and the Arts. The Media Research Foundation (MRF) has, since then, concentrated its efforts on the promotion of both the theoretical and practical aspects of new technology, and the cultural applications that emerge. During its years of existence, the MRF has been active in three different areas, 1) appearing in the contemporary art context (the group exhibited a painting in 1991, and in the same year a Media Research bond was exhibited), 2) suppporting the [[Intermedia MKE Budapest|Intermedia Department]] of the Academy of Fine Arts, (actively cooperating with the Intermedia, i.e.. obtaining support in the form of hardware and equipment, presenting international lecturers, etc. With the help of the MRF, national and international lecturers were invited and the students received the two MRF publications ''<ins class="diffchange diffchange-inline">[https://monoskop.org/log/?p=254 </ins>Buldozer<ins class="diffchange diffchange-inline">]</ins>'', 1997, ''Digital Identity'', 2000 for free.) 3) Facilitating critical media discourse. In addition to these activities, the MRF has continuously organized, meetings, symposiums and events in an effort to educate the public about the impact of new technology on culture and society. Among the more significant events, were [[The Media Are With Us]], [[Linz Ars Electronica Presents Itself]] and the [[MetaForum]] conference series. </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''The Media Are With Us'', a cooperation with the Mûcsarnok, and the Soros Center for Contemporary Arts, took place in April of [[1990]] and dealt with the role of television in the Romanian revolution. It was the first event to analyze a current event from the perspective of the media to take place in Hungary, and included leading international media theoreticians such as [[Vilém Flusser]], [[Peter Weibel]], [[Margaret Morse]], [[Ingo Günther]], [[Keiko Sei]], etc., and the staff of Romanian television. Following this, the MRF, in a cooperation with [[Balázs Béla Studio]], produced a video ''Mediology'' which contained interviews with five of the conference speakers. Later the Merve Verlag, Berlin, published ''Von Bürokratie zur Telekratie'' a collection of the lectures presented during the event (edited by Keiko Sei). In 1993, "Linz-Ars Electronica Presents Itself" marked the start of a successful cooperative effort with Budapest's Autumn Festival of the Arts that led to the MetaForum series of international conferences. The series began in 1994, with the topic of multimedia. This three day conference included CD-ROM and the World Wide Web, which was just gaining attention in the very early days of the explosive hype of the Internet. At that time there were no commercial Internet providers in Hungary and just three Hungarian CD-ROMs. </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''The Media Are With Us'', a cooperation with the Mûcsarnok, and the Soros Center for Contemporary Arts, took place in April of [[1990]] and dealt with the role of television in the Romanian revolution. It was the first event to analyze a current event from the perspective of the media to take place in Hungary, and included leading international media theoreticians such as [[Vilém Flusser]], [[Peter Weibel]], [[Margaret Morse]], [[Ingo Günther]], [[Keiko Sei]], etc., and the staff of Romanian television. Following this, the MRF, in a cooperation with [[Balázs Béla Studio]], produced a video ''Mediology'' which contained interviews with five of the conference speakers. Later the Merve Verlag, Berlin, published ''Von Bürokratie zur Telekratie'' a collection of the lectures presented during the event (edited by Keiko Sei). In 1993, "Linz-Ars Electronica Presents Itself" marked the start of a successful cooperative effort with Budapest's Autumn Festival of the Arts that led to the MetaForum series of international conferences. The series began in 1994, with the topic of multimedia. This three day conference included CD-ROM and the World Wide Web, which was just gaining attention in the very early days of the explosive hype of the Internet. At that time there were no commercial Internet providers in Hungary and just three Hungarian CD-ROMs. </div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''MetaForum II/NO BORDERS/Budapest Networking Conference'' took place in [[1995]]. This covered international topics, which were perhaps even more important in Hungary, where bad telephone lines and a general lack of expendable wealth magnified the issues of new communication technologies in the West. ''MetaForum III'' followed with the subject of content, which was then becoming the crucial topic in the New Media discourse. With ''MetaForum III / UNDER CONSTRUCTION / Budapest Content Conference'' came the closing of the MetaForum Conference Series in Budapest. During these conferences we presented many international lecturers, whose work was previously unknown in Hungary, as well as the work of many Hungarian theorists and artists. (The MetaForum conference series was acknowledged by the 1996 report of the EU on the cultural aspects of new technology, and was the only program mentioned concerning Hungary)</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''MetaForum II/NO BORDERS/Budapest Networking Conference'' took place in [[1995]]. This covered international topics, which were perhaps even more important in Hungary, where bad telephone lines and a general lack of expendable wealth magnified the issues of new communication technologies in the West. ''MetaForum III'' followed with the subject of content, which was then becoming the crucial topic in the New Media discourse. With ''MetaForum III / UNDER CONSTRUCTION / Budapest Content Conference'' came the closing of the MetaForum Conference Series in Budapest. During these conferences we presented many international lecturers, whose work was previously unknown in Hungary, as well as the work of many Hungarian theorists and artists. (The MetaForum conference series was acknowledged by the 1996 report of the EU on the cultural aspects of new technology, and was the only program mentioned concerning Hungary)</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>In October 97 the MRF published ''Buldózer'', a <del class="diffchange diffchange-inline"> </del>220 pages <del class="diffchange diffchange-inline"> </del>anthology including many of the MetaForum lectures in Hungarian. (ISSN: 1417-6033). Buldózer became an immediate hit, and was the 3rd among the bestsellers in October 97 in one of the most prestigious bookstores in Budapest. In June of 2000, the MRF published ''Digital Identities''. This bilingual (Hungarian - English) book is a pilot, to be followed by a series of bilingual textbooks, called ''Informational Cultures''. As an essential part of our concept, we have created a website which is integral with the book; the site contains, in an open and growing structure, all the annotations, footnotes, links to authors and illustrations, and other information which may further help the reader to broaden his or her investigation of the topic.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>In October 97 the MRF published ''<ins class="diffchange diffchange-inline">[https://monoskop.org/log/?p=254 </ins>Buldózer<ins class="diffchange diffchange-inline">]</ins>'', a 220 pages anthology including many of the MetaForum lectures in Hungarian. (ISSN: 1417-6033). <ins class="diffchange diffchange-inline">''</ins>Buldózer<ins class="diffchange diffchange-inline">'' </ins>became an immediate hit, and was the 3rd among the bestsellers in October 97 in one of the most prestigious bookstores in Budapest. In June of 2000, the MRF published ''Digital Identities''. This bilingual (Hungarian - English) book is a pilot, to be followed by a series of bilingual textbooks, called ''Informational Cultures''. As an essential part of our concept, we have created a website which is integral with the book; the site contains, in an open and growing structure, all the annotations, footnotes, links to authors and illustrations, and other information which may further help the reader to broaden his or her investigation of the topic.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>While the MRF has acted as a project oriented body, with little infrastructure, relying on volunteers, it has functioned as an organizing body, and has actively sought cooperations with such institutions as: the Soros Center for Contemporary Arts; the Hungarian Ministry of Culture and Education; the Béla Balázs Film Studio; the French Institute; the Goethe Institute; the Austrian Cultural Institute; Pro Helvetia; the British Council; the Dutch Embassy, Budapest, C3, Budapest etc.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>While the MRF has acted as a project oriented body, with little infrastructure, relying on volunteers, it has functioned as an organizing body, and has actively sought cooperations with such institutions as: the Soros Center for Contemporary Arts; the Hungarian Ministry of Culture and Education; the Béla Balázs Film Studio; the French Institute; the Goethe Institute; the Austrian Cultural Institute; Pro Helvetia; the British Council; the Dutch Embassy, Budapest, C3, Budapest etc.</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Feb 2000, [[Felix Stalder]] lecture at the Intermedia Department, Budapest</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Feb 2000, [[Felix Stalder]] lecture at the Intermedia Department, Budapest</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Dec 1999, [[Ronda Hauben]] lecture at the Intermedia Deptartment, Budapest</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Dec 1999, [[Ronda Hauben]] lecture at the Intermedia Deptartment, Budapest</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Oct 1997, publication of ''Buldózer'', ISSN: 1417-6033 </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Oct 1997, publication of ''<ins class="diffchange diffchange-inline">[https://monoskop.org/log/?p=254 </ins>Buldózer<ins class="diffchange diffchange-inline">]</ins>'', ISSN: 1417-6033 </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Jun 1997, [<del class="diffchange diffchange-inline">[</del>Select All<del class="diffchange diffchange-inline">]</del>], Media Research exhibition, C3, Budapest</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Jun 1997, [<ins class="diffchange diffchange-inline">http://web.archive.org/web/19990505100145/http://www.c3.hu/c3/mr.html </ins>Select All], Media Research exhibition, C3, Budapest</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Jun 1997, The Train Rolls on: Chris Marker and Alexander Medvedkin Film program.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Jun 1997, The Train Rolls on: Chris Marker and Alexander Medvedkin Film program.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Sep 1997, participation in the [[ISEA|International Symposia of Electronic Arts]], Chicago, USA. </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Sep 1997, participation in the [[ISEA|International Symposia of Electronic Arts]], Chicago, USA. </div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Apr 1990, [[The Media Are With Us]] - international conference on the role of television in the Romanian revolution</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Apr 1990, [[The Media Are With Us]] - international conference on the role of television in the Romanian revolution</div></td></tr>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>http://east.projects.v2.nl/institutions/budapest/mrf.html<del class="diffchange diffchange-inline"><br></del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>http://east.projects.v2.nl/institutions/budapest/mrf.html</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>http://www.ecn.org/hackerart/visionatotale.php?ID=5742&argomento=Media%20Research%20Foundation</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>http://www.ecn.org/hackerart/visionatotale.php?ID=5742&argomento=Media%20Research%20Foundation</div></td></tr>
</table>Dusanhttps://monoskop.org/index.php?title=Media_Research_Foundation&diff=21081&oldid=prevDusan at 10:54, 16 February 20122012-02-16T10:54:43Z<p></p>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>http://east.projects.v2.nl/institutions/budapest/mrf.html</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>http://east.projects.v2.nl/institutions/budapest/mrf.html<ins class="diffchange diffchange-inline"><br></ins></div></td></tr>
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</table>Dusanhttps://monoskop.org/index.php?title=Media_Research_Foundation&diff=15604&oldid=prevDusan at 16:34, 22 September 20102010-09-22T16:34:23Z<p></p>
<table class="diff diff-contentalign-left" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 16:34, 22 September 2010</td>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''Media Research''' existed in various forms prior to officially becoming a Foundation in [[1990]] in [[Budapest]]. The founding members were [[Gábor Bora]], aesthetician; [[András Böröcz]], sculptor; [[Miklós Peternák]], art historian; [[László Révész]], artist, filmmaker; [[János Sugár]], artist, filmmaker; and [[Katalin Timár]], art historian. The group comprised a unique wealth of expertise, with each member being an expert in his or her respective field. [[Diana McCarty]], media critic and [[Geert Lovink]], theoretician, media activist, joined the group in [[1994]]. Originally, the group was formed to create a shared environment for the exchange of ideas, focusing on gaining knowledge and insight concerning the impact of new technology on society and the Arts. The Media Research Foundation (MRF) has, since then, concentrated its efforts on the promotion of both the theoretical and practical aspects of new technology, and the cultural applications that emerge. During its years of existence, the MRF has been active in three different areas, 1) appearing in the contemporary art context (the group exhibited a painting in 1991, and in the same year a Media Research bond was exhibited), 2) suppporting the [[Intermedia MKE Budapest|Intermedia Department]] of the Academy of Fine Arts, (actively cooperating with the Intermedia, i.e.. obtaining support in the form of hardware and equipment, presenting international lecturers, etc. With the help of the MRF, national and international lecturers were invited and the students received the two MRF publications ''Buldozer'', 1997, ''Digital Identity'', 2000 for free.) 3) Facilitating critical media discourse. In addition to these activities, the MRF has continuously organized, meetings, symposiums and events in an effort to educate the public about the impact of new technology on culture and society. Among the more significant events, were [[The Media <del class="diffchange diffchange-inline">Were </del>With Us]], [[Linz Ars Electronica Presents Itself]] and the [[MetaForum]] conference series. </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''Media Research''' existed in various forms prior to officially becoming a Foundation in [[1990]] in [[Budapest]]. The founding members were [[Gábor Bora]], aesthetician; [[András Böröcz]], sculptor; [[Miklós Peternák]], art historian; [[László Révész]], artist, filmmaker; [[János Sugár]], artist, filmmaker; and [[Katalin Timár]], art historian. The group comprised a unique wealth of expertise, with each member being an expert in his or her respective field. [[Diana McCarty]], media critic and [[Geert Lovink]], theoretician, media activist, joined the group in [[1994]]. Originally, the group was formed to create a shared environment for the exchange of ideas, focusing on gaining knowledge and insight concerning the impact of new technology on society and the Arts. The Media Research Foundation (MRF) has, since then, concentrated its efforts on the promotion of both the theoretical and practical aspects of new technology, and the cultural applications that emerge. During its years of existence, the MRF has been active in three different areas, 1) appearing in the contemporary art context (the group exhibited a painting in 1991, and in the same year a Media Research bond was exhibited), 2) suppporting the [[Intermedia MKE Budapest|Intermedia Department]] of the Academy of Fine Arts, (actively cooperating with the Intermedia, i.e.. obtaining support in the form of hardware and equipment, presenting international lecturers, etc. With the help of the MRF, national and international lecturers were invited and the students received the two MRF publications ''Buldozer'', 1997, ''Digital Identity'', 2000 for free.) 3) Facilitating critical media discourse. In addition to these activities, the MRF has continuously organized, meetings, symposiums and events in an effort to educate the public about the impact of new technology on culture and society. Among the more significant events, were [[The Media <ins class="diffchange diffchange-inline">Are </ins>With Us]], [[Linz Ars Electronica Presents Itself]] and the [[MetaForum]] conference series. </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>''The Media <del class="diffchange diffchange-inline">Were </del>With Us'', a cooperation with the Mûcsarnok, and the Soros Center for Contemporary Arts, took place in April of [[1990]] and dealt with the role of television in the Romanian revolution. It was the first event to analyze a current event from the perspective of the media to take place in Hungary, and included leading international media theoreticians such as [[Vilém Flusser]], [[Peter Weibel]], [[Margaret Morse]], [[Ingo Günther]], [[Keiko Sei]], etc., and the staff of Romanian television. Following this, the MRF, in a cooperation with [[Balázs Béla Studio]], produced a video ''Mediology'' which contained interviews with five of the conference speakers. Later the Merve Verlag, Berlin, published ''Von Bürokratie zur Telekratie'' a collection of the lectures presented during the event (edited by Keiko Sei). In 1993, "Linz-Ars Electronica Presents Itself" marked the start of a successful cooperative effort with Budapest's Autumn Festival of the Arts that led to the MetaForum series of international conferences. The series began in 1994, with the topic of multimedia. This three day conference included CD-ROM and the World Wide Web, which was just gaining attention in the very early days of the explosive hype of the Internet. At that time there were no commercial Internet providers in Hungary and just three Hungarian CD-ROMs. </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>''The Media <ins class="diffchange diffchange-inline">Are </ins>With Us'', a cooperation with the Mûcsarnok, and the Soros Center for Contemporary Arts, took place in April of [[1990]] and dealt with the role of television in the Romanian revolution. It was the first event to analyze a current event from the perspective of the media to take place in Hungary, and included leading international media theoreticians such as [[Vilém Flusser]], [[Peter Weibel]], [[Margaret Morse]], [[Ingo Günther]], [[Keiko Sei]], etc., and the staff of Romanian television. Following this, the MRF, in a cooperation with [[Balázs Béla Studio]], produced a video ''Mediology'' which contained interviews with five of the conference speakers. Later the Merve Verlag, Berlin, published ''Von Bürokratie zur Telekratie'' a collection of the lectures presented during the event (edited by Keiko Sei). In 1993, "Linz-Ars Electronica Presents Itself" marked the start of a successful cooperative effort with Budapest's Autumn Festival of the Arts that led to the MetaForum series of international conferences. The series began in 1994, with the topic of multimedia. This three day conference included CD-ROM and the World Wide Web, which was just gaining attention in the very early days of the explosive hype of the Internet. At that time there were no commercial Internet providers in Hungary and just three Hungarian CD-ROMs. </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''MetaForum II/NO BORDERS/Budapest Networking Conference'' took place in [[1995]]. This covered international topics, which were perhaps even more important in Hungary, where bad telephone lines and a general lack of expendable wealth magnified the issues of new communication technologies in the West. ''MetaForum III'' followed with the subject of content, which was then becoming the crucial topic in the New Media discourse. With ''MetaForum III / UNDER CONSTRUCTION / Budapest Content Conference'' came the closing of the MetaForum Conference Series in Budapest. During these conferences we presented many international lecturers, whose work was previously unknown in Hungary, as well as the work of many Hungarian theorists and artists. (The MetaForum conference series was acknowledged by the 1996 report of the EU on the cultural aspects of new technology, and was the only program mentioned concerning Hungary)</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''MetaForum II/NO BORDERS/Budapest Networking Conference'' took place in [[1995]]. This covered international topics, which were perhaps even more important in Hungary, where bad telephone lines and a general lack of expendable wealth magnified the issues of new communication technologies in the West. ''MetaForum III'' followed with the subject of content, which was then becoming the crucial topic in the New Media discourse. With ''MetaForum III / UNDER CONSTRUCTION / Budapest Content Conference'' came the closing of the MetaForum Conference Series in Budapest. During these conferences we presented many international lecturers, whose work was previously unknown in Hungary, as well as the work of many Hungarian theorists and artists. (The MetaForum conference series was acknowledged by the 1996 report of the EU on the cultural aspects of new technology, and was the only program mentioned concerning Hungary)</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Sep 1990, VR everywhere, lecture and presentation of virtual reality, Mücsarnok, Budapest</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Sep 1990, VR everywhere, lecture and presentation of virtual reality, Mücsarnok, Budapest</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Apr 1990, [[The Media <del class="diffchange diffchange-inline">Were </del>With Us]] - international conference on the role of television in the Romanian revolution</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Apr 1990, [[The Media <ins class="diffchange diffchange-inline">Are </ins>With Us]] - international conference on the role of television in the Romanian revolution</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>http://www.mrf.hu/<br></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>http://www.mrf.hu/<br></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>http://east.projects.v2.nl/institutions/budapest/mrf.html</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>http://east.projects.v2.nl/institutions/budapest/mrf.html</div></td></tr>
</table>Dusanhttps://monoskop.org/index.php?title=Media_Research_Foundation&diff=15493&oldid=prevDusan at 17:58, 19 September 20102010-09-19T17:58:47Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Media Research''' existed in various forms prior to officially becoming a Foundation in [[1990]] in [[Budapest]]. The founding members were [[Gábor Bora]], aesthetician; [[András Böröcz]], sculptor; [[Miklós Peternák]], art historian; [[László Révész]], artist, filmmaker; [[János Sugár]], artist, filmmaker; and [[Katalin Timár]], art historian. The group comprised a unique wealth of expertise, with each member being an expert in his or her respective field. [[Diana McCarty]], media critic and [[Geert Lovink]], theoretician, media activist, joined the group in [[1994]]. Originally, the group was formed to create a shared environment for the exchange of ideas, focusing on gaining knowledge and insight concerning the impact of new technology on society and the Arts. The Media Research Foundation (MRF) has, since then, concentrated its efforts on the promotion of both the theoretical and practical aspects of new technology, and the cultural applications that emerge. During its years of existence, the MRF has been active in three different areas, 1) appearing in the contemporary art context (the group exhibited a painting in 1991, and in the same year a Media Research bond was exhibited), 2) suppporting the [[Intermedia MKE Budapest|Intermedia Department]] of the Academy of Fine Arts, (actively cooperating with the Intermedia, i.e.. obtaining support in the form of hardware and equipment, presenting international lecturers, etc. With the help of the MRF, national and international lecturers were invited and the students received the two MRF publications ''Buldozer'', 1997, ''Digital Identity'', 2000 for free.) 3) Facilitating critical media discourse. In addition to these activities, the MRF has continuously organized, meetings, symposiums and events in an effort to educate the public about the impact of new technology on culture and society. Among the more significant events, were [[The Media Were With Us]], [[Linz Ars Electronica Presents Itself]] and the [[MetaForum]] conference series. </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Media Research''' existed in various forms prior to officially becoming a Foundation in [[1990]] in [[Budapest]]. The founding members were [[Gábor Bora]], aesthetician; [[András Böröcz]], sculptor; [[Miklós Peternák]], art historian; [[László Révész]], artist, filmmaker; [[János Sugár]], artist, filmmaker; and [[Katalin Timár]], art historian. The group comprised a unique wealth of expertise, with each member being an expert in his or her respective field. [[Diana McCarty]], media critic and [[Geert Lovink]], theoretician, media activist, joined the group in [[1994]]. Originally, the group was formed to create a shared environment for the exchange of ideas, focusing on gaining knowledge and insight concerning the impact of new technology on society and the Arts. The Media Research Foundation (MRF) has, since then, concentrated its efforts on the promotion of both the theoretical and practical aspects of new technology, and the cultural applications that emerge. During its years of existence, the MRF has been active in three different areas, 1) appearing in the contemporary art context (the group exhibited a painting in 1991, and in the same year a Media Research bond was exhibited), 2) suppporting the [[Intermedia MKE Budapest|Intermedia Department]] of the Academy of Fine Arts, (actively cooperating with the Intermedia, i.e.. obtaining support in the form of hardware and equipment, presenting international lecturers, etc. With the help of the MRF, national and international lecturers were invited and the students received the two MRF publications ''Buldozer'', 1997, ''Digital Identity'', 2000 for free.) 3) Facilitating critical media discourse. In addition to these activities, the MRF has continuously organized, meetings, symposiums and events in an effort to educate the public about the impact of new technology on culture and society. Among the more significant events, were [[The Media Were With Us]], [[Linz Ars Electronica Presents Itself]] and the [[MetaForum]] conference series. </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>''The Media Were With Us'', a cooperation with the Mûcsarnok, and the Soros Center for Contemporary Arts, took place in April of [[1990]] and dealt with the role of television in the Romanian revolution. It was the first event to analyze a current event from the perspective of the media to take place in Hungary, and included leading international media theoreticians such as [[Vilém Flusser]], [[Peter Weibel]], [[Margaret Morse]], [[Ingo Günther]], [[Keiko Sei]], etc., and the staff of Romanian television. Following this, the MRF, in a cooperation with [[Béla <del class="diffchange diffchange-inline">Balázs Film </del>Studio]], produced a video ''Mediology'' which contained interviews with five of the conference speakers. Later the Merve Verlag, Berlin, published ''Von Bürokratie zur Telekratie'' a collection of the lectures presented during the event (edited by Keiko Sei). In 1993, "Linz-Ars Electronica Presents Itself" marked the start of a successful cooperative effort with Budapest's Autumn Festival of the Arts that led to the MetaForum series of international conferences. The series began in 1994, with the topic of multimedia. This three day conference included CD-ROM and the World Wide Web, which was just gaining attention in the very early days of the explosive hype of the Internet. At that time there were no commercial Internet providers in Hungary and just three Hungarian CD-ROMs. </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>''The Media Were With Us'', a cooperation with the Mûcsarnok, and the Soros Center for Contemporary Arts, took place in April of [[1990]] and dealt with the role of television in the Romanian revolution. It was the first event to analyze a current event from the perspective of the media to take place in Hungary, and included leading international media theoreticians such as [[Vilém Flusser]], [[Peter Weibel]], [[Margaret Morse]], [[Ingo Günther]], [[Keiko Sei]], etc., and the staff of Romanian television. Following this, the MRF, in a cooperation with [[<ins class="diffchange diffchange-inline">Balázs </ins>Béla Studio]], produced a video ''Mediology'' which contained interviews with five of the conference speakers. Later the Merve Verlag, Berlin, published ''Von Bürokratie zur Telekratie'' a collection of the lectures presented during the event (edited by Keiko Sei). In 1993, "Linz-Ars Electronica Presents Itself" marked the start of a successful cooperative effort with Budapest's Autumn Festival of the Arts that led to the MetaForum series of international conferences. The series began in 1994, with the topic of multimedia. This three day conference included CD-ROM and the World Wide Web, which was just gaining attention in the very early days of the explosive hype of the Internet. At that time there were no commercial Internet providers in Hungary and just three Hungarian CD-ROMs. </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''MetaForum II/NO BORDERS/Budapest Networking Conference'' took place in [[1995]]. This covered international topics, which were perhaps even more important in Hungary, where bad telephone lines and a general lack of expendable wealth magnified the issues of new communication technologies in the West. ''MetaForum III'' followed with the subject of content, which was then becoming the crucial topic in the New Media discourse. With ''MetaForum III / UNDER CONSTRUCTION / Budapest Content Conference'' came the closing of the MetaForum Conference Series in Budapest. During these conferences we presented many international lecturers, whose work was previously unknown in Hungary, as well as the work of many Hungarian theorists and artists. (The MetaForum conference series was acknowledged by the 1996 report of the EU on the cultural aspects of new technology, and was the only program mentioned concerning Hungary)</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''MetaForum II/NO BORDERS/Budapest Networking Conference'' took place in [[1995]]. This covered international topics, which were perhaps even more important in Hungary, where bad telephone lines and a general lack of expendable wealth magnified the issues of new communication technologies in the West. ''MetaForum III'' followed with the subject of content, which was then becoming the crucial topic in the New Media discourse. With ''MetaForum III / UNDER CONSTRUCTION / Budapest Content Conference'' came the closing of the MetaForum Conference Series in Budapest. During these conferences we presented many international lecturers, whose work was previously unknown in Hungary, as well as the work of many Hungarian theorists and artists. (The MetaForum conference series was acknowledged by the 1996 report of the EU on the cultural aspects of new technology, and was the only program mentioned concerning Hungary)</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>In October 97 the MRF published ''<del class="diffchange diffchange-inline">BULLDOZER</del>'', a 220 pages anthology including many of the MetaForum lectures in Hungarian. (ISSN: 1417-6033). <del class="diffchange diffchange-inline">"BULLDOZER" </del>became an immediate hit, and was the 3rd among the bestsellers in October 97 in one of the most prestigious bookstores in Budapest. In June of 2000, the MRF published ''<del class="diffchange diffchange-inline">DIGITAL IDENTITIES</del>'' <del class="diffchange diffchange-inline">(ISBN 963 00 3554 5) </del>This bilingual (Hungarian - English) book is a pilot, to be followed by a series of bilingual textbooks, called ''Informational Cultures''. As an essential part of our concept, we have created a website which is integral with the book; the site contains, in an open and growing structure, all the annotations, footnotes, links to authors and illustrations, and other information which may further help the reader to broaden his or her investigation of the topic.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>In October 97 the MRF published ''<ins class="diffchange diffchange-inline">Buldózer</ins>'', a 220 pages anthology including many of the MetaForum lectures in Hungarian. (ISSN: 1417-6033). <ins class="diffchange diffchange-inline">Buldózer </ins>became an immediate hit, and was the 3rd among the bestsellers in October 97 in one of the most prestigious bookstores in Budapest. In June of 2000, the MRF published ''<ins class="diffchange diffchange-inline">Digital Identities</ins>''<ins class="diffchange diffchange-inline">. </ins>This bilingual (Hungarian - English) book is a pilot, to be followed by a series of bilingual textbooks, called ''Informational Cultures''. As an essential part of our concept, we have created a website which is integral with the book; the site contains, in an open and growing structure, all the annotations, footnotes, links to authors and illustrations, and other information which may further help the reader to broaden his or her investigation of the topic.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>While the MRF has acted as a project oriented body, with little infrastructure, relying on volunteers, it has functioned as an organizing body, and has actively sought cooperations with such institutions as: the Soros Center for Contemporary Arts; the Hungarian Ministry of Culture and Education; the Béla Balázs Film Studio; the French Institute; the Goethe Institute; the Austrian Cultural Institute; Pro Helvetia; the British Council; the Dutch Embassy, Budapest, C3, Budapest etc.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>While the MRF has acted as a project oriented body, with little infrastructure, relying on volunteers, it has functioned as an organizing body, and has actively sought cooperations with such institutions as: the Soros Center for Contemporary Arts; the Hungarian Ministry of Culture and Education; the Béla Balázs Film Studio; the French Institute; the Goethe Institute; the Austrian Cultural Institute; Pro Helvetia; the British Council; the Dutch Embassy, Budapest, C3, Budapest etc.</div></td></tr>
</table>Dusanhttps://monoskop.org/index.php?title=Media_Research_Foundation&diff=15492&oldid=prevDusan at 17:56, 19 September 20102010-09-19T17:56:55Z<p></p>
<table class="diff diff-contentalign-left" data-mw="interface">
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<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 17:56, 19 September 2010</td>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">'''Media Research''' existed in various forms prior to officially becoming a Foundation in [[1990]] in [[Budapest]]. The founding members were [[Gábor Bora]], aesthetician; [[András Böröcz]], sculptor; [[Miklós Peternák]], art historian; [[László Révész]], artist, filmmaker; [[János Sugár]], artist, filmmaker; and [[Katalin Timár]], art historian. Collaborators included [[Diana McCarty]]. During its six years of existence, the Media Research Foundation has been active in three different areas, including participation in Art exhibitions, establishment of the [[Intermedia MKE Budapest]], and actively cooperating with the Intermedia, i.e.. obtaining support in the form of hardware and equipment, presenting international lecturers, etc. In addition, MRF organized meetings, symposiums and events about the impact of new technology on culture and society such as:</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Media Research''' existed in various forms prior to officially becoming a Foundation in [[1990]] in [[Budapest]]. The founding members were [[Gábor Bora]], aesthetician; [[András Böröcz]], sculptor; [[Miklós Peternák]], art historian; [[László Révész]], artist, filmmaker; [[János Sugár]], artist, filmmaker; and [[Katalin Timár]], art historian. The group comprised a unique wealth of expertise, with each member being an expert in his or her respective field. [[Diana McCarty]], media critic and [[Geert Lovink]], theoretician, media activist, joined the group in [[1994]]. Originally, the group was formed to create a shared environment for the exchange of ideas, focusing on gaining knowledge and insight concerning the impact of new technology on society and the Arts. The Media Research Foundation (MRF) has, since then, concentrated its efforts on the promotion of both the theoretical and practical aspects of new technology, and the cultural applications that emerge. During its years of existence, the MRF has been active in three different areas, 1) appearing in the contemporary art context (the group exhibited a painting in 1991, and in the same year a Media Research bond was exhibited), 2) suppporting the [[Intermedia MKE Budapest|Intermedia Department]] of the Academy of Fine Arts, (actively cooperating with the Intermedia, i.e.. obtaining support in the form of hardware and equipment, presenting international lecturers, etc. With the help of the MRF, national and international lecturers were invited and the students received the two MRF publications ''Buldozer'', 1997, ''Digital Identity'', 2000 for free.) 3) Facilitating critical media discourse. In addition to these activities, the MRF has continuously organized, meetings, symposiums and events in an effort to educate the public about the impact of new technology on culture and society. Among the more significant events, were [[The Media Were With Us]], [[Linz Ars Electronica Presents Itself]] and the [[MetaForum]] conference series. </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Media Research''' existed in various forms prior to officially becoming a Foundation in [[1990]] in [[Budapest]]. The founding members were [[Gábor Bora]], aesthetician; [[András Böröcz]], sculptor; [[Miklós Peternák]], art historian; [[László Révész]], artist, filmmaker; [[János Sugár]], artist, filmmaker; and [[Katalin Timár]], art historian. The group comprised a unique wealth of expertise, with each member being an expert in his or her respective field. [[Diana McCarty]], media critic and [[Geert Lovink]], theoretician, media activist, joined the group in [[1994]]. Originally, the group was formed to create a shared environment for the exchange of ideas, focusing on gaining knowledge and insight concerning the impact of new technology on society and the Arts. The Media Research Foundation (MRF) has, since then, concentrated its efforts on the promotion of both the theoretical and practical aspects of new technology, and the cultural applications that emerge. During its years of existence, the MRF has been active in three different areas, 1) appearing in the contemporary art context (the group exhibited a painting in 1991, and in the same year a Media Research bond was exhibited), 2) suppporting the [[Intermedia MKE Budapest|Intermedia Department]] of the Academy of Fine Arts, (actively cooperating with the Intermedia, i.e.. obtaining support in the form of hardware and equipment, presenting international lecturers, etc. With the help of the MRF, national and international lecturers were invited and the students received the two MRF publications ''Buldozer'', 1997, ''Digital Identity'', 2000 for free.) 3) Facilitating critical media discourse. In addition to these activities, the MRF has continuously organized, meetings, symposiums and events in an effort to educate the public about the impact of new technology on culture and society. Among the more significant events, were [[The Media Were With Us]], [[Linz Ars Electronica Presents Itself]] and the [[MetaForum]] conference series. </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">"</del>The Media Were With Us<del class="diffchange diffchange-inline">"</del>, a cooperation with the Mûcsarnok, and the Soros Center for Contemporary Arts, took place in April of [[1990]] and dealt with the role of television in the Romanian revolution. It was the first event to analyze a current event from the perspective of the media to take place in Hungary, and included leading international media theoreticians such as [[Vilém Flusser]], [[Peter Weibel]], [[Margaret Morse]], [[Ingo Günther]], [[Keiko Sei]], etc., and the staff of Romanian television. Following this, the MRF, in a cooperation with [[Béla Balázs Film Studio]], produced a video ''Mediology'' which contained interviews with five of the conference speakers. Later the Merve Verlag, Berlin, published ''Von Bürokratie zur Telekratie'' a collection of the lectures presented during the event (edited by Keiko Sei). In 1993, "Linz-Ars Electronica Presents Itself" marked the start of a successful cooperative effort with Budapest's Autumn Festival of the Arts that led to the MetaForum series of international conferences. The series began in 1994, with the topic of multimedia. This three day conference included CD-ROM and the World Wide Web, which was just gaining attention in the very early days of the explosive hype of the Internet. At that time there were no commercial Internet providers in Hungary and just three Hungarian CD-ROMs. </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">''</ins>The Media Were With Us<ins class="diffchange diffchange-inline">''</ins>, a cooperation with the Mûcsarnok, and the Soros Center for Contemporary Arts, took place in April of [[1990]] and dealt with the role of television in the Romanian revolution. It was the first event to analyze a current event from the perspective of the media to take place in Hungary, and included leading international media theoreticians such as [[Vilém Flusser]], [[Peter Weibel]], [[Margaret Morse]], [[Ingo Günther]], [[Keiko Sei]], etc., and the staff of Romanian television. Following this, the MRF, in a cooperation with [[Béla Balázs Film Studio]], produced a video ''Mediology'' which contained interviews with five of the conference speakers. Later the Merve Verlag, Berlin, published ''Von Bürokratie zur Telekratie'' a collection of the lectures presented during the event (edited by Keiko Sei). In 1993, "Linz-Ars Electronica Presents Itself" marked the start of a successful cooperative effort with Budapest's Autumn Festival of the Arts that led to the MetaForum series of international conferences. The series began in 1994, with the topic of multimedia. This three day conference included CD-ROM and the World Wide Web, which was just gaining attention in the very early days of the explosive hype of the Internet. At that time there were no commercial Internet providers in Hungary and just three Hungarian CD-ROMs. </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''MetaForum II/NO BORDERS/Budapest Networking Conference'' took place in [[1995]]. This covered international topics, which were perhaps even more important in Hungary, where bad telephone lines and a general lack of expendable wealth magnified the issues of new communication technologies in the West. ''MetaForum III'' followed with the subject of content, which was then becoming the crucial topic in the New Media discourse. With ''MetaForum III / UNDER CONSTRUCTION / Budapest Content Conference'' came the closing of the MetaForum Conference Series in Budapest. During these conferences we presented many international lecturers, whose work was previously unknown in Hungary, as well as the work of many Hungarian theorists and artists. (The MetaForum conference series was acknowledged by the 1996 report of the EU on the cultural aspects of new technology, and was the only program mentioned concerning Hungary)</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''MetaForum II/NO BORDERS/Budapest Networking Conference'' took place in [[1995]]. This covered international topics, which were perhaps even more important in Hungary, where bad telephone lines and a general lack of expendable wealth magnified the issues of new communication technologies in the West. ''MetaForum III'' followed with the subject of content, which was then becoming the crucial topic in the New Media discourse. With ''MetaForum III / UNDER CONSTRUCTION / Budapest Content Conference'' came the closing of the MetaForum Conference Series in Budapest. During these conferences we presented many international lecturers, whose work was previously unknown in Hungary, as well as the work of many Hungarian theorists and artists. (The MetaForum conference series was acknowledged by the 1996 report of the EU on the cultural aspects of new technology, and was the only program mentioned concerning Hungary)</div></td></tr>
</table>Dusanhttps://monoskop.org/index.php?title=Media_Research_Foundation&diff=15491&oldid=prevDusan at 17:56, 19 September 20102010-09-19T17:56:30Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 17:56, 19 September 2010</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td>
<td colspan="2" class="diff-lineno">Line 1:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Media Research''' existed in various forms prior to officially becoming a Foundation in [[1990]] in [[Budapest]]. The founding members were [[Gábor Bora]], aesthetician; [[András Böröcz]], sculptor; [[Miklós Peternák]], art historian; [[László Révész]], artist, filmmaker; [[János Sugár]], artist, filmmaker; and [[Katalin Timár]], art historian. Collaborators included [[Diana McCarty]]. During its six years of existence, the Media Research Foundation has been active in three different areas, including participation in Art exhibitions, establishment of the [[Intermedia MKE Budapest]], and actively cooperating with the Intermedia, i.e.. obtaining support in the form of hardware and equipment, presenting international lecturers, etc. In addition, MRF organized meetings, symposiums and events about the impact of new technology on culture and society such as:</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Media Research''' existed in various forms prior to officially becoming a Foundation in [[1990]] in [[Budapest]]. The founding members were [[Gábor Bora]], aesthetician; [[András Böröcz]], sculptor; [[Miklós Peternák]], art historian; [[László Révész]], artist, filmmaker; [[János Sugár]], artist, filmmaker; and [[Katalin Timár]], art historian. Collaborators included [[Diana McCarty]]. During its six years of existence, the Media Research Foundation has been active in three different areas, including participation in Art exhibitions, establishment of the [[Intermedia MKE Budapest]], and actively cooperating with the Intermedia, i.e.. obtaining support in the form of hardware and equipment, presenting international lecturers, etc. In addition, MRF organized meetings, symposiums and events about the impact of new technology on culture and society such as:</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">'''Media Research''' existed in various forms prior to officially becoming a Foundation in [[1990]] in [[Budapest]]. The founding members were [[Gábor Bora]], aesthetician; [[András Böröcz]], sculptor; [[Miklós Peternák]], art historian; [[László Révész]], artist, filmmaker; [[János Sugár]], artist, filmmaker; and [[Katalin Timár]], art historian. The group comprised a unique wealth of expertise, with each member being an expert in his or her respective field. [[Diana McCarty]], media critic and [[Geert Lovink]], theoretician, media activist, joined the group in [[1994]]. Originally, the group was formed to create a shared environment for the exchange of ideas, focusing on gaining knowledge and insight concerning the impact of new technology on society and the Arts. The Media Research Foundation (MRF) has, since then, concentrated its efforts on the promotion of both the theoretical and practical aspects of new technology, and the cultural applications that emerge. During its years of existence, the MRF has been active in three different areas, 1) appearing in the contemporary art context (the group exhibited a painting in 1991, and in the same year a Media Research bond was exhibited), 2) suppporting the [[Intermedia MKE Budapest|Intermedia Department]] of the Academy of Fine Arts, (actively cooperating with the Intermedia, i.e.. obtaining support in the form of hardware and equipment, presenting international lecturers, etc. With the help of the MRF, national and international lecturers were invited and the students received the two MRF publications ''Buldozer'', 1997, ''Digital Identity'', 2000 for free.) 3) Facilitating critical media discourse. In addition to these activities, the MRF has continuously organized, meetings, symposiums and events in an effort to educate the public about the impact of new technology on culture and society. Among the more significant events, were [[The Media Were With Us]], [[Linz Ars Electronica Presents Itself]] and the [[MetaForum]] conference series. </ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* <del class="diffchange diffchange-inline">spring </del>1997. Freiraum symposium in Forchtenstein / Austria </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">"The Media Were With Us", a cooperation with the Mûcsarnok, and the Soros Center for Contemporary Arts, took place in April of [[1990]] and dealt with the role of television in the Romanian revolution. It was the first event to analyze a current event from the perspective of the media to take place in Hungary, and included leading international media theoreticians such as [[Vilém Flusser]], [[Peter Weibel]], [[Margaret Morse]], [[Ingo Günther]], [[Keiko Sei]], etc., and the staff of Romanian television. Following this, the MRF, in a cooperation with [[Béla Balázs Film Studio]], produced a video ''Mediology'' which contained interviews with five of the conference speakers. Later the Merve Verlag, Berlin, published ''Von Bürokratie zur Telekratie'' a collection of the lectures presented during the event (edited by Keiko Sei). In 1993, "Linz-Ars Electronica Presents Itself" marked the start of a successful cooperative effort with Budapest's Autumn Festival of the Arts that led to the MetaForum series of international conferences. The series began in 1994, with the topic of multimedia. This three day conference included CD-ROM and the World Wide Web, which was just gaining attention in the very early days of the explosive hype of the Internet. At that time there were no commercial Internet providers in Hungary and just three Hungarian CD-ROMs. </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">''MetaForum II/NO BORDERS/Budapest Networking Conference'' took place in [[1995]]. This covered international topics, which were perhaps even more important in Hungary, where bad telephone lines and a general lack of expendable wealth magnified the issues of new communication technologies in the West. ''MetaForum III'' followed with the subject of content, which was then becoming the crucial topic in the New Media discourse. With ''MetaForum III / UNDER CONSTRUCTION / Budapest Content Conference'' came the closing of the MetaForum Conference Series in Budapest. During these conferences we presented many international lecturers, whose work was previously unknown in Hungary, as well as the work of many Hungarian theorists and artists. (The MetaForum conference series was acknowledged by the 1996 report of the EU on the cultural aspects of new technology, and was the only program mentioned concerning Hungary)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">In October 97 the MRF published ''BULLDOZER'', a 220 pages anthology including many of the MetaForum lectures in Hungarian. (ISSN: 1417-6033). "BULLDOZER" became an immediate hit, and was the 3rd among the bestsellers in October 97 in one of the most prestigious bookstores in Budapest. In June of 2000, the MRF published ''DIGITAL IDENTITIES'' (ISBN 963 00 3554 5) This bilingual (Hungarian - English) book is a pilot, to be followed by a series of bilingual textbooks, called ''Informational Cultures''. As an essential part of our concept, we have created a website which is integral with the book; the site contains, in an open and growing structure, all the annotations, footnotes, links to authors and illustrations, and other information which may further help the reader to broaden his or her investigation of the topic.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">While the MRF has acted as a project oriented body, with little infrastructure, relying on volunteers, it has functioned as an organizing body, and has actively sought cooperations with such institutions as: the Soros Center for Contemporary Arts; the Hungarian Ministry of Culture and Education; the Béla Balázs Film Studio; the French Institute; the Goethe Institute; the Austrian Cultural Institute; Pro Helvetia; the British Council; the Dutch Embassy, Budapest, C3, Budapest etc.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">; Events</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* Sep 2007, participation [[!Revolution?]] exhibition, Műcsarnok, Budapest</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* Jun 2000, publication of ''Digital Identities'' ISBN 963 00 3554 5</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* Feb 2000, [[Felix Stalder]] lecture at the Intermedia Department, Budapest</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* Dec 1999, [[Ronda Hauben]] lecture at the Intermedia Deptartment, Budapest</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* Oct 1997, publication of ''Buldózer'', ISSN: 1417-6033 </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* Jun 1997, [[Select All]], Media Research exhibition, C3, Budapest</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* Jun 1997, The Train Rolls on: Chris Marker and Alexander Medvedkin Film program.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">Sep </ins>1997<ins class="diffchange diffchange-inline">, participation in the [[ISEA|International Symposia of Electronic Arts]], Chicago, USA</ins>. </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* Apr 1997, publication of P.L. Wilson ''Pirate Utopias'' in cooperation with Chiron publishing</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* Apr 1997, participation in the </ins>Freiraum symposium in Forchtenstein /Austria</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* Apr 1997, Co-organized [[Beauty and the East]] the Spring Nettime Meeting, Ljubljana</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* Mar 1997, MR afternoon, Internet Galaxy, Museum of Fine Arts, Budapest</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* Feb 1997, Trans Ver Sale - Mamax, workshop with the Intermedia Department and performance. </ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Oct 1996. [[MetaForum]] III. Under Construction - international conference on the content </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Oct 1996. [[MetaForum]] III. Under Construction - international conference on the content </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Dec 1995 Critical Art Ensemble lecture and presentation </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Dec 1995<ins class="diffchange diffchange-inline">, [[</ins>Critical Art Ensemble<ins class="diffchange diffchange-inline">]], </ins>lecture and presentation<ins class="diffchange diffchange-inline">, Mücsarnok </ins></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Oct 1995 [[MetaForum <del class="diffchange diffchange-inline">II</del>]]<del class="diffchange diffchange-inline">. international conference </del>on <del class="diffchange diffchange-inline">network communication </del>Oct<del class="diffchange diffchange-inline">. </del>1994 MetaForum I. <del class="diffchange diffchange-inline">international conference </del>on <del class="diffchange diffchange-inline">multimedia </del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Oct 1995<ins class="diffchange diffchange-inline">, </ins>[[MetaForum]] <ins class="diffchange diffchange-inline">II No Borders, International Conference </ins>on <ins class="diffchange diffchange-inline">Network Communication</ins></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Feb 1994 Bilwet Datendandy lecture and presentation </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>Oct 1994<ins class="diffchange diffchange-inline">, [[</ins>MetaForum<ins class="diffchange diffchange-inline">]] </ins>I. <ins class="diffchange diffchange-inline"> International Conference </ins>on <ins class="diffchange diffchange-inline">Multimedia</ins></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Oct 1993 the Linz Ars Electronica <del class="diffchange diffchange-inline">presents itself </del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Feb 1994<ins class="diffchange diffchange-inline">, </ins>Bilwet Datendandy<ins class="diffchange diffchange-inline">, </ins>lecture and presentation<ins class="diffchange diffchange-inline">, Toldi Cinema, Budapest</ins></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Sep 1991 <del class="diffchange diffchange-inline">MR show in the </del>Liget Gallery, Budapest </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Oct 1993<ins class="diffchange diffchange-inline">, </ins>the <ins class="diffchange diffchange-inline">[[</ins>Linz Ars Electronica <ins class="diffchange diffchange-inline">Presents Itself]], Intermedia Department, Budapest</ins></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Oct 1990 survey for Internews, New York on independent TV and radio stations </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Sep 1991<ins class="diffchange diffchange-inline">, [[Media Research]] exhibition, </ins>Liget Gallery, Budapest</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Sep 1990 VR everywhere, lecture and presentation of virtual reality </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Oct 1990<ins class="diffchange diffchange-inline">, </ins>survey for Internews, New York on independent TV and radio stations</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Apr 1990 [[The Media Were With Us]] - international conference on the role of television in the Romanian revolution</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Sep 1990<ins class="diffchange diffchange-inline">, </ins>VR everywhere, <ins class="diffchange diffchange-inline"> </ins>lecture and presentation of virtual reality<ins class="diffchange diffchange-inline">, Mücsarnok, Budapest</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Apr 1990<ins class="diffchange diffchange-inline">, </ins>[[The Media Were With Us]] - international conference on the role of television in the Romanian revolution</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>http://www.mrf.hu/<br></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>http://www.mrf.hu/<br></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>http://east.projects.v2.nl/institutions/budapest/mrf.html</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>http://east.projects.v2.nl/institutions/budapest/mrf.html</div></td></tr>
</table>Dusanhttps://monoskop.org/index.php?title=Media_Research_Foundation&diff=7501&oldid=prevDusan at 18:21, 30 September 20072007-09-30T18:21:34Z<p></p>
<table class="diff diff-contentalign-left" data-mw="interface">
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''Media Research''' existed in various forms prior to officially becoming a Foundation in [[1990]] in [[Budapest]]. The founding members were [[Gábor Bora]], aesthetician; [[András Böröcz]], sculptor; [[Miklós Peternák]], art historian; [[László Révész]], artist, filmmaker; [[János Sugár]], artist, filmmaker; and [[Katalin Timár]], art historian. During its six years of existence, the Media Research Foundation has been active in three different areas, including participation in Art exhibitions, establishment of the [[Intermedia MKE Budapest]], and actively cooperating with the Intermedia, i.e.. obtaining support in the form of hardware and equipment, presenting international lecturers, etc. In addition, MRF organized meetings, symposiums and events about the impact of new technology on culture and society such as:</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''Media Research''' existed in various forms prior to officially becoming a Foundation in [[1990]] in [[Budapest]]. The founding members were [[Gábor Bora]], aesthetician; [[András Böröcz]], sculptor; [[Miklós Peternák]], art historian; [[László Révész]], artist, filmmaker; [[János Sugár]], artist, filmmaker; and [[Katalin Timár]], art historian<ins class="diffchange diffchange-inline">. Collaborators included [[Diana McCarty]]</ins>. During its six years of existence, the Media Research Foundation has been active in three different areas, including participation in Art exhibitions, establishment of the [[Intermedia MKE Budapest]], and actively cooperating with the Intermedia, i.e.. obtaining support in the form of hardware and equipment, presenting international lecturers, etc. In addition, MRF organized meetings, symposiums and events about the impact of new technology on culture and society such as:</div></td></tr>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>http://www.mrf.hu/</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>http://www.mrf.hu/<ins class="diffchange diffchange-inline"><br></ins></div></td></tr>
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</table>Dusanhttps://monoskop.org/index.php?title=Media_Research_Foundation&diff=5175&oldid=prevDusan at 15:57, 28 June 20072007-06-28T15:57:57Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 15:57, 28 June 2007</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''Media Research''' existed in various forms prior to officially becoming a Foundation in [[1990]] in [[Budapest]]. The founding members were [[Gábor Bora]], aesthetician; [[András Böröcz]], sculptor; [[Miklós Peternák]], art historian; [[László Révész]], artist, filmmaker; [[János Sugár]], artist, filmmaker; and [[Katalin Timár]], art historian. During its six years of existence, the Media Research Foundation has been active in three different areas, including participation in Art exhibitions, establishment of the [[Intermedia <del class="diffchange diffchange-inline">Department </del>MKE Budapest]], and actively cooperating with the Intermedia, i.e.. obtaining support in the form of hardware and equipment, presenting international lecturers, etc. In addition, MRF organized meetings, symposiums and events about the impact of new technology on culture and society such as:</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''Media Research''' existed in various forms prior to officially becoming a Foundation in [[1990]] in [[Budapest]]. The founding members were [[Gábor Bora]], aesthetician; [[András Böröcz]], sculptor; [[Miklós Peternák]], art historian; [[László Révész]], artist, filmmaker; [[János Sugár]], artist, filmmaker; and [[Katalin Timár]], art historian. During its six years of existence, the Media Research Foundation has been active in three different areas, including participation in Art exhibitions, establishment of the [[Intermedia MKE Budapest]], and actively cooperating with the Intermedia, i.e.. obtaining support in the form of hardware and equipment, presenting international lecturers, etc. In addition, MRF organized meetings, symposiums and events about the impact of new technology on culture and society such as:</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
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</table>Dusanhttps://monoskop.org/index.php?title=Media_Research_Foundation&diff=4367&oldid=prevDusan at 23:14, 24 June 20072007-06-24T23:14:38Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 23:14, 24 June 2007</td>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''Media Research''' existed in various forms prior to officially becoming a Foundation in [[1990]] in [[Budapest]]. The founding members were [[Gábor Bora]], aesthetician; [[András Böröcz]], sculptor; [[Miklós Peternák]], art historian; [[László Révész]], artist, filmmaker; [[János Sugár]], artist, filmmaker; and [[Katalin Timár]], art historian. During its six years of existence, the Media Research Foundation has been active in three different areas, including participation in Art exhibitions, establishment of the [[Intermedia Department MKE<del class="diffchange diffchange-inline">|Intermedia Department</del>]] <del class="diffchange diffchange-inline">of the Hungarian Academy of Fine Arts</del>, and actively cooperating with the Intermedia, i.e.. obtaining support in the form of hardware and equipment, presenting international lecturers, etc. In addition, MRF organized meetings, symposiums and events about the impact of new technology on culture and society such as:</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''Media Research''' existed in various forms prior to officially becoming a Foundation in [[1990]] in [[Budapest]]. The founding members were [[Gábor Bora]], aesthetician; [[András Böröcz]], sculptor; [[Miklós Peternák]], art historian; [[László Révész]], artist, filmmaker; [[János Sugár]], artist, filmmaker; and [[Katalin Timár]], art historian. During its six years of existence, the Media Research Foundation has been active in three different areas, including participation in Art exhibitions, establishment of the [[Intermedia Department MKE <ins class="diffchange diffchange-inline">Budapest</ins>]], and actively cooperating with the Intermedia, i.e.. obtaining support in the form of hardware and equipment, presenting international lecturers, etc. In addition, MRF organized meetings, symposiums and events about the impact of new technology on culture and society such as:</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
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</table>Dusan