Difference between revisions of "Media archaeology"

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==Institutes==
 
==Institutes==
* [[Media Archaeological Fundus]] of Humboldt University, Berlin, founded in c2003. Collection supervisor: [[Wolfang Ernst]], curator: [[Ines Liszko]].
+
* [[Media Archaeological Fundus]] of Humboldt University, Berlin, founded in c2003. Collection supervisor: [[Wolfgang Ernst]], curators: Stefan Höltgen, Thomas Fecker, David Friedrich.
 +
* [[IMA Institute of Media Archeology]], Hainburg, founded in 2005. Head: [[Elisabeth Schimana]].
 
* [http://mediaarchaeologylab.com/ Media Archaeology Lab], Boulder, Colorado, founded in 2009. Director: [[Lori Emerson]].
 
* [http://mediaarchaeologylab.com/ Media Archaeology Lab], Boulder, Colorado, founded in 2009. Director: [[Lori Emerson]].
 +
* [http://pamal.org/ Preservation & Art – Media Archaeology Lab] (PAMAL), Ecole Supérieure d’Art d’Avignon, founded 2014. Head: Emmanuel Guez.
  
==Educational programmes==
+
==Educational programs==
* [[Media_Culture_FM_Bauhaus_Weimar|Medienkultur, Fakultät Medien, Bauhaus-Universität Weimar]]
+
*[[Media_Culture_FM_Bauhaus_Weimar|Medienkultur, Fakultät Medien, Bauhaus-Universität Weimar]]
 
; Courses
 
; Courses
* [http://cultureandcommunication.org/galloway/2010spring-Media_Archaeology_syllabus_v6.pdf Media Archaeology] course by [[Alexander R. Galloway]], Spring 2010.
+
* [https://mla.hcommons.org/deposits/objects/hc:14798/datastreams/CONTENT/content Languages, Text, and Technology], course by [[Roger Whitson]], Washington State U, Fall 2017.
 +
* [http://cultureandcommunication.org/deadmedia Media Archaeology course (with Dead Media Archive wiki)], Dept of Media, Culture, and Communication, NYU, led by [[Alexander R. Galloway]], Spring ([http://cultureandcommunication.org/galloway/2010spring-Media_Archaeology_syllabus_v6.pdf syllabus]) and Fall 2010.
 
* [http://mediaexploration.wordpress.com/ Media Technology and Exploration] course by [[Nicole Starosielski]], Winter 2011.
 
* [http://mediaexploration.wordpress.com/ Media Technology and Exploration] course by [[Nicole Starosielski]], Winter 2011.
 +
* [http://is.muni.cz/predmet/phil/jaro2012/FAVBPa05 Pojmy z teorie a dějin médií II] & [https://is.muni.cz/predmet/phil/jaro2015/FAVBKa05 Mediální archeologie] courses by [[Lucie Česálková]], Masaryk University, Brno, Spring 2012 and Spring 2015.
 
* [http://www.wordsinspace.net/course_material/Mattern_UrbanMediaArchaeology_Fall2012.pdf Urban Media Archaeology] course by [[Shannon Mattern]], Fall 2012.
 
* [http://www.wordsinspace.net/course_material/Mattern_UrbanMediaArchaeology_Fall2012.pdf Urban Media Archaeology] course by [[Shannon Mattern]], Fall 2012.
 
* [http://gebseng.com/media_archeology/ Gebhard Sengmüller's lectures on media archaeology], UFG Linz.
 
* [http://gebseng.com/media_archeology/ Gebhard Sengmüller's lectures on media archaeology], UFG Linz.
 +
* [http://www.medientheorie.com/veranstaltungen/12_ws_archaeologie.html Medienarchäologie] seminar by [[Claus Pias]], Leuphana, 2012/2013.
 +
* [http://mediarchaeology.wordpress.com/ Media Archaeology and Media Poetics] course by [[Lori Emerson]], U Colorado, Boulder, Spring 2014.
  
 
==Events==
 
==Events==
* [[Excavating the Future|Excavating the Future - An Archeology and Future of Moving Pictures]] symposium, Prague, 2-5 December 2001.
+
* [[Excavating the Future|Excavating the Future - An Archeology and Future of Moving Pictures]] symposium, Prague, 2-5 December 2001. Initiated by [[Jaroslav Anděl]], collaboration: [[Miloš Vojtěchovský]], [[Michael de la Fontaine]], [[Michael Bielický]].
* [[An Archaeology of Imaginary Media]], mini-festival, De Balie, Amsterdam, 5-8 February 2004.
+
* [[An Archaeology of Imaginary Media]], mini-festival, De Balie, Amsterdam, 5-8 February 2004. Initiated by [[Eric Kluitenberg]]. [[#Kluitenberg2006|Publication]].
* [http://variantology.com/ Variantology] workshops, Cologne/Berlin/Naples, 2005-2011. [http://en.wikipedia.org/wiki/Variantology#Workshops_and_Publications]
+
* [http://variantology.com/ Variantology: On Deep Time Relations of the Arts, Sciences and Technologies] workshops, Cologne/Berlin/Naples, 2005-2011. Initiated by [[Siegfried Zielinski]]. [http://en.wikipedia.org/wiki/Variantology#Workshops_and_Publications Publications].
 
* [http://on1.zkm.de/zkm/stories/storyReader$8146 Götter und Schriften rund ums Mittelmeer: Symposion in memoriam Friedrich Kittler], ZKM Karlsruhe, 19-20 October 2012.
 
* [http://on1.zkm.de/zkm/stories/storyReader$8146 Götter und Schriften rund ums Mittelmeer: Symposion in memoriam Friedrich Kittler], ZKM Karlsruhe, 19-20 October 2012.
* [http://networkarchaeology.wordpress.com Network Archaeology] conference, Miami University, 19-21 April 2012.
+
* [http://networkarchaeology.wordpress.com Network Archaeology] conference, Miami University, 19-21 April 2012. Convened by [[Cris Cheek]] and [[Nicole Starosielski]]. [http://amodern.net/issues/amodern-2-network-archaeology/ Publication].
* [http://genealogy-of-media-thinking.net Forum on the Genealogy of MediaThinking], University of the Arts Berlin, October 2012-June 2013.
+
* [http://genealogy-of-media-thinking.net Forum on the Genealogy of MediaThinking], University of the Arts Berlin, October 2012-June 2013. Facilitated by [[Siegfried Zielinski]].
 
* [[Lichtklangphonogramm]] exhibition, Ethnological Museum in Berlin, 13 March-26 May 2013.  
 
* [[Lichtklangphonogramm]] exhibition, Ethnological Museum in Berlin, 13 March-26 May 2013.  
 
* [http://nymusikk.no/en/hva-skjer/only-connect-2013-machine-dreams Only Connect Festival of Sound: Machine Dreams], Oslo, 5-8 June 2013.
 
* [http://nymusikk.no/en/hva-skjer/only-connect-2013-machine-dreams Only Connect Festival of Sound: Machine Dreams], Oslo, 5-8 June 2013.
* [http://mediaarchdebris.wix.com/matd Media Archaeology & Technological Debris], postgraduate workshop and conference, Goldsmiths, University of London, 20-21 June 2013.
+
* [http://mediaarchdebris.wix.com/matd Media Archaeology & Technological Debris], postgraduate workshop and conference, Goldsmiths, University of London, 20-21 June 2013. Organised by [[Stefania Charitou]], [[Gabriel Menotti]], and [[Corey Kai Nelson Schultz]].
 +
* [http://mediaarcheologiesinstitute.info Media Archeologies Institute] lecture series, Film, Video, New Media, Animation department, School of the Art Institute of Chicago, October-November 2013. [http://www.facebook.com/mediaarcheologiesinstitute]
  
==Artists, Theorists, Initiatives==
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==Artists, Theorists==
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==Bibliography==
 
==Bibliography==
===Books===
+
===Monographs===
[[Image:Kittler_Friedrich_Discourse_Networks_1800_1900.jpg|thumb|258px|Friedrich Kittler, ''Discourse Networks 1800 / 1900'', 1985/1990. [[Media:Kittler_Friedrich_Discourse_Networks_1800_1900_foreword.pdf|Download (Foreword)]], [[Media:Kittler_Friedrich_Discourse_Networks_1800_1900_Part_2.pdf|Download (Part 2)]].]]
+
[[Image:Kittler_Friedrich_Discourse_Networks_1800_1900.jpg|thumb|258px|Friedrich Kittler, ''Discourse Networks 1800 / 1900'', [1985] 1990, [[Media:Kittler_Friedrich_Discourse_Networks_1800_1900.pdf|PDF]].]]
[[Image:Kittler_Friedrich_Gramophone_Film_Typewriter.jpg|thumb|258px|Friedrich Kittler, ''Gramophone Film Typewriter'', 1986/1999. [[Media:Kittler_Friedrich_Gramophone_Film_Typewriter.pdf|Download]].]]
+
[[Image:Kittler_Friedrich_Gramophone_Film_Typewriter.jpg|thumb|258px|Friedrich Kittler, ''Gramophone Film Typewriter'', [1986] 1999, [[Media:Kittler_Friedrich_Gramophone_Film_Typewriter.pdf|PDF]].]]
[[Image:Zielinski_Siegfried_Audiovisions_Cinema_and_Television_as_Entractes_in_History.png|thumb|258px|Siegfried Zielinski, ''Audiovisions: Cinema and Television as Entr’actes in History'', 1989/1999. [http://www.oapen.org/download?type=document&docid=340252 Download].]]
+
[[Image:Zielinski_Siegfried_Audiovisions_Cinema_and_Television_as_Entractes_in_History.png|thumb|258px|Siegfried Zielinski, ''Audiovisions: Cinema and Television as Entr’actes in History'', [1989] 1999, [http://www.oapen.org/download?type=document&docid=340252 PDF].]]
[[Image:Gitelman_Lisa_Scripts_Grooves_and_Writing_Machines_Representing_Technology_in_the_Edison_Era.jpg|thumb|258px|Lisa Gitelman, ''Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era'', 1999. [[Media:Gitelman_Lisa_Scripts_Grooves_and_Writing_Machines_Representing_Technology_in_the_Edison_Era.pdf|Download]].]]
+
[[Image:Gitelman_Lisa_Scripts_Grooves_and_Writing_Machines_Representing_Technology_in_the_Edison_Era.jpg|thumb|258px|Lisa Gitelman, ''Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era'', 1999, [http://libgen.rs/book/index.php?md5=9BF2B15FF88CF61860E834F59F0EAB43 PDF].]]
[[Image:Vismann_Cornelia_Files_Law_and_Media_Technology.jpg|thumb|258px|Cornelia Vismann, ''Files: Law and Media Technology'', 2000/2008. [http://monoskop.org/log/?p=7139 Download].]]
+
 
[[Image:Gitelman_Lisa_Pingree_Geoffrey_B_eds_New_Media_1740-1915.jpg|thumb|258px|Lisa Gitelman, Geoffrey B. Pingree (eds.): ''New Media, 1740-1915'', 2003. [http://monoskop.org/log/?p=2027 Download].]]
+
[[Image:Vismann_Cornelia_Files_Law_and_Media_Technology.jpg|thumb|258px|Cornelia Vismann, ''Files: Law and Media Technology'', [2000] 2008, [http://monoskop.org/log/?p=7139 Log].]]
[[Image:Huhtamo_Erkki_Parikka_Jussi_eds_Media_Archaeology.jpg|thumb|258px|Erkki Huhtamo, Jussi Parikka (eds.), ''Media Archaeology: Approaches, Applications, and Implications'', 2011. [http://monoskop.org/log/?p=6933 Download].]]
+
 
* Jacques Perriault, ''Mémoires de l’ombre et du son. Une archéologie de l’audiovisuel'', Paris: Flammarion, 1981. (in French)
+
[[Image:Gitelman_Lisa_Pingree_Geoffrey_B_eds_New_Media_1740-1915.jpg|thumb|258px|Lisa Gitelman, Geoffrey B. Pingree (eds.): ''New Media, 1740-1915'', 2003, [http://libgen.rs/book/index.php?md5=D9FB5E782EE01081C7B7531CBD91AD09 PDF].]]
* Friedrich A. Kittler, [http://monoskop.org/log/?p=5979 ''Aufschreibesysteme 1800/1900''], Munich: Wilhelm Fink, 1985. (in German)
+
 
** [http://monoskop.org/log/?p=5979 ''Discourse Networks 1800/1900''], Stanford University Press, 1990.  
+
[[Image:Huhtamo_Erkki_Parikka_Jussi_eds_Media_Archaeology.jpg|thumb|258px|Erkki Huhtamo, Jussi Parikka (eds.), ''Media Archaeology: Approaches, Applications, and Implications'', 2011, [http://monoskop.org/log/?p=6933 Log].]]
* Friedrich A. Kittler, ''Grammophon Film Typewriter'', Berlin: Brinkmann & Bose, 1986. (in German)
+
 
** [http://monoskop.org/log/?p=503 ''Gramophone, Film, Typewriter''], Stanford University Press, 1999.
+
* Jacques Perriault, ''Mémoires de l’ombre et du son. Une archéologie de l’audiovisuel'', Paris: Flammarion, 1981. {{fr}}
* Siegfried Zielinski, ''Zur Geschichte des Videorecorders'', Berlin: Wissenschaftsverlag Volker Spiess, 1986. (in German)
+
 
* Siegfried Zielinski,  ''Audiovisionen: Kino und Fernsehen als Zwischenspiele in der Geschichte'', Reinbek bei Hamburg: Rowohlt, 1989. (in German)
+
* Friedrich A. Kittler, [http://monoskop.org/log/?p=5979 ''Aufschreibesysteme 1800/1900''], Munich: Fink, 1985; 2nd ed., 1987; 3rd ed., rev, 1995, 524 pp. {{de}}
** [http://monoskop.org/log/?p=663 ''Audiovisions: Cinema and Television as Entr’actes in History''], Amsterdam University Press, 1999.
+
** [[Kittler#1985|translations]]
* Peter Klier, Dietmar Kamper (eds.), ''Mediendämmerung: zur Archäologie der Medien'', Berlin Edition: Tiamat, 1989. (in German)
+
 
* Lynn Spigel, ''Make Room for TV'', Chicago and London: University of Chicago Press, 1992.
+
* Friedrich A. Kittler, ''[https://monoskop.org/log/?p=503 Grammophon Film Typewriter]'', Berlin: Brinkmann & Bose, 1986, 427 pp. {{de}}
* Bernhard Siegert, [http://monoskop.org/log/?p=4074 ''Relais: Geschicke der Literatur als Epoche der Post, 1751-1913''], Brinkmann & Bose, Berlin, 1993. (in German) [http://rae.com.pt/Siegert_relays.pdf Introduction to the English edition].
+
** [[Kittler#1985|translations]]
 +
 
 +
* Siegfried Zielinski, ''[[Media:Zielinski_Siegfried_Zur_Geschichte_des_Videorecorders_1986.pdf|Zur Geschichte des Videorecorders]]'', Berlin: Wissenschaftsverlag Spiess, 1986, 408 pp; new ed., Potsdam: Polzer Media Group, 2010. {{de}}
 +
 
 +
* Hans Ulrich Gumbrecht, Karl Ludwig Pfeiffer (eds.), ''Materialität der Kommunikation'', Frankfurt am Main: Suhrkamp, 1988. [https://d-nb.info/881245844/04 TOC]. {{de}}
 +
** ''[[Media:Gumbrecht Hans Ulrich Pfeiffer Karl Ludwig eds Materialities of Communication 1994.pdf|Materialities of Communication]]'', trans. William Whobrey, Stanford University Press, 1994, 447 pp. {{en}}
 +
 
 +
* Carolyn Marvin, ''[[Media:Marvin_Carolyn_When_Old_Technologies_Were_New_Thinking_About_Electric_Communication_in_the_Late_Nineteenth_Century_1988.pdf|When Old Technologies Were New: Thinking About Electric Communication in the Late Nineteenth Century]]'', New York and Oxford: Oxford University Press, 1988.
 +
 
 +
* Siegfried Zielinski,  ''Audiovisionen: Kino und Fernsehen als Zwischenspiele in der Geschichte'', Reinbek bei Hamburg: Rowohlt, 1989. {{de}}
 +
** [[Zielinski#1989|translations]]
 +
 
 +
* Peter Klier, Jean-Luc Evard (eds.), ''Mediendämmerung: Zur Archäologie der Medien'', Berlin: Tiamat, 1989, 153 pp. {{de}}
 +
 
 +
* Lynn Spigel, ''Make Room for TV: Television and the Family Ideal in Postwar America'', Chicago and London: University of Chicago Press, 1992.
 +
 
 +
* Bernhard Siegert, [http://monoskop.org/log/?p=4074 ''Relais: Geschicke der Literatur als Epoche der Post, 1751-1913''], Berlin: Brinkmann & Bose, 1993. {{de}}
 +
** ''[http://monoskop.org/log/?p=4074 Relays: Literature as an Epoch of the Postal System]'', trans. Kevin Repp, Stanford University Press, 1999, 340 pp.
 +
 
 
* Ellen Lupton, [http://monoskop.org/log/?p=1598 ''Mechanical Brides: Women and Machines from Home to Office''], Princeton Architectural Press, 1993.
 
* Ellen Lupton, [http://monoskop.org/log/?p=1598 ''Mechanical Brides: Women and Machines from Home to Office''], Princeton Architectural Press, 1993.
 +
 
* Lisa Cartwright, ''Screening The Body: Tracing Medicine's Visual Culture'', University of Minnesota Press, 1995.
 
* Lisa Cartwright, ''Screening The Body: Tracing Medicine's Visual Culture'', University of Minnesota Press, 1995.
* Terry Castle, ''The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny'', Oxford University Press, 1995.
+
 
 +
* Terry Castle, ''[http://monoskop.org/log/?p=6116 The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny]'', Oxford University Press, 1995.
 +
 
 
* Stephen Herbert, Luke McKernan (eds.), ''Who's Who of Victorian Cinema: A Worldwide Survey'', London: British Film Institute, 1996. [http://victorian-cinema.net Online version].
 
* Stephen Herbert, Luke McKernan (eds.), ''Who's Who of Victorian Cinema: A Worldwide Survey'', London: British Film Institute, 1996. [http://victorian-cinema.net Online version].
 +
 
* Rachel P. Maines, [http://monoskop.org/log/?p=2339 ''The Technology of Orgasm: "Hysteria," the Vibrator, and Women's Sexual Satisfaction''], Baltimore: Johns Hopkins University Press, 1999.
 
* Rachel P. Maines, [http://monoskop.org/log/?p=2339 ''The Technology of Orgasm: "Hysteria," the Vibrator, and Women's Sexual Satisfaction''], Baltimore: Johns Hopkins University Press, 1999.
* Lisa Gitelman, [http://monoskop.org/log/?p=4662 ''Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era''], Stanford University Press, 1999.
+
 
* Cornelia Vismann, ''Akten. Medientechnik und Recht'', Frankfurt am Main: Fischer, 2000. (in German)
+
* Lisa Gitelman, ''[http://library.memoryoftheworld.org/#/book/a1a4a1e1-d7e6-45a6-8bfc-04f8db113941 Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era]'', Stanford University Press, 1999, 282 pp, [http://monoskop.org/log/?p=4662 Log].
 +
 
 +
* Cornelia Vismann, ''Akten. Medientechnik und Recht'', Frankfurt am Main: Fischer, 2000. {{de}}
 
** [http://monoskop.org/log/?p=7139 ''Files: Law and Media Technology''], Stanford University Press, 2008.
 
** [http://monoskop.org/log/?p=7139 ''Files: Law and Media Technology''], Stanford University Press, 2008.
* Donald F McLean, ''Restoring Baird's Image'', Institution of Electrical Engineers, 2000. [http://www.tvdawn.com/rbi.htm]
+
 
* Jeffrey Sconce, ''Haunted Media: Electronic Presence from Telegraphy to Television (Console-ing Passions)'', Duke University Press, 2000, 272 pp.
+
* Donald F McLean, ''[http://monoskop.org/log/?p=9286 Restoring Baird's Image]'', Institution of Electrical Engineers, 2000, 295 pp. [http://www.tvdawn.com/rbi.htm]  
* Stephen Graham, Simon Marvin, (eds.), ''Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition'', New York: Routledge, 2001.
+
 
* Markus Krajewski, ''ZettelWirtschaft'', Berlin: Kulturverlag Kadmos, 2002. (in German)
+
* Jeffrey Sconce, ''[[Media:Sconce Jeffrey Haunted Media Electronic Presence from Telegraphy to Television 2000.pdf|Haunted Media: Electronic Presence from Telegraphy to Television]]'', Duke University Press, 2000, 272 pp. [[Media:Sconce_Jeffrey_Haunted_Media_ch_1.pdf|Chapter 1]].
 +
 
 +
* Stephen Graham, Simon Marvin (eds.), ''[http://libgen.rs/book/index.php?md5=7214C38F5A3BE26A6CC21775531178B4 Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition]'', New York: Routledge, 2001.
 +
 
 +
* Markus Krajewski, ''ZettelWirtschaft'', Berlin: Kadmos, 2002. [http://ssl.einsnull.com/paymate/dbfiles/pdf/resource/358.pdf Review], [http://edoc.hu-berlin.de/kunsttexte/download/bwt/Kuehl.PDF Review]. {{de}}
 
** [http://monoskop.org/log/?p=4076 ''Paper Machines: About Cards & Catalogs, 1548-1929''], MIT Press, 2011.  
 
** [http://monoskop.org/log/?p=4076 ''Paper Machines: About Cards & Catalogs, 1548-1929''], MIT Press, 2011.  
* Giuliana Bruno, ''Atlas of Emotion: Journeys in Art, Architecture, and Film'', Verso, 2002.
+
 
* P.J.H. Kockelkoren, ''Technology: Art, Fairground and Theatre, Rotterdam: NAI Publishers, 111 pp.  
+
* Giuliana Bruno, ''Atlas of Emotion: Journeys in Art, Architecture, and Film'', London: Verso, 2002. [http://faculty.arch.utah.edu/benham/readings/atlas.pdf Chapter 1], [http://faculty.arch.utah.edu/benham/readings/Moving%20Image.pdf Chapter 2].
** ''Techniek: Kunst, Kermis en Theater'', Rotterdam: NAI Publishers, 2003, 111 pp. (Dutch) [http://www.naipublishers.nl/art/techniekkunst_e.html]
+
 
* Friedrich Kittler, ''Optische Medien / Berliner Vorlesung 1999'', Berlin: Merve, 2002.
+
* Friedrich Kittler, ''Optische Medien / Berliner Vorlesung 1999'', Berlin: Merve, 2002. {{de}}
 
** [http://monoskop.org/log/?p=7557 ''Optical Media. Berlin Lectures 1999''], trans. Anthony Enns, Polity, 2009.
 
** [http://monoskop.org/log/?p=7557 ''Optical Media. Berlin Lectures 1999''], trans. Anthony Enns, Polity, 2009.
* Siegfried Zielinski, ''Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens'', Reinbek: Rowohlt Taschenbuch, 2002. (in German)
+
 
** ''Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means'', MIT Press, 2006.  
+
* Siegfried Zielinski, ''Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens'', Reinbek: Rowohlt Taschenbuch, 2002. [http://d-nb.info/965253627/04 TOC], [http://www.medientheorie.com/doc/archaeologie/zielinski_archaeologie.pdf Introduction]. {{de}}
* Lisa Gitelman, Geoffrey B. Pingree (eds.), [http://monoskop.org/log/?p=2027 ''New Media, 1740-1915''], MIT Press, 2003.
+
** ''[http://monoskop.org/log/?p=13148 Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means]'', intro. Timothy Druckrey, trans. Gloria Custance, MIT Press, 2006.  
* Wolfgang Lefèvre (ed.), ''[http://monoskop.org/log/?p=689 Picturing Machines 1400-1700]'', MIT Press, 2004.
+
 
 +
* P.J.H. Kockelkoren, ''Technology: Art, Fairground and Theatre'', Rotterdam: NAI Publishers (Fascinations), 2003, 111 pp.
 +
** ''Techniek: Kunst, Kermis en Theater'', Rotterdam: NAI Publishers, 2003, 111 pp. [http://www.naipublishers.nl/art/techniekkunst_e.html] {{nl}}
 +
 
 +
* Lisa Gitelman, Geoffrey B. Pingree (eds.), [http://library.memoryoftheworld.org/#/book/4f7ced75-d45b-494f-95a9-48a06388df87 ''New Media, 1740-1915''], MIT Press, 2003, 271 pp, [http://monoskop.org/log/?p=2027 Log].
 +
 
 +
* Wolfgang Ernst, ''[http://edoc.hu-berlin.de/humboldt-vl/ernst-wolfgang-2003-10-21/PDF/Ernst.pdf Medienwissen(schaft), zeitkritisch. Ein Programm aus der Sophienstraße. Antrittsvorlesung v. 21. Oktober 2003]'', Berlin: Humboldt University, 2004, 31 pp. {{de}}
 +
 
 +
* Wolfgang Lefèvre (ed.), ''[http://monoskop.org/log/?p=689 Picturing Machines 1400-1700]'', MIT Press, 2004, 347 pp.
 +
 
 
* Bernard Finn (ed.), ''Presenting Pictures'', Smithsonian Institution Scholarly Press, 2004. [http://www.artefactsconsortium.org/Publications/Contents4F.html] [http://www.artefactsconsortium.org/Publications/Intro4F.html]
 
* Bernard Finn (ed.), ''Presenting Pictures'', Smithsonian Institution Scholarly Press, 2004. [http://www.artefactsconsortium.org/Publications/Contents4F.html] [http://www.artefactsconsortium.org/Publications/Intro4F.html]
* Lisa Parks, ''Cultures in Orbit: Satellites and the Televisual'', Durham: Duke University Press, 2005.
+
 
* Charles R. Acland (ed.), ''Residual Media'', University of Minnesota Press, 2006.
+
* Lisa Parks, ''[http://monoskop.org/log/?p=11667 Cultures in Orbit: Satellites and the Televisual]'', Durham: Duke University Press, 2005.
* Laurent Mannoni, Werner Nekes, Marina Warner, ''Eyes, Lies and Illusions: Drawn from the Werner Nekes Collection'', ACMI, 2006. [http://www.acmi.net.au/89BA7F8025E14704AD1C48ED2697CD14.htm]
+
 
* Pierre Levie, ''Montreurs et Vues d' Optique'', Editions Sofidoc, 2006. (in French)
+
* Erich Hörl, ''Die heiligen Kanäle. Über die archaische Illusion der Kommunikation'', Zürich and Berlin: diaphanes, 2005. {{de}}
* Timothy C. Campbell, ''Wireless Writing in the Age of Marconi'', University of Minnesota Press, 2006.
+
** ''[https://1lib.sk/book/5286295/1c0604 Sacred Channels: The Archaic Illusion of Communication]'', pref. Jean-Luc Nancy, trans. Nils F. Schott, Amsterdam: Amsterdam University Press (Recursions), 2018, 342 pp, [https://aaaaarg.fail/thing/5c6da63b9ff37c36c1622bd0 ARG]. [https://www.aup.nl/en/book/9789089647702/sacred-channels Publisher]. [https://www.jstor.org/stable/j.ctvcj3048]
* Lisa Gitelman, [http://monoskop.org/log/?p=669 ''Always Already New: Media, History, and the Data of Culture''], MIT Press, 2006.
+
 
 +
* Siegfried Zielinski, Silvia M. Wagnermaier (eds.), ''[https://aaaaarg.fail/thing/606ebd059ff37c4eec2e81e5 Variantology: On Deep Time Relations Of Arts, Sciences and Technologies]'', Cologne: Verlag der Buchhandlung König, 2005.
 +
 
 +
* Charles R. Acland (ed.), ''Residual Media'', Minneapolis, MN: University of Minnesota Press, 2006. [https://sterneworks.org/OutwiththeTrash.pdf Chapter 2].
 +
 
 +
* Laurent Mannoni, Werner Nekes, Marina Warner, ''Eyes, Lies and Illusions: Drawn from the Werner Nekes Collection'', ACMI, 2006. [http://www.acmi.net.au/89BA7F8025E14704AD1C48ED2697CD14.htm Publisher].
 +
 
 +
* Pierre Levie, ''Montreurs et Vues d' Optique'', Sofidoc, 2006. {{fr}}
 +
 
 +
* Timothy C. Campbell, ''Wireless Writing in the Age of Marconi'', Minneapolis, MN: University of Minnesota Press, 2006.
 +
 
 +
* Lisa Gitelman, ''[http://library.memoryoftheworld.org/#/book/5edeffae-c343-4e07-8e08-271791feb9dc Always Already New: Media, History, and the Data of Culture]'', MIT Press, 2006, xiii+205 pp, [http://monoskop.org/log/?p=669 Log]. [https://mitpress.mit.edu/books/always-already-new Publisher].
 +
 
 +
* Bernhard J. Dotzler, ''[http://cdn.anonfiles.com/1394099963968.pdf Diskurs und Medium. Zur Archäologie der Computerkultur]'', Munich: Fink, 2006, 233 pp. {{de}}
 +
 
 +
* Siegfried Zielinski, David Link (eds.), ''[https://aaaaarg.fail/thing/606e17799ff37c7ad32e81d5 Variantology 2: On Deep Time Relations Of Arts, Sciences and Technologies]'', Cologne: Verlag der Buchhandlung König, 2006.
 +
 
 
* James Lyons, John Plunkett, ''Multimedia Histories: From Magic Lanterns to Internet'', University of Exeter Press, 2007. [http://www.exeterpress.co.uk/en/Book/447/Multimedia_Histories.html]
 
* James Lyons, John Plunkett, ''Multimedia Histories: From Magic Lanterns to Internet'', University of Exeter Press, 2007. [http://www.exeterpress.co.uk/en/Book/447/Multimedia_Histories.html]
* Eric Kluitenberg (ed.), ''Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium'', Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2007, 292 pp. With DVD. [http://www.naipublishers.nl/art/imaginary_media_e.html]
+
 
* Wolfgang Ernst, ''Das Gesetz des Gedächtnisses: Medien und Archive am Ende (des 20. Jahrhunderts)'', Berlin: Kulturverlag Kadmos, 2007. (in German)
+
*{{a|Kluitenberg2006}}Eric Kluitenberg (ed.), ''[https://monoskop.org/log/?p=22226 Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium]'', Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2006, 296 pp. With DVD.
* Christian Holtorf, Claus Pias (eds.), ''Escape!: Computerspiele als Kulturtechnik'', Cologne: Böhlau, 2007. (in German)
+
** ''Boek van de imaginaire Media: over de droom van het ultieme communicatiemedium'', Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2006, 320 pp. [http://web.archive.org/web/20091221194654/http://www.naipublishers.nl/kunst/ima_media_nl.html] {{nl}}
* Siegfried Zielinski, Silvia M. Wagnermaier (eds.), ''Variantology – On Deep Time Relations Of Arts, Sciences and Technologies'', Cologne: Verlag der Buchhandlung König, 2007.
+
** ''Imagināro mediju grāmata. Vispatiesākā komunikācijas medija sapņa meklējumos'', trans. Daina Siliņa, Riga: RIXC, 2011, 280 pp. [http://www.rixc.lv/projects/imaginarie_mediji/b/img_atverumi.pdf Preview]. [http://rixc.lv/projects/imaginarie_mediji/index.html] {{lv}}
* Siegfried Zielinski, David Link (eds.), ''Variantology 2 – On Deep Time Relations Of Arts, Sciences and Technologies'', Cologne: Verlag der Buchhandlung König, 2007.
+
 
* Jussi Parikka, ''Digital Contagions (Digital Formations)'', Peter Lang Publishing, 2007.
+
* Wolfgang Ernst, ''[https://aaaaarg.fail/thing/5237422a307888133300002d Das Gesetz des Gedächtnisses. Medien und Archive am Ende (des 20. Jahrhunderts)]'', Berlin: Kadmos, 2007. [http://www.kulturverlag-kadmos.de/buch/das-gesetz-des-gedaechtnisses.html Publisher]. Review: [http://hsozkult.geschichte.hu-berlin.de/rezensionen/type=rezbuecher&id=10743&view=pdf Zierold] (H-Net). {{de}}
 +
 
 +
* Jussi Parikka, ''Digital Contagions: A Media Archeology of Computer Viruses'', New York: Peter Lang, 2007. [http://www.medientheorie.com/doc/archaeologie/parikka_digital%20contagions.pdf Conclusions]. [http://www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&seitentyp=produkt&pk=46484&concordeid=68837]
 +
 
 
* José Roca, ''Phantasmagoria - Specters of Absence'', Independent Curators International, 2007.  
 
* José Roca, ''Phantasmagoria - Specters of Absence'', Independent Curators International, 2007.  
 +
 
* Chris Funkhouser, [http://monoskop.org/log/?p=179 ''Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995''], University of Alabama Press, 2007.
 
* Chris Funkhouser, [http://monoskop.org/log/?p=179 ''Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995''], University of Alabama Press, 2007.
* Siegfried Zielinski, Eckhard Fürus (eds.), ''Variantology 3 On Deep Time Relations Of Arts, Sciences and Technologies in China and Elsewhere'', Cologne: Verlag der Buchhandlung König, 2008.  
+
 
* Nike Bätzner, Werner Nekes, Eva Schmidt (eds.), ''Blickmaschinen, oder wie Bilder entstehen'', DuMont, 2008. Catalogue. (in German) [http://www.blickmaschinen.de/katalog.php?id=31]
+
* Siegfried Zielinski, Eckhard Fürus (eds.), ''[https://1lib.sk/book/5282322/f0e5d3 Variantology 3: On Deep Time Relations Of Arts, Sciences and Technologies in China and Elsewhere]'', Cologne: Verlag der Buchhandlung König, 2008, [http://libgen.rs/book/index.php?md5=DA188EE3926BB74E899490E9DE6C9177 PDF], [https://aaaaarg.fail/thing/606ebca09ff37c4eec2e81e2 ARG].
 +
 
 +
* Nike Bätzner, Werner Nekes, Eva Schmidt (eds.), ''Blickmaschinen, oder wie Bilder entstehen'', DuMont, 2008. Catalogue. [http://www.blickmaschinen.de/katalog.php?id=31] {{de}}
 +
 
 
* Marina Warner, ''Phantasmagoria - Spirit Visions, Metaphors, and Media'', Oxford University Press, 2008. [http://www.oup.com/us/catalog/general/subject/LiteratureEnglish/MythologyFolklore/?view=usa&ci=9780199239238]
 
* Marina Warner, ''Phantasmagoria - Spirit Visions, Metaphors, and Media'', Oxford University Press, 2008. [http://www.oup.com/us/catalog/general/subject/LiteratureEnglish/MythologyFolklore/?view=usa&ci=9780199239238]
 +
 
* Lynda Nead, ''The Haunted Gallery: Painting, Photography and Film around 1900'', Yale University Press, 2008. [http://yalepress.yale.edu/yupbooks/book.asp?isbn=9780300112917]
 
* Lynda Nead, ''The Haunted Gallery: Painting, Photography and Film around 1900'', Yale University Press, 2008. [http://yalepress.yale.edu/yupbooks/book.asp?isbn=9780300112917]
* Deac Rossel, ''Laterna Magica - Magic Lantern Vol I'', Füsslin, 2008. (in German/English) [http://www.fuesslin.de/Magic_Lantern.136.0.html?&L=2]
+
 
 +
* Deac Rossel, ''Laterna Magica - Magic Lantern Vol I'', Füsslin, 2008. [http://www.fuesslin.de/Magic_Lantern.136.0.html?&L=2] {{de}}/{{en}}
 +
 
 
* Dieter Daniels, Barbara U. Schmidt (eds.), ''Artists as Inventors-Inventors as Artists'', Hatje Cantz, 2008, 240 pp.
 
* Dieter Daniels, Barbara U. Schmidt (eds.), ''Artists as Inventors-Inventors as Artists'', Hatje Cantz, 2008, 240 pp.
* Kazys Varnelis (ed.), ''The Infrastructural City: Networked Ecologies in LA'', New York: Actar, The Los Angeles Forum for Architecture and Urban Design, and The Network Architecture Lab at Columbia University, 2009.
+
 
* Dominique Willoughby, ''Le Cinéma graphique: Une histoire des dessins animés, des jouets d’optique au cinéma numérique'', Les editions textuel, 2009. (in French) [http://www.editionstextuel.com/index.php?cat=020371&id=448]
+
* Ovidiu Tichindeleanu, ''The Graphic Sound. An Archeology of Sound, Technology and Knowledge at 1900'', ProQuest, 2008, 555 pp.
* Solveig Jülich, Patrik Lundell, Pelle Snickars (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Mediernas_kulturhistoria.pdf Mediernas kulturhistoria]'', Stockholm: Mediehistoriskt arkiv, 2009. (in Swedish) [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/Mediernas-kulturhistoria/]
+
 
* Anders Ekström, Solveig Jülich, Pelle Snickars (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/1897/1897.pdf 1897 – Mediehistorier kring Stockholmsutställningen]'', Stockholm: Mediehistoriskt arkiv, 2009. (in Swedish) [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/1897---Mediehistorier-kring-Stockholmsutstallningen/]
+
* Kazys Varnelis (ed.), ''The Infrastructural City: Networked Ecologies in LA'', New York: Actar, The Los Angeles Forum for Architecture and Urban Design, and The Network Architecture Lab at Columbia University, 2009. [http://tocs.ulb.tu-darmstadt.de/207367159.pdf Contents].
* Jonas Harvard, Patrik Lundell (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/1800-talets%20mediesystem/1800-talets_mediesystem.pdf.pdf 1800-talets mediesystem]'', Stockholm: Mediehistoriskt arkiv, 2010. (in Swedish) [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/1800-talets-mediesystem/]
+
 
* Lars Björk, Jānis Krēsliņš och Matts Lindström  (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Storage/KB6205_Story%20of%20Storage_Kompendium_5.pdf The Story of Storage I. Kompendium]'', Stockholm: Mediehistoriskt arkiv, 2010. (in Swedish) [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/The-Story-of-Storage/]
+
* Dominique Willoughby, ''Le Cinéma graphique: Une histoire des dessins animés, des jouets d’optique au cinéma numérique'', Les editions textuel, 2009. [http://www.editionstextuel.com/index.php?cat=020371&id=448] {{fr}}
* Siegfried Zielinski, Eckhard Fürus (eds.), ''Variantology 4 On Deep Time Relations of Arts, Sciences and Technologies in the Arabic-Islamic World and Beyond'', Cologne: Verlag der Buchhandlung Walther König, 2010.
+
 
* Adrian Mackenzie, [http://monoskop.org/log/?p=3119 ''Wirelessness: Radical Empiricism in Network Cultures''], MIT Press, 2010.
+
* Solveig Jülich, Patrik Lundell, Pelle Snickars (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Mediernas_kulturhistoria.pdf Mediernas kulturhistoria]'', Stockholm: Mediehistoriskt arkiv, 2009. [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/Mediernas-kulturhistoria/] {{sw}}
 +
 
 +
* Anders Ekström, Solveig Jülich, Pelle Snickars (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/1897/1897.pdf 1897 – Mediehistorier kring Stockholmsutställningen]'', Stockholm: Mediehistoriskt arkiv, 2009. [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/1897---Mediehistorier-kring-Stockholmsutstallningen/] {{sw}}
 +
 
 +
* Jonas Harvard, Patrik Lundell (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/1800-talets%20mediesystem/1800-talets_mediesystem.pdf.pdf 1800-talets mediesystem]'', Stockholm: Mediehistoriskt arkiv, 2010. [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/1800-talets-mediesystem/] {{sw}}
 +
 
 +
* Lars Björk, Jānis Krēsliņš och Matts Lindström  (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Storage/KB6205_Story%20of%20Storage_Kompendium_5.pdf The Story of Storage I. Kompendium]'', Stockholm: Mediehistoriskt arkiv, 2010. [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/The-Story-of-Storage/] {{sw}}
 +
 
 +
* Siegfried Zielinski, Eckhard Fürus (eds.), ''[https://aaaaarg.fail/thing/606eb4db9ff37c280a2e81c8 Variantology 4: On Deep Time Relations of Arts, Sciences and Technologies in the Arabic-Islamic World and Beyond]'', Cologne: Verlag der Buchhandlung Walther König, 2010.
 +
 
 
* Peter Morris, Klaus Staubermann (eds.), ''Illuminating Instruments'', Smithsonian Institution Scholarly Press, 2010. [http://www.artefactsconsortium.org/Publications/Contents7F.html] [http://www.artefactsconsortium.org/Publications/Intro7F.html]
 
* Peter Morris, Klaus Staubermann (eds.), ''Illuminating Instruments'', Smithsonian Institution Scholarly Press, 2010. [http://www.artefactsconsortium.org/Publications/Contents7F.html] [http://www.artefactsconsortium.org/Publications/Intro7F.html]
* Jussi Parikka, [http://monoskop.org/log/?p=2708 ''Insect Media: An Archaeology of Animals and Technology''], University of Minnesota Press, 2010.
+
 
* Erkki Huhtamo, Jussi Parikka (eds.), [http://monoskop.org/log/?p=6933 ''Media Archaeology: Approaches, Applications, and Implications''], University of California Press, 2011. [http://www.ucpress.edu/book.php?isbn=9780520262744]
+
* Jussi Parikka, [http://libgen.rs/book/index.php?md5=FC63B9B2EF00638A1D1F1D919F456C54 ''Insect Media: An Archaeology of Animals and Technology''], Minneapolis, MN: University of Minnesota Press (Posthumanities), 2010, xxxv+281 pp. [https://www.upress.umn.edu/book-division/books/insect-media Publisher].
* Paul DeMarinis, ''Buried in Noise'', Kehrer, 2011. (German/English) [http://www.artbooksheidelberg.com/html/detail/en/paul-demarinis-978-3-86828-141-5.html]
+
** ''Owady i media'', trans. Mateusz Borowski and Małgorzata Sugiera, Kraków: Księgarnia Akademicka, 2017, 375 pp. {{pl}}
* Siegfried Zielinski, Eckhard Fürus (eds.), ''Variantology 5: Neapolitan Affairs'', Cologne: Verlag der Buchhandlung König, 2011.
+
 
* Florian Cramer, [http://monoskop.org/log/?p=5936 ''Exe.cut(up)able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts''], Munich: Wilhelm Fink, 2011. (in German)
+
* Pasi Väliaho, ''[http://monoskop.org/log/?p=1665 Mapping the Moving Image: Gesture, Thought and Cinema Circa 1900]'', Amsterdam: Amsterdam University Press (Film Culture in Transition), 2010, 256 pp.
* Johan Jarlbrink, Patrik Lundell (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Fr%C3%A5n%20pressarkivet/Fran_pressarkivet.pdf Från pressarkivet 1800-1899. En källsamling]'', Stockholm: Mediehistoriskt arkiv, 2012. (in Swedish) [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/Fran-pressarkivet-1800-1899-En-kallsamling/]
+
 
* Alexandra Hui, ''The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840-1910'', The MIT Press, 2012. [http://mitpress.mit.edu/books/psychophysical-ear-0]
+
* Paul DeMarinis, ''[https://aaaaarg.fail/thing/606ddab09ff37c6a502e81c0 Buried in Noise]'', eds. Ingrid Beirer, Sabine Himmelsbach, and Carsten Seiffarth, Heidelberg: Kehrer, 2010, 280 pp. [https://www.kehrerverlag.com/en/paul-demarinis-buried-in-noise-978-3-86828-141-5 Publisher]. {{en}}/{{de}}
* Jussi Parikka, ''What is Media Archaeology?'', Polity, 2012.
+
 
* John Tresch, ''The Romantic Machine: Utopian Science and Technology after Napoleon'', University of Chicago Press, 2012. [http://press.uchicago.edu/ucp/books/book/chicago/R/bo12645421.html]
+
* Erkki Huhtamo, Jussi Parikka (eds.), ''[http://monoskop.org/log/?p=6933 Media Archaeology: Approaches, Applications, and Implications]'', Berkeley, CA: University of California Press, 2011, x+356 pp.
* Wolfgang Ernst, ''Digital Memory and the Archive'', University of Minnesota Press, 2012. [http://www.upress.umn.edu/book-division/books/digital-memory-and-the-archive]
+
** ''Mei jie kao gu xue: fang fa.lu jing yu yi han'' [媒介考古学: 方法.路径与意涵], Shanghai: Fu dan da xue chu ban she, 2018, 342 pp. {{cn}}
* Shintaro Miyazaki, ''Algorhythmisiert: Eine Medienarchäologie digitaler Signale und (un)erhörter Zeiteffekte'', Kulturverlag Kadmos, 2013, 281 pp. (in German) [http://ssl.einsnull.com/paymate/search.php?vid=5&aid=3414]
+
 
* Frode Weium, Tim Boon (eds.), ''Material Culture and Electronic Sound'', Smithsonian Institution Scholarly Press, 2013, 312 pp. [http://rowman.com/ISBN/9781935623106]
+
* Siegfried Zielinski, Eckhard Fürus (eds.), ''[https://aaaaarg.fail/thing/606eb4d69ff37c4eec2e81dc Variantology 5: Neapolitan Affairs]'', Cologne: Verlag der Buchhandlung König, 2011.
* Erkki Huhtamo, ''Illusions In Motion: Media Archaeology of the Moving Panorama and Related Spectacles'', MIT Press, 2013. [http://mitpress.mit.edu/books/illusions-motion]
+
 
* Douglas Kahn, ''Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts'', University of California Press, 2013, 344 pp. [http://www.ucpress.edu/book.php?isbn=9780520257559]
+
* Florian Cramer, [http://monoskop.org/log/?p=5936 ''Exe.cut(up)able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts''], Munich: Wilhelm Fink, 2011. {{de}}
 +
 
 +
* Johan Jarlbrink, Patrik Lundell (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Fr%C3%A5n%20pressarkivet/Fran_pressarkivet.pdf Från pressarkivet 1800-1899. En källsamling]'', Stockholm: Mediehistoriskt arkiv, 2012. [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/Fran-pressarkivet-1800-1899-En-kallsamling/] {{sw}}
 +
 
 +
* Alexandra Hui, ''[http://libgen.rs/book/index.php?md5=f2a214b0320f9f8efb650775a121d047 The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840-1910]'', MIT Press, 2012. [http://mitpress.mit.edu/books/psychophysical-ear-0 Publisher].
 +
 
 +
* Jussi Parikka, ''[http://libgen.rs/book/index.php?md5=2f2a3190395185b7caa41459989dedf3 What is Media Archaeology?]'', Polity, 2012.
 +
** ''Medya Arkeolojisi Nedir?'', trans. Ebru Kılıç, ed. Ferit Burak Aydar, Istanbul: Koç Üniversitesi, 2017, 264 pp. [https://press.ku.edu.tr/kitap/medya-arkeolojisi-nedir/ Publisher]. {{tr}}
 +
** ''Qu'est-ce que l'archéologie des médias?'', pref. Emmanuel Guez, trans. Christophe Degoutin, Grenoble: UGA Editions, 2018, 323 pp. [https://www.uga-editions.com/menu-principal/collections-et-revues/toutes-nos-collections/savoirs-litteraires-et-imaginaires-scientifiques/qu-est-ce-que-l-archeologie-des-media--282025.kjsp Publisher]. Review: [https://halshs.archives-ouvertes.fr/halshs-01954550/document Sevin] (Lectures). {{fr}}
 +
** ''Archeologia dei media: nuove prospettive per la storia e la teoria della comunicazione'', pref. Ruggero Eugeni, postf. Simone Venturini, Rome: Carocci, 2019, 282 pp. {{it}}
 +
 
 +
* John Tresch, ''[http://libgen.rs/book/index.php?md5=54c307c59d6b2d732f2c88d60399b601 The Romantic Machine: Utopian Science and Technology after Napoleon]'', Chicago: University of Chicago Press, 2012, 472 pp. [https://press.uchicago.edu/ucp/books/book/chicago/R/bo12645421.html Publisher].
 +
 
 +
* Jonathan Sterne, ''[http://monoskop.org/log/?p=6984 MP3: The Meaning of a Format]'', Durham, NC: Duke University Press (Sign, Storage, Transmission), 2012, 341 pp.
 +
 
 +
* Karla Jasso, Daniel Garza Usabiaga (eds.): ''[https://monoskop.org/log/?p=18406 (Ready) Media: Hacia una arqueología de los medios y la invención en México]'', Mexico City: Instituto Nacional de Bellas Artes y Literatura, 2012, 519 pp. {{es}}
 +
 
 +
* Wolfgang Ernst, ''[http://monoskop.org/log/?p=14030 Digital Memory and the Archive]'', ed. & intro. Jussi Parikka, University of Minnesota Press, 2012, 265 pp. Reviews: [http://reviewsinculture.com/2013/09/15/under-the-hood-of-wolfgang-ernsts-media-archaeology/ Young] (RiC), [http://www.infoculturejournal.org/book_reviews/ernst_ward_2014 Ward] (I&C).
 +
 
 +
* Wolfgang Ernst, ''Chronopoetik. Zeitweisen und Zeitgaben technischer Medien'', Berlin: Kadmos (Berliner Programm einer Medienwissenschaft), 2013, 428 pp. [http://d-nb.info/1021565679/04 TOC]. [http://www.kulturverlag-kadmos.de/buch/chronopoetik.html Publisher]. Review: [http://muse.jhu.edu/journals/german_studies_review/v037/37.2.powell.html Powell] (GSR, EN). {{de}}
 +
** ''[http://library.memoryoftheworld.org/#/book/e24f2f39-b923-43a4-8c79-64c898c93d82 Chronopoetics: The Temporal Being and Operativity of Technological Media]'', Rowman & Littlefield (Media Philosophy), 2016, 288 pp. Trans. of abridged version. [https://rowman.com/ISBN/9781783485710/ Publisher].
 +
 
 +
* Shintaro Miyazaki, ''Algorhythmisiert: eine Medienarchäologie digitaler Signale und (un)erhörter Zeiteffekte'', Berlin: Kadmos (Berliner Programm einer Medienwissenschaft), 2013, 281 pp. [http://www.academia.edu/3641556/ Introduction]. [https://www.kulturverlag-kadmos.de/buch/algorhythmisiert.html Publisher]. [http://ssl.einsnull.com/paymate/search.php?vid=5&aid=3414] {{de}}
 +
 
 +
* Frode Weium, Tim Boon (eds.), ''Material Culture and Electronic Sound'', Smithsonian Institution Scholarly Press (Artefacts), 2013, 312 pp. [https://scholarlypress.si.edu/store/museum-studies-art/material-culture-electronic-sound/ Publisher].
 +
 
 +
* Erkki Huhtamo, ''[https://1lib.sk/book/2635815/d04af7 Illusions in Motion: Media Archaeology of the Moving Panorama and Related Spectacles]'', MIT Press (Leonardo), 2013, 464 pp. [http://mitpress.mit.edu/books/illusions-motion Publisher].
 +
 
 +
* Karla Jasso, ''[http://monoskop.org/log/?p=12723 Arte-tecnología. Arqueología, dialéctica, mediación]'', México D.F.: self-published, 2013, 329 pp. {{es}}
 +
 
 +
* Lisa Gitelman, ''[http://monoskop.org/log/?p=11855 Paper Knowledge: Toward a Media History of Documents]'', Durham, NC: Duke University Press (Sign, Storage, Transmission), 2014, 210 pp.
 +
** ''Zhi zhi shi: Guan yu wen dang de mei jie li shi'' [纸知识 : 关于文档的媒介历史], trans. Yun Wang, Shanghai: Fu dan da xue chu ban she you xian gong si, 2020, 194 pp. {{cn}}
 +
 +
* Marie Cronqvist, Patrik Lundell, Pelle Snickars (eds.), ''[http://monoskop.org/log/?p=13674 Återkopplingar]'', Lund University, 2014, 416 pp. {{sw}}
 +
 
 +
* Wolfgang Ernst, ''[http://library.memoryoftheworld.org/#/book/63e3203b-a063-4198-a07a-3ea719b68115 Sonic Time Machines: Explicit Sound, Sirenic Voices, and Implicit Sonicity]'', forew. Liam Cole Young, Amsterdam: Amsterdam University Press (Recursions), 2016, 160 pp. [https://www.aup.nl/en/book/9789089649492/sonic-time-machines Publisher]. Reviews: [http://www.theoryculturesociety.org/review-wolgang-ernsts-sonic-time-machines-stephen-cornford/ Cornford] (TCS), [https://www.leonardo.info/review/2016/11/review-of-sonic-time-machines-explicit-sound-sirenic-voices-and-implicit-sonicity Harle] (Leonardo).
 +
 
 +
* Thomas Elsaesser, ''[https://1lib.sk/book/5420084/e72529 Film History as Media Archaeology: Tracking Digital Cinema]'', Amsterdam: Amsterdam University Press (Film Culture in Transition), 2016, 414 pp. Collected essays. [http://www.tandfonline.com/doi/full/10.1080/17400309.2016.1146858 Epilogue]. [https://www.aup.nl/en/book/9789462980570/film-history-as-media-archaeology Publisher].
 +
 
 +
* Roger Whitson, ''Steampunk and Nineteenth-Century Digital Humanities: Literary Retrofuturisms, Media Archaeologies, Alternate Histories'', Routledge, 2016, 244 pp. [https://www.routledge.com/Steampunk-and-Nineteenth-Century-Digital-Humanities-Literary-Retrofuturisms/Whitson/p/book/9781138859500 Publisher].
 +
 
 +
* Liam Cole Young ''[https://1lib.sk/book/5931815/3d94f7 List Cultures: Knowledge and Poetics from Mesopotamia to BuzzFeed]'', Amsterdam: Amsterdam University Press (Recursions), 2017, 196 pp. [https://www.aup.nl/en/book/9789462981102/list-cultures Publisher].
 +
 
 +
* Thor Magnusson, ''[https://monoskop.org/log/?p=21494 Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions]'', New York: Bloomsbury Academic, 2019, xiv+290 pp.
 +
 
 +
* Moritz Hiller, Stefan Höltgen (eds.), ''Archäographien. Aspekte einer radikalen Medienarchäologie. Festschrift für Wolfgang Ernst'', Basel: Schwabe, 2019, 354 pp. [https://issuu.com/schwabeverlag/docs/lp_9783757400217 TOC & Foreword]. {{de}},{{en}}
 +
 
 +
* Siegfried Zielinski, ''[https://monoskop.org/log/?p=21823 Variations on Media Thinking]'', University of Minnesota Press (Posthumanities), 2019, xxv+426 pp. Selected essays.
 +
 
 +
* Ben Roberts, Mark Goodall (eds.), ''[https://1lib.sk/book/11448816/97ef67 New Media Archaeologies]'', Amsterdam: Amsterdam University Press (Recursions), 2019, 238 pp. [https://www.aup.nl/en/book/9789462982161/new-media-archaeologies Publisher].
 +
 
 +
* Knut Ebeling, Annette Maechtel, Heimo Lattner (eds.), ''Never Mind the Nineties: eine Medienarchäologie des Kunststandorts Berlin'', Berlin: Eeclectic, 2019. [https://eeclectic.de/produkt/never-mind-the-nineties/ Publisher]. {{de}}
 +
 
 +
* Doron Galili, ''[https://1lib.sk/book/6127767/dc957b Seeing by Electricity: The Emergence of Television, 1878-1939]'', Durham, NC: Duke University Press (Sign, Storage, Transmission), 2020, 264 pp. [https://www.dukeupress.edu/seeing-by-electricity Publisher].
 +
 
 +
* Bernhard Rieder, ''[[Media:Rieder_Bernhard_Engines_of_Order_A_Mechanology_of_Algorithmic_Techniques_2020.pdf|Engines of Order: A Mechanology of Algorithmic Techniques]]'', Amsterdam: Amsterdam University Press (Recursions), 2020, 353 pp. [https://library.oapen.org/handle/20.500.12657/39371 OAPEN]. [https://www.aup.nl/en/book/9789462986190/engines-of-order Publisher].
 +
 
 +
* Jane Birkin, ''[https://1lib.sk/book/11341529/85a4e7 Archive, Photography and the Language of Administration]'', Amsterdam: Amsterdam University Press (Recursions), 2021, 218 pp. [https://www.aup.nl/en/book/9789463729642/archive-photography-and-the-language-of-administration Publisher].
 +
 
 +
* Jacob Gaboury, ''Image Objects: An Archaeology of Computer Graphics'', MIT Press, 2021, 312 pp. [https://mitpress.mit.edu/books/image-objects Publisher].
 +
 
 
* [http://monoskop.org/log/?tag=media-archeology Publications on media archaeology at Monoskop Log]
 
* [http://monoskop.org/log/?tag=media-archeology Publications on media archaeology at Monoskop Log]
  
 
===Journal issues and Special sections===
 
===Journal issues and Special sections===
* ''Grey Room'' 43, Spring 2011, Special issue: "Audio/Visual". [http://www.mitpressjournals.org/toc/grey/-/43]
+
* ''Grey Room'' 43: "Audio/Visual", Spring 2011. [http://www.mitpressjournals.org/toc/grey/-/43]
 
+
* [http://amodern.net/issues/amodern-2-network-archaeology/ ''Amodern'' 2 "Network Archaeology"], 2013.
===Theses===
+
* [https://monoskop.org/images/e/e9/Tiszataj_69_4_2015.pdf#page=59 ''Tiszatáj'' 69(4): "Médiumok magánélete: A hardver mikro eseményeiről"], Szeged, Apr 2015, pp 57-103, [http://tiszatajonline.hu/?tag=a-medium-szot-ker-a-hardver-mikroesemenyeirol HTML]. {{hu}}
* Kristoffer Gansing, ''[http://monoskop.org/log/?p=8084 Transversal Media Practices: Media Archaeology, Art and Technological Development]'', PhD thesis, Malmö: Malmö University, 2013.
+
* [http://journals.equinoxpub.com/JCA/issue/view/2120/showToc ''Journal of Contemporary Archaeology'' 2(1): "Media-Archaeologies"], ed. Angela A. Piccini, 2015.
 +
* ''Twentieth-Century Music'' 14(1): "Tape", eds. Andrea F. Bohlman and Peter McMurray, Feb 2017. [https://www.cambridge.org/core/journals/twentieth-century-music/issue/B2DDE3A0EE830D5719148839FC6CCAEA]
 +
* [https://scholarworks.umass.edu/cpo/vol7/iss1/ ''communication +1'' 7(1): "Intersectionalities and Media Archaeologies"], eds. Zachary J. McDowell and Nathanael Bassett, 2018.
 +
* [https://scholarworks.umass.edu/cpo/vol7/iss2/ ''communication +1'' 7(2): "Intersectionalities and Media Archaeologies"], eds. Zachary J. McDowell and Nathanael Bassett, 2018.
  
 
===Book chapters, Papers, Articles===
 
===Book chapters, Papers, Articles===
 
* Erkki Huhtamo, [http://gebseng.com/media_archeology/reading_materials/Erkki_Huhtamo-Kaleidoscomaniac_to_Cybernerd.pdf "From Kaleidoscomaniac to Cybernerd: Towards an Archeology of the Media"], ''Leonardo'', 3, 1997, pp 221-224.
 
* Erkki Huhtamo, [http://gebseng.com/media_archeology/reading_materials/Erkki_Huhtamo-Kaleidoscomaniac_to_Cybernerd.pdf "From Kaleidoscomaniac to Cybernerd: Towards an Archeology of the Media"], ''Leonardo'', 3, 1997, pp 221-224.
* Wolfgang Ernst, "Let There Be Irony: Cultural History and Media Archaeology in Parallel Lines", ''Art History'' 28, November 2005, pp 582-603.
+
* Wolfgang Ernst, "Medienarchäologie. Eine Provokation der Kommunikationsgeschichte", in Habbo Knoch, Daniel Morat (eds.), ''Kommunikation als Beobachtung. Medienwandel und Gesellschaftsbilder 1880–1960'', Munich: Fink 2003, pp 37–56. {{de}}
 +
* Thomas Elsaesser, [http://www.medientheorie.com/doc/archaeologie/elsaesser_new%20film%20history%20as%20media%20archeology.pdf "The New Film History as Media Archaeology"], ''Cinémas'', Vol. 14, No. 2-3, 2004, pp 75-117.
 +
* Wolfgang Ernst, "[http://www.medienwissenschaft.hu-berlin.de/medientheorien/downloads/publikationen/ernst-let-there-be-irony.pdf Let There Be Irony: Cultural History and Media Archaeology in Parallel Lines]", ''Art History'' 28, November 2005, pp 582-603.
 
* Shannon Mattern, [http://www.wordsinspace.net/wordpress/2010/07/20/from-fire-alarms-to-copy-machines-local-primary-materials-on-urban-media-history/ "From Post Offices to Radiograms: Local Primary Resources on Urban Media History"], ''Words In Space'' blog, 20 July 2010.
 
* Shannon Mattern, [http://www.wordsinspace.net/wordpress/2010/07/20/from-fire-alarms-to-copy-machines-local-primary-materials-on-urban-media-history/ "From Post Offices to Radiograms: Local Primary Resources on Urban Media History"], ''Words In Space'' blog, 20 July 2010.
 
* Garnet Hertz, Jussi Parikka, [http://www.academia.edu/1182981/Zombie_Media_Circuit_Bending_Media_Archaeology_into_an_Art_Method "Zombie Media: Circuit Bending Media Archaeology into an Art Method"], ''Leonardo'', 2012.
 
* Garnet Hertz, Jussi Parikka, [http://www.academia.edu/1182981/Zombie_Media_Circuit_Bending_Media_Archaeology_into_an_Art_Method "Zombie Media: Circuit Bending Media Archaeology into an Art Method"], ''Leonardo'', 2012.
 +
* Roger Whitson, [http://www.branchcollective.org/?ps_articles=roger-whitson-the-difference-engine "The Difference Engine: 1832, 1855, 1876, 1991, 2002, 2008″], "BRANCH: Britain, Representation, and Nineteenth-Century History", 2017.
 
* Shannon Mattern, [http://www.wordsinspace.net/wordpress/2012/07/20/infrastructural-tourism/ "Infrastructural Tourism"], ''Words in Space'' blog, 20 July 2012.  
 
* Shannon Mattern, [http://www.wordsinspace.net/wordpress/2012/07/20/infrastructural-tourism/ "Infrastructural Tourism"], ''Words in Space'' blog, 20 July 2012.  
 +
* Petra Löffler, "[http://www.necsus-ejms.org/towards-a-new-media-archaeology-a-report-on-some-books-and-tendencies/ Towards a new media archaeology? A report on some books and tendencies]", ''NECSUS / European Journal of Media Studies'' 1 (Spring 2012).
 +
* Bonnie Mak, "[http://courseweb.lis.illinois.edu/~bmak/Mak-Archaeology-JASIST.pdf Archaeology of a Digitization]", ''Journal of the American Society for Information Science and Technology'', 2013.
 +
* Sanne Krogh Groth, "Provoking, disturbing, hacking: Media archaeology as a framework to the understanding of contemporary DIY composers’ instruments and ideas", ''Organised Sound'' 18:3 (December 2013), pp 266-273. [http://rucforsk.ruc.dk/site/da/publications/provoking-disturbing-hacking(c2c8c058-cc44-4ada-a8e7-d971c23d800f).html] [http://dx.doi.org/10.1017/S135577181300023X]
 +
* Morten Riis, "The Media Archaeological Repairman", ''Organised Sound'' 18:3 (December 2013), pp 255-265. [http://dx.doi.org/10.1017/S1355771813000228]
 +
* Georgii Pocheptsov (Георгий Почепцов), [http://gefter.ru/archive/14491 "Lozh Odisseya, kotoruyu otkryla novaya nauka media-archeologiya. Vvedenie v novuyu nauku: vlast obrazov nad syuzhetami"] [Ложь Одиссея, которую открыла новая наука медиа-археология. Введение в новую науку: власть образов над сюжетами], ''Gefter'', 11 Mar 2015. {{ru}}
 +
* Jacob Gaboury, [http://sci-hub.se/10.1162/GREY_a_00233 "The Random-Access Image: Memory and the History of the Computer Screen"], ''Grey Room'' 70, Winter 2018, pp 24-53.
 
* [http://gebseng.com/media_archeology/reading_materials/ more], [http://www.medientheorie.com/doc/archaeologie/ more]
 
* [http://gebseng.com/media_archeology/reading_materials/ more], [http://www.medientheorie.com/doc/archaeologie/ more]
  
==Resources==
+
===Theses===
 +
* Jentery Sayers, ''How Text Lost Its Source: Magnetic Recording Cultures'', University of Washington, 2011. [http://www.jenterysayers.com/2011/dissertation/]
 +
* Kristoffer Gansing, ''[http://monoskop.org/log/?p=8084 Transversal Media Practices: Media Archaeology, Art and Technological Development]'', Malmö: Malmö University, 2013. PhD dissertation.
 +
 
 +
===Primary references===
 +
* Michel Foucault, [http://monoskop.org/log/?p=8485 ''The Archaeology of Knowledge''], 1969–.
 +
 
 +
==Research, Resources==
 
* [http://vimeo.com/30642376 Bundled, Buried & Behind Closed Doors], documentary film by Ben Mendelsohn and Alex Chohlas-Wood, 2011.
 
* [http://vimeo.com/30642376 Bundled, Buried & Behind Closed Doors], documentary film by Ben Mendelsohn and Alex Chohlas-Wood, 2011.
 
* [http://www.visual-media.be/ Early Visual Media], A Historical Window to Early Vintage Visual Media Archaeology, maintained by [[Thomas Weynants]].
 
* [http://www.visual-media.be/ Early Visual Media], A Historical Window to Early Vintage Visual Media Archaeology, maintained by [[Thomas Weynants]].
 
* [http://www.firstsounds.org/ First Sounds], an initiative founded by Patrick Feaster, David Giovannoni, Richard Martin, and Meagan Hennessey.
 
* [http://www.firstsounds.org/ First Sounds], an initiative founded by Patrick Feaster, David Giovannoni, Richard Martin, and Meagan Hennessey.
 +
* [http://www.cylinder.de/ The Cylinder Archive], cylinder phonograph recordings. Maintained by Norman Bruderhofer.
 
* [http://www.edisontinfoil.com/ René Rondeau's Antique Phonograph, Fan, and Photography Site]
 
* [http://www.edisontinfoil.com/ René Rondeau's Antique Phonograph, Fan, and Photography Site]
 
* [http://mediaarchaeologyofplace.org/ Media Archaeology of Place], a project initiated by a collaborative course at Harvard University, Fall 2010.
 
* [http://mediaarchaeologyofplace.org/ Media Archaeology of Place], a project initiated by a collaborative course at Harvard University, Fall 2010.
 +
* [http://mith.umd.edu/vintage-computers/ Maryland Institute for Technology in the Humanities' Vintage Computers], dir. [[Matthew Kirschenbaum]].
 +
* [[Institute for Algorhythmics]], an ongoing research project investigating the algorhythmic structures in contemporary culture. Started in 2008 by [[Shintaro Miyazaki]].
 
* [http://gebseng.com/media_archeology/media_archeology_links.html Gebhard Sengmüller's links collection]
 
* [http://gebseng.com/media_archeology/media_archeology_links.html Gebhard Sengmüller's links collection]
 
* [http://www.renesys.com/tech/presentations/index.shtml Renesys presentations and reports]
 
* [http://www.renesys.com/tech/presentations/index.shtml Renesys presentations and reports]
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{{Theory}}
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{{featured article}}
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{{Humanities}}

Revision as of 09:29, 13 April 2021

Institutes

Educational programs

Courses

Events

Artists, Theorists

Bibliography

Monographs

Friedrich Kittler, Discourse Networks 1800 / 1900, [1985] 1990, PDF.
Friedrich Kittler, Gramophone Film Typewriter, [1986] 1999, PDF.
Siegfried Zielinski, Audiovisions: Cinema and Television as Entr’actes in History, [1989] 1999, PDF.
Lisa Gitelman, Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era, 1999, PDF.
Cornelia Vismann, Files: Law and Media Technology, [2000] 2008, Log.
Lisa Gitelman, Geoffrey B. Pingree (eds.): New Media, 1740-1915, 2003, PDF.
Erkki Huhtamo, Jussi Parikka (eds.), Media Archaeology: Approaches, Applications, and Implications, 2011, Log.
  • Jacques Perriault, Mémoires de l’ombre et du son. Une archéologie de l’audiovisuel, Paris: Flammarion, 1981. (French)
  • Hans Ulrich Gumbrecht, Karl Ludwig Pfeiffer (eds.), Materialität der Kommunikation, Frankfurt am Main: Suhrkamp, 1988. TOC. (German)
  • Siegfried Zielinski, Audiovisionen: Kino und Fernsehen als Zwischenspiele in der Geschichte, Reinbek bei Hamburg: Rowohlt, 1989. (German)
  • Peter Klier, Jean-Luc Evard (eds.), Mediendämmerung: Zur Archäologie der Medien, Berlin: Tiamat, 1989, 153 pp. (German)
  • Lynn Spigel, Make Room for TV: Television and the Family Ideal in Postwar America, Chicago and London: University of Chicago Press, 1992.
  • Lisa Cartwright, Screening The Body: Tracing Medicine's Visual Culture, University of Minnesota Press, 1995.
  • Stephen Herbert, Luke McKernan (eds.), Who's Who of Victorian Cinema: A Worldwide Survey, London: British Film Institute, 1996. Online version.
  • Cornelia Vismann, Akten. Medientechnik und Recht, Frankfurt am Main: Fischer, 2000. (German)
  • Giuliana Bruno, Atlas of Emotion: Journeys in Art, Architecture, and Film, London: Verso, 2002. Chapter 1, Chapter 2.
  • P.J.H. Kockelkoren, Technology: Art, Fairground and Theatre, Rotterdam: NAI Publishers (Fascinations), 2003, 111 pp.
    • Techniek: Kunst, Kermis en Theater, Rotterdam: NAI Publishers, 2003, 111 pp. [3] (Dutch)
  • Bernard Finn (ed.), Presenting Pictures, Smithsonian Institution Scholarly Press, 2004. [4] [5]
  • Charles R. Acland (ed.), Residual Media, Minneapolis, MN: University of Minnesota Press, 2006. Chapter 2.
  • Laurent Mannoni, Werner Nekes, Marina Warner, Eyes, Lies and Illusions: Drawn from the Werner Nekes Collection, ACMI, 2006. Publisher.
  • Pierre Levie, Montreurs et Vues d' Optique, Sofidoc, 2006. (French)
  • Timothy C. Campbell, Wireless Writing in the Age of Marconi, Minneapolis, MN: University of Minnesota Press, 2006.
  • James Lyons, John Plunkett, Multimedia Histories: From Magic Lanterns to Internet, University of Exeter Press, 2007. [7]
  • Eric Kluitenberg (ed.), Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium, Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2006, 296 pp. With DVD.
    • Boek van de imaginaire Media: over de droom van het ultieme communicatiemedium, Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2006, 320 pp. [8] (Dutch)
    • Imagināro mediju grāmata. Vispatiesākā komunikācijas medija sapņa meklējumos, trans. Daina Siliņa, Riga: RIXC, 2011, 280 pp. Preview. [9] (Latvian)
  • Jussi Parikka, Digital Contagions: A Media Archeology of Computer Viruses, New York: Peter Lang, 2007. Conclusions. [10]
  • José Roca, Phantasmagoria - Specters of Absence, Independent Curators International, 2007.
  • Nike Bätzner, Werner Nekes, Eva Schmidt (eds.), Blickmaschinen, oder wie Bilder entstehen, DuMont, 2008. Catalogue. [11] (German)
  • Marina Warner, Phantasmagoria - Spirit Visions, Metaphors, and Media, Oxford University Press, 2008. [12]
  • Lynda Nead, The Haunted Gallery: Painting, Photography and Film around 1900, Yale University Press, 2008. [13]
  • Deac Rossel, Laterna Magica - Magic Lantern Vol I, Füsslin, 2008. [14] (German)/(English)
  • Dieter Daniels, Barbara U. Schmidt (eds.), Artists as Inventors-Inventors as Artists, Hatje Cantz, 2008, 240 pp.
  • Ovidiu Tichindeleanu, The Graphic Sound. An Archeology of Sound, Technology and Knowledge at 1900, ProQuest, 2008, 555 pp.
  • Kazys Varnelis (ed.), The Infrastructural City: Networked Ecologies in LA, New York: Actar, The Los Angeles Forum for Architecture and Urban Design, and The Network Architecture Lab at Columbia University, 2009. Contents.
  • Dominique Willoughby, Le Cinéma graphique: Une histoire des dessins animés, des jouets d’optique au cinéma numérique, Les editions textuel, 2009. [15] (French)
  • Peter Morris, Klaus Staubermann (eds.), Illuminating Instruments, Smithsonian Institution Scholarly Press, 2010. [20] [21]
  • Paul DeMarinis, Buried in Noise, eds. Ingrid Beirer, Sabine Himmelsbach, and Carsten Seiffarth, Heidelberg: Kehrer, 2010, 280 pp. Publisher. (English)/(German)
  • Erkki Huhtamo, Jussi Parikka (eds.), Media Archaeology: Approaches, Applications, and Implications, Berkeley, CA: University of California Press, 2011, x+356 pp.
    • Mei jie kao gu xue: fang fa.lu jing yu yi han [媒介考古学: 方法.路径与意涵], Shanghai: Fu dan da xue chu ban she, 2018, 342 pp. (Chinese)
  • Jussi Parikka, What is Media Archaeology?, Polity, 2012.
    • Medya Arkeolojisi Nedir?, trans. Ebru Kılıç, ed. Ferit Burak Aydar, Istanbul: Koç Üniversitesi, 2017, 264 pp. Publisher. (Turkish)
    • Qu'est-ce que l'archéologie des médias?, pref. Emmanuel Guez, trans. Christophe Degoutin, Grenoble: UGA Editions, 2018, 323 pp. Publisher. Review: Sevin (Lectures). (French)
    • Archeologia dei media: nuove prospettive per la storia e la teoria della comunicazione, pref. Ruggero Eugeni, postf. Simone Venturini, Rome: Carocci, 2019, 282 pp. (Italian)
  • Shintaro Miyazaki, Algorhythmisiert: eine Medienarchäologie digitaler Signale und (un)erhörter Zeiteffekte, Berlin: Kadmos (Berliner Programm einer Medienwissenschaft), 2013, 281 pp. Introduction. Publisher. [23] (German)
  • Frode Weium, Tim Boon (eds.), Material Culture and Electronic Sound, Smithsonian Institution Scholarly Press (Artefacts), 2013, 312 pp. Publisher.
  • Lisa Gitelman, Paper Knowledge: Toward a Media History of Documents, Durham, NC: Duke University Press (Sign, Storage, Transmission), 2014, 210 pp.
    • Zhi zhi shi: Guan yu wen dang de mei jie li shi [纸知识 : 关于文档的媒介历史], trans. Yun Wang, Shanghai: Fu dan da xue chu ban she you xian gong si, 2020, 194 pp. (Chinese)
  • Marie Cronqvist, Patrik Lundell, Pelle Snickars (eds.), Återkopplingar, Lund University, 2014, 416 pp. (Swedish)
  • Roger Whitson, Steampunk and Nineteenth-Century Digital Humanities: Literary Retrofuturisms, Media Archaeologies, Alternate Histories, Routledge, 2016, 244 pp. Publisher.
  • Moritz Hiller, Stefan Höltgen (eds.), Archäographien. Aspekte einer radikalen Medienarchäologie. Festschrift für Wolfgang Ernst, Basel: Schwabe, 2019, 354 pp. TOC & Foreword. (German),(English)
  • Knut Ebeling, Annette Maechtel, Heimo Lattner (eds.), Never Mind the Nineties: eine Medienarchäologie des Kunststandorts Berlin, Berlin: Eeclectic, 2019. Publisher. (German)
  • Jacob Gaboury, Image Objects: An Archaeology of Computer Graphics, MIT Press, 2021, 312 pp. Publisher.

Journal issues and Special sections

Book chapters, Papers, Articles

Theses

Primary references

Research, Resources

See also


Studies

Anthropology, Art history, History of architecture, Biomechanics, Classics, Commons, Cultural techniques, Cyberfeminism, Cybernetics, Decolonial aesthetics, Design research, Digital humanities, Information theory, Marxist aesthetics, Media archaeology, Media ecology, Mediology, Modern periodical studies, Neuroaesthetics, Neural aesthetics, Philosophy of technology, Posthumanities, Postmedia, Poststructuralism, Semiotics, Sensory ethnography, Software studies, Structuralism, Systems theory.
Art writers, Film writers, Music writers, Writers.