Difference between revisions of "Media archaeology"

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==Institutes==
 
==Institutes==
* [[Media Archaeological Fundus]] of Humboldt University, Berlin, founded in c2003. Collection supervisor: [[Wolfgang Ernst]], curator: [[Ines Liszko]].
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* [[Media Archaeological Fundus]] of Humboldt University, Berlin, founded in c2003. Collection supervisor: [[Wolfgang Ernst]], curators: Stefan Höltgen, Thomas Fecker, David Friedrich.
 
* [[IMA Institute of Media Archeology]], Hainburg, founded in 2005. Head: [[Elisabeth Schimana]].
 
* [[IMA Institute of Media Archeology]], Hainburg, founded in 2005. Head: [[Elisabeth Schimana]].
 
* [http://mediaarchaeologylab.com/ Media Archaeology Lab], Boulder, Colorado, founded in 2009. Director: [[Lori Emerson]].
 
* [http://mediaarchaeologylab.com/ Media Archaeology Lab], Boulder, Colorado, founded in 2009. Director: [[Lori Emerson]].
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==Events==
 
==Events==
 
* [[Excavating the Future|Excavating the Future - An Archeology and Future of Moving Pictures]] symposium, Prague, 2-5 December 2001. Initiated by [[Jaroslav Anděl]], collaboration: [[Miloš Vojtěchovský]], [[Michael de la Fontaine]], [[Michael Bielický]].
 
* [[Excavating the Future|Excavating the Future - An Archeology and Future of Moving Pictures]] symposium, Prague, 2-5 December 2001. Initiated by [[Jaroslav Anděl]], collaboration: [[Miloš Vojtěchovský]], [[Michael de la Fontaine]], [[Michael Bielický]].
* [[An Archaeology of Imaginary Media]], mini-festival, De Balie, Amsterdam, 5-8 February 2004. Initiated by [[Eric Kluitenberg]]. [http://www.naipublishers.nl/art/imaginary_media_e.html Publication].
+
* [[An Archaeology of Imaginary Media]], mini-festival, De Balie, Amsterdam, 5-8 February 2004. Initiated by [[Eric Kluitenberg]]. [[#Kluitenberg2006|Publication]].
 
* [http://variantology.com/ Variantology: On Deep Time Relations of the Arts, Sciences and Technologies] workshops, Cologne/Berlin/Naples, 2005-2011. Initiated by [[Siegfried Zielinski]]. [http://en.wikipedia.org/wiki/Variantology#Workshops_and_Publications Publications].
 
* [http://variantology.com/ Variantology: On Deep Time Relations of the Arts, Sciences and Technologies] workshops, Cologne/Berlin/Naples, 2005-2011. Initiated by [[Siegfried Zielinski]]. [http://en.wikipedia.org/wiki/Variantology#Workshops_and_Publications Publications].
 
* [http://on1.zkm.de/zkm/stories/storyReader$8146 Götter und Schriften rund ums Mittelmeer: Symposion in memoriam Friedrich Kittler], ZKM Karlsruhe, 19-20 October 2012.
 
* [http://on1.zkm.de/zkm/stories/storyReader$8146 Götter und Schriften rund ums Mittelmeer: Symposion in memoriam Friedrich Kittler], ZKM Karlsruhe, 19-20 October 2012.
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[[Image:Kittler_Friedrich_Gramophone_Film_Typewriter.jpg|thumb|258px|Friedrich Kittler, ''Gramophone Film Typewriter'', [1986] 1999, [[Media:Kittler_Friedrich_Gramophone_Film_Typewriter.pdf|PDF]].]]
 
[[Image:Kittler_Friedrich_Gramophone_Film_Typewriter.jpg|thumb|258px|Friedrich Kittler, ''Gramophone Film Typewriter'', [1986] 1999, [[Media:Kittler_Friedrich_Gramophone_Film_Typewriter.pdf|PDF]].]]
 
[[Image:Zielinski_Siegfried_Audiovisions_Cinema_and_Television_as_Entractes_in_History.png|thumb|258px|Siegfried Zielinski, ''Audiovisions: Cinema and Television as Entr’actes in History'', [1989] 1999, [http://www.oapen.org/download?type=document&docid=340252 PDF].]]
 
[[Image:Zielinski_Siegfried_Audiovisions_Cinema_and_Television_as_Entractes_in_History.png|thumb|258px|Siegfried Zielinski, ''Audiovisions: Cinema and Television as Entr’actes in History'', [1989] 1999, [http://www.oapen.org/download?type=document&docid=340252 PDF].]]
[[Image:Gitelman_Lisa_Scripts_Grooves_and_Writing_Machines_Representing_Technology_in_the_Edison_Era.jpg|thumb|258px|Lisa Gitelman, ''Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era'', 1999, [http://gen.lib.rus.ec/book/index.php?md5=9BF2B15FF88CF61860E834F59F0EAB43 PDF].]]
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[[Image:Gitelman_Lisa_Scripts_Grooves_and_Writing_Machines_Representing_Technology_in_the_Edison_Era.jpg|thumb|258px|Lisa Gitelman, ''Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era'', 1999, [http://libgen.rs/book/index.php?md5=9BF2B15FF88CF61860E834F59F0EAB43 PDF].]]
 +
 
 
[[Image:Vismann_Cornelia_Files_Law_and_Media_Technology.jpg|thumb|258px|Cornelia Vismann, ''Files: Law and Media Technology'', [2000] 2008, [http://monoskop.org/log/?p=7139 Log].]]
 
[[Image:Vismann_Cornelia_Files_Law_and_Media_Technology.jpg|thumb|258px|Cornelia Vismann, ''Files: Law and Media Technology'', [2000] 2008, [http://monoskop.org/log/?p=7139 Log].]]
[[Image:Gitelman_Lisa_Pingree_Geoffrey_B_eds_New_Media_1740-1915.jpg|thumb|258px|Lisa Gitelman, Geoffrey B. Pingree (eds.): ''New Media, 1740-1915'', 2003, [http://gen.lib.rus.ec/book/index.php?md5=D9FB5E782EE01081C7B7531CBD91AD09 PDF].]]
+
 
 +
[[Image:Gitelman_Lisa_Pingree_Geoffrey_B_eds_New_Media_1740-1915.jpg|thumb|258px|Lisa Gitelman, Geoffrey B. Pingree (eds.): ''New Media, 1740-1915'', 2003, [http://libgen.rs/book/index.php?md5=D9FB5E782EE01081C7B7531CBD91AD09 PDF].]]
 +
 
 
[[Image:Huhtamo_Erkki_Parikka_Jussi_eds_Media_Archaeology.jpg|thumb|258px|Erkki Huhtamo, Jussi Parikka (eds.), ''Media Archaeology: Approaches, Applications, and Implications'', 2011, [http://monoskop.org/log/?p=6933 Log].]]
 
[[Image:Huhtamo_Erkki_Parikka_Jussi_eds_Media_Archaeology.jpg|thumb|258px|Erkki Huhtamo, Jussi Parikka (eds.), ''Media Archaeology: Approaches, Applications, and Implications'', 2011, [http://monoskop.org/log/?p=6933 Log].]]
  
 
* Jacques Perriault, ''Mémoires de l’ombre et du son. Une archéologie de l’audiovisuel'', Paris: Flammarion, 1981. {{fr}}
 
* Jacques Perriault, ''Mémoires de l’ombre et du son. Une archéologie de l’audiovisuel'', Paris: Flammarion, 1981. {{fr}}
* Friedrich A. Kittler, [http://monoskop.org/log/?p=5979 ''Aufschreibesysteme 1800/1900''], Munich: Fink, 1985. 2nd edition, Munich, 1987. {{de}} Reviews: [http://scribd.com/doc/119849024/Futterknecht-Review-of-Mother-s-Mouth-and-Typewriter Franz Futterknecht], [http://scribd.com/doc/119847751/Holub-Aufschreibesysteme Robert C. Holub].
+
 
** [http://monoskop.org/log/?p=5979 ''Discourse Networks 1800 / 1900''], trans. Michael Metteer with Chris Cullens, Stanford University Press, 1990. Foreword by David E. Wellbery, "[http://hydra.humanities.uci.edu/kittler/wellbery.html Post-Hermeneutic Criticism]".
+
* Friedrich A. Kittler, [http://monoskop.org/log/?p=5979 ''Aufschreibesysteme 1800/1900''], Munich: Fink, 1985; 2nd ed., 1987; 3rd ed., rev, 1995, 524 pp. {{de}}
** ''Mediefilosofi'', trans. Knut Ove Eliassen, Oslo: Cappelen akademisk, 2009, 234 pp. {{no}} [http://www.cappelendammundervisning.no/asset/EDITION/TOC_FULL/Mediefilosofi_innholdsfortegnelse_28139.pdf?ts=1369912639000 Contents]. [http://www.mediepedagogene.no/wp-content/uploads/kittler-1-2010.pdf Review]. [http://www.cappelendammundervisning.no/undervisning/product-detail.action?id=150909]
+
** [[Kittler#1985|translations]]
** ''Nedskrivnings­system 1800 · 1900'', trans. Tommy Andersson, Göteborg: Glänta, 2012, 656 pp. {{sw}} [http://www.smakprov.se/smakprov/visa/9789186133320 Introduction]. [http://glanta.org/?page_id=2877] [http://glanta.org/?page_id=25&view=66]
+
 
* Friedrich A. Kittler, ''[[Media:Kittler_Friedrich_Grammophon_Film_Typewriter.pdf|Grammophon Film Typewriter]]'', Berlin: Brinkmann & Bose, 1986. {{de}} [[Media:Kittler_Friedrich_Grammophon_Film_Typewriter_Vorwort.pdf|Foreword]].
+
* Friedrich A. Kittler, ''[https://monoskop.org/log/?p=503 Grammophon Film Typewriter]'', Berlin: Brinkmann & Bose, 1986, 427 pp. {{de}}
** [http://monoskop.org/log/?p=503 ''Gramophone Film Typewriter''], trans. Geoffrey Winthrop-Young and Michael Wutz, Stanford University Press, 1999. Preface first appeared in ''October'', trans. Dorothea von Mücke with Philippe L. Similon, Vol. 41 (Summer 1987), pp 101-118; [[Media:Kittler_Friedrich_1997_Gramophone_Film_Typewriter.pdf|reprinted]] in ''Literature, Media, Information Systems: Essays'', ed. John Johnston, Amsterdam, 1997, pp 28-49. [http://raley.english.ucsb.edu/wp-content/Engl800/Kittler-GFT.pdf]. Review: [http://www.altx.com/ebr/reviews/rev10/r10cla.htm Bruce Clarke]
+
** [[Kittler#1985|translations]]
** "[http://www2.iim.cz/wiki/images/1/12/Kittler2-02.pdf Gramofon, film, psací stroj]", ''Teorie vědy'', trans. Silvia Vedrödiová, No. 2, Vol. 11, pp 33-55. Translation of the Introduction. Reprinted in ''Kapitoly z dějin a teorie umění'', ed. Tomáš Dvořák, 2010, pp 51-68. {{cz}}
+
 
** ''グラモフォン・フィルム・タイプライター'', trans. 石光 泰夫 and 石光 輝子, 筑摩書房, 1999, 455 pp。ちくま学芸文庫版、2006, 331 pp. {{jp}}
+
* Siegfried Zielinski, ''[[Media:Zielinski_Siegfried_Zur_Geschichte_des_Videorecorders_1986.pdf|Zur Geschichte des Videorecorders]]'', Berlin: Wissenschaftsverlag Spiess, 1986, 408 pp; new ed., Potsdam: Polzer Media Group, 2010. {{de}}  
* Siegfried Zielinski, ''Zur Geschichte des Videorecorders'', Berlin: Wissenschaftsverlag Volker Spiess, 1986. New edition, Potsdam: Polzer Media Group, 2010. {{de}} [http://books.google.com/books?id=BJ2eAAAACAAJ]
+
 
** "[http://genealogy-of-media-thinking.net/wp-content/uploads/2013/03/SZ0010.pdf Audiovisuelle Zeitmaschine. Schlußthesen zur Kulturtechnik des Videorecorders]", pp 431–437.
+
* Hans Ulrich Gumbrecht, Karl Ludwig Pfeiffer (eds.), ''Materialität der Kommunikation'', Frankfurt am Main: Suhrkamp, 1988. [https://d-nb.info/881245844/04 TOC]. {{de}}
* Carolyn Marvin, ''When Old Technologies Were New: Thinking About Electric Communication in the Late Nineteenth Century'', New York and Oxford: Oxford University Press, 1988.
+
** ''[[Media:Gumbrecht Hans Ulrich Pfeiffer Karl Ludwig eds Materialities of Communication 1994.pdf|Materialities of Communication]]'', trans. William Whobrey, Stanford University Press, 1994, 447 pp. {{en}}
 +
 
 +
* Carolyn Marvin, ''[[Media:Marvin_Carolyn_When_Old_Technologies_Were_New_Thinking_About_Electric_Communication_in_the_Late_Nineteenth_Century_1988.pdf|When Old Technologies Were New: Thinking About Electric Communication in the Late Nineteenth Century]]'', New York and Oxford: Oxford University Press, 1988.
 +
 
 
* Siegfried Zielinski,  ''Audiovisionen: Kino und Fernsehen als Zwischenspiele in der Geschichte'', Reinbek bei Hamburg: Rowohlt, 1989. {{de}}
 
* Siegfried Zielinski,  ''Audiovisionen: Kino und Fernsehen als Zwischenspiele in der Geschichte'', Reinbek bei Hamburg: Rowohlt, 1989. {{de}}
** [http://monoskop.org/log/?p=663 ''Audiovisions: Cinema and Television as Entr’actes in History''], Amsterdam University Press, 1999.
+
** [[Zielinski#1989|translations]]
** 2003 in a Hungarian edition.
+
 
 
* Peter Klier, Jean-Luc Evard (eds.), ''Mediendämmerung: Zur Archäologie der Medien'', Berlin: Tiamat, 1989, 153 pp. {{de}}
 
* Peter Klier, Jean-Luc Evard (eds.), ''Mediendämmerung: Zur Archäologie der Medien'', Berlin: Tiamat, 1989, 153 pp. {{de}}
 +
 
* Lynn Spigel, ''Make Room for TV: Television and the Family Ideal in Postwar America'', Chicago and London: University of Chicago Press, 1992.
 
* Lynn Spigel, ''Make Room for TV: Television and the Family Ideal in Postwar America'', Chicago and London: University of Chicago Press, 1992.
 +
 
* Bernhard Siegert, [http://monoskop.org/log/?p=4074 ''Relais: Geschicke der Literatur als Epoche der Post, 1751-1913''], Berlin: Brinkmann & Bose, 1993. {{de}}  
 
* Bernhard Siegert, [http://monoskop.org/log/?p=4074 ''Relais: Geschicke der Literatur als Epoche der Post, 1751-1913''], Berlin: Brinkmann & Bose, 1993. {{de}}  
 
** ''[http://monoskop.org/log/?p=4074 Relays: Literature as an Epoch of the Postal System]'', trans. Kevin Repp, Stanford University Press, 1999, 340 pp.
 
** ''[http://monoskop.org/log/?p=4074 Relays: Literature as an Epoch of the Postal System]'', trans. Kevin Repp, Stanford University Press, 1999, 340 pp.
 +
 
* Ellen Lupton, [http://monoskop.org/log/?p=1598 ''Mechanical Brides: Women and Machines from Home to Office''], Princeton Architectural Press, 1993.
 
* Ellen Lupton, [http://monoskop.org/log/?p=1598 ''Mechanical Brides: Women and Machines from Home to Office''], Princeton Architectural Press, 1993.
 +
 
* Lisa Cartwright, ''Screening The Body: Tracing Medicine's Visual Culture'', University of Minnesota Press, 1995.
 
* Lisa Cartwright, ''Screening The Body: Tracing Medicine's Visual Culture'', University of Minnesota Press, 1995.
 +
 
* Terry Castle, ''[http://monoskop.org/log/?p=6116 The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny]'', Oxford University Press, 1995.
 
* Terry Castle, ''[http://monoskop.org/log/?p=6116 The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny]'', Oxford University Press, 1995.
 +
 
* Stephen Herbert, Luke McKernan (eds.), ''Who's Who of Victorian Cinema: A Worldwide Survey'', London: British Film Institute, 1996. [http://victorian-cinema.net Online version].
 
* Stephen Herbert, Luke McKernan (eds.), ''Who's Who of Victorian Cinema: A Worldwide Survey'', London: British Film Institute, 1996. [http://victorian-cinema.net Online version].
 +
 
* Rachel P. Maines, [http://monoskop.org/log/?p=2339 ''The Technology of Orgasm: "Hysteria," the Vibrator, and Women's Sexual Satisfaction''], Baltimore: Johns Hopkins University Press, 1999.
 
* Rachel P. Maines, [http://monoskop.org/log/?p=2339 ''The Technology of Orgasm: "Hysteria," the Vibrator, and Women's Sexual Satisfaction''], Baltimore: Johns Hopkins University Press, 1999.
* Lisa Gitelman, ''Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era'', Stanford University Press, 1999, 282 pp. [http://monoskop.org/log/?p=4662]
+
 
 +
* Lisa Gitelman, ''[http://library.memoryoftheworld.org/#/book/a1a4a1e1-d7e6-45a6-8bfc-04f8db113941 Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era]'', Stanford University Press, 1999, 282 pp, [http://monoskop.org/log/?p=4662 Log].
 +
 
 
* Cornelia Vismann, ''Akten. Medientechnik und Recht'', Frankfurt am Main: Fischer, 2000. {{de}}
 
* Cornelia Vismann, ''Akten. Medientechnik und Recht'', Frankfurt am Main: Fischer, 2000. {{de}}
 
** [http://monoskop.org/log/?p=7139 ''Files: Law and Media Technology''], Stanford University Press, 2008.
 
** [http://monoskop.org/log/?p=7139 ''Files: Law and Media Technology''], Stanford University Press, 2008.
 +
 
* Donald F McLean, ''[http://monoskop.org/log/?p=9286 Restoring Baird's Image]'', Institution of Electrical Engineers, 2000, 295 pp. [http://www.tvdawn.com/rbi.htm]  
 
* Donald F McLean, ''[http://monoskop.org/log/?p=9286 Restoring Baird's Image]'', Institution of Electrical Engineers, 2000, 295 pp. [http://www.tvdawn.com/rbi.htm]  
* Jeffrey Sconce, ''Haunted Media: Electronic Presence from Telegraphy to Television'', Duke University Press, 2000, 272 pp. [[Media:Sconce_Jeffrey_Haunted_Media_ch_1.pdf|Chapter 1]], [http://web.archive.org/web/20140423121242/http://uwf.edu/pbelk/LIT_2100/pdfs/Sconce_HauntedMedia.pdf Extract (pp 110-118)].
+
 
* Stephen Graham, Simon Marvin (eds.), ''[http://gen.lib.rus.ec/book/index.php?md5=7214C38F5A3BE26A6CC21775531178B4 Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition]'', New York: Routledge, 2001.
+
* Jeffrey Sconce, ''[[Media:Sconce Jeffrey Haunted Media Electronic Presence from Telegraphy to Television 2000.pdf|Haunted Media: Electronic Presence from Telegraphy to Television]]'', Duke University Press, 2000, 272 pp. [[Media:Sconce_Jeffrey_Haunted_Media_ch_1.pdf|Chapter 1]].
* Markus Krajewski, ''ZettelWirtschaft'', Berlin: Kulturverlag Kadmos, 2002. {{de}} [http://ssl.einsnull.com/paymate/dbfiles/pdf/resource/358.pdf Review], [http://edoc.hu-berlin.de/kunsttexte/download/bwt/Kuehl.PDF Review].
+
 
 +
* Stephen Graham, Simon Marvin (eds.), ''[http://libgen.rs/book/index.php?md5=7214C38F5A3BE26A6CC21775531178B4 Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition]'', New York: Routledge, 2001.
 +
 
 +
* Markus Krajewski, ''ZettelWirtschaft'', Berlin: Kadmos, 2002. [http://ssl.einsnull.com/paymate/dbfiles/pdf/resource/358.pdf Review], [http://edoc.hu-berlin.de/kunsttexte/download/bwt/Kuehl.PDF Review]. {{de}}
 
** [http://monoskop.org/log/?p=4076 ''Paper Machines: About Cards & Catalogs, 1548-1929''], MIT Press, 2011.  
 
** [http://monoskop.org/log/?p=4076 ''Paper Machines: About Cards & Catalogs, 1548-1929''], MIT Press, 2011.  
* Giuliana Bruno, ''Atlas of Emotion: Journeys in Art, Architecture, and Film'', Verso, 2002. [http://faculty.arch.utah.edu/benham/readings/atlas.pdf Chapter 1], [http://faculty.arch.utah.edu/benham/readings/Moving%20Image.pdf Chapter 2].
+
 
* P.J.H. Kockelkoren, ''Technology: Art, Fairground and Theatre, Rotterdam: NAI Publishers, 111 pp.
+
* Giuliana Bruno, ''Atlas of Emotion: Journeys in Art, Architecture, and Film'', London: Verso, 2002. [http://faculty.arch.utah.edu/benham/readings/atlas.pdf Chapter 1], [http://faculty.arch.utah.edu/benham/readings/Moving%20Image.pdf Chapter 2].
** ''Techniek: Kunst, Kermis en Theater'', Rotterdam: NAI Publishers, 2003, 111 pp. (Dutch) [http://www.naipublishers.nl/art/techniekkunst_e.html]
+
 
* Friedrich Kittler, ''Optische Medien / Berliner Vorlesung 1999'', Berlin: Merve, 2002.
+
* Friedrich Kittler, ''Optische Medien / Berliner Vorlesung 1999'', Berlin: Merve, 2002. {{de}}
 
** [http://monoskop.org/log/?p=7557 ''Optical Media. Berlin Lectures 1999''], trans. Anthony Enns, Polity, 2009.
 
** [http://monoskop.org/log/?p=7557 ''Optical Media. Berlin Lectures 1999''], trans. Anthony Enns, Polity, 2009.
* Siegfried Zielinski, ''Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens'', Reinbek: Rowohlt Taschenbuch, 2002. [http://d-nb.info/965253627/04 Contents], [http://www.medientheorie.com/doc/archaeologie/zielinski_archaeologie.pdf Introduction]. {{de}}
+
 
 +
* Siegfried Zielinski, ''Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens'', Reinbek: Rowohlt Taschenbuch, 2002. [http://d-nb.info/965253627/04 TOC], [http://www.medientheorie.com/doc/archaeologie/zielinski_archaeologie.pdf Introduction]. {{de}}
 
** ''[http://monoskop.org/log/?p=13148 Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means]'', intro. Timothy Druckrey, trans. Gloria Custance, MIT Press, 2006.  
 
** ''[http://monoskop.org/log/?p=13148 Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means]'', intro. Timothy Druckrey, trans. Gloria Custance, MIT Press, 2006.  
* Lisa Gitelman, Geoffrey B. Pingree (eds.), [http://monoskop.org/log/?p=2027 ''New Media, 1740-1915''], MIT Press, 2003.
+
 
 +
* P.J.H. Kockelkoren, ''Technology: Art, Fairground and Theatre'', Rotterdam: NAI Publishers (Fascinations), 2003, 111 pp.
 +
** ''Techniek: Kunst, Kermis en Theater'', Rotterdam: NAI Publishers, 2003, 111 pp. [http://www.naipublishers.nl/art/techniekkunst_e.html] {{nl}}
 +
 
 +
* Lisa Gitelman, Geoffrey B. Pingree (eds.), [http://library.memoryoftheworld.org/#/book/4f7ced75-d45b-494f-95a9-48a06388df87 ''New Media, 1740-1915''], MIT Press, 2003, 271 pp, [http://monoskop.org/log/?p=2027 Log].
 +
 
 
* Wolfgang Ernst, ''[http://edoc.hu-berlin.de/humboldt-vl/ernst-wolfgang-2003-10-21/PDF/Ernst.pdf Medienwissen(schaft), zeitkritisch. Ein Programm aus der Sophienstraße. Antrittsvorlesung v. 21. Oktober 2003]'', Berlin: Humboldt University, 2004, 31 pp. {{de}}
 
* Wolfgang Ernst, ''[http://edoc.hu-berlin.de/humboldt-vl/ernst-wolfgang-2003-10-21/PDF/Ernst.pdf Medienwissen(schaft), zeitkritisch. Ein Programm aus der Sophienstraße. Antrittsvorlesung v. 21. Oktober 2003]'', Berlin: Humboldt University, 2004, 31 pp. {{de}}
* Wolfgang Lefèvre (ed.), ''[http://monoskop.org/log/?p=689 Picturing Machines 1400-1700]'', MIT Press, 2004.
+
 
 +
* Wolfgang Lefèvre (ed.), ''[http://monoskop.org/log/?p=689 Picturing Machines 1400-1700]'', MIT Press, 2004, 347 pp.
 +
 
 
* Bernard Finn (ed.), ''Presenting Pictures'', Smithsonian Institution Scholarly Press, 2004. [http://www.artefactsconsortium.org/Publications/Contents4F.html] [http://www.artefactsconsortium.org/Publications/Intro4F.html]
 
* Bernard Finn (ed.), ''Presenting Pictures'', Smithsonian Institution Scholarly Press, 2004. [http://www.artefactsconsortium.org/Publications/Contents4F.html] [http://www.artefactsconsortium.org/Publications/Intro4F.html]
 +
 
* Lisa Parks, ''[http://monoskop.org/log/?p=11667 Cultures in Orbit: Satellites and the Televisual]'', Durham: Duke University Press, 2005.
 
* Lisa Parks, ''[http://monoskop.org/log/?p=11667 Cultures in Orbit: Satellites and the Televisual]'', Durham: Duke University Press, 2005.
* Siegfried Zielinski, Silvia M. Wagnermaier (eds.), ''Variantology On Deep Time Relations Of Arts, Sciences and Technologies'', Cologne: Verlag der Buchhandlung König, 2005.
+
 
* Charles R. Acland (ed.), ''Residual Media'', University of Minnesota Press, 2006. [http://sterneworks.org/OutwiththeTrash.pdf Chapter 2].
+
* Erich Hörl, ''Die heiligen Kanäle. Über die archaische Illusion der Kommunikation'', Zürich and Berlin: diaphanes, 2005. {{de}}
* Laurent Mannoni, Werner Nekes, Marina Warner, ''Eyes, Lies and Illusions: Drawn from the Werner Nekes Collection'', ACMI, 2006. [http://www.acmi.net.au/89BA7F8025E14704AD1C48ED2697CD14.htm]
+
** ''[https://1lib.sk/book/5286295/1c0604 Sacred Channels: The Archaic Illusion of Communication]'', pref. Jean-Luc Nancy, trans. Nils F. Schott, Amsterdam: Amsterdam University Press (Recursions), 2018, 342 pp, [https://aaaaarg.fail/thing/5c6da63b9ff37c36c1622bd0 ARG]. [https://www.aup.nl/en/book/9789089647702/sacred-channels Publisher]. [https://www.jstor.org/stable/j.ctvcj3048]
* Pierre Levie, ''Montreurs et Vues d' Optique'', Editions Sofidoc, 2006. {{fr}}
+
 
* Timothy C. Campbell, ''Wireless Writing in the Age of Marconi'', University of Minnesota Press, 2006.
+
* Siegfried Zielinski, Silvia M. Wagnermaier (eds.), ''[https://aaaaarg.fail/thing/606ebd059ff37c4eec2e81e5 Variantology: On Deep Time Relations Of Arts, Sciences and Technologies]'', Cologne: Verlag der Buchhandlung König, 2005.
* Lisa Gitelman, [http://monoskop.org/log/?p=669 ''Always Already New: Media, History, and the Data of Culture''], MIT Press, 2006.
+
 
 +
* Charles R. Acland (ed.), ''Residual Media'', Minneapolis, MN: University of Minnesota Press, 2006. [https://sterneworks.org/OutwiththeTrash.pdf Chapter 2].
 +
 
 +
* Laurent Mannoni, Werner Nekes, Marina Warner, ''Eyes, Lies and Illusions: Drawn from the Werner Nekes Collection'', ACMI, 2006. [http://www.acmi.net.au/89BA7F8025E14704AD1C48ED2697CD14.htm Publisher].
 +
 
 +
* Pierre Levie, ''Montreurs et Vues d' Optique'', Sofidoc, 2006. {{fr}}
 +
 
 +
* Timothy C. Campbell, ''Wireless Writing in the Age of Marconi'', Minneapolis, MN: University of Minnesota Press, 2006.
 +
 
 +
* Lisa Gitelman, ''[http://library.memoryoftheworld.org/#/book/5edeffae-c343-4e07-8e08-271791feb9dc Always Already New: Media, History, and the Data of Culture]'', MIT Press, 2006, xiii+205 pp, [http://monoskop.org/log/?p=669 Log]. [https://mitpress.mit.edu/books/always-already-new Publisher].
 +
 
 
* Bernhard J. Dotzler, ''[http://cdn.anonfiles.com/1394099963968.pdf Diskurs und Medium. Zur Archäologie der Computerkultur]'', Munich: Fink, 2006, 233 pp. {{de}}
 
* Bernhard J. Dotzler, ''[http://cdn.anonfiles.com/1394099963968.pdf Diskurs und Medium. Zur Archäologie der Computerkultur]'', Munich: Fink, 2006, 233 pp. {{de}}
* Siegfried Zielinski, David Link (eds.), ''Variantology 2 On Deep Time Relations Of Arts, Sciences and Technologies'', Cologne: Verlag der Buchhandlung König, 2006.
+
 
 +
* Siegfried Zielinski, David Link (eds.), ''[https://aaaaarg.fail/thing/606e17799ff37c7ad32e81d5 Variantology 2: On Deep Time Relations Of Arts, Sciences and Technologies]'', Cologne: Verlag der Buchhandlung König, 2006.
 +
 
 
* James Lyons, John Plunkett, ''Multimedia Histories: From Magic Lanterns to Internet'', University of Exeter Press, 2007. [http://www.exeterpress.co.uk/en/Book/447/Multimedia_Histories.html]
 
* James Lyons, John Plunkett, ''Multimedia Histories: From Magic Lanterns to Internet'', University of Exeter Press, 2007. [http://www.exeterpress.co.uk/en/Book/447/Multimedia_Histories.html]
* Eric Kluitenberg (ed.), ''Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium'', Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2007, 292 pp. With DVD. [http://org.noemalab.eu/sections/ideas/ideas_articles/pdf/kluitenberg_conn_machines.pdf Chapters by Eric Kluitenberg] and [http://gebseng.com/media_archeology/reading_materials/Erkki_Huhtamo-Pleasures_of_the_Peephole.pdf Erkki Huhtamo]. [http://www.naipublishers.nl/art/imaginary_media_e.html]
+
 
** ''Imagināro mediju grāmata. Vispatiesākā komunikācijas medija sapņa meklējumos'', trans. Daina Siliņa, Riga: RIXC, 2011, 280 pp. {{lv}} [http://www.rixc.lv/projects/imaginarie_mediji/b/img_atverumi.pdf Preview]. [http://rixc.lv/projects/imaginarie_mediji/index.html]
+
*{{a|Kluitenberg2006}}Eric Kluitenberg (ed.), ''[https://monoskop.org/log/?p=22226 Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium]'', Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2006, 296 pp. With DVD.  
* Wolfgang Ernst, ''Das Gesetz des Gedächtnisses: Medien und Archive am Ende (des 20. Jahrhunderts)'', Berlin: Kulturverlag Kadmos, 2007. {{de}} [http://swbplus.bsz-bw.de/bsz274074613inh.pdf Contents]. [http://hsozkult.geschichte.hu-berlin.de/rezensionen/type=rezbuecher&id=10743&view=pdf Review].
+
** ''Boek van de imaginaire Media: over de droom van het ultieme communicatiemedium'', Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2006, 320 pp. [http://web.archive.org/web/20091221194654/http://www.naipublishers.nl/kunst/ima_media_nl.html] {{nl}}
 +
** ''Imagināro mediju grāmata. Vispatiesākā komunikācijas medija sapņa meklējumos'', trans. Daina Siliņa, Riga: RIXC, 2011, 280 pp. [http://www.rixc.lv/projects/imaginarie_mediji/b/img_atverumi.pdf Preview]. [http://rixc.lv/projects/imaginarie_mediji/index.html] {{lv}}
 +
 
 +
* Wolfgang Ernst, ''[https://aaaaarg.fail/thing/5237422a307888133300002d Das Gesetz des Gedächtnisses. Medien und Archive am Ende (des 20. Jahrhunderts)]'', Berlin: Kadmos, 2007. [http://www.kulturverlag-kadmos.de/buch/das-gesetz-des-gedaechtnisses.html Publisher]. Review: [http://hsozkult.geschichte.hu-berlin.de/rezensionen/type=rezbuecher&id=10743&view=pdf Zierold] (H-Net). {{de}}
 +
 
 
* Jussi Parikka, ''Digital Contagions: A Media Archeology of Computer Viruses'', New York: Peter Lang, 2007. [http://www.medientheorie.com/doc/archaeologie/parikka_digital%20contagions.pdf Conclusions]. [http://www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&seitentyp=produkt&pk=46484&concordeid=68837]
 
* Jussi Parikka, ''Digital Contagions: A Media Archeology of Computer Viruses'', New York: Peter Lang, 2007. [http://www.medientheorie.com/doc/archaeologie/parikka_digital%20contagions.pdf Conclusions]. [http://www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&seitentyp=produkt&pk=46484&concordeid=68837]
 +
 
* José Roca, ''Phantasmagoria - Specters of Absence'', Independent Curators International, 2007.  
 
* José Roca, ''Phantasmagoria - Specters of Absence'', Independent Curators International, 2007.  
 +
 
* Chris Funkhouser, [http://monoskop.org/log/?p=179 ''Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995''], University of Alabama Press, 2007.
 
* Chris Funkhouser, [http://monoskop.org/log/?p=179 ''Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995''], University of Alabama Press, 2007.
* Siegfried Zielinski, Eckhard Fürus (eds.), ''Variantology 3 On Deep Time Relations Of Arts, Sciences and Technologies in China and Elsewhere'', Cologne: Verlag der Buchhandlung König, 2008.  
+
 
* Nike Bätzner, Werner Nekes, Eva Schmidt (eds.), ''Blickmaschinen, oder wie Bilder entstehen'', DuMont, 2008. Catalogue. {{de}} [http://www.blickmaschinen.de/katalog.php?id=31]
+
* Siegfried Zielinski, Eckhard Fürus (eds.), ''[https://1lib.sk/book/5282322/f0e5d3 Variantology 3: On Deep Time Relations Of Arts, Sciences and Technologies in China and Elsewhere]'', Cologne: Verlag der Buchhandlung König, 2008, [http://libgen.rs/book/index.php?md5=DA188EE3926BB74E899490E9DE6C9177 PDF], [https://aaaaarg.fail/thing/606ebca09ff37c4eec2e81e2 ARG].  
 +
 
 +
* Nike Bätzner, Werner Nekes, Eva Schmidt (eds.), ''Blickmaschinen, oder wie Bilder entstehen'', DuMont, 2008. Catalogue. [http://www.blickmaschinen.de/katalog.php?id=31] {{de}}
 +
 
 
* Marina Warner, ''Phantasmagoria - Spirit Visions, Metaphors, and Media'', Oxford University Press, 2008. [http://www.oup.com/us/catalog/general/subject/LiteratureEnglish/MythologyFolklore/?view=usa&ci=9780199239238]
 
* Marina Warner, ''Phantasmagoria - Spirit Visions, Metaphors, and Media'', Oxford University Press, 2008. [http://www.oup.com/us/catalog/general/subject/LiteratureEnglish/MythologyFolklore/?view=usa&ci=9780199239238]
 +
 
* Lynda Nead, ''The Haunted Gallery: Painting, Photography and Film around 1900'', Yale University Press, 2008. [http://yalepress.yale.edu/yupbooks/book.asp?isbn=9780300112917]
 
* Lynda Nead, ''The Haunted Gallery: Painting, Photography and Film around 1900'', Yale University Press, 2008. [http://yalepress.yale.edu/yupbooks/book.asp?isbn=9780300112917]
* Deac Rossel, ''Laterna Magica - Magic Lantern Vol I'', Füsslin, 2008. {{de}}/{{en}} [http://www.fuesslin.de/Magic_Lantern.136.0.html?&L=2]
+
 
 +
* Deac Rossel, ''Laterna Magica - Magic Lantern Vol I'', Füsslin, 2008. [http://www.fuesslin.de/Magic_Lantern.136.0.html?&L=2] {{de}}/{{en}}
 +
 
 
* Dieter Daniels, Barbara U. Schmidt (eds.), ''Artists as Inventors-Inventors as Artists'', Hatje Cantz, 2008, 240 pp.
 
* Dieter Daniels, Barbara U. Schmidt (eds.), ''Artists as Inventors-Inventors as Artists'', Hatje Cantz, 2008, 240 pp.
 +
 
* Ovidiu Tichindeleanu, ''The Graphic Sound. An Archeology of Sound, Technology and Knowledge at 1900'', ProQuest, 2008, 555 pp.
 
* Ovidiu Tichindeleanu, ''The Graphic Sound. An Archeology of Sound, Technology and Knowledge at 1900'', ProQuest, 2008, 555 pp.
 +
 
* Kazys Varnelis (ed.), ''The Infrastructural City: Networked Ecologies in LA'', New York: Actar, The Los Angeles Forum for Architecture and Urban Design, and The Network Architecture Lab at Columbia University, 2009. [http://tocs.ulb.tu-darmstadt.de/207367159.pdf Contents].
 
* Kazys Varnelis (ed.), ''The Infrastructural City: Networked Ecologies in LA'', New York: Actar, The Los Angeles Forum for Architecture and Urban Design, and The Network Architecture Lab at Columbia University, 2009. [http://tocs.ulb.tu-darmstadt.de/207367159.pdf Contents].
* Dominique Willoughby, ''Le Cinéma graphique: Une histoire des dessins animés, des jouets d’optique au cinéma numérique'', Les editions textuel, 2009. {{fr}} [http://www.editionstextuel.com/index.php?cat=020371&id=448]
+
 
* Solveig Jülich, Patrik Lundell, Pelle Snickars (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Mediernas_kulturhistoria.pdf Mediernas kulturhistoria]'', Stockholm: Mediehistoriskt arkiv, 2009. {{sw}} [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/Mediernas-kulturhistoria/]
+
* Dominique Willoughby, ''Le Cinéma graphique: Une histoire des dessins animés, des jouets d’optique au cinéma numérique'', Les editions textuel, 2009. [http://www.editionstextuel.com/index.php?cat=020371&id=448] {{fr}}
* Anders Ekström, Solveig Jülich, Pelle Snickars (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/1897/1897.pdf 1897 – Mediehistorier kring Stockholmsutställningen]'', Stockholm: Mediehistoriskt arkiv, 2009. {{sw}} [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/1897---Mediehistorier-kring-Stockholmsutstallningen/]
+
 
* Jonas Harvard, Patrik Lundell (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/1800-talets%20mediesystem/1800-talets_mediesystem.pdf.pdf 1800-talets mediesystem]'', Stockholm: Mediehistoriskt arkiv, 2010. {{sw}} [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/1800-talets-mediesystem/]
+
* Solveig Jülich, Patrik Lundell, Pelle Snickars (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Mediernas_kulturhistoria.pdf Mediernas kulturhistoria]'', Stockholm: Mediehistoriskt arkiv, 2009. [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/Mediernas-kulturhistoria/] {{sw}}
* Lars Björk, Jānis Krēsliņš och Matts Lindström  (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Storage/KB6205_Story%20of%20Storage_Kompendium_5.pdf The Story of Storage I. Kompendium]'', Stockholm: Mediehistoriskt arkiv, 2010. {{sw}} [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/The-Story-of-Storage/]
+
 
* Siegfried Zielinski, Eckhard Fürus (eds.), ''Variantology 4 On Deep Time Relations of Arts, Sciences and Technologies in the Arabic-Islamic World and Beyond'', Cologne: Verlag der Buchhandlung Walther König, 2010.
+
* Anders Ekström, Solveig Jülich, Pelle Snickars (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/1897/1897.pdf 1897 – Mediehistorier kring Stockholmsutställningen]'', Stockholm: Mediehistoriskt arkiv, 2009. [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/1897---Mediehistorier-kring-Stockholmsutstallningen/] {{sw}}
 +
 
 +
* Jonas Harvard, Patrik Lundell (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/1800-talets%20mediesystem/1800-talets_mediesystem.pdf.pdf 1800-talets mediesystem]'', Stockholm: Mediehistoriskt arkiv, 2010. [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/1800-talets-mediesystem/] {{sw}}
 +
 
 +
* Lars Björk, Jānis Krēsliņš och Matts Lindström  (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Storage/KB6205_Story%20of%20Storage_Kompendium_5.pdf The Story of Storage I. Kompendium]'', Stockholm: Mediehistoriskt arkiv, 2010. [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/The-Story-of-Storage/] {{sw}}
 +
 
 +
* Siegfried Zielinski, Eckhard Fürus (eds.), ''[https://aaaaarg.fail/thing/606eb4db9ff37c280a2e81c8 Variantology 4: On Deep Time Relations of Arts, Sciences and Technologies in the Arabic-Islamic World and Beyond]'', Cologne: Verlag der Buchhandlung Walther König, 2010.
 +
 
 
* Peter Morris, Klaus Staubermann (eds.), ''Illuminating Instruments'', Smithsonian Institution Scholarly Press, 2010. [http://www.artefactsconsortium.org/Publications/Contents7F.html] [http://www.artefactsconsortium.org/Publications/Intro7F.html]
 
* Peter Morris, Klaus Staubermann (eds.), ''Illuminating Instruments'', Smithsonian Institution Scholarly Press, 2010. [http://www.artefactsconsortium.org/Publications/Contents7F.html] [http://www.artefactsconsortium.org/Publications/Intro7F.html]
* Jussi Parikka, [http://gen.lib.rus.ec/book/index.php?md5=FC63B9B2EF00638A1D1F1D919F456C54 ''Insect Media: An Archaeology of Animals and Technology''], University of Minnesota Press, 2010.
+
 
* Pasi Väliaho, ''[http://monoskop.org/log/?p=1665 Mapping the Moving Image: Gesture, Thought and Cinema Circa 1900]'', Amsterdam University Press, 2010.
+
* Jussi Parikka, [http://libgen.rs/book/index.php?md5=FC63B9B2EF00638A1D1F1D919F456C54 ''Insect Media: An Archaeology of Animals and Technology''], Minneapolis, MN: University of Minnesota Press (Posthumanities), 2010, xxxv+281 pp. [https://www.upress.umn.edu/book-division/books/insect-media Publisher].
* Erkki Huhtamo, Jussi Parikka (eds.), [http://monoskop.org/log/?p=6933 ''Media Archaeology: Approaches, Applications, and Implications''], University of California Press, 2011. [http://www.ucpress.edu/book.php?isbn=9780520262744]
+
** ''Owady i media'', trans. Mateusz Borowski and Małgorzata Sugiera, Kraków: Księgarnia Akademicka, 2017, 375 pp. {{pl}}
* Paul DeMarinis, ''Buried in Noise'', Kehrer, 2011. {{de}}/{{en}} [http://www.artbooksheidelberg.com/html/detail/en/paul-demarinis-978-3-86828-141-5.html]
+
 
* Siegfried Zielinski, Eckhard Fürus (eds.), ''Variantology 5: Neapolitan Affairs'', Cologne: Verlag der Buchhandlung König, 2011.
+
* Pasi Väliaho, ''[http://monoskop.org/log/?p=1665 Mapping the Moving Image: Gesture, Thought and Cinema Circa 1900]'', Amsterdam: Amsterdam University Press (Film Culture in Transition), 2010, 256 pp.
 +
 
 +
* Paul DeMarinis, ''[https://aaaaarg.fail/thing/606ddab09ff37c6a502e81c0 Buried in Noise]'',  eds. Ingrid Beirer, Sabine Himmelsbach, and Carsten Seiffarth, Heidelberg: Kehrer, 2010, 280 pp. [https://www.kehrerverlag.com/en/paul-demarinis-buried-in-noise-978-3-86828-141-5 Publisher]. {{en}}/{{de}}
 +
 
 +
* Erkki Huhtamo, Jussi Parikka (eds.), ''[http://monoskop.org/log/?p=6933 Media Archaeology: Approaches, Applications, and Implications]'', Berkeley, CA: University of California Press, 2011, x+356 pp.
 +
** ''Mei jie kao gu xue: fang fa.lu jing yu yi han'' [媒介考古学: 方法.路径与意涵], Shanghai: Fu dan da xue chu ban she, 2018, 342 pp. {{cn}}
 +
 
 +
* Siegfried Zielinski, Eckhard Fürus (eds.), ''[https://aaaaarg.fail/thing/606eb4d69ff37c4eec2e81dc Variantology 5: Neapolitan Affairs]'', Cologne: Verlag der Buchhandlung König, 2011.
 +
 
 
* Florian Cramer, [http://monoskop.org/log/?p=5936 ''Exe.cut(up)able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts''], Munich: Wilhelm Fink, 2011. {{de}}
 
* Florian Cramer, [http://monoskop.org/log/?p=5936 ''Exe.cut(up)able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts''], Munich: Wilhelm Fink, 2011. {{de}}
* Johan Jarlbrink, Patrik Lundell (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Fr%C3%A5n%20pressarkivet/Fran_pressarkivet.pdf Från pressarkivet 1800-1899. En källsamling]'', Stockholm: Mediehistoriskt arkiv, 2012. {{sw}} [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/Fran-pressarkivet-1800-1899-En-kallsamling/]
+
 
* Alexandra Hui, ''[http://gen.lib.rus.ec/book/index.php?md5=f2a214b0320f9f8efb650775a121d047 The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840-1910]'', The MIT Press, 2012. [http://mitpress.mit.edu/books/psychophysical-ear-0]
+
* Johan Jarlbrink, Patrik Lundell (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Fr%C3%A5n%20pressarkivet/Fran_pressarkivet.pdf Från pressarkivet 1800-1899. En källsamling]'', Stockholm: Mediehistoriskt arkiv, 2012. [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/Fran-pressarkivet-1800-1899-En-kallsamling/] {{sw}}
* Jussi Parikka, ''[http://gen.lib.rus.ec/book/index.php?md5=2f2a3190395185b7caa41459989dedf3 What is Media Archaeology?]'', Polity, 2012.
+
 
* John Tresch, ''[http://gen.lib.rus.ec/book/index.php?md5=54c307c59d6b2d732f2c88d60399b601 The Romantic Machine: Utopian Science and Technology after Napoleon]'', University of Chicago Press, 2012. [http://press.uchicago.edu/ucp/books/book/chicago/R/bo12645421.html]
+
* Alexandra Hui, ''[http://libgen.rs/book/index.php?md5=f2a214b0320f9f8efb650775a121d047 The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840-1910]'', MIT Press, 2012. [http://mitpress.mit.edu/books/psychophysical-ear-0 Publisher].
* Jonathan Sterne, ''[http://monoskop.org/log/?p=6984 MP3: The Meaning of a Format]'', Duke University Press, 2012.
+
 
 +
* Jussi Parikka, ''[http://libgen.rs/book/index.php?md5=2f2a3190395185b7caa41459989dedf3 What is Media Archaeology?]'', Polity, 2012.
 +
** ''Medya Arkeolojisi Nedir?'', trans. Ebru Kılıç, ed. Ferit Burak Aydar, Istanbul: Koç Üniversitesi, 2017, 264 pp. [https://press.ku.edu.tr/kitap/medya-arkeolojisi-nedir/ Publisher]. {{tr}}
 +
** ''Qu'est-ce que l'archéologie des médias?'', pref. Emmanuel Guez, trans. Christophe Degoutin, Grenoble: UGA Editions, 2018, 323 pp. [https://www.uga-editions.com/menu-principal/collections-et-revues/toutes-nos-collections/savoirs-litteraires-et-imaginaires-scientifiques/qu-est-ce-que-l-archeologie-des-media--282025.kjsp Publisher]. Review: [https://halshs.archives-ouvertes.fr/halshs-01954550/document Sevin] (Lectures). {{fr}}
 +
** ''Archeologia dei media: nuove prospettive per la storia e la teoria della comunicazione'', pref. Ruggero Eugeni, postf. Simone Venturini, Rome: Carocci, 2019, 282 pp. {{it}}
 +
 
 +
* John Tresch, ''[http://libgen.rs/book/index.php?md5=54c307c59d6b2d732f2c88d60399b601 The Romantic Machine: Utopian Science and Technology after Napoleon]'', Chicago: University of Chicago Press, 2012, 472 pp. [https://press.uchicago.edu/ucp/books/book/chicago/R/bo12645421.html Publisher].
 +
 
 +
* Jonathan Sterne, ''[http://monoskop.org/log/?p=6984 MP3: The Meaning of a Format]'', Durham, NC: Duke University Press (Sign, Storage, Transmission), 2012, 341 pp.
 +
 
 
* Karla Jasso, Daniel Garza Usabiaga (eds.): ''[https://monoskop.org/log/?p=18406 (Ready) Media: Hacia una arqueología de los medios y la invención en México]'', Mexico City: Instituto Nacional de Bellas Artes y Literatura, 2012, 519 pp. {{es}}
 
* Karla Jasso, Daniel Garza Usabiaga (eds.): ''[https://monoskop.org/log/?p=18406 (Ready) Media: Hacia una arqueología de los medios y la invención en México]'', Mexico City: Instituto Nacional de Bellas Artes y Literatura, 2012, 519 pp. {{es}}
* Wolfgang Ernst, ''[http://monoskop.org/log/?p=14030 Digital Memory and the Archive]'', University of Minnesota Press, 2012.  
+
 
* Wolfgang Ernst, ''Chronopoetik. Zeitweisen und Zeitgaben technischer Medien'', Berlin: Kadmos, 2013, 428 pp. ISBN 3865991432. [http://d-nb.info/1021565679/04 TOC], [http://www.kulturverlag-kadmos.de/buch/chronopoetik.html]. Review: [http://muse.jhu.edu/journals/german_studies_review/v037/37.2.powell.html Powell] (2014, EN).
+
* Wolfgang Ernst, ''[http://monoskop.org/log/?p=14030 Digital Memory and the Archive]'', ed. & intro. Jussi Parikka, University of Minnesota Press, 2012, 265 pp. Reviews: [http://reviewsinculture.com/2013/09/15/under-the-hood-of-wolfgang-ernsts-media-archaeology/ Young] (RiC), [http://www.infoculturejournal.org/book_reviews/ernst_ward_2014 Ward] (I&C).  
* Shintaro Miyazaki, ''Algorhythmisiert: Eine Medienarchäologie digitaler Signale und (un)erhörter Zeiteffekte'', Kulturverlag Kadmos, 2013, 281 pp. [http://www.academia.edu/3641556/ Introduction]. {{de}} [http://ssl.einsnull.com/paymate/search.php?vid=5&aid=3414]
+
 
* Frode Weium, Tim Boon (eds.), ''Material Culture and Electronic Sound'', Smithsonian Institution Scholarly Press, 2013, 312 pp. [http://rowman.com/ISBN/9781935623106]
+
* Wolfgang Ernst, ''Chronopoetik. Zeitweisen und Zeitgaben technischer Medien'', Berlin: Kadmos (Berliner Programm einer Medienwissenschaft), 2013, 428 pp. [http://d-nb.info/1021565679/04 TOC]. [http://www.kulturverlag-kadmos.de/buch/chronopoetik.html Publisher]. Review: [http://muse.jhu.edu/journals/german_studies_review/v037/37.2.powell.html Powell] (GSR, EN). {{de}}
* Erkki Huhtamo, ''[http://aaaaarg.fail/ref/750eaec680ab48f8e9642e0c5b21cffb#0.01 Illusions In Motion: Media Archaeology of the Moving Panorama and Related Spectacles]'', MIT Press, 2013. [http://mitpress.mit.edu/books/illusions-motion]
+
** ''[http://library.memoryoftheworld.org/#/book/e24f2f39-b923-43a4-8c79-64c898c93d82 Chronopoetics: The Temporal Being and Operativity of Technological Media]'', Rowman & Littlefield (Media Philosophy), 2016, 288 pp. Trans. of abridged version. [https://rowman.com/ISBN/9781783485710/ Publisher].
 +
 
 +
* Shintaro Miyazaki, ''Algorhythmisiert: eine Medienarchäologie digitaler Signale und (un)erhörter Zeiteffekte'', Berlin: Kadmos (Berliner Programm einer Medienwissenschaft), 2013, 281 pp. [http://www.academia.edu/3641556/ Introduction]. [https://www.kulturverlag-kadmos.de/buch/algorhythmisiert.html Publisher]. [http://ssl.einsnull.com/paymate/search.php?vid=5&aid=3414] {{de}}
 +
 
 +
* Frode Weium, Tim Boon (eds.), ''Material Culture and Electronic Sound'', Smithsonian Institution Scholarly Press (Artefacts), 2013, 312 pp. [https://scholarlypress.si.edu/store/museum-studies-art/material-culture-electronic-sound/ Publisher].
 +
 
 +
* Erkki Huhtamo, ''[https://1lib.sk/book/2635815/d04af7 Illusions in Motion: Media Archaeology of the Moving Panorama and Related Spectacles]'', MIT Press (Leonardo), 2013, 464 pp. [http://mitpress.mit.edu/books/illusions-motion Publisher].
 +
 
 
* Karla Jasso, ''[http://monoskop.org/log/?p=12723 Arte-tecnología. Arqueología, dialéctica, mediación]'', México D.F.: self-published, 2013, 329 pp. {{es}}
 
* Karla Jasso, ''[http://monoskop.org/log/?p=12723 Arte-tecnología. Arqueología, dialéctica, mediación]'', México D.F.: self-published, 2013, 329 pp. {{es}}
* Lisa Gitelman, ''[http://monoskop.org/log/?p=11855 Paper Knowledge: Toward a Media History of Documents]'', Durham: Duke University Press, 2014, 210 pp.
+
 
 +
* Lisa Gitelman, ''[http://monoskop.org/log/?p=11855 Paper Knowledge: Toward a Media History of Documents]'', Durham, NC: Duke University Press (Sign, Storage, Transmission), 2014, 210 pp.
 +
** ''Zhi zhi shi: Guan yu wen dang de mei jie li shi'' [纸知识 : 关于文档的媒介历史], trans. Yun Wang, Shanghai: Fu dan da xue chu ban she you xian gong si, 2020, 194 pp. {{cn}}
 +
 
* Marie Cronqvist, Patrik Lundell, Pelle Snickars (eds.), ''[http://monoskop.org/log/?p=13674 Återkopplingar]'', Lund University, 2014, 416 pp. {{sw}}
 
* Marie Cronqvist, Patrik Lundell, Pelle Snickars (eds.), ''[http://monoskop.org/log/?p=13674 Återkopplingar]'', Lund University, 2014, 416 pp. {{sw}}
* Thomas Elsaesser, ''Film History as Media Archaeology: Tracking Digital Cinema'', Amsterdam University Press, 2016, 414 pp. Collected essays. [http://www.tandfonline.com/doi/full/10.1080/17400309.2016.1146858 Epilogue]. [http://en.aup.nl/books/9789462980570-film-history-as-media-archaeology.html]
+
 
 +
* Wolfgang Ernst, ''[http://library.memoryoftheworld.org/#/book/63e3203b-a063-4198-a07a-3ea719b68115 Sonic Time Machines: Explicit Sound, Sirenic Voices, and Implicit Sonicity]'', forew. Liam Cole Young, Amsterdam: Amsterdam University Press (Recursions), 2016, 160 pp. [https://www.aup.nl/en/book/9789089649492/sonic-time-machines Publisher]. Reviews: [http://www.theoryculturesociety.org/review-wolgang-ernsts-sonic-time-machines-stephen-cornford/ Cornford] (TCS), [https://www.leonardo.info/review/2016/11/review-of-sonic-time-machines-explicit-sound-sirenic-voices-and-implicit-sonicity Harle] (Leonardo).
 +
 
 +
* Thomas Elsaesser, ''[https://1lib.sk/book/5420084/e72529 Film History as Media Archaeology: Tracking Digital Cinema]'', Amsterdam: Amsterdam University Press (Film Culture in Transition), 2016, 414 pp. Collected essays. [http://www.tandfonline.com/doi/full/10.1080/17400309.2016.1146858 Epilogue]. [https://www.aup.nl/en/book/9789462980570/film-history-as-media-archaeology Publisher].
 +
 
 +
* Roger Whitson, ''Steampunk and Nineteenth-Century Digital Humanities: Literary Retrofuturisms, Media Archaeologies, Alternate Histories'', Routledge, 2016, 244 pp. [https://www.routledge.com/Steampunk-and-Nineteenth-Century-Digital-Humanities-Literary-Retrofuturisms/Whitson/p/book/9781138859500 Publisher].
 +
 
 +
* Liam Cole Young ''[https://1lib.sk/book/5931815/3d94f7 List Cultures: Knowledge and Poetics from Mesopotamia to BuzzFeed]'', Amsterdam: Amsterdam University Press (Recursions), 2017, 196 pp. [https://www.aup.nl/en/book/9789462981102/list-cultures Publisher].
 +
 
 +
* Thor Magnusson, ''[https://monoskop.org/log/?p=21494 Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions]'', New York: Bloomsbury Academic, 2019, xiv+290 pp.
 +
 
 +
* Moritz Hiller, Stefan Höltgen (eds.), ''Archäographien. Aspekte einer radikalen Medienarchäologie. Festschrift für Wolfgang Ernst'', Basel: Schwabe, 2019, 354 pp. [https://issuu.com/schwabeverlag/docs/lp_9783757400217 TOC & Foreword]. {{de}},{{en}}
 +
 
 +
* Siegfried Zielinski, ''[https://monoskop.org/log/?p=21823 Variations on Media Thinking]'', University of Minnesota Press (Posthumanities), 2019, xxv+426 pp. Selected essays.
 +
 
 +
* Ben Roberts, Mark Goodall (eds.), ''[https://1lib.sk/book/11448816/97ef67 New Media Archaeologies]'', Amsterdam: Amsterdam University Press (Recursions), 2019, 238 pp. [https://www.aup.nl/en/book/9789462982161/new-media-archaeologies Publisher].
 +
 
 +
* Knut Ebeling, Annette Maechtel, Heimo Lattner (eds.), ''Never Mind the Nineties: eine Medienarchäologie des Kunststandorts Berlin'', Berlin: Eeclectic, 2019. [https://eeclectic.de/produkt/never-mind-the-nineties/ Publisher]. {{de}}
 +
 
 +
* Doron Galili, ''[https://1lib.sk/book/6127767/dc957b Seeing by Electricity: The Emergence of Television, 1878-1939]'', Durham, NC: Duke University Press (Sign, Storage, Transmission), 2020, 264 pp. [https://www.dukeupress.edu/seeing-by-electricity Publisher].
 +
 
 +
* Bernhard Rieder, ''[[Media:Rieder_Bernhard_Engines_of_Order_A_Mechanology_of_Algorithmic_Techniques_2020.pdf|Engines of Order: A Mechanology of Algorithmic Techniques]]'', Amsterdam: Amsterdam University Press (Recursions), 2020, 353 pp. [https://library.oapen.org/handle/20.500.12657/39371 OAPEN]. [https://www.aup.nl/en/book/9789462986190/engines-of-order Publisher].
 +
 
 +
* Jane Birkin, ''[https://1lib.sk/book/11341529/85a4e7 Archive, Photography and the Language of Administration]'', Amsterdam: Amsterdam University Press (Recursions), 2021, 218 pp. [https://www.aup.nl/en/book/9789463729642/archive-photography-and-the-language-of-administration Publisher].
 +
 
 +
* Jacob Gaboury, ''Image Objects: An Archaeology of Computer Graphics'', MIT Press, 2021, 312 pp. [https://mitpress.mit.edu/books/image-objects Publisher].
 +
 
 
* [http://monoskop.org/log/?tag=media-archeology Publications on media archaeology at Monoskop Log]
 
* [http://monoskop.org/log/?tag=media-archeology Publications on media archaeology at Monoskop Log]
  
 
===Journal issues and Special sections===
 
===Journal issues and Special sections===
* ''Grey Room'', No. 43 (Spring 2011), Special issue: "Audio/Visual". [http://www.mitpressjournals.org/toc/grey/-/43]
+
* ''Grey Room'' 43: "Audio/Visual", Spring 2011. [http://www.mitpressjournals.org/toc/grey/-/43]
* [http://amodern.net/issues/amodern-2-network-archaeology/ ''Amodern'', No. 2 (2013), Special Issue: "Network Archaeology"].
+
* [http://amodern.net/issues/amodern-2-network-archaeology/ ''Amodern'' 2 "Network Archaeology"], 2013.
 +
* [https://monoskop.org/images/e/e9/Tiszataj_69_4_2015.pdf#page=59 ''Tiszatáj'' 69(4): "Médiumok magánélete: A hardver mikro eseményeiről"], Szeged, Apr 2015, pp 57-103, [http://tiszatajonline.hu/?tag=a-medium-szot-ker-a-hardver-mikroesemenyeirol HTML]. {{hu}}
 +
* [http://journals.equinoxpub.com/JCA/issue/view/2120/showToc ''Journal of Contemporary Archaeology'' 2(1): "Media-Archaeologies"], ed. Angela A. Piccini, 2015.
 +
* ''Twentieth-Century Music'' 14(1): "Tape", eds. Andrea F. Bohlman and Peter McMurray, Feb 2017. [https://www.cambridge.org/core/journals/twentieth-century-music/issue/B2DDE3A0EE830D5719148839FC6CCAEA]
 +
* [https://scholarworks.umass.edu/cpo/vol7/iss1/ ''communication +1'' 7(1): "Intersectionalities and Media Archaeologies"], eds. Zachary J. McDowell and Nathanael Bassett, 2018.
 +
* [https://scholarworks.umass.edu/cpo/vol7/iss2/ ''communication +1'' 7(2): "Intersectionalities and Media Archaeologies"], eds. Zachary J. McDowell and Nathanael Bassett, 2018.
  
 
===Book chapters, Papers, Articles===
 
===Book chapters, Papers, Articles===
Line 156: Line 275:
 
* Shannon Mattern, [http://www.wordsinspace.net/wordpress/2010/07/20/from-fire-alarms-to-copy-machines-local-primary-materials-on-urban-media-history/ "From Post Offices to Radiograms: Local Primary Resources on Urban Media History"], ''Words In Space'' blog, 20 July 2010.
 
* Shannon Mattern, [http://www.wordsinspace.net/wordpress/2010/07/20/from-fire-alarms-to-copy-machines-local-primary-materials-on-urban-media-history/ "From Post Offices to Radiograms: Local Primary Resources on Urban Media History"], ''Words In Space'' blog, 20 July 2010.
 
* Garnet Hertz, Jussi Parikka, [http://www.academia.edu/1182981/Zombie_Media_Circuit_Bending_Media_Archaeology_into_an_Art_Method "Zombie Media: Circuit Bending Media Archaeology into an Art Method"], ''Leonardo'', 2012.
 
* Garnet Hertz, Jussi Parikka, [http://www.academia.edu/1182981/Zombie_Media_Circuit_Bending_Media_Archaeology_into_an_Art_Method "Zombie Media: Circuit Bending Media Archaeology into an Art Method"], ''Leonardo'', 2012.
* Roger Whitson, [http://www.branchcollective.org/?ps_articles=roger-whitson-the-difference-engine "The Difference Engine: 1832, 1855, 1876, 1991, 2002, 2008″], BRANCH: Britain, Representation, and Nineteenth-Century History, 2017.
+
* Roger Whitson, [http://www.branchcollective.org/?ps_articles=roger-whitson-the-difference-engine "The Difference Engine: 1832, 1855, 1876, 1991, 2002, 2008″], "BRANCH: Britain, Representation, and Nineteenth-Century History", 2017.
 
* Shannon Mattern, [http://www.wordsinspace.net/wordpress/2012/07/20/infrastructural-tourism/ "Infrastructural Tourism"], ''Words in Space'' blog, 20 July 2012.  
 
* Shannon Mattern, [http://www.wordsinspace.net/wordpress/2012/07/20/infrastructural-tourism/ "Infrastructural Tourism"], ''Words in Space'' blog, 20 July 2012.  
 
* Petra Löffler, "[http://www.necsus-ejms.org/towards-a-new-media-archaeology-a-report-on-some-books-and-tendencies/ Towards a new media archaeology? A report on some books and tendencies]", ''NECSUS / European Journal of Media Studies'' 1 (Spring 2012).
 
* Petra Löffler, "[http://www.necsus-ejms.org/towards-a-new-media-archaeology-a-report-on-some-books-and-tendencies/ Towards a new media archaeology? A report on some books and tendencies]", ''NECSUS / European Journal of Media Studies'' 1 (Spring 2012).
Line 163: Line 282:
 
* Morten Riis, "The Media Archaeological Repairman", ''Organised Sound'' 18:3 (December 2013), pp 255-265. [http://dx.doi.org/10.1017/S1355771813000228]
 
* Morten Riis, "The Media Archaeological Repairman", ''Organised Sound'' 18:3 (December 2013), pp 255-265. [http://dx.doi.org/10.1017/S1355771813000228]
 
* Georgii Pocheptsov (Георгий Почепцов), [http://gefter.ru/archive/14491 "Lozh Odisseya, kotoruyu otkryla novaya nauka media-archeologiya. Vvedenie v novuyu nauku: vlast obrazov nad syuzhetami"] [Ложь Одиссея, которую открыла новая наука медиа-археология. Введение в новую науку: власть образов над сюжетами], ''Gefter'', 11 Mar 2015. {{ru}}
 
* Georgii Pocheptsov (Георгий Почепцов), [http://gefter.ru/archive/14491 "Lozh Odisseya, kotoruyu otkryla novaya nauka media-archeologiya. Vvedenie v novuyu nauku: vlast obrazov nad syuzhetami"] [Ложь Одиссея, которую открыла новая наука медиа-археология. Введение в новую науку: власть образов над сюжетами], ''Gefter'', 11 Mar 2015. {{ru}}
 +
* Jacob Gaboury, [http://sci-hub.se/10.1162/GREY_a_00233 "The Random-Access Image: Memory and the History of the Computer Screen"], ''Grey Room'' 70, Winter 2018, pp 24-53.
 
* [http://gebseng.com/media_archeology/reading_materials/ more], [http://www.medientheorie.com/doc/archaeologie/ more]
 
* [http://gebseng.com/media_archeology/reading_materials/ more], [http://www.medientheorie.com/doc/archaeologie/ more]
  

Latest revision as of 10:29, 13 April 2021

Institutes[edit]

Educational programs[edit]

Courses

Events[edit]

Artists, Theorists[edit]

Bibliography[edit]

Monographs[edit]

Friedrich Kittler, Discourse Networks 1800 / 1900, [1985] 1990, PDF.
Friedrich Kittler, Gramophone Film Typewriter, [1986] 1999, PDF.
Siegfried Zielinski, Audiovisions: Cinema and Television as Entr’actes in History, [1989] 1999, PDF.
Lisa Gitelman, Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era, 1999, PDF.
Cornelia Vismann, Files: Law and Media Technology, [2000] 2008, Log.
Lisa Gitelman, Geoffrey B. Pingree (eds.): New Media, 1740-1915, 2003, PDF.
Erkki Huhtamo, Jussi Parikka (eds.), Media Archaeology: Approaches, Applications, and Implications, 2011, Log.
  • Jacques Perriault, Mémoires de l’ombre et du son. Une archéologie de l’audiovisuel, Paris: Flammarion, 1981. (French)
  • Hans Ulrich Gumbrecht, Karl Ludwig Pfeiffer (eds.), Materialität der Kommunikation, Frankfurt am Main: Suhrkamp, 1988. TOC. (German)
  • Siegfried Zielinski, Audiovisionen: Kino und Fernsehen als Zwischenspiele in der Geschichte, Reinbek bei Hamburg: Rowohlt, 1989. (German)
  • Peter Klier, Jean-Luc Evard (eds.), Mediendämmerung: Zur Archäologie der Medien, Berlin: Tiamat, 1989, 153 pp. (German)
  • Lynn Spigel, Make Room for TV: Television and the Family Ideal in Postwar America, Chicago and London: University of Chicago Press, 1992.
  • Lisa Cartwright, Screening The Body: Tracing Medicine's Visual Culture, University of Minnesota Press, 1995.
  • Stephen Herbert, Luke McKernan (eds.), Who's Who of Victorian Cinema: A Worldwide Survey, London: British Film Institute, 1996. Online version.
  • Cornelia Vismann, Akten. Medientechnik und Recht, Frankfurt am Main: Fischer, 2000. (German)
  • Giuliana Bruno, Atlas of Emotion: Journeys in Art, Architecture, and Film, London: Verso, 2002. Chapter 1, Chapter 2.
  • P.J.H. Kockelkoren, Technology: Art, Fairground and Theatre, Rotterdam: NAI Publishers (Fascinations), 2003, 111 pp.
    • Techniek: Kunst, Kermis en Theater, Rotterdam: NAI Publishers, 2003, 111 pp. [3] (Dutch)
  • Bernard Finn (ed.), Presenting Pictures, Smithsonian Institution Scholarly Press, 2004. [4] [5]
  • Charles R. Acland (ed.), Residual Media, Minneapolis, MN: University of Minnesota Press, 2006. Chapter 2.
  • Laurent Mannoni, Werner Nekes, Marina Warner, Eyes, Lies and Illusions: Drawn from the Werner Nekes Collection, ACMI, 2006. Publisher.
  • Pierre Levie, Montreurs et Vues d' Optique, Sofidoc, 2006. (French)
  • Timothy C. Campbell, Wireless Writing in the Age of Marconi, Minneapolis, MN: University of Minnesota Press, 2006.
  • James Lyons, John Plunkett, Multimedia Histories: From Magic Lanterns to Internet, University of Exeter Press, 2007. [7]
  • Eric Kluitenberg (ed.), Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium, Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2006, 296 pp. With DVD.
    • Boek van de imaginaire Media: over de droom van het ultieme communicatiemedium, Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2006, 320 pp. [8] (Dutch)
    • Imagināro mediju grāmata. Vispatiesākā komunikācijas medija sapņa meklējumos, trans. Daina Siliņa, Riga: RIXC, 2011, 280 pp. Preview. [9] (Latvian)
  • Jussi Parikka, Digital Contagions: A Media Archeology of Computer Viruses, New York: Peter Lang, 2007. Conclusions. [10]
  • José Roca, Phantasmagoria - Specters of Absence, Independent Curators International, 2007.
  • Nike Bätzner, Werner Nekes, Eva Schmidt (eds.), Blickmaschinen, oder wie Bilder entstehen, DuMont, 2008. Catalogue. [11] (German)
  • Marina Warner, Phantasmagoria - Spirit Visions, Metaphors, and Media, Oxford University Press, 2008. [12]
  • Lynda Nead, The Haunted Gallery: Painting, Photography and Film around 1900, Yale University Press, 2008. [13]
  • Deac Rossel, Laterna Magica - Magic Lantern Vol I, Füsslin, 2008. [14] (German)/(English)
  • Dieter Daniels, Barbara U. Schmidt (eds.), Artists as Inventors-Inventors as Artists, Hatje Cantz, 2008, 240 pp.
  • Ovidiu Tichindeleanu, The Graphic Sound. An Archeology of Sound, Technology and Knowledge at 1900, ProQuest, 2008, 555 pp.
  • Kazys Varnelis (ed.), The Infrastructural City: Networked Ecologies in LA, New York: Actar, The Los Angeles Forum for Architecture and Urban Design, and The Network Architecture Lab at Columbia University, 2009. Contents.
  • Dominique Willoughby, Le Cinéma graphique: Une histoire des dessins animés, des jouets d’optique au cinéma numérique, Les editions textuel, 2009. [15] (French)
  • Peter Morris, Klaus Staubermann (eds.), Illuminating Instruments, Smithsonian Institution Scholarly Press, 2010. [20] [21]
  • Paul DeMarinis, Buried in Noise, eds. Ingrid Beirer, Sabine Himmelsbach, and Carsten Seiffarth, Heidelberg: Kehrer, 2010, 280 pp. Publisher. (English)/(German)
  • Erkki Huhtamo, Jussi Parikka (eds.), Media Archaeology: Approaches, Applications, and Implications, Berkeley, CA: University of California Press, 2011, x+356 pp.
    • Mei jie kao gu xue: fang fa.lu jing yu yi han [媒介考古学: 方法.路径与意涵], Shanghai: Fu dan da xue chu ban she, 2018, 342 pp. (Chinese)
  • Jussi Parikka, What is Media Archaeology?, Polity, 2012.
    • Medya Arkeolojisi Nedir?, trans. Ebru Kılıç, ed. Ferit Burak Aydar, Istanbul: Koç Üniversitesi, 2017, 264 pp. Publisher. (Turkish)
    • Qu'est-ce que l'archéologie des médias?, pref. Emmanuel Guez, trans. Christophe Degoutin, Grenoble: UGA Editions, 2018, 323 pp. Publisher. Review: Sevin (Lectures). (French)
    • Archeologia dei media: nuove prospettive per la storia e la teoria della comunicazione, pref. Ruggero Eugeni, postf. Simone Venturini, Rome: Carocci, 2019, 282 pp. (Italian)
  • Shintaro Miyazaki, Algorhythmisiert: eine Medienarchäologie digitaler Signale und (un)erhörter Zeiteffekte, Berlin: Kadmos (Berliner Programm einer Medienwissenschaft), 2013, 281 pp. Introduction. Publisher. [23] (German)
  • Frode Weium, Tim Boon (eds.), Material Culture and Electronic Sound, Smithsonian Institution Scholarly Press (Artefacts), 2013, 312 pp. Publisher.
  • Lisa Gitelman, Paper Knowledge: Toward a Media History of Documents, Durham, NC: Duke University Press (Sign, Storage, Transmission), 2014, 210 pp.
    • Zhi zhi shi: Guan yu wen dang de mei jie li shi [纸知识 : 关于文档的媒介历史], trans. Yun Wang, Shanghai: Fu dan da xue chu ban she you xian gong si, 2020, 194 pp. (Chinese)
  • Marie Cronqvist, Patrik Lundell, Pelle Snickars (eds.), Återkopplingar, Lund University, 2014, 416 pp. (Swedish)
  • Roger Whitson, Steampunk and Nineteenth-Century Digital Humanities: Literary Retrofuturisms, Media Archaeologies, Alternate Histories, Routledge, 2016, 244 pp. Publisher.
  • Moritz Hiller, Stefan Höltgen (eds.), Archäographien. Aspekte einer radikalen Medienarchäologie. Festschrift für Wolfgang Ernst, Basel: Schwabe, 2019, 354 pp. TOC & Foreword. (German),(English)
  • Knut Ebeling, Annette Maechtel, Heimo Lattner (eds.), Never Mind the Nineties: eine Medienarchäologie des Kunststandorts Berlin, Berlin: Eeclectic, 2019. Publisher. (German)
  • Jacob Gaboury, Image Objects: An Archaeology of Computer Graphics, MIT Press, 2021, 312 pp. Publisher.

Journal issues and Special sections[edit]

Book chapters, Papers, Articles[edit]

Theses[edit]

Primary references[edit]

Research, Resources[edit]

See also[edit]


Humanities

Fields and theories: Classics, Art history, History of architecture, Anthropology, Semiotics, Philosophy of technology, Marxist aesthetics, Design research, Humanities computing, Structuralism, Poststructuralism, Mediology, Media archaeology, Cyberfeminism, Cultural techniques, Neuroaesthetics, Posthumanities, Sensory ethnography, Media ecology, Digital humanities, Software studies, Modern periodical studies, Accelerationism.
Concepts: Faktura, Ostranenie, Biomechanics, Commons, Postmedia, Evil media.
Related theories: Systems theory, Information theory, Cybernetics.
Writers.