Difference between revisions of "Media archaeology"

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; Books
 
; Books
 
* Shintaro Miyazaki, ''Algorhythmisiert: Eine Medienarchäologie digitaler Signale und (un)erhörter Zeiteffekte'', Kulturverlag Kadmos, 2013, 281 pp. (German) [http://ssl.einsnull.com/paymate/search.php?vid=5&aid=3414]
 
* Shintaro Miyazaki, ''Algorhythmisiert: Eine Medienarchäologie digitaler Signale und (un)erhörter Zeiteffekte'', Kulturverlag Kadmos, 2013, 281 pp. (German) [http://ssl.einsnull.com/paymate/search.php?vid=5&aid=3414]
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* Wolfgang Ernst, ''Digital Memory and the Archive'', University of Minesotta Press, 2012. [http://www.upress.umn.edu/book-division/books/digital-memory-and-the-archive]
+
* Wolfgang Ernst, ''Digital Memory and the Archive'', University of Minnesota Press, 2012. [http://www.upress.umn.edu/book-division/books/digital-memory-and-the-archive]
 
* Andrew Blum, [http://monoskop.org/log/?p=7018 ''Tubes: A Journey to the Center of the Internet''], New York: Ecco/Harpercollins, 2012.  
 
* Andrew Blum, [http://monoskop.org/log/?p=7018 ''Tubes: A Journey to the Center of the Internet''], New York: Ecco/Harpercollins, 2012.  
 
* John Tresch, ''The Romantic Machine: Utopian Science and Technology after Napoleon'', University of Chicago Press, 2012. [http://press.uchicago.edu/ucp/books/book/chicago/R/bo12645421.html]
 
* John Tresch, ''The Romantic Machine: Utopian Science and Technology after Napoleon'', University of Chicago Press, 2012. [http://press.uchicago.edu/ucp/books/book/chicago/R/bo12645421.html]

Revision as of 22:25, 6 March 2013

Topics

media infrastructure, network archaeology, ..

Pages

Events

Education

Publications

Books
  • Shintaro Miyazaki, Algorhythmisiert: Eine Medienarchäologie digitaler Signale und (un)erhörter Zeiteffekte, Kulturverlag Kadmos, 2013, 281 pp. (German) [2]
  • Wolfgang Ernst, Digital Memory and the Archive, University of Minnesota Press, 2012. [3]
  • Andrew Blum, Tubes: A Journey to the Center of the Internet, New York: Ecco/Harpercollins, 2012.
  • John Tresch, The Romantic Machine: Utopian Science and Technology after Napoleon, University of Chicago Press, 2012. [4]
  • Jussi Parikka, What is Media Archaeology?, Polity, 2012.
  • Erkki Huhtamo, Jussi Parikka (eds.), Media Archaeology: Approaches, Applications, and Implications, University of California Press, 2011. [5]
  • Jussi Parikka, Insect Media: An Archaeology of Animals and Technology, University of Minnesota Press, 2010.
  • Adrian Mackenzie, Wirelessness: Radical Empiricism in Network Cultures, MIT Press, 2010.
  • Siegfried Zielinski, Eckhard Fürus (eds.). Variantology 4 – On Deep Time Relations of Arts, Sciences and Technologies in the Arabic-Islamic World and Beyond, Cologne: Verlag der Buchhandlung Walther Koenig, 2010.
  • Kazys Varnelis (ed.), The Infrastructural City: Networked Ecologies in LA, New York: Actar, The Los Angeles Forum for Architecture and Urban Design, and The Network Architecture Lab at Columbia University, 2009.
  • Siegfried Zielinski, Eckhard Fürus (eds.), Variantology 3 – On Deep Time Relations Of Arts, Sciences and Technologies in China and Elsewhere, Cologne: Verlag der Buchhandlung König, 2008.
  • Chris Funkhouser, Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995, University of Alabama Press, 2007.
  • Jussi Parikka, Digital Contagions (Digital Formations), Peter Lang Publishing, 2007.
  • Siegfried Zielinski, David Link (eds.), Variantology 2 – On Deep Time Relations Of Arts, Sciences and Technologies, Cologne: Verlag der Buchhandlung König, 2007.
  • Siegfried Zielinski, Silvia M. Wagnermaier (eds.), Variantology – On Deep Time Relations Of Arts, Sciences and Technologies, Cologne: Verlag der Buchhandlung König, 2007.
  • Christian Holtorf, Claus Pias (eds.), Escape!: Computerspiele als Kulturtechnik, Cologne: Böhlau, 2007. (German)
  • Wolfgang Ernst, Das Gesetz des Gedächtnisses: Medien und Archive am Ende (des 20. Jahrhunderts), Berlin: Kulturverlag Kadmos, 2007. (German)
  • Eric Kluitenberg (ed.), Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium, Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2007, 292 pp. With DVD. [6]
  • Lisa Gitelman, Always Already New: Media, History, and the Data of Culture, MIT Press, 2006.
  • Charles R. Acland (ed.), Residual Media, University of Minnesota Press, 2006.
  • Lisa Parks, Cultures in Orbit: Satellites and the Televisual, Durham: Duke University Press, 2005.
  • Lisa Gitelman, Geoffrey B. Pingree (eds.), New Media, 1740-1915, MIT Press, 2003.
  • Siegfried Zielinski, Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens [Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means], Reinbek: Rowohlt Taschenbuch Verlag, 2002; MIT Press, 2006. (German, English)
  • Friedrich Kittler, Optische Medien / Berliner Vorlesung 1999, Berlin: Merve Verlag, 2002 / Optical Media. Berlin Lectures 1999, Trans. Anthony Enns, Polity, 2009.
  • Giuliana Bruno, Atlas of Emotion: Journeys in Art, Architecture, and Film, Verso, 2002.
  • Markus Krajewski, ZettelWirtschaft [Paper Machines: About Cards & Catalogs, 1548-1929] Berlin: Kulturverlag Kadmos, 2002; MIT Press, 2011. (German, English)
  • Stephen Graham, Simon Marvin, (eds.), Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition, New York: Routledge, 2001.
  • Jeffrey Sconce, Haunted Media: Electronic Presence from Telegraphy to Television, Duke University Press, 2000.
  • Lisa Gitelman, Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era, Stanford University Press, 1999.
  • Rachel P. Maines, The Technology of Orgasm: "Hysteria," the Vibrator, and Women's Sexual Satisfaction, Baltimore: Johns Hopkins University Press, 1999.
  • Terry Castle, The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny, Oxford University Press, 1995.
  • Lisa Cartwright, Screening The Body: Tracing Medicine's Visual Culture, University of Minnesota Press, 1995.
  • Ellen Lupton, Mechanical Brides: Women and Machines from Home to Office, Princeton Architectural Press, 1993.
  • Bernhard Siegert, Relais: Geschicke der Literatur als Epoche der Post, 1751-1913, Brinkmann & Bose, Berlin, 1993. (German)
  • Lynn Spigel, Make Room for TV, Chicago and London: University of Chicago Press, 1992.
  • Peter Klier, Dietmar Kamper (eds.), Mediendämmerung: zur Archäologie der Medien, Berlin Edition: Tiamat, 1989. (German)
  • Siegfried Zielinski, Audiovisionen: Kino und Fernsehen als Zwischenspiele in der Geschichte [Audiovisions: Cinema and Television as Entr’actes in History], Reinbek bei Hamburg: Rowohlt, 1989; Amsterdam University Press, 1999. (German, English)
  • Siegfried Zielinski, Zur Geschichte des Videorecorders, Berlin: Wissenschaftsverlag Volker Spiess, 1986. (German)
  • Friedrich A. Kittler, Grammophon Film Typewriter [Gramophone, Film, Typewriter], Berlin: Brinkmann & Bose, 1986; Stanford University Press, 1999. (German, English)
  • Friedrich A. Kittler, Aufschreibesysteme 1800/1900 [Discourse Networks 1800/1900], Muenchen: Wilhelm Fink Verlag, 1985; Stanford University Press, 1990. (German, English)
  • Jacques Perriault, Mémoires de l’ombre et du son. Une archéologie de l’audiovisuel, Paris: Flammarion, 1981. (French)
  • Media archaeology publications on Monoskop Log
Magazines
  • Grey Room 43, Spring 2011, Special issue: "Audio/Visual". [7]
Articles

Resources

  1. REDIRECT Template:Art and culture
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