Difference between revisions of "Media archaeology"

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* Siegfried Zielinski,  ''Audiovisionen: Kino und Fernsehen als Zwischenspiele in der Geschichte'', Reinbek bei Hamburg: Rowohlt, 1989. (in German)
 
* Siegfried Zielinski,  ''Audiovisionen: Kino und Fernsehen als Zwischenspiele in der Geschichte'', Reinbek bei Hamburg: Rowohlt, 1989. (in German)
 
** [http://monoskop.org/log/?p=663 ''Audiovisions: Cinema and Television as Entr’actes in History''], Amsterdam University Press, 1999.
 
** [http://monoskop.org/log/?p=663 ''Audiovisions: Cinema and Television as Entr’actes in History''], Amsterdam University Press, 1999.
** 2003 in an Hungarian edition.
+
** 2003 in a Hungarian edition.
* Peter Klier, Dietmar Kamper (eds.), ''Mediendämmerung: zur Archäologie der Medien'', Berlin Edition: Tiamat, 1989. (in German)
+
* Peter Klier, Jean-Luc Evard (eds.), ''Mediendämmerung: Zur Archäologie der Medien'', Berlin: Ed. Tiamat, 1989, 153 pp. (in German)
* Lynn Spigel, ''Make Room for TV'', Chicago and London: University of Chicago Press, 1992.
+
* Lynn Spigel, ''Make Room for TV: Television and the Family Ideal in Postwar America'', Chicago and London: University of Chicago Press, 1992.
 
* Bernhard Siegert, [http://monoskop.org/log/?p=4074 ''Relais: Geschicke der Literatur als Epoche der Post, 1751-1913''], Brinkmann & Bose, Berlin, 1993. (in German) [http://rae.com.pt/Siegert_relays.pdf Introduction to the English edition].
 
* Bernhard Siegert, [http://monoskop.org/log/?p=4074 ''Relais: Geschicke der Literatur als Epoche der Post, 1751-1913''], Brinkmann & Bose, Berlin, 1993. (in German) [http://rae.com.pt/Siegert_relays.pdf Introduction to the English edition].
 
* Ellen Lupton, [http://monoskop.org/log/?p=1598 ''Mechanical Brides: Women and Machines from Home to Office''], Princeton Architectural Press, 1993.
 
* Ellen Lupton, [http://monoskop.org/log/?p=1598 ''Mechanical Brides: Women and Machines from Home to Office''], Princeton Architectural Press, 1993.
 
* Lisa Cartwright, ''Screening The Body: Tracing Medicine's Visual Culture'', University of Minnesota Press, 1995.
 
* Lisa Cartwright, ''Screening The Body: Tracing Medicine's Visual Culture'', University of Minnesota Press, 1995.
* Terry Castle, ''The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny'', Oxford University Press, 1995.
+
* Terry Castle, ''[http://monoskop.org/log/?p=6116 The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny]'', Oxford University Press, 1995.
 
* Stephen Herbert, Luke McKernan (eds.), ''Who's Who of Victorian Cinema: A Worldwide Survey'', London: British Film Institute, 1996. [http://victorian-cinema.net Online version].
 
* Stephen Herbert, Luke McKernan (eds.), ''Who's Who of Victorian Cinema: A Worldwide Survey'', London: British Film Institute, 1996. [http://victorian-cinema.net Online version].
 
* Rachel P. Maines, [http://monoskop.org/log/?p=2339 ''The Technology of Orgasm: "Hysteria," the Vibrator, and Women's Sexual Satisfaction''], Baltimore: Johns Hopkins University Press, 1999.
 
* Rachel P. Maines, [http://monoskop.org/log/?p=2339 ''The Technology of Orgasm: "Hysteria," the Vibrator, and Women's Sexual Satisfaction''], Baltimore: Johns Hopkins University Press, 1999.
Line 61: Line 61:
 
* Cornelia Vismann, ''Akten. Medientechnik und Recht'', Frankfurt am Main: Fischer, 2000. (in German)
 
* Cornelia Vismann, ''Akten. Medientechnik und Recht'', Frankfurt am Main: Fischer, 2000. (in German)
 
** [http://monoskop.org/log/?p=7139 ''Files: Law and Media Technology''], Stanford University Press, 2008.
 
** [http://monoskop.org/log/?p=7139 ''Files: Law and Media Technology''], Stanford University Press, 2008.
* Donald F McLean, ''Restoring Baird's Image'', Institution of Electrical Engineers, 2000. [http://www.tvdawn.com/rbi.htm]
+
* Donald F McLean, ''[http://ge.tt/api/1/files/9qI5qkr/0/blob?download Restoring Baird's Image]'', Institution of Electrical Engineers, 2000. [http://www.tvdawn.com/rbi.htm]  
* Jeffrey Sconce, ''Haunted Media: Electronic Presence from Telegraphy to Television (Console-ing Passions)'', Duke University Press, 2000, 272 pp.
+
* Jeffrey Sconce, ''Haunted Media: Electronic Presence from Telegraphy to Television (Console-ing Passions)'', Duke University Press, 2000, 272 pp. [http://www.uwf.edu/pbelk/LIT_2100/pdfs/Sconce_HauntedMedia.pdf Pp 110-118].
* Stephen Graham, Simon Marvin, (eds.), ''Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition'', New York: Routledge, 2001.
+
* Stephen Graham, Simon Marvin (eds.), ''[http://libgen.org/get?nametype=orig&md5=7214C38F5A3BE26A6CC21775531178B4&open=0 Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition]'', New York: Routledge, 2001.
* Markus Krajewski, ''ZettelWirtschaft'', Berlin: Kulturverlag Kadmos, 2002. (in German)
+
* Markus Krajewski, ''ZettelWirtschaft'', Berlin: Kulturverlag Kadmos, 2002. (in German). [http://ssl.einsnull.com/paymate/dbfiles/pdf/resource/358.pdf Review], [http://edoc.hu-berlin.de/kunsttexte/download/bwt/Kuehl.PDF Review].
 
** [http://monoskop.org/log/?p=4076 ''Paper Machines: About Cards & Catalogs, 1548-1929''], MIT Press, 2011.  
 
** [http://monoskop.org/log/?p=4076 ''Paper Machines: About Cards & Catalogs, 1548-1929''], MIT Press, 2011.  
* Giuliana Bruno, ''Atlas of Emotion: Journeys in Art, Architecture, and Film'', Verso, 2002.
+
* Giuliana Bruno, ''Atlas of Emotion: Journeys in Art, Architecture, and Film'', Verso, 2002. [http://faculty.arch.utah.edu/benham/readings/atlas.pdf Chapter 1], [http://faculty.arch.utah.edu/benham/readings/Moving%20Image.pdf Chapter 2].
 
* P.J.H. Kockelkoren, ''Technology: Art, Fairground and Theatre, Rotterdam: NAI Publishers, 111 pp.  
 
* P.J.H. Kockelkoren, ''Technology: Art, Fairground and Theatre, Rotterdam: NAI Publishers, 111 pp.  
 
** ''Techniek: Kunst, Kermis en Theater'', Rotterdam: NAI Publishers, 2003, 111 pp. (Dutch) [http://www.naipublishers.nl/art/techniekkunst_e.html]
 
** ''Techniek: Kunst, Kermis en Theater'', Rotterdam: NAI Publishers, 2003, 111 pp. (Dutch) [http://www.naipublishers.nl/art/techniekkunst_e.html]
 
* Friedrich Kittler, ''Optische Medien / Berliner Vorlesung 1999'', Berlin: Merve, 2002.
 
* Friedrich Kittler, ''Optische Medien / Berliner Vorlesung 1999'', Berlin: Merve, 2002.
 
** [http://monoskop.org/log/?p=7557 ''Optical Media. Berlin Lectures 1999''], trans. Anthony Enns, Polity, 2009.
 
** [http://monoskop.org/log/?p=7557 ''Optical Media. Berlin Lectures 1999''], trans. Anthony Enns, Polity, 2009.
* Siegfried Zielinski, ''Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens'', Reinbek: Rowohlt Taschenbuch, 2002. [http://www.medientheorie.com/doc/archaeologie/zielinski_archaeologie.pdf Introduction]. (in German)
+
* Siegfried Zielinski, ''Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens'', Reinbek: Rowohlt Taschenbuch, 2002. [http://d-nb.info/965253627/04 Contents], [http://www.medientheorie.com/doc/archaeologie/zielinski_archaeologie.pdf Introduction]. (in German)
 
** ''Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means'', MIT Press, 2006.  
 
** ''Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means'', MIT Press, 2006.  
 
* Lisa Gitelman, Geoffrey B. Pingree (eds.), [http://monoskop.org/log/?p=2027 ''New Media, 1740-1915''], MIT Press, 2003.
 
* Lisa Gitelman, Geoffrey B. Pingree (eds.), [http://monoskop.org/log/?p=2027 ''New Media, 1740-1915''], MIT Press, 2003.
 
* Wolfgang Lefèvre (ed.), ''[http://monoskop.org/log/?p=689 Picturing Machines 1400-1700]'', MIT Press, 2004.
 
* Wolfgang Lefèvre (ed.), ''[http://monoskop.org/log/?p=689 Picturing Machines 1400-1700]'', MIT Press, 2004.
 
* Bernard Finn (ed.), ''Presenting Pictures'', Smithsonian Institution Scholarly Press, 2004. [http://www.artefactsconsortium.org/Publications/Contents4F.html] [http://www.artefactsconsortium.org/Publications/Intro4F.html]
 
* Bernard Finn (ed.), ''Presenting Pictures'', Smithsonian Institution Scholarly Press, 2004. [http://www.artefactsconsortium.org/Publications/Contents4F.html] [http://www.artefactsconsortium.org/Publications/Intro4F.html]
* Lisa Parks, ''Cultures in Orbit: Satellites and the Televisual'', Durham: Duke University Press, 2005.
+
* Lisa Parks, ''Cultures in Orbit: Satellites and the Televisual'', Durham: Duke University Press, 2005. [http://art310-f12-hoy.wikispaces.umb.edu/file/view/Lisa+Parks+Cultures+In+Orbit+Introduction.pdf Introduction], [http://mediatechcult.files.wordpress.com/2008/06/parks1.pdf Chapter 1], [http://art310-f12-hoy.wikispaces.umb.edu/file/view/Lisa+Parks+Cultures+In+Orbit+Chapter+5.pdf Chapter 5].
 
* Siegfried Zielinski, Silvia M. Wagnermaier (eds.), ''Variantology – On Deep Time Relations Of Arts, Sciences and Technologies'', Cologne: Verlag der Buchhandlung König, 2005.
 
* Siegfried Zielinski, Silvia M. Wagnermaier (eds.), ''Variantology – On Deep Time Relations Of Arts, Sciences and Technologies'', Cologne: Verlag der Buchhandlung König, 2005.
* Charles R. Acland (ed.), ''Residual Media'', University of Minnesota Press, 2006.
+
* Charles R. Acland (ed.), ''Residual Media'', University of Minnesota Press, 2006. [http://sterneworks.org/OutwiththeTrash.pdf Chapter 2].
 
* Laurent Mannoni, Werner Nekes, Marina Warner, ''Eyes, Lies and Illusions: Drawn from the Werner Nekes Collection'', ACMI, 2006. [http://www.acmi.net.au/89BA7F8025E14704AD1C48ED2697CD14.htm]
 
* Laurent Mannoni, Werner Nekes, Marina Warner, ''Eyes, Lies and Illusions: Drawn from the Werner Nekes Collection'', ACMI, 2006. [http://www.acmi.net.au/89BA7F8025E14704AD1C48ED2697CD14.htm]
 
* Pierre Levie, ''Montreurs et Vues d' Optique'', Editions Sofidoc, 2006. (in French)
 
* Pierre Levie, ''Montreurs et Vues d' Optique'', Editions Sofidoc, 2006. (in French)
Line 84: Line 84:
 
* Lisa Gitelman, [http://monoskop.org/log/?p=669 ''Always Already New: Media, History, and the Data of Culture''], MIT Press, 2006.
 
* Lisa Gitelman, [http://monoskop.org/log/?p=669 ''Always Already New: Media, History, and the Data of Culture''], MIT Press, 2006.
 
* James Lyons, John Plunkett, ''Multimedia Histories: From Magic Lanterns to Internet'', University of Exeter Press, 2007. [http://www.exeterpress.co.uk/en/Book/447/Multimedia_Histories.html]
 
* James Lyons, John Plunkett, ''Multimedia Histories: From Magic Lanterns to Internet'', University of Exeter Press, 2007. [http://www.exeterpress.co.uk/en/Book/447/Multimedia_Histories.html]
* Eric Kluitenberg (ed.), ''Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium'', Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2007, 292 pp. With DVD. [http://www.naipublishers.nl/art/imaginary_media_e.html]
+
* Eric Kluitenberg (ed.), ''Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium'', Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2007, 292 pp. With DVD. [http://org.noemalab.eu/sections/ideas/ideas_articles/pdf/kluitenberg_conn_machines.pdf Chapters by Eric Kluitenberg] and [http://gebseng.com/media_archeology/reading_materials/Erkki_Huhtamo-Pleasures_of_the_Peephole.pdf Erkki Huhtamo]. [http://www.naipublishers.nl/art/imaginary_media_e.html]
* Wolfgang Ernst, ''Das Gesetz des Gedächtnisses: Medien und Archive am Ende (des 20. Jahrhunderts)'', Berlin: Kulturverlag Kadmos, 2007. (in German)
+
** ''Imagināro mediju grāmata. Vispatiesākā komunikācijas medija sapņa meklējumos'', trans. Daina Siliņa, Riga: RIXC, 2011, 280 pp. (in Latvian). [http://www.rixc.lv/projects/imaginarie_mediji/b/img_atverumi.pdf Preview]. [http://rixc.lv/projects/imaginarie_mediji/index.html]
* Christian Holtorf, Claus Pias (eds.), ''Escape!: Computerspiele als Kulturtechnik'', Cologne: Böhlau, 2007. (in German)
+
* Wolfgang Ernst, ''Das Gesetz des Gedächtnisses: Medien und Archive am Ende (des 20. Jahrhunderts)'', Berlin: Kulturverlag Kadmos, 2007. (in German). [http://swbplus.bsz-bw.de/bsz274074613inh.pdf Contents]. [http://hsozkult.geschichte.hu-berlin.de/rezensionen/type=rezbuecher&id=10743&view=pdf Review].
 +
* Christian Holtorf, Claus Pias (eds.), ''Escape!: Computerspiele als Kulturtechnik'', Cologne: Böhlau, 2007. (in German). [http://swbplus.bsz-bw.de/bsz25656440xinh.pdf Contents].
 
* Siegfried Zielinski, David Link (eds.), ''Variantology 2 – On Deep Time Relations Of Arts, Sciences and Technologies'', Cologne: Verlag der Buchhandlung König, 2006.
 
* Siegfried Zielinski, David Link (eds.), ''Variantology 2 – On Deep Time Relations Of Arts, Sciences and Technologies'', Cologne: Verlag der Buchhandlung König, 2006.
 
* Jussi Parikka, ''Digital Contagions: A Media Archeology of Computer Viruses'', New York: Peter Lang, 2007. [http://www.medientheorie.com/doc/archaeologie/parikka_digital%20contagions.pdf Conclusions]. [http://www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&seitentyp=produkt&pk=46484&concordeid=68837]
 
* Jussi Parikka, ''Digital Contagions: A Media Archeology of Computer Viruses'', New York: Peter Lang, 2007. [http://www.medientheorie.com/doc/archaeologie/parikka_digital%20contagions.pdf Conclusions]. [http://www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&seitentyp=produkt&pk=46484&concordeid=68837]
Line 97: Line 98:
 
* Deac Rossel, ''Laterna Magica - Magic Lantern Vol I'', Füsslin, 2008. (in German/English) [http://www.fuesslin.de/Magic_Lantern.136.0.html?&L=2]
 
* Deac Rossel, ''Laterna Magica - Magic Lantern Vol I'', Füsslin, 2008. (in German/English) [http://www.fuesslin.de/Magic_Lantern.136.0.html?&L=2]
 
* Dieter Daniels, Barbara U. Schmidt (eds.), ''Artists as Inventors-Inventors as Artists'', Hatje Cantz, 2008, 240 pp.
 
* Dieter Daniels, Barbara U. Schmidt (eds.), ''Artists as Inventors-Inventors as Artists'', Hatje Cantz, 2008, 240 pp.
* Kazys Varnelis (ed.), ''The Infrastructural City: Networked Ecologies in LA'', New York: Actar, The Los Angeles Forum for Architecture and Urban Design, and The Network Architecture Lab at Columbia University, 2009.
+
* Kazys Varnelis (ed.), ''The Infrastructural City: Networked Ecologies in LA'', New York: Actar, The Los Angeles Forum for Architecture and Urban Design, and The Network Architecture Lab at Columbia University, 2009. [http://tocs.ulb.tu-darmstadt.de/207367159.pdf Contents].
 
* Dominique Willoughby, ''Le Cinéma graphique: Une histoire des dessins animés, des jouets d’optique au cinéma numérique'', Les editions textuel, 2009. (in French) [http://www.editionstextuel.com/index.php?cat=020371&id=448]
 
* Dominique Willoughby, ''Le Cinéma graphique: Une histoire des dessins animés, des jouets d’optique au cinéma numérique'', Les editions textuel, 2009. (in French) [http://www.editionstextuel.com/index.php?cat=020371&id=448]
 
* Solveig Jülich, Patrik Lundell, Pelle Snickars (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Mediernas_kulturhistoria.pdf Mediernas kulturhistoria]'', Stockholm: Mediehistoriskt arkiv, 2009. (in Swedish) [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/Mediernas-kulturhistoria/]
 
* Solveig Jülich, Patrik Lundell, Pelle Snickars (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Mediernas_kulturhistoria.pdf Mediernas kulturhistoria]'', Stockholm: Mediehistoriskt arkiv, 2009. (in Swedish) [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/Mediernas-kulturhistoria/]
Line 124: Line 125:
 
===Journal issues and Special sections===
 
===Journal issues and Special sections===
 
* ''Grey Room'' 43, Spring 2011, Special issue: "Audio/Visual". [http://www.mitpressjournals.org/toc/grey/-/43]
 
* ''Grey Room'' 43, Spring 2011, Special issue: "Audio/Visual". [http://www.mitpressjournals.org/toc/grey/-/43]
 
===Theses===
 
* Kristoffer Gansing, ''[http://monoskop.org/log/?p=8084 Transversal Media Practices: Media Archaeology, Art and Technological Development]'', PhD thesis, Malmö: Malmö University, 2013.
 
  
 
===Book chapters, Papers, Articles===
 
===Book chapters, Papers, Articles===
Line 137: Line 135:
 
* Shannon Mattern, [http://www.wordsinspace.net/wordpress/2012/07/20/infrastructural-tourism/ "Infrastructural Tourism"], ''Words in Space'' blog, 20 July 2012.  
 
* Shannon Mattern, [http://www.wordsinspace.net/wordpress/2012/07/20/infrastructural-tourism/ "Infrastructural Tourism"], ''Words in Space'' blog, 20 July 2012.  
 
* [http://gebseng.com/media_archeology/reading_materials/ more], [http://www.medientheorie.com/doc/archaeologie/ more]
 
* [http://gebseng.com/media_archeology/reading_materials/ more], [http://www.medientheorie.com/doc/archaeologie/ more]
 +
 +
===Theses===
 +
* Kristoffer Gansing, ''[http://monoskop.org/log/?p=8084 Transversal Media Practices: Media Archaeology, Art and Technological Development]'', PhD thesis, Malmö: Malmö University, 2013.
  
 
==Resources==
 
==Resources==

Revision as of 18:22, 9 September 2013

Institutes

Educational programmes

Courses

Events

Artists, Theorists, Initiatives

Bibliography

Books

Friedrich Kittler, Discourse Networks 1800 / 1900, 1985/1990. Download (Foreword), Download (Part 2).
Friedrich Kittler, Gramophone Film Typewriter, 1986/1999. Download.
Siegfried Zielinski, Audiovisions: Cinema and Television as Entr’actes in History, 1989/1999. Download.
Lisa Gitelman, Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era, 1999. Download.
Cornelia Vismann, Files: Law and Media Technology, 2000/2008. Download.
Lisa Gitelman, Geoffrey B. Pingree (eds.): New Media, 1740-1915, 2003. Download.
Erkki Huhtamo, Jussi Parikka (eds.), Media Archaeology: Approaches, Applications, and Implications, 2011. Download.
  • Jacques Perriault, Mémoires de l’ombre et du son. Une archéologie de l’audiovisuel, Paris: Flammarion, 1981. (in French)
  • Friedrich A. Kittler, Aufschreibesysteme 1800/1900, Munich: Wilhelm Fink, 1985. (in German)
  • Friedrich A. Kittler, Grammophon Film Typewriter, Berlin: Brinkmann & Bose, 1986. (in German)
  • Siegfried Zielinski, Zur Geschichte des Videorecorders, Berlin: Wissenschaftsverlag Volker Spiess, 1986. New edition, Potsdam: Polzer Media Group, 2010. (in German)
  • Carolyn Marvin, When Old Technologies Were New: Thinking About Electric Communication in the Late Nineteenth Century, New York and Oxford: Oxford University Press, 1988.
  • Siegfried Zielinski, Audiovisionen: Kino und Fernsehen als Zwischenspiele in der Geschichte, Reinbek bei Hamburg: Rowohlt, 1989. (in German)
  • Peter Klier, Jean-Luc Evard (eds.), Mediendämmerung: Zur Archäologie der Medien, Berlin: Ed. Tiamat, 1989, 153 pp. (in German)
  • Lynn Spigel, Make Room for TV: Television and the Family Ideal in Postwar America, Chicago and London: University of Chicago Press, 1992.
  • Bernhard Siegert, Relais: Geschicke der Literatur als Epoche der Post, 1751-1913, Brinkmann & Bose, Berlin, 1993. (in German) Introduction to the English edition.
  • Ellen Lupton, Mechanical Brides: Women and Machines from Home to Office, Princeton Architectural Press, 1993.
  • Lisa Cartwright, Screening The Body: Tracing Medicine's Visual Culture, University of Minnesota Press, 1995.
  • Terry Castle, The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny, Oxford University Press, 1995.
  • Stephen Herbert, Luke McKernan (eds.), Who's Who of Victorian Cinema: A Worldwide Survey, London: British Film Institute, 1996. Online version.
  • Rachel P. Maines, The Technology of Orgasm: "Hysteria," the Vibrator, and Women's Sexual Satisfaction, Baltimore: Johns Hopkins University Press, 1999.
  • Lisa Gitelman, Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era, Stanford University Press, 1999.
  • Cornelia Vismann, Akten. Medientechnik und Recht, Frankfurt am Main: Fischer, 2000. (in German)
  • Donald F McLean, Restoring Baird's Image, Institution of Electrical Engineers, 2000. [2]
  • Jeffrey Sconce, Haunted Media: Electronic Presence from Telegraphy to Television (Console-ing Passions), Duke University Press, 2000, 272 pp. Pp 110-118.
  • Stephen Graham, Simon Marvin (eds.), Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition, New York: Routledge, 2001.
  • Markus Krajewski, ZettelWirtschaft, Berlin: Kulturverlag Kadmos, 2002. (in German). Review, Review.
  • Giuliana Bruno, Atlas of Emotion: Journeys in Art, Architecture, and Film, Verso, 2002. Chapter 1, Chapter 2.
  • P.J.H. Kockelkoren, Technology: Art, Fairground and Theatre, Rotterdam: NAI Publishers, 111 pp.
    • Techniek: Kunst, Kermis en Theater, Rotterdam: NAI Publishers, 2003, 111 pp. (Dutch) [3]
  • Friedrich Kittler, Optische Medien / Berliner Vorlesung 1999, Berlin: Merve, 2002.
  • Siegfried Zielinski, Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens, Reinbek: Rowohlt Taschenbuch, 2002. Contents, Introduction. (in German)
    • Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means, MIT Press, 2006.
  • Lisa Gitelman, Geoffrey B. Pingree (eds.), New Media, 1740-1915, MIT Press, 2003.
  • Wolfgang Lefèvre (ed.), Picturing Machines 1400-1700, MIT Press, 2004.
  • Bernard Finn (ed.), Presenting Pictures, Smithsonian Institution Scholarly Press, 2004. [4] [5]
  • Lisa Parks, Cultures in Orbit: Satellites and the Televisual, Durham: Duke University Press, 2005. Introduction, Chapter 1, Chapter 5.
  • Siegfried Zielinski, Silvia M. Wagnermaier (eds.), Variantology – On Deep Time Relations Of Arts, Sciences and Technologies, Cologne: Verlag der Buchhandlung König, 2005.
  • Charles R. Acland (ed.), Residual Media, University of Minnesota Press, 2006. Chapter 2.
  • Laurent Mannoni, Werner Nekes, Marina Warner, Eyes, Lies and Illusions: Drawn from the Werner Nekes Collection, ACMI, 2006. [6]
  • Pierre Levie, Montreurs et Vues d' Optique, Editions Sofidoc, 2006. (in French)
  • Timothy C. Campbell, Wireless Writing in the Age of Marconi, University of Minnesota Press, 2006.
  • Lisa Gitelman, Always Already New: Media, History, and the Data of Culture, MIT Press, 2006.
  • James Lyons, John Plunkett, Multimedia Histories: From Magic Lanterns to Internet, University of Exeter Press, 2007. [7]
  • Eric Kluitenberg (ed.), Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium, Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2007, 292 pp. With DVD. Chapters by Eric Kluitenberg and Erkki Huhtamo. [8]
    • Imagināro mediju grāmata. Vispatiesākā komunikācijas medija sapņa meklējumos, trans. Daina Siliņa, Riga: RIXC, 2011, 280 pp. (in Latvian). Preview. [9]
  • Wolfgang Ernst, Das Gesetz des Gedächtnisses: Medien und Archive am Ende (des 20. Jahrhunderts), Berlin: Kulturverlag Kadmos, 2007. (in German). Contents. Review.
  • Christian Holtorf, Claus Pias (eds.), Escape!: Computerspiele als Kulturtechnik, Cologne: Böhlau, 2007. (in German). Contents.
  • Siegfried Zielinski, David Link (eds.), Variantology 2 – On Deep Time Relations Of Arts, Sciences and Technologies, Cologne: Verlag der Buchhandlung König, 2006.
  • Jussi Parikka, Digital Contagions: A Media Archeology of Computer Viruses, New York: Peter Lang, 2007. Conclusions. [10]
  • José Roca, Phantasmagoria - Specters of Absence, Independent Curators International, 2007.
  • Chris Funkhouser, Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995, University of Alabama Press, 2007.
  • Siegfried Zielinski, Eckhard Fürus (eds.), Variantology 3 – On Deep Time Relations Of Arts, Sciences and Technologies in China and Elsewhere, Cologne: Verlag der Buchhandlung König, 2008.
  • Nike Bätzner, Werner Nekes, Eva Schmidt (eds.), Blickmaschinen, oder wie Bilder entstehen, DuMont, 2008. Catalogue. (in German) [11]
  • Marina Warner, Phantasmagoria - Spirit Visions, Metaphors, and Media, Oxford University Press, 2008. [12]
  • Lynda Nead, The Haunted Gallery: Painting, Photography and Film around 1900, Yale University Press, 2008. [13]
  • Deac Rossel, Laterna Magica - Magic Lantern Vol I, Füsslin, 2008. (in German/English) [14]
  • Dieter Daniels, Barbara U. Schmidt (eds.), Artists as Inventors-Inventors as Artists, Hatje Cantz, 2008, 240 pp.
  • Kazys Varnelis (ed.), The Infrastructural City: Networked Ecologies in LA, New York: Actar, The Los Angeles Forum for Architecture and Urban Design, and The Network Architecture Lab at Columbia University, 2009. Contents.
  • Dominique Willoughby, Le Cinéma graphique: Une histoire des dessins animés, des jouets d’optique au cinéma numérique, Les editions textuel, 2009. (in French) [15]
  • Solveig Jülich, Patrik Lundell, Pelle Snickars (eds.), Mediernas kulturhistoria, Stockholm: Mediehistoriskt arkiv, 2009. (in Swedish) [16]
  • Anders Ekström, Solveig Jülich, Pelle Snickars (eds.), 1897 – Mediehistorier kring Stockholmsutställningen, Stockholm: Mediehistoriskt arkiv, 2009. (in Swedish) [17]
  • Jonas Harvard, Patrik Lundell (eds.), 1800-talets mediesystem, Stockholm: Mediehistoriskt arkiv, 2010. (in Swedish) [18]
  • Lars Björk, Jānis Krēsliņš och Matts Lindström (eds.), The Story of Storage I. Kompendium, Stockholm: Mediehistoriskt arkiv, 2010. (in Swedish) [19]
  • Siegfried Zielinski, Eckhard Fürus (eds.), Variantology 4 – On Deep Time Relations of Arts, Sciences and Technologies in the Arabic-Islamic World and Beyond, Cologne: Verlag der Buchhandlung Walther König, 2010.
  • Adrian Mackenzie, Wirelessness: Radical Empiricism in Network Cultures, MIT Press, 2010.
  • Peter Morris, Klaus Staubermann (eds.), Illuminating Instruments, Smithsonian Institution Scholarly Press, 2010. [20] [21]
  • Jussi Parikka, Insect Media: An Archaeology of Animals and Technology, University of Minnesota Press, 2010.
  • Erkki Huhtamo, Jussi Parikka (eds.), Media Archaeology: Approaches, Applications, and Implications, University of California Press, 2011. [22]
  • Paul DeMarinis, Buried in Noise, Kehrer, 2011. (German/English) [23]
  • Siegfried Zielinski, Eckhard Fürus (eds.), Variantology 5: Neapolitan Affairs, Cologne: Verlag der Buchhandlung König, 2011.
  • Florian Cramer, Exe.cut(up)able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts, Munich: Wilhelm Fink, 2011. (in German)
  • Johan Jarlbrink, Patrik Lundell (eds.), Från pressarkivet 1800-1899. En källsamling, Stockholm: Mediehistoriskt arkiv, 2012. (in Swedish) [24]
  • Alexandra Hui, The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840-1910, The MIT Press, 2012. [25]
  • Jussi Parikka, What is Media Archaeology?, Polity, 2012.
  • John Tresch, The Romantic Machine: Utopian Science and Technology after Napoleon, University of Chicago Press, 2012. [26]
  • Jonathan Sterne, MP3: The Meaning of a Format, Duke University Press, 2012.
  • Wolfgang Ernst, Digital Memory and the Archive, University of Minnesota Press, 2012. [27]
  • Shintaro Miyazaki, Algorhythmisiert: Eine Medienarchäologie digitaler Signale und (un)erhörter Zeiteffekte, Kulturverlag Kadmos, 2013, 281 pp. Introduction. (in German) [28]
  • Frode Weium, Tim Boon (eds.), Material Culture and Electronic Sound, Smithsonian Institution Scholarly Press, 2013, 312 pp. [29]
  • Erkki Huhtamo, Illusions In Motion: Media Archaeology of the Moving Panorama and Related Spectacles, MIT Press, 2013. [30]
  • Publications on media archaeology at Monoskop Log

Journal issues and Special sections

  • Grey Room 43, Spring 2011, Special issue: "Audio/Visual". [31]

Book chapters, Papers, Articles

Theses

Resources

See also


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