Media archaeology

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Institutes[edit]

Educational programs[edit]

Courses

Events[edit]

Artists, theorists, initiatives[edit]

Publications[edit]

Monographs[edit]

Friedrich Kittler, Discourse Networks 1800 / 1900, [1985] 1990, PDF.
Friedrich Kittler, Gramophone Film Typewriter, [1986] 1999, PDF.
Siegfried Zielinski, Audiovisions: Cinema and Television as Entr’actes in History, [1989] 1999, PDF.
Lisa Gitelman, Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era, 1999, PDF.
Cornelia Vismann, Files: Law and Media Technology, [2000] 2008, Log.
Lisa Gitelman, Geoffrey B. Pingree (eds.): New Media, 1740-1915, 2003, PDF.
Erkki Huhtamo, Jussi Parikka (eds.), Media Archaeology: Approaches, Applications, and Implications, 2011, Log.
  • Jacques Perriault, Mémoires de l’ombre et du son. Une archéologie de l’audiovisuel, Paris: Flammarion, 1981. (French)
  • Hans Ulrich Gumbrecht, Karl Ludwig Pfeiffer (eds.), Materialität der Kommunikation, Frankfurt am Main: Suhrkamp, 1988. TOC. (German)
  • Siegfried Zielinski, Audiovisionen: Kino und Fernsehen als Zwischenspiele in der Geschichte, Reinbek bei Hamburg: Rowohlt, 1989. (German)
  • Peter Klier, Jean-Luc Evard (eds.), Mediendämmerung: zur Archäologie der Medien, Berlin: Tiamat, 1989, 153 pp. (German)
  • Lynn Spigel, Make Room for TV: Television and the Family Ideal in Postwar America, Chicago and London: University of Chicago Press, 1992.
  • Stephen Herbert, Luke McKernan (eds.), Who's Who of Victorian Cinema: A Worldwide Survey, London: British Film Institute, 1996. Online version.
  • Cornelia Vismann, Akten. Medientechnik und Recht, Frankfurt am Main: Fischer, 2000. (German)
  • Giuliana Bruno, Atlas of Emotion: Journeys in Art, Architecture, and Film, London: Verso, 2002. Chapter 1, Chapter 2.
  • P.J.H. Kockelkoren, Technology: Art, Fairground and Theatre, Rotterdam: NAI Publishers (Fascinations), 2003, 111 pp.
    • Techniek: Kunst, Kermis en Theater, Rotterdam: NAI Publishers, 2003, 111 pp. [3] (Dutch)
  • Bernard Finn (ed.), Presenting Pictures, Smithsonian Institution Scholarly Press, 2004. [4] [5]
  • Charles R. Acland (ed.), Residual Media, Minneapolis, MN: University of Minnesota Press, 2006. Chapter 2.
  • Laurent Mannoni, Werner Nekes, Marina Warner, Eyes, Lies and Illusions: Drawn from the Werner Nekes Collection, ACMI, 2006. Publisher.
  • Pierre Levie, Montreurs et Vues d' Optique, Sofidoc, 2006. (French)
  • Timothy C. Campbell, Wireless Writing in the Age of Marconi, Minneapolis, MN: University of Minnesota Press, 2006.
  • Bernhard J. Dotzler, Diskurs und Medium. Zur Archäologie der Computerkultur, Munich: Fink, 2006, 233 pp. (German)
  • James Lyons, John Plunkett, Multimedia Histories: From Magic Lanterns to Internet, University of Exeter Press, 2007. [11]
  • Eric Kluitenberg (ed.), Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium, Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2006, 296 pp. With DVD.
    • Boek van de imaginaire Media: over de droom van het ultieme communicatiemedium, Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2006, 320 pp. [12] (Dutch)
    • Imagināro mediju grāmata. Vispatiesākā komunikācijas medija sapņa meklējumos, trans. Daina Siliņa, Riga: RIXC, 2011, 280 pp. Preview. [13] (Latvian)
  • Jussi Parikka, Digital Contagions: A Media Archeology of Computer Viruses, New York: Peter Lang, 2007; 2nd ed., 2016. Conclusions. [14]
  • José Roca, Phantasmagoria - Specters of Absence, Independent Curators International, 2007.
  • Nike Bätzner, Werner Nekes, Eva Schmidt (eds.), Blickmaschinen, oder wie Bilder entstehen, DuMont, 2008. Catalogue. [16] (German)
  • Marina Warner, Phantasmagoria - Spirit Visions, Metaphors, and Media, Oxford University Press, 2008. [17]
  • Lynda Nead, The Haunted Gallery: Painting, Photography and Film around 1900, Yale University Press, 2008. [18]
  • Deac Rossel, Laterna Magica - Magic Lantern Vol I, Füsslin, 2008. [19] (German)/(English)
  • Dieter Daniels, Barbara U. Schmidt (eds.), Artists as Inventors-Inventors as Artists, Hatje Cantz, 2008, 240 pp.
  • Ovidiu Tichindeleanu, The Graphic Sound. An Archeology of Sound, Technology and Knowledge at 1900, ProQuest, 2008, 555 pp.
  • Kazys Varnelis (ed.), The Infrastructural City: Networked Ecologies in LA, New York: Actar, The Los Angeles Forum for Architecture and Urban Design, and The Network Architecture Lab at Columbia University, 2009. Contents.
  • Dominique Willoughby, Le Cinéma graphique: Une histoire des dessins animés, des jouets d’optique au cinéma numérique, Les editions textuel, 2009. [20] (French)
  • Peter Morris, Klaus Staubermann (eds.), Illuminating Instruments, Smithsonian Institution Scholarly Press, 2010. [26] [27]
  • Paul DeMarinis, Buried in Noise, eds. Ingrid Beirer, Sabine Himmelsbach, and Carsten Seiffarth, Heidelberg: Kehrer, 2010, 280 pp. Publisher. (English)/(German)
  • Erkki Huhtamo, Jussi Parikka (eds.), Media Archaeology: Approaches, Applications, and Implications, Berkeley, CA: University of California Press, 2011, x+356 pp.
    • Mei jie kao gu xue: fang fa.lu jing yu yi han [媒介考古学: 方法.路径与意涵], Shanghai: Fu dan da xue chu ban she, 2018, 342 pp. (Chinese)
  • Jussi Parikka, What is Media Archaeology?, Polity, 2012.
    • Medya Arkeolojisi Nedir?, trans. Ebru Kılıç, ed. Ferit Burak Aydar, Istanbul: Koç Üniversitesi, 2017, 264 pp. Publisher. (Turkish)
    • Qu'est-ce que l'archéologie des médias?, pref. Emmanuel Guez, trans. Christophe Degoutin, Grenoble: UGA Editions, 2018, 323 pp. Publisher. Review: Sevin (Lectures). (French)
    • Archeologia dei media: nuove prospettive per la storia e la teoria della comunicazione, pref. Ruggero Eugeni, postf. Simone Venturini, Rome: Carocci, 2019, 282 pp. (Italian)
  • Shintaro Miyazaki, Algorhythmisiert: eine Medienarchäologie digitaler Signale und (un)erhörter Zeiteffekte, Berlin: Kadmos (Berliner Programm einer Medienwissenschaft), 2013, 281 pp. Introduction. Publisher. [30] (German)
  • Frode Weium, Tim Boon (eds.), Material Culture and Electronic Sound, Smithsonian Institution Scholarly Press (Artefacts), 2013, 312 pp. Publisher.
  • Lisa Gitelman, Paper Knowledge: Toward a Media History of Documents, Durham, NC: Duke University Press (Sign, Storage, Transmission), 2014, 210 pp.
    • Zhi zhi shi: Guan yu wen dang de mei jie li shi [纸知识 : 关于文档的媒介历史], trans. Yun Wang, Shanghai: Fu dan da xue chu ban she you xian gong si, 2020, 194 pp. (Chinese)
  • Marie Cronqvist, Patrik Lundell, Pelle Snickars (eds.), Återkopplingar, Lund University, 2014, 416 pp. (Swedish)
  • Siegfried Zielinski, Peter Weibel (eds.), Allah's Automata: Artifacts of the Arabic-Islamic Renaissance (800-1200), Hatje Cantz, 2016. Catalogue. Exhibition. Publisher.
  • Roger Whitson, Steampunk and Nineteenth-Century Digital Humanities: Literary Retrofuturisms, Media Archaeologies, Alternate Histories, Routledge, 2016, 244 pp. Publisher.
  • Moritz Hiller, Stefan Höltgen (eds.), Archäographien. Aspekte einer radikalen Medienarchäologie. Festschrift für Wolfgang Ernst, Basel: Schwabe, 2019, 354 pp. TOC & Foreword. (German),(English)
  • Knut Ebeling, Annette Maechtel, Heimo Lattner (eds.), Never Mind the Nineties: eine Medienarchäologie des Kunststandorts Berlin, Berlin: Eeclectic, 2019. Publisher. (German)

Journal issues and Special sections[edit]

Book chapters, Papers, Articles[edit]

Theses[edit]

  • Jentery Sayers, How Text Lost Its Source: Magnetic Recording Cultures, University of Washington, 2011, 240 pp. [37] [38]

Primary references[edit]

Research, Resources[edit]

See also[edit]