Media archives

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Revision as of 09:48, 5 August 2011 by Dusan (talk | contribs) (→‎Events)
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Themes

  • Metadata, taxonomies, tagging, folksonomy [1]
  • Licensing, copyright issues
  • Transclusion, contextualisation, discourse analysis, clustering [2]
  • Visualisation, interfaces [3] [4]
  • File formats, conversion
  • Physical storage media, preservation [5]

Events

  • Database|Narrative|Archive. An International Symposium on Nonlinear Digital Storytelling. Concordia University, Montréal (13-15 May 2011). Discussions covered database documentaries, interactive narratives, and experimental archiving. [6]
  • Expertmeeting Archive 2020, Amsterdam, May 2009, [7]
  • Doc-Fest Jihlava, October 2008
  • New Media. Variety of Perspectives. WEB ARCHIVES, DATABASES AND ART DISTRIBUTION PROJECTS, Multiplace Brno, April 2008, [8]
  • Open Archives, IIM Prague, November 2007, [9]
  • Linz, since 2005, [10]

Media art archives in CEE

Art archives online

Software

  • collection management systems: OpenCollection (OSS)
  • content management systems: Plone (GNU GPL), Drupal (GNU)
  • mind mapping and knowledge management systems: DeepaMehta (based on Nelson's research results)
  • white label social networking sites: Elgg (GPL), PHPizabi

Data visualisation tools

Literature

  • Vannevar Bush, As We May Think, 1945 [14] Memex
  • Ted Nelson, A File Structure for the Complex, the Changing, and the Indeterminate, 1965
  • Ted Nelson, Literary Machines, 1980s Xanadu
  • Tim Berners-Lee, 1980 ENQUIRE System
  • in 1903 Emile Durkheim and Marcel Mauss published their essay on primitive classification systems to show how they are determined by the shape of society [15]
  • Jacques Derrida, Archive Fever: A Freudian Impression. University of Chicago Press, 1996. [16]
  • Esther Weltevrede, "Archiving Web dynamics" [17]
  • Alain Depocas, Jon Ippolito, Caitlin Jones (eds.), Permanence Through Change: The Variable media Approach, New York: Solomon R. Guggenheim Museum, with Montreal: Daniel Langlois Foundation, 2003. English and French. [18]
  • Sandra Fauconnier and Rens Frommé, Capturing Unstable Media: "Summary of Research Results", March 2003 [19]
  • Charles Merewether (ed.), The Archive. London: Whitechapel, 2006. [20]
  • Pelle Snickars, Patrick Vonderau (eds.), The YouTube Reader. National Library of Sweden, Stockholm, June 2009 [21]
  • Karin Bijsterveld, José van Dijck (eds.), Sound Souvenirs: Audio Technologies, Memory and Cultural Practices. Amsterdam University Press, Amsterdam, 2009. [22]
  • Annet Dekker (ed.), Archive2020 – Sustainable Archiving of Born-Digital Cultural Content. Virtueel Platform, 2010. [23]
  • Nina Wenhart, "W0rdM4g1x. Or how to put a spell on Media Art Archives", January 2011, [24]

Copyleft licesing

in Slovakia
  • summary: http://zuiprezi.com/prezi/1295/view/
  • sk.Wikipedia, http://sk.wikipedia.org/wiki/Wikip%C3%A9dia:Autorsk%C3%A9_pr%C3%A1va, GNU FDL [25]
  • OpenStreetMap je opensourcova mapa, ktora ma svoj volne organizovany cesky a slovensky mapovaci tim. Slovaci sa aktivne podielaju aj na vyvoji nastrojov pre mapu, teraz je vo vyvoji nastroj na hladanie tras v mape. CZ & SK mapy patria k najprepracovanejsim v stredoeuropskom regione OSM. Momentalne je licencovana pod CC-BY-SA, akurat neviem, ci tomu tak bude aj v buducnosti, pretoze sa prislo na to, ze tato licencia dost pravdepodobne tento projekt zabija (podla mnozstva pravnych analyz prevazne z USA). http://www.openstreetmap.org/ [26] + slovenska odnoz openstreetmap: http://freemap.sk
    • Ked si precitas snad aj wiki openstreetmap projektu, najdes niekolko prikladov toho, ako cc-by-sa, resp. mozne vagne vyklady tejto licencie prakticky odraduju niektore komercne subjekty od pouzivania, resp. prispievania do tejto mapy. Konkretne je spornym bodom cc-by-sa to, ze nie je uplne totalne presne povedane, co vsetko sa musi pod cc-by-sa vydat v pripade, ze by sa napriklad osm mapa spojila na webovom portali s nemapovymi datami (trebars includovanim osm appletu do stranky). podla niektorych nazorov pravnikov nie je pre komercne spolocnosti bezpecne OSM pouzivat (vyjadrenie pravnickeho oddelenia jednej spol. ktora chcela OSM vyuzit).
  • Zlatyfond, http://zlatyfond.sme.sk, Tomáš Ulej, CC, digitalisation of literary works. "V dohladnej dobe by sme radi spustili projekt ponukajuci na internete zdigitalizovane diela nasich najvacsich literatov - obsah tejto digitalizacie (texty jednotlivych diel a pracu editora, digitalizatora a autora) by sme radi licencovali pomocou Creative commons." article
  • Webarchiv / Univerzitna kniznica v Bratislave. Archiv sa zameriava primarne na segment povodnych vedeckych a odbornych elektronickych pramenov na pokracovanie t.j. elektronickych casopisov a periodik vydavanych na uzemi SR, ktore maju pridelene medzinarodne cislo ISSN. Momentalne prebieha experimentalna faza. Oslovili sme vybranych vydavatelov so ziadostou o povolenie pristupu a zberu ich webov, experiment bude trvat od septembra 2008 do juna 2009. Na experimentalnu fazu bude nadvazovat rutinny selektivny zber, vyber zdrojov pre tento oficialny zber je podmienovany pridelenym ISSN. V buducnosti planujeme i tematicke a celoplosne experimenty s pripadnym naslednym rutinnym zberom, ktory musi vychadzat z platnej legistlativy. Tu nebudu weby limitovane pridelenim ISSN. Katarína Kinčíková. http://www.webarchiv.sk/
  • Monoskop, http://burundi.sk/monoskop
  • levocska kniznica, digitalna kniznica pre nevidiacich, Norbert Végh, http://www.skn.sk/?dk
  • Backstage, http://burundi.sk/backstage, project mgmt software, CC
  • lokalizácie
    • sk.OpenOffice.org
    • mozilla.sk
    • ubuntu-sk.org
    • debian.sk
    • KDE-SK
  • Itchy bit, CC Slovakia coordinator, http://www.freelists.org/archives/commonssk/
  • Edo Szattler, lawyer, http://www.solain.org/
  • Andrej Chudý, diploma thesis about authorship, "Elektronická komunikácia a jej vplyv na súčasné zmeny v chápaní a zmysle autorstva"
  • Martin Kuštek, www.amavet.sk
  • PaedDr. Roman Baranovic, Oddelenie projektu Infovek, Ustav informacii a prognoz skolstva. Pre projekt s ucitelmi z celeho slovenska v ktorom oni vytvaraju edukacne materialy aby ich zdielali so svojimi kolegami.
  • Duševné vlastníctvo na Slovensku, konferencia, v Úrade priemyselného vlastníctva SR, BB [27]
CZ
  • Cyberspace conference, 28-29 Nov, Brno, http://www.cyberspace.muni.cz, workshops: Intellectual Property On-Line (chair: Andreas Wiebe, illustrative topics: copyright in electronic media, digital rights management, OEM contracts, second hand software, multimedia, software protection, European copyright, intellectual property in third world countries, Bit Torrent traffic),
  • Wikimedia CZ [28] [29]
  • OpenStreetMap, CC by-sa, http://www.openstreetmap.org/ [30]

More

  • http://en.wikipedia.org/wiki/Open_Archives_Initiative
  • http://delicious.com/cedvu
  • http://uo.twenteenthcentury.com/index.php/FacultyTaxonomy
  • Category:Software art
  • Hannah Hurtzig. Selected installation projects on the thematics and metaphor of the library and of Archives: Department for temporary memory, a media installation on the subject of the memory in art. Hamburger Kammerspiele (2000), Tulip House. INFORMATION RETRIEVAL - Dialogues on Archiving, public art installation, British Museum, King's Library, London International Festival of Theatre (2001), The Refugee: Services Rendered to Undesirables, Mobile Academy/ ErsatzStadt/ Volksbühne am Rosa- Luxemburg- Platz (2002), Tulip House. BLACK MARKET OF USEFUL KNOWLEDGE AND NON-KNOWLEDGE The Hallucinated Community College of the Mobile Academy April 2005, Kunstverein in Hamburg BLACK MARKET OF USEFUL KNOWLEDGE AND NON-KNOWLEDGE The Hallucinated Community College of the Mobile Academy with 100 experts Mai 2005, HEBBEL AM UFER, Berlin [31]
More more

read them partly as preparation for the karass suite project
but it is good to see where they are realized or not
and for the future how to implement them further
not necessarily in a mysql database

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