Difference between revisions of "Mexico"
Jump to navigation
Jump to search
| (12 intermediate revisions by the same user not shown) | |||
| Line 13: | Line 13: | ||
==Electroacoustic music== | ==Electroacoustic music== | ||
* http://www.artesonoro.net/articulos/Cronologia.pdf | * http://www.artesonoro.net/articulos/Cronologia.pdf | ||
| + | |||
| + | ==Conceptual art== | ||
| + | * [[Proceso Pentágono]] group, 1976-1985/1997 | ||
| + | * [[Felipe Ehrenberg]] | ||
| + | |||
| + | ==Art and resistance== | ||
| + | * María Graciela Patrón Carrillo, [http://www.scielo.org.co/pdf/hall/v16n31/1794-3841-hall-16-31-121-145.pdf "Resistencia social en el libroarte de México del siglo XXI: relatos de la otredad"], ''Hallazgos'' 16:31, Bogotá, Jan-Jun 2019, pp 121-145. {{es}} | ||
| + | * Yásnaya Elena Aguilar Gil, "Making a Territory of Collaboration Possible: Art, Solidarity and Indigenous Peoples", in ''Art and Solidarity Reader. Radical Actions, Politics and Friendships'', ed. Katya García-Antón, Oslo: OCA, and Amsterdam: Valiz, 2022. [https://oca.no/programme/launch-event-art-and-solidarity-reader] {{en}} | ||
==Literature== | ==Literature== | ||
| Line 22: | Line 30: | ||
* ''[https://monoskop.org/log/?p=17971 La era de la discrepancia: arte y cultura visual en Mexico / The Age of Discrepancies: Art and Visual Culture in Mexico, 1968-1997]'', ed. Olivier Debroise, Mexico, D.F.: Universidad Nacional Autonomia de Mexico & Turner, 2006, 469 pp; 2nd ed., eds. Cuauthémoc Medina and Olivier Debroise, Mexico, D.F.: Turner, 2014, 500 pp. Catalogue. {{es}}/{{en}} | * ''[https://monoskop.org/log/?p=17971 La era de la discrepancia: arte y cultura visual en Mexico / The Age of Discrepancies: Art and Visual Culture in Mexico, 1968-1997]'', ed. Olivier Debroise, Mexico, D.F.: Universidad Nacional Autonomia de Mexico & Turner, 2006, 469 pp; 2nd ed., eds. Cuauthémoc Medina and Olivier Debroise, Mexico, D.F.: Turner, 2014, 500 pp. Catalogue. {{es}}/{{en}} | ||
* Edward J. McCaughan, ''Art and Social Movements: Cultural Politics in Mexico and Aztlán'', Duke University Press, 2012. [https://books.google.com/books?id=S0Hj8wPPTrIC&printsec=frontcover] {{en}} | * Edward J. McCaughan, ''Art and Social Movements: Cultural Politics in Mexico and Aztlán'', Duke University Press, 2012. [https://books.google.com/books?id=S0Hj8wPPTrIC&printsec=frontcover] {{en}} | ||
| − | * Tatiana E. Flores, ''[https://aaaaarg.fail/thing/5dc6ee039ff37c02576125fa Mexico's Revolutionary Avant-Gardes: From Estridentismo to ¡30–30!]'', Yale University Press, 2013. 376 pp. [https://www.academia.edu/8408115/ Introduction]. Review: [http://www.caareviews.org/reviews/2318 Oles] (CAA). {{en}} | + | * Tatiana E. Flores, ''[https://aaaaarg.fail/thing/5dc6ee039ff37c02576125fa Mexico's Revolutionary Avant-Gardes: From Estridentismo to ¡30–30!]'', Yale University Press, 2013. 376 pp. [https://www.academia.edu/8408115/ Introduction]. [http://www.yalebooks.com/yupbooks/book.asp?isbn=9780300184488]. Review: [http://www.caareviews.org/reviews/2318 Oles] (CAA). {{en}} |
* ''Strange Currencies: Art & Action in Mexico City, 1990-2000'', ed. Kaytie Johnson, Philadelphia: Galleries at Moore College of Art & Design, 2015, 128 pp. Catalogue. [http://moore.edu/about-moore/blog-publications/blog/the-galleries-at-moore-present-strange-currencies-art-action-in-mexico-city-1990-2000] [http://moore.edu/uploads/files/88890939534281265-strangecurrencies-eng.pdf] [http://www.yoshuaokon.com/media/textos/articulos/91okon_everythingispermitted.pdf] {{en}} | * ''Strange Currencies: Art & Action in Mexico City, 1990-2000'', ed. Kaytie Johnson, Philadelphia: Galleries at Moore College of Art & Design, 2015, 128 pp. Catalogue. [http://moore.edu/about-moore/blog-publications/blog/the-galleries-at-moore-present-strange-currencies-art-action-in-mexico-city-1990-2000] [http://moore.edu/uploads/files/88890939534281265-strangecurrencies-eng.pdf] [http://www.yoshuaokon.com/media/textos/articulos/91okon_everythingispermitted.pdf] {{en}} | ||
* Sophie Halart, Mara Polgovsky Ezcurra (eds.), ''[http://library.memoryoftheworld.org/#/book/a49879c8-8df1-49e9-8e54-fe64c0506000 Sabotage Art: Politics and Iconoclasm in Contemporary Latin America]'', London: I.B. Tauris, 2016, xvii+238 pp. {{en}} | * Sophie Halart, Mara Polgovsky Ezcurra (eds.), ''[http://library.memoryoftheworld.org/#/book/a49879c8-8df1-49e9-8e54-fe64c0506000 Sabotage Art: Politics and Iconoclasm in Contemporary Latin America]'', London: I.B. Tauris, 2016, xvii+238 pp. {{en}} | ||
| − | * Patrick Frank (ed.), ''[http://library.memoryoftheworld.org/#/book/d50183c3-2247-4ef5-9100-4b29bf1a7f61 Manifestos and Polemics in Latin American Modern Art]'', trans. Patrick Frank, University of New Mexico Press, 2017, 320 pp. Review: [http://sci-hub. | + | * Patrick Frank (ed.), ''[http://library.memoryoftheworld.org/#/book/d50183c3-2247-4ef5-9100-4b29bf1a7f61 Manifestos and Polemics in Latin American Modern Art]'', trans. Patrick Frank, University of New Mexico Press, 2017, 320 pp. Review: [http://sci-hub.st/10.1080/08263663.2017.1415708 Boone] (CJLACS). {{en}} |
| − | * ''The | + | * Lynda Klich, ''The Noisemakers: Estridentismo, Vanguardism, and Social Action in Postrevolutionary Mexico'', University of California Press, 2018, 360 pp. {{en}} |
| − | ** '' | + | * ''Redes de vanguardia: Amauta y América Latina, 1926-1930'', eds. Beverly Adams and Natalia Majluf, Madrid: Museo Nacional Centro de Arte Reina Sofía, Austin: Blanton Museum of Art, and Lima: MALI, 2019, 352 pp. Exh. catalogue. [https://www.museoreinasofia.es/publicaciones/redes-vanguardia] {{es}} |
| + | ** ''The Avant-garde Networks of ''Amauta'': Argentina, Mexico, and Peru in the 1920s'', Madrid: Museo Nacional Centro de Arte Reina Sofía, Austin: Blanton Museum of Art, and Lima: MALI, 2019, 352 pp. [https://www.museoreinasofia.es/en/publicaciones/avant-garde-networks-amauta] {{en}} | ||
| + | * Karen Benezra, ''Dematerialization: Art and Design in Latin America'', Oakland, CA: University of California Press (Studies on Latin American Art and Latinx Art), 2020, 256 pp. [https://www.ucpress.edu/book/9780520307063/dematerialization Publisher]. [https://islaa.org/bookshop/dematerialization] {{en}} | ||
| + | * Rafael Lozano-Hemmer, Tracy Valcourt, [https://github.com/antimodular/Brief-chronology-of-technological-culture-in-Mexico "Brief chronology of technological culture in Mexico"], 2023. [https://tldr.nettime.org/@errafael/110951801358216326 Toot]. {{en}} | ||
| + | ** [https://monoskop.org/images/e/ea/Rafael_Lozano-Hemmer_Techs-Mechs_2023.pdf#page=20 "Breve cronología de la cultura tecnológica en México"], in ''Rafael Lozano-Hemmer: Techs-Mechs'', San Francisco: Gray Area, 2023. {{es}} | ||
| + | * Mara Polgovsky Ezcurra (ed.), ''[http://libgen.rs/book/index.php?md5=F347280A8EF206ECB700B6D585E70F90 The New Public Art: Collectivity and Activism in Mexico since the 1980s]'', University of Texas Press, 2023. {{en}} | ||
* http://monoskop.org/log/?tag=mexico | * http://monoskop.org/log/?tag=mexico | ||
{{Countries}} | {{Countries}} | ||
Latest revision as of 12:28, 16 November 2023
Contents
Avant-garde[edit]
- Estridentismo (Stridentism, 1921-27)
- Photography: Kati Horna, Tina Modotti (Italian-born actress and photographer)
- Treintatreintista: Grupo de Pintores ¡30-30! (1928).
- Surrealism: Leonora Carrington (British painter), Remedios Varo (Spanish painter), Kati Horna (Hungarian photographer).
- Writings
Architecture[edit]
- Fernando N. Winfield, "The Avant-Garde in the Architecture and Visual Arts of Post-Revolutionary Mexico", Architecture_Media_Politics_Society 1:3 (Nov 2012).
Electroacoustic music[edit]
Conceptual art[edit]
- Proceso Pentágono group, 1976-1985/1997
- Felipe Ehrenberg
Art and resistance[edit]
- María Graciela Patrón Carrillo, "Resistencia social en el libroarte de México del siglo XXI: relatos de la otredad", Hallazgos 16:31, Bogotá, Jan-Jun 2019, pp 121-145. (Spanish)
- Yásnaya Elena Aguilar Gil, "Making a Territory of Collaboration Possible: Art, Solidarity and Indigenous Peoples", in Art and Solidarity Reader. Radical Actions, Politics and Friendships, ed. Katya García-Antón, Oslo: OCA, and Amsterdam: Valiz, 2022. [1] (English)
Literature[edit]
- Vicky Unruh, Latin American Vanguards: The Art of Contentious Encounters, University of California Press, 1994. (English)
- Mauricio Tenorio-Trillo, Mexico at the World's Fairs: Crafting a Modern Nation, University of California Press, 1996. (English)
- Eric Zolov, Refried Elvis: The Rise of the Mexican Counterculture, University of California Press, 1999. (English)
- Jacqueline Barnitz, Twentieth-Century Art of Latin America, 2001, xxii+400 pp; 2nd ed., rev. & exp., with Patrick Frank, Austin: University of Texas Press, 2015, xviii+415 pp.
- Patrick Frank (ed.), Readings in Latin American Modern Art, Yale University Press, 2004, 288 pp. [2] (English)
- La era de la discrepancia: arte y cultura visual en Mexico / The Age of Discrepancies: Art and Visual Culture in Mexico, 1968-1997, ed. Olivier Debroise, Mexico, D.F.: Universidad Nacional Autonomia de Mexico & Turner, 2006, 469 pp; 2nd ed., eds. Cuauthémoc Medina and Olivier Debroise, Mexico, D.F.: Turner, 2014, 500 pp. Catalogue. (Spanish)/(English)
- Edward J. McCaughan, Art and Social Movements: Cultural Politics in Mexico and Aztlán, Duke University Press, 2012. [3] (English)
- Tatiana E. Flores, Mexico's Revolutionary Avant-Gardes: From Estridentismo to ¡30–30!, Yale University Press, 2013. 376 pp. Introduction. [4]. Review: Oles (CAA). (English)
- Strange Currencies: Art & Action in Mexico City, 1990-2000, ed. Kaytie Johnson, Philadelphia: Galleries at Moore College of Art & Design, 2015, 128 pp. Catalogue. [5] [6] [7] (English)
- Sophie Halart, Mara Polgovsky Ezcurra (eds.), Sabotage Art: Politics and Iconoclasm in Contemporary Latin America, London: I.B. Tauris, 2016, xvii+238 pp. (English)
- Patrick Frank (ed.), Manifestos and Polemics in Latin American Modern Art, trans. Patrick Frank, University of New Mexico Press, 2017, 320 pp. Review: Boone (CJLACS). (English)
- Lynda Klich, The Noisemakers: Estridentismo, Vanguardism, and Social Action in Postrevolutionary Mexico, University of California Press, 2018, 360 pp. (English)
- Redes de vanguardia: Amauta y América Latina, 1926-1930, eds. Beverly Adams and Natalia Majluf, Madrid: Museo Nacional Centro de Arte Reina Sofía, Austin: Blanton Museum of Art, and Lima: MALI, 2019, 352 pp. Exh. catalogue. [8] (Spanish)
- The Avant-garde Networks of Amauta: Argentina, Mexico, and Peru in the 1920s, Madrid: Museo Nacional Centro de Arte Reina Sofía, Austin: Blanton Museum of Art, and Lima: MALI, 2019, 352 pp. [9] (English)
- Karen Benezra, Dematerialization: Art and Design in Latin America, Oakland, CA: University of California Press (Studies on Latin American Art and Latinx Art), 2020, 256 pp. Publisher. [10] (English)
- Rafael Lozano-Hemmer, Tracy Valcourt, "Brief chronology of technological culture in Mexico", 2023. Toot. (English)
- "Breve cronología de la cultura tecnológica en México", in Rafael Lozano-Hemmer: Techs-Mechs, San Francisco: Gray Area, 2023. (Spanish)
- Mara Polgovsky Ezcurra (ed.), The New Public Art: Collectivity and Activism in Mexico since the 1980s, University of Texas Press, 2023. (English)
- http://monoskop.org/log/?tag=mexico
| Countries avant-garde, modernism, experimental art, media culture, social practice |
||
|---|---|---|
|
Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Malta, Mexico, Moldova, Montenegro, Morocco, Netherlands, North Macedonia, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States | ||
