Difference between revisions of "Michal Kindernay"

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Born 1978, graduated from [[Video FaVU VUT Brno|FAVU]] [[Brno]], studio of academic painter [[Peter Rónai]]. His productions make use of interactive connections of sound, image, and other inputs. He works in an environment of interactive computer applications designed for work with sound and image, such as MAX and PureData. He uses them largely as open and interactive composition systems, helping him define the form of his work using an algorithm affecting various parameters of his audio-visual compositions in real time. His previous works include both video performances and installations, and interactive Internet-based projects (''It's fun to be bohemian'', 2007, with [[Lenka Dolanová]]); he frequently collaborates with sound artist [[Guy van Belle]]. Lives in [[Prague]].
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Born 1978, graduated from [[Video FaVU VUT Brno|FAVU]] [[Brno]], studio of academic painter [[Peter Rónai]]. His productions make use of interactive connections of sound, image, and other inputs. He works in an environment of interactive computer applications designed for work with sound and image, such as MAX and PureData. He uses them largely as open and interactive composition systems, helping him define the form of his work using an algorithm affecting various parameters of his audio-visual compositions in real time. His previous works include both video performances and installations, and interactive Internet-based projects (''It's fun to be bohemian'', 2007, with [[Lenka Dolanová]]); he frequently collaborates with sound artist [[Guy van Belle]]. Lives in [[Prague]] and [[Hradec Králové]].

Revision as of 11:46, 13 November 2008

Born 1978, graduated from FAVU Brno, studio of academic painter Peter Rónai. His productions make use of interactive connections of sound, image, and other inputs. He works in an environment of interactive computer applications designed for work with sound and image, such as MAX and PureData. He uses them largely as open and interactive composition systems, helping him define the form of his work using an algorithm affecting various parameters of his audio-visual compositions in real time. His previous works include both video performances and installations, and interactive Internet-based projects (It's fun to be bohemian, 2007, with Lenka Dolanová); he frequently collaborates with sound artist Guy van Belle. Lives in Prague and Hradec Králové.