Difference between revisions of "Miles Orvell"
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==Books== | ==Books== | ||
| − | * ''The Real Thing: Imitation and Authenticity in American Culture, 1880-1940'', 1989; Twenty-Fifth Anniversary Edition, Chapel Hill: The University of North Carolina Press, 2014 [http://xroads.virginia.edu/~DRBR2/orvell.pdf | + | * ''The Real Thing: Imitation and Authenticity in American Culture, 1880-1940'', 1989; Twenty-Fifth Anniversary Edition, Chapel Hill: The University of North Carolina Press, 2014 [http://xroads.virginia.edu/~DRBR2/orvell.pdf Excerpts] [https://anonfiles.com/file/32114b632bb335a003e7762b185dda71]. |
* ''After the Machine: Visual Arts and the Erasing of Cultural Boundaries'', 1995 | * ''After the Machine: Visual Arts and the Erasing of Cultural Boundaries'', 1995 | ||
* ''American Photography'', 2003 | * ''American Photography'', 2003 | ||
Latest revision as of 21:22, 6 November 2016
Miles Orvell (Ph.D., English, Harvard) has a broad interest in American photography and visual culture.
Books[edit]
- The Real Thing: Imitation and Authenticity in American Culture, 1880-1940, 1989; Twenty-Fifth Anniversary Edition, Chapel Hill: The University of North Carolina Press, 2014 Excerpts [1].
- After the Machine: Visual Arts and the Erasing of Cultural Boundaries, 1995
- American Photography, 2003
- The Death and Life of Main Street: Small Towns in American Memory, Space, and Community, 2012
