Difference between revisions of "Miloš Vojtěchovský"

From Monoskop
Jump to navigation Jump to search
(5 intermediate revisions by the same user not shown)
Line 7: Line 7:
 
}}
 
}}
 
[[Image:Milos_Vojtechovsky_1995.jpg|thumb|258px|Miloš Vojtěchovský in 1995. Photo: D.Š.]]
 
[[Image:Milos_Vojtechovsky_1995.jpg|thumb|258px|Miloš Vojtěchovský in 1995. Photo: D.Š.]]
'''Miloš Vojtěchovský''' (15 April 1955, [[Prague]]) graduated in Art History and Aesthetics from Charles University, Prague (1980). Since the early 1980s he has been involved in independent music, visual art, action art, and curatorial work. He lectured on East European Art at the Centrum voor Kunstgeschiedenis Amsterdam (1992-1994) and was the founder and the only employee of Oko Production, an exhibition space in [[Amsterdam]] (1988-1992). He is the initiator, researcher, co-producer and co-author of the interactive educational project ''Orbis Pictus Revised'' (1991-1995) commisioned for [[ZKM]] Karlsruhe and created by Imaginary Museum Project founded by [[Tjebbe van Tijen]]. Miloš was founder of the [[Center for Metamedia Plasy]] at Plasy Monastery (1991-2000), an initiator of [[The Hermit Foundation]] (with Jiří Kornatovský, 1991), and curator in the Collection of Modern and Contemporary Art at National Gallery Prague (1995-2000). He worked as a programme curator at [[LABoratory]] at the [[Center for Contemporary Arts Prague]] (2000-2003) where he ran the broadcasting project [[Radio Jeleni]] (2000-2004), consequently co-founding the [[Lemurie TAZ]] streaming project (2004-2009), and afterwards an online platform and community project focussing on sonic landscape of [[Prague]], [http://sonicity.cz Zvuky Prahy / Sounds of Prague] (since 2008). From 1999 he also worked in the [[Školská 28]] gallery. He lectured on media art, contemporary art and communication studies at the Faculty of Fine Arts at the Technical University (FaVU VUT) in [[Brno]] (1997-2004), [[CAS Prague|Center for Audiovisual Studies]] at FAMU (from 2004), and he co-organised the course [http://intermedia.amu.cz Intermedia creativity and technologies] between AMU, ČVUT and AVU in [[Prague]]. In 2007, together with Roman Berka he founded [[Institute of Intermedia Prague|Institute of Intermedia]]. He has published in Dutch, German, Belgian, English, and Czech magazines since 1988 and in samizdat since 1975. He lives in [[Prague]] and Krásná Hora, Czech Republic.
+
'''Miloš Vojtěchovský''' (15 April 1955, [[Prague]]) graduated in Art History and Aesthetics from Charles University, Prague (1980). Since the early 1980s he has been involved in independent music, visual art, action art, and curatorial work. He lectured on East European Art at the Centrum voor Kunstgeschiedenis Amsterdam (1992-1994) and was the founder and the only employee of Oko Production, an exhibition space in [[Amsterdam]] (1988-1992). He is the initiator, researcher, co-producer and co-author of the interactive educational project ''[https://imaginarymuseum.org/OPR/OPRWAAGE.HTM Orbis Pictus Revised]'' (1991-1995) commisioned for [[ZKM]] Karlsruhe and created by Imaginary Museum Project founded by [[Tjebbe van Tijen]]. Miloš was founder of the [[Center for Metamedia Plasy]] at Plasy Monastery (1991-2000), an initiator of [[The Hermit Foundation]] (with Jiří Kornatovský, 1991), and curator in the Collection of Modern and Contemporary Art at National Gallery Prague (1995-2000). He worked as a programme curator at [[LABoratory]] at the [[Center for Contemporary Arts Prague]] (2000-2003) where he ran the broadcasting project [[Radio Jeleni]] (2000-2004), consequently co-founding the [[Lemurie TAZ]] streaming project (2004-2009), and afterwards an online platform and community project focussing on sonic landscape of [[Prague]], [http://sonicity.cz Zvuky Prahy / Sounds of Prague] (since 2008). From 1999 he also worked in the [[Školská 28]] gallery. He lectured on media art, contemporary art and communication studies at the Faculty of Fine Arts at the Technical University (FaVU VUT) in [[Brno]] (1997-2004), [[CAS Prague|Center for Audiovisual Studies]] at FAMU (from 2004), and he co-organised the course [http://intermedia.amu.cz Intermedia creativity and technologies] between AMU, ČVUT and AVU in [[Prague]]. In 2007, together with Roman Berka he founded [[Institute of Intermedia Prague|Institute of Intermedia]]. He has published in Dutch, German, Belgian, English, and Czech magazines since 1988 and in samizdat since 1975. He lives in [[Prague]] and Krásná Hora, Czech Republic.
  
 
==Books==
 
==Books==
Line 14: Line 14:
 
==Essays, reviews==
 
==Essays, reviews==
 
* "Jitro kouzelníků? Nabubřelost, zasvěcenost, zápecnictví na konci tisíciletí", ''Umělec CZ'' 2 (1997). {{cz}}
 
* "Jitro kouzelníků? Nabubřelost, zasvěcenost, zápecnictví na konci tisíciletí", ''Umělec CZ'' 2 (1997). {{cz}}
* [http://www.divus.cc/praha/cs/article/charlie-citron-meets-arthur-rubinstein "Charlie Citronovo setkání s Arthurem Rubinsteinem"], ''Umělec CZ'' 2 (1997). {{cz}}
+
* [http://www.divus.cz/praha/cs/article/charlie-citron-meets-arthur-rubinstein "Charlie Citronovo setkání s Arthurem Rubinsteinem"], ''Umělec CZ'' 2 (1997). {{cz}}
** [http://www.divus.cc/praha/en/article/charlie-citron-meets-arthur-rubinstein "Charlie Citron Meets Arthur Rubinstein"], ''Umělec EN'' 2 (1997). {{en}}
+
** [http://www.divus.cz/praha/en/article/charlie-citron-meets-arthur-rubinstein "Charlie Citron Meets Arthur Rubinstein"], ''Umělec EN'' 2 (1997). {{en}}
 
* "Zneklidňující labyrint (George Legrady)", ''Umělec CZ'' 6-7 (1997). {{cz}}
 
* "Zneklidňující labyrint (George Legrady)", ''Umělec CZ'' 6-7 (1997). {{cz}}
* [http://www.divus.cc/praha/cs/article/mickey-mouse-quagga-and-stink-ant "Mickey Mouse, guagga a příběh mravence zápašného (Mark Dion a Muzeum jurské technologie)"], ''Umělec CZ'' 1 (1998). {{cz}}
+
* [http://www.divus.cz/praha/cs/article/mickey-mouse-quagga-and-stink-ant "Mickey Mouse, guagga a příběh mravence zápašného (Mark Dion a Muzeum jurské technologie)"], ''Umělec CZ'' 1 (1998). {{cz}}
** [http://www.divus.cc/praha/en/article/mickey-mouse-quagga-and-stink-ant "Mickey Mouse, Quagga And Stink Ant"], ''Umělec EN'' 1 (1998). {{en}}
+
** [http://www.divus.cz/praha/en/article/mickey-mouse-quagga-and-stink-ant "Mickey Mouse, Quagga And Stink Ant"], ''Umělec EN'' 1 (1998). {{en}}
* [http://www.divus.cc/praha/cs/article/mongrelian-culture-and-cultural-prestige-or-ignorance-and-filth-in-digital-paradise "Mongrelská kultura a kulturní prestiž aneb ignorance a špinavost v digitálním ráji"], ''Umělec CZ'' 6-7 (1998). {{cz}}
+
* [http://www.divus.cz/praha/cs/article/mongrelian-culture-and-cultural-prestige-or-ignorance-and-filth-in-digital-paradise "Mongrelská kultura a kulturní prestiž aneb ignorance a špinavost v digitálním ráji"], ''Umělec CZ'' 6-7 (1998). {{cz}}
** [http://www.divus.cc/praha/en/article/mongrelian-culture-and-cultural-prestige-or-ignorance-and-filth-in-digital-paradise "Mongrelian Culture and Cultural Prestige or Ignorance and Filth in Digital Paradise"], ''Umělec EN'' 6-7 (1998). {{en}}
+
** [http://www.divus.cz/praha/en/article/mongrelian-culture-and-cultural-prestige-or-ignorance-and-filth-in-digital-paradise "Mongrelian Culture and Cultural Prestige or Ignorance and Filth in Digital Paradise"], ''Umělec EN'' 6-7 (1998). {{en}}
* [http://www.divus.cc/praha/cs/article/asian-explosive-compound-buddha-s-footprint-and-contemporary-thai-art "Asijská výbušná směs (Buddhova šlápota a thajské umění)"], ''Umělec CZ'' 1 (1999). {{cz}}
+
* [http://www.divus.cz/praha/cs/article/asian-explosive-compound-buddha-s-footprint-and-contemporary-thai-art "Asijská výbušná směs (Buddhova šlápota a thajské umění)"], ''Umělec CZ'' 1 (1999). {{cz}}
** [http://www.divus.cc/praha/en/article/asian-explosive-compound-buddha-s-footprint-and-contemporary-thai-art "Asian Explosive Compound (Buddha’s Footprint and Contemporary Thai Art)"], ''Umělec EN'' 1 (1999). {{en}}
+
** [http://www.divus.cz/praha/en/article/asian-explosive-compound-buddha-s-footprint-and-contemporary-thai-art "Asian Explosive Compound (Buddha’s Footprint and Contemporary Thai Art)"], ''Umělec EN'' 1 (1999). {{en}}
* [http://www.divus.cc/praha/cs/article/metro-and-america "Metro a amerika. Alegorické scény Martina Kippenbergera"], ''Umělec CZ'' 2 (1999). {{cz}}
+
* [http://www.divus.cz/praha/cs/article/metro-and-america "Metro a amerika. Alegorické scény Martina Kippenbergera"], ''Umělec CZ'' 2 (1999). {{cz}}
** [http://www.divus.cc/praha/en/article/metro-and-america "Metro and America"], ''Umělec EN'' 2 (1999). {{en}}
+
** [http://www.divus.cz/praha/en/article/metro-and-america "Metro and America"], ''Umělec EN'' 2 (1999). {{en}}
* [http://www.divus.cc/praha/cs/article/native-performer-still-lives "Rodilý perfomer ještě žije"], ''Umělec CZ'' 5-6 (1999). {{cz}}
+
* [http://www.divus.cz/praha/cs/article/native-performer-still-lives "Rodilý perfomer ještě žije"], ''Umělec CZ'' 5-6 (1999). {{cz}}
* [http://www.divus.cc/praha/cs/article/po-po-pohadka-fairy-tale "Po-po-pohádka - Fairy-tale"], ''Umělec CZ'' 7 (1999). {{cz}}
+
* [http://www.divus.cz/praha/cs/article/po-po-pohadka-fairy-tale "Po-po-pohádka - Fairy-tale"], ''Umělec CZ'' 7 (1999). {{cz}}
* [http://www.divus.cc/praha/cs/article/jump-from-trampoline-into-fog-job-koelewijn-olafur-eliasson-and-special-effects "Skok do mlhy z trampolíny / (Job Koelewijn, Olafur Eliasson a zvláštní efekty)"], ''Umělec CZ'' 7 (1999). [http://web.archive.org/web/20130515003417/http://makulatura.posterous.com/skok-do-mlhy-z-trampoliny-job-koelewijn-olafu] {{cz}}
+
* [http://www.divus.cz/praha/cs/article/jump-from-trampoline-into-fog-job-koelewijn-olafur-eliasson-and-special-effects "Skok do mlhy z trampolíny / (Job Koelewijn, Olafur Eliasson a zvláštní efekty)"], ''Umělec CZ'' 7 (1999). [http://web.archive.org/web/20130515003417/http://makulatura.posterous.com/skok-do-mlhy-z-trampoliny-job-koelewijn-olafu] {{cz}}
* [http://www.divus.cc/praha/cs/article/captive-of-the-concept-of-the-miraculous-between-art-and-life "V zajetí konceptu zízračna (Mezi uměním a životem)"], ''Umělec CZ'' 3 (2000). {{cz}}
+
* [http://www.divus.cz/praha/cs/article/captive-of-the-concept-of-the-miraculous-between-art-and-life "V zajetí konceptu zízračna (Mezi uměním a životem)"], ''Umělec CZ'' 3 (2000). {{cz}}
** [http://www.divus.cc/praha/en/article/captive-of-the-concept-of-the-miraculous-between-art-and-life "Captive of the Concept of the Miraculous (Between Art and Life)"], ''Umělec EN'' 3 (2000). {{en}}
+
** [http://www.divus.cz/praha/en/article/captive-of-the-concept-of-the-miraculous-between-art-and-life "Captive of the Concept of the Miraculous (Between Art and Life)"], ''Umělec EN'' 3 (2000). {{en}}
* [http://www.divus.cc/praha/cs/article/translated-by-vladan-sir "Obrazy a podobizny"], ''Umělec CZ'' 3 (2001). [http://web.archive.org/web/20130515003356/http://makulatura.posterous.com/obrazy-podobizny] [http://www.artlist.cz/texty/obrazy-a-podobizny-7198/] {{cz}}
+
* [http://www.divus.cz/praha/cs/article/translated-by-vladan-sir "Obrazy a podobizny"], ''Umělec CZ'' 3 (2001). [http://web.archive.org/web/20130515003356/http://makulatura.posterous.com/obrazy-podobizny] [http://www.artlist.cz/texty/obrazy-a-podobizny-7198/] {{cz}}
** [http://www.divus.cc/praha/en/article/translated-by-vladan-sir "Images / Portraits"], trans. Vladan Šír, ''Umělec EN'' 3 (2001). {{en}}
+
** [http://www.divus.cz/praha/en/article/translated-by-vladan-sir "Images / Portraits"], trans. Vladan Šír, ''Umělec EN'' 3 (2001). {{en}}
 
* [[Media:Vojtechovsky Milos 2002 Umeni_a_elektronicke_technologie.pdf|"Umění a elektronické technologie"]], in ''Dějiny umění 12'', eds. Karel Císař and Terezie Petišková, Prague, 2002, pp 255-281. {{cz}}
 
* [[Media:Vojtechovsky Milos 2002 Umeni_a_elektronicke_technologie.pdf|"Umění a elektronické technologie"]], in ''Dějiny umění 12'', eds. Karel Císař and Terezie Petišková, Prague, 2002, pp 255-281. {{cz}}
 
* [https://vasulkakitchen.org/sites/default/files/document/vasulka2002_vojtech1.pdf "Woody Vasulka a utopie autonomního díla"], 2002. {{cz}}
 
* [https://vasulkakitchen.org/sites/default/files/document/vasulka2002_vojtech1.pdf "Woody Vasulka a utopie autonomního díla"], 2002. {{cz}}
Line 110: Line 110:
 
* [https://www.hisvoice.cz/jak-chodit-po-jehlach-a-pozlacenych-triskach/ "Jak chodit po jehlách a pozlacených třískách"], ''His Voice'', 6 Jun 2019. {{cz}}
 
* [https://www.hisvoice.cz/jak-chodit-po-jehlach-a-pozlacenych-triskach/ "Jak chodit po jehlách a pozlacených třískách"], ''His Voice'', 6 Jun 2019. {{cz}}
 
* [https://agosto-foundation.org/cs/hermit-networks "Hermit Networks: o oddencích, příživnících i poustevnících, uvízlých v sítinách"], ''Agosto Foundation: mediateka'', Prague, Apr 2020. {{cz}}
 
* [https://agosto-foundation.org/cs/hermit-networks "Hermit Networks: o oddencích, příživnících i poustevnících, uvízlých v sítinách"], ''Agosto Foundation: mediateka'', Prague, Apr 2020. {{cz}}
* [https://artalk.cz/2020/07/22/vypraveni-z-druheho-brehu-chantal-akerman/ "Vyprávění z druhého břehu Chantal Akerman"], ''Artalk'', 22 Jul 2020. {{cz}}
+
* [https://artalk.cz/2020/07/22/vypraveni-z-druheho-brehu-chantal-akerman/ "Vyprávění z druhého břehu Chantal Akerman"], ''Artalk.cz'', 22 Jul 2020. {{cz}}
 +
* [https://monoskop.org/images/4/48/Krticka_Jan_Mrkus_Pavel_eds_Sound_and_Environment_Zvuk_a_prostredi_2020.pdf#page=94 "Mračna, mraky, obláčky: poznámka k fenomenologii a ekologii počasí"] / [https://monoskop.org/images/4/48/Krticka_Jan_Mrkus_Pavel_eds_Sound_and_Environment_Zvuk_a_prostredi_2020.pdf#page=85 "Thunderheads, Clouds, and Cloudlets: A Note on the Phenomenology and Ecology of Rain"], in ''Sound and Environment: Contemporary Approaches to Sonic Ecology in Art / Zvuk a prostředí: současné přístupy ke zvukové ekologii'', eds. Jan Krtička and Pavel Mrkus, Ústí nad Labem: Fakulta umění a designu Univerzity J. E. Purkyně, 2020, pp 185-192 & 167-175. [https://agosto-foundation.org/cs/mediateka/acoustic-ecology/sound-environment] [https://fud.ujep.cz/2020/11/sound-end-environment-zvuk-a-prostredi/] {{cz}}/{{en}}
 +
* [https://flashart.cz/2020/12/20/panychida-za-vsechny-zaseknute-a-nefunkcni-cd-romy/ "Panychida za všechny zaseknuté a nefunkční CD-ROMy"], ''Flash Art CZ/SK'' 58, Prague, Dec 2020. {{cz}}
 +
* [https://artalk.cz/2021/03/12/the-kitchen-jako-fermentacni-kotel-elektronickeho-umeni/ "The Kitchen jako fermentační kotel elektronického umění"], ''Artalk.cz'', 12 Mar 2021. {{cz}}
  
 
; More
 
; More
* [http://www.divus.cc/praha/en/author/milos-vojtechovsky Articles in ''Umělec'']
+
* [http://www.divus.cz/praha/en/author/milos-vojtechovsky Articles in ''Umělec'']
 
* [http://web.archive.org/web/20080525135401/http://www.literarky.cz/?p=autor&id=644 Articles in ''Literární noviny'']
 
* [http://web.archive.org/web/20080525135401/http://www.literarky.cz/?p=autor&id=644 Articles in ''Literární noviny'']
 
* [http://www.advojka.cz/autori/milos-vojtechovsky Articles in ''A2'']
 
* [http://www.advojka.cz/autori/milos-vojtechovsky Articles in ''A2'']

Revision as of 12:28, 14 March 2021

Born April 15, 1955(1955-04-15)
Prague, Czech Republic
Lives in Prague and Krásná Hora, Czech Republic
Miloš Vojtěchovský in 1995. Photo: D.Š.

Miloš Vojtěchovský (15 April 1955, Prague) graduated in Art History and Aesthetics from Charles University, Prague (1980). Since the early 1980s he has been involved in independent music, visual art, action art, and curatorial work. He lectured on East European Art at the Centrum voor Kunstgeschiedenis Amsterdam (1992-1994) and was the founder and the only employee of Oko Production, an exhibition space in Amsterdam (1988-1992). He is the initiator, researcher, co-producer and co-author of the interactive educational project Orbis Pictus Revised (1991-1995) commisioned for ZKM Karlsruhe and created by Imaginary Museum Project founded by Tjebbe van Tijen. Miloš was founder of the Center for Metamedia Plasy at Plasy Monastery (1991-2000), an initiator of The Hermit Foundation (with Jiří Kornatovský, 1991), and curator in the Collection of Modern and Contemporary Art at National Gallery Prague (1995-2000). He worked as a programme curator at LABoratory at the Center for Contemporary Arts Prague (2000-2003) where he ran the broadcasting project Radio Jeleni (2000-2004), consequently co-founding the Lemurie TAZ streaming project (2004-2009), and afterwards an online platform and community project focussing on sonic landscape of Prague, Zvuky Prahy / Sounds of Prague (since 2008). From 1999 he also worked in the Školská 28 gallery. He lectured on media art, contemporary art and communication studies at the Faculty of Fine Arts at the Technical University (FaVU VUT) in Brno (1997-2004), Center for Audiovisual Studies at FAMU (from 2004), and he co-organised the course Intermedia creativity and technologies between AMU, ČVUT and AVU in Prague. In 2007, together with Roman Berka he founded Institute of Intermedia. He has published in Dutch, German, Belgian, English, and Czech magazines since 1988 and in samizdat since 1975. He lives in Prague and Krásná Hora, Czech Republic.

Books

Essays, reviews

More

Interviews

See also

Links