Difference between revisions of "Mira Keratová"

From Monoskop
Jump to navigation Jump to search
Line 1: Line 1:
'''Mira Keratová''' (1977) is a curator and art historian.
+
'''Mira Keratová''' (1977) is an art historian and curator at the Central Slovakian Gallery in [[Banská Bystrica]].
  
Some of her recent curatorial projects include research project ''Working Memory'' (tranzit, Bratislava 2009) with an archive on performative art of the so-called Czechoslovakian “normalisation”; exhibition ''The Romance of my Young Days, the Future of my Nostalgia'' (Central Slovakian Gallery, Banská Bystrica 2010); Concept of [[Stano Filko]]'s installation ''POST BIGSF BANGSF ARTSF'' (''A Terrible Beauty Is Born'', 11th Biennale de Lyon, Lyon 2011); retrospective of [[Ľubomír Ďurček]], ''Situational Models of Communication'' (Central Slovakian Gallery, Banská Bystrica 2012, and Slovak National Gallery, Bratislava 2013), among others.  
+
Some of her recent curatorial projects include the research project ''Working Memory'' (tranzit, Bratislava 2009-2015) with an archive on performative art of the so-called Czechoslovak “normalisation”; the exhibition ''The Romance of My Young Days, The Future of My Nostalgia'' (Central Slovakian Gallery, Banská Bystrica 2010); concept of [[Stano Filko]]'s installation ''POST BIGSF BANGSF ARTSF'' (''A Terrible Beauty Is Born'', 11th Biennale de Lyon, Lyon 2011); retrospective of [[Ľubomír Ďurček]], ''Situational Models of Communication'' (Central Slovakian Gallery, Banská Bystrica 2012; Slovak National Gallery, Bratislava 2013); Stano Filko, ''(...) IN – 5. 4. 3. D. – (...)'' (Fondazione Morra Greco, Naples 2014).
  
She has lectured at the Academy of Fine Arts and Design in Bratislava and the Faculty of Fine Arts, University of Technology in Brno, and she currently works as a freelance curator and curator at Central Slovakian Gallery in Banská Bystrica.
+
In 2015 Mira completed her PhD thesis on performative art of the 1960s and 1970s and its documentation (AFAD, Bratislava). She had lectured at the Academy of Fine Arts and Design in Bratislava and the Faculty of Fine Arts, University of Technology in Brno. She is also a freelance curator.
  
 
==Publications==
 
==Publications==
Line 12: Line 12:
 
* "Vivez sans temps mort. Fiktivna kultura na Slovensku sedemdesiatych rokov / Vivez sans temps mort. Die Kultur des Fiktiven in der Slowakei der 1970er-Jahre", in ''Transforming 68/89. Umwege am Ende der Geschichte / Spletité cesty na konci historie'', ed. Jürgen Danyel, Berlin: Metropol, 2008, pp 528-537. {{sk}}/{{de}}
 
* "Vivez sans temps mort. Fiktivna kultura na Slovensku sedemdesiatych rokov / Vivez sans temps mort. Die Kultur des Fiktiven in der Slowakei der 1970er-Jahre", in ''Transforming 68/89. Umwege am Ende der Geschichte / Spletité cesty na konci historie'', ed. Jürgen Danyel, Berlin: Metropol, 2008, pp 528-537. {{sk}}/{{de}}
 
* [http://www.secession.at/art/images/2014_bartos/Text%20Mira%20Keratova.pdf "Každá cesta ukrýva počiatočné tajomstvo: ako sa pútnik dostal do východzieho bodu?"], in Peter Bartoš, ''Situations 1945–2014'', Vienna: Secession, 2014. {{sk}}
 
* [http://www.secession.at/art/images/2014_bartos/Text%20Mira%20Keratova.pdf "Každá cesta ukrýva počiatočné tajomstvo: ako sa pútnik dostal do východzieho bodu?"], in Peter Bartoš, ''Situations 1945–2014'', Vienna: Secession, 2014. {{sk}}
 +
* "Peter Bartoš", ''Flash Art Czech & Slovak Edition'' 37 (Dec 2015), pp 43-44. {{sk}}
  
 
==Links==
 
==Links==

Revision as of 12:11, 3 October 2017

Mira Keratová (1977) is an art historian and curator at the Central Slovakian Gallery in Banská Bystrica.

Some of her recent curatorial projects include the research project Working Memory (tranzit, Bratislava 2009-2015) with an archive on performative art of the so-called Czechoslovak “normalisation”; the exhibition The Romance of My Young Days, The Future of My Nostalgia (Central Slovakian Gallery, Banská Bystrica 2010); concept of Stano Filko's installation POST BIGSF BANGSF ARTSF (A Terrible Beauty Is Born, 11th Biennale de Lyon, Lyon 2011); retrospective of Ľubomír Ďurček, Situational Models of Communication (Central Slovakian Gallery, Banská Bystrica 2012; Slovak National Gallery, Bratislava 2013); Stano Filko, (...) IN – 5. 4. 3. D. – (...) (Fondazione Morra Greco, Naples 2014).

In 2015 Mira completed her PhD thesis on performative art of the 1960s and 1970s and its documentation (AFAD, Bratislava). She had lectured at the Academy of Fine Arts and Design in Bratislava and the Faculty of Fine Arts, University of Technology in Brno. She is also a freelance curator.

Publications

Books, Catalogues
  • editor, Ľubomír Ďurček. Situačné modely komunikácie, Bratislava: Slovak National Gallery, 2013. (Slovak)
Book chapters, Essays
  • "Vivez sans temps mort. Fiktivna kultura na Slovensku sedemdesiatych rokov / Vivez sans temps mort. Die Kultur des Fiktiven in der Slowakei der 1970er-Jahre", in Transforming 68/89. Umwege am Ende der Geschichte / Spletité cesty na konci historie, ed. Jürgen Danyel, Berlin: Metropol, 2008, pp 528-537. (Slovak)/(German)
  • "Každá cesta ukrýva počiatočné tajomstvo: ako sa pútnik dostal do východzieho bodu?", in Peter Bartoš, Situations 1945–2014, Vienna: Secession, 2014. (Slovak)
  • "Peter Bartoš", Flash Art Czech & Slovak Edition 37 (Dec 2015), pp 43-44. (Slovak)

Links

  • Interview by Ján Kralovič, video, Mar 2015, 60 min.