Difference between revisions of "Miroslav Ponc"

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; Articles
 
; Articles
 
* Jana Matulová, "Barevná hudba. Bakalářská diplomová práce", Brno, 2008 [http://is.muni.cz/th/167250/ff_b/Barevna_hudba_final.pdf]
 
* Jana Matulová, "Barevná hudba. Bakalářská diplomová práce", Brno, 2008 [http://is.muni.cz/th/167250/ff_b/Barevna_hudba_final.pdf]
* Lenka Pastyříková, "Vizualizace hudby v českém meziválečném vıtvarném umění" ("The Visualisation of Music in Czech Art of the Inter-War Period"), Umění (Art) 2004, vol. 52, number. 4, pgs 336-352 [http://cejsh.icm.edu.pl/cejsh/cgi-bin/getdoc.cgi?04CZAAAA0017365]
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* Lenka Pastyříková, "Vizualizace hudby v českém meziválečném výtvarném umění" ("The Visualisation of Music in Czech Art of the Inter-War Period"), Umění (Art) 2004, vol. 52, number. 4, pgs 336-352 [http://cejsh.icm.edu.pl/cejsh/cgi-bin/getdoc.cgi?04CZAAAA0017365]

Revision as of 10:50, 9 September 2009

Born 1902 in Vysoké Mýto, died 1976 in Prague. Czech composer. A pupil of Suk and Hába at the Prague Conservatory and of Schoenberg privately, he wrote avant-garde pieces in the 1920s, but subsequently devoted himself to the theatre: he conducted at the National Theatre in Prague from 1945 and wrote over 100 incidental scores. After his activity in Berlin (1922-23) independently contributed to the contemporary theme of the colour piano – for instance in his work Big Canonical Preludium. Member of Devětsil in Brno, made chromophonic compositions.


Compositions
  • Barevná hudba, 1925
Books
  • Jaromír Paclt, Miroslav Ponc: neznámá kapitola z dějin meziválečné umělecké avantgardy, Prague: Supraphon, 1990
Articles
  • Jana Matulová, "Barevná hudba. Bakalářská diplomová práce", Brno, 2008 [1]
  • Lenka Pastyříková, "Vizualizace hudby v českém meziválečném výtvarném umění" ("The Visualisation of Music in Czech Art of the Inter-War Period"), Umění (Art) 2004, vol. 52, number. 4, pgs 336-352 [2]