Difference between revisions of "Monoskop"
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| − | + | Welcome to [[About Monoskop|Monoskop]], a wiki for the arts, media and humanities. | |
| + | |||
| + | This page shows a selection of the latest additions to the website. For more detailed listings see the [https://monoskop.org/log Log], [[Recent]], [[Contents]] and [[Index]] sections. Selected updates are posted on [https://monoskop.org/log/?feed=rss2 RSS], [http://twitter.com/monoskop Twitter], [http://www.facebook.com/monoskoplog Facebook] and [http://instagram.com/monoskoporg Instagram]. | ||
==Recent entries== | ==Recent entries== | ||
| − | [[ | + | <gallery mode=packed heights=210px style="font-size:110%; font-weight:bold;"> |
| + | Ono_Yoko_Grapefruit_1964.jpg|link=Artists publishing|[[Artists publishing|Artists' publishing]] | ||
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| + | The_worlds_protected_areas_2015.jpg|link=Anthropocene|[[Anthropocene]] | ||
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| + | Ehlers_Jeannette_2013_Whip_It_Good_photo_Casper_Maare.jpg|link=Decolonial aesthetics|[[Decolonial aesthetics]] | ||
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| + | Bibliotecha.jpg|link=Shadow_libraries|[[Shadow libraries]] | ||
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| + | Fediposter_Jan_2020.png|link=Federated networks|[[Federated networks|Federated networks (Fediverse)]] | ||
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| + | Old Boys Network 1997 100 Anti-Theses of Cyberfeminism.jpg|link=Cyberfeminism|[[Cyberfeminism]] | ||
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| + | Hinton_et_al_2006_p_7.jpg|link=Neural_aesthetics|[[Neural aesthetics]] | ||
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| + | Sa_Neide_1968_Transparencia.jpg|link=Women_in_concrete_poetry|[[Women in concrete poetry|Women in concrete, visual and sound poetry]] | ||
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| + | Ukeles_Mierle_Laderman_1977-1980_Touch_Sanitation_.jpg|link=Performance_art|[[Performance art]] | ||
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| + | Dusan_Barok_and_Monoskop_2018_Exhibition_Library_at_Mediacity_Biennale_Seoul_1_small.jpg|link=Exhibition Library|[[Exhibition Library]] | ||
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| + | Buren_Mosset_Parmentier_Toroni_1967_Photo-souvenir_Manifestation_3.jpg|link=Art|[[Art|Modern and contemporary art]] | ||
| − | + | MA_8_1_15_Oct_1922_back_cover.jpg|link=Magazines|[[Magazines|Avant-garde and modernist magazines]] | |
| − | + | IOK2015_3.1_Fuller_Haacke_Shapolsky.jpg|link=Ideographies_of_Knowledge|[[Ideographies of Knowledge]] | |
| − | + | 0100101110101101.org_Epidemic_2001_Biennale_py.jpg|link=Software_art|[[Software art]] and [[Software studies]] | |
| − | + | Valie_Export_1967-68_Abstract_Film_No_1.jpg|link=Expanded cinema|[[Expanded cinema]] | |
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| − | + | Trisha_Brown_Accumulation_1971_1979.jpg|link=Trisha_Brown|[[Trisha Brown]] | |
| − | + | Kay_Emma_1999_Worldview.jpg|link=Conceptual_writing|[[conceptual writing|Conceptual literature]] | |
| − | + | Rossi_Aldo_1976_La_citta_analoga.jpg|link=Architecture|[[Architecture]] | |
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| − | + | Neoist_Akademgorod.jpg|link=Neoism|[[Neoism]] | |
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| − | + | Donna_Haraway.jpg|link=Haraway|[[Haraway|Donna Haraway]] | |
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| − | + | Gustav_Metzger_The_Southbank_Demonstration_London_1961.jpg|link=Metzger|[[Metzger|Gustav Metzger]] | |
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| − | + | Kircher_Athanasius_Arpa_eolica.jpg|link=Sound_art|[[Sound art]] | |
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| − | + | Russolo_intonorumori_1913.jpg|link=Noise|[[Noise]] | |
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| − | + | From_Victor_Turner_The_Ritual_Process_Structure_and_Anti-Structure_1969.jpg|link=Cultural_techniques|[[Cultural techniques]] | |
| − | + | Vocal_apparatus_and_Voder_ATT_pamphlet.jpg|link=Cybernetics|[[Cybernetics]] | |
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| − | + | Teodoro_Wolf-Ferrari_1912_Poster_for_M1_the_first_Olivetti_typewriter.jpg|link=Kittler|[[Kittler|Friedrich Kittler]] | |
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| − | + | HfG_Ulm_Metal_workshop_1958.jpg|link=Design research|[[Design research]] | |
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| − | + | Second_Spring_Exhibition_of_OBMOKhU_Moscow_May-June_1921.jpg|link=Constructivism|[[Constructivism]] | |
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| − | + | Lissitzky_El_1924_Proun_99.jpg|link=Lissitzky|[[Lissitzky|El Lissitzky]] | |
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| − | + | Punin_Nikolay_Pamyatnik_III_internatsionala.jpg|link=Russia#Avant-garde|[[Russia#Avant-garde|Russian avant-garde]] | |
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| − | + | Bauhaus_2-1_1928.jpg|link=Bauhaus|[[Bauhaus|BAUHAUS]] | |
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| − | + | Picasso_Pablo_1913_Photographic_composition_with_Construction_with_Guitar_Player_and_Violin_grayscaled.jpg|link=Cubism|[[Cubism]] | |
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| + | Moholy-Nagy_Laszlo_1930_Light-Space_Modulator_2.jpg|link=Moholy-Nagy|[[Moholy-Nagy|László Moholy-Nagy]] | ||
| − | + | Marey_1894_Falling_cat.jpg|link=Experimental_film|[[Experimental film]] | |
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| − | = | + | Vertov_Dziga_1929_Man_with_a_Movie_Camera_still_2.jpg|link=Vertov|[[Vertov|Dziga Vertov]] |
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| − | = | + | Comenius_1705_Orbis_Pictus_index_page.jpg|link=Index|[[Index|Monoskop Index]] |
| − | + | </gallery> | |
| − | == | + | ==Monoskop Log== |
| − | + | <div class="dpl" style="-moz-column-count:3; -webkit-column-count:3; column-count:3; font-size: .9em; width: 850px"> | |
| + | <rss max=5>https://monoskop.org/log/?feed=rss2</rss> | ||
</div> | </div> | ||
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Revision as of 08:45, 23 March 2020
Welcome to Monoskop, a wiki for the arts, media and humanities.
This page shows a selection of the latest additions to the website. For more detailed listings see the Log, Recent, Contents and Index sections. Selected updates are posted on RSS, Twitter, Facebook and Instagram.
Recent entries
Monoskop Log
You are welcome to follow and join us on mastodon at post.lurk.org/@monoskop.
“From the “Big Science” of Bell Laboratories to the esoteric world of séance chambers to university media labs to neighborhood makerspaces, places we call “labs” are everywhere—but how exactly do we account for the wide variety of ways that they produce knowledge? More than imitations of science and engineering labs, many contemporary labs are hybrid forms that require a new methodological and theoretical toolkit to describe. The Lab Book investigates these vital, creative spaces, presenting readers with the concept of the “hybrid lab” and offering an extended—and rare—critical investigation of how labs have proliferated throughout culture.
Organized by interpretive categories such as space, infrastructure, and imaginaries, The Lab Book uses both historical and contemporary examples to show how laboratories have become fundamentally connected to changes in the contemporary university. Its wide reach includes institutions like the MIT Media Lab, the Tuskegee Institute’s Jesup Wagon, ACTLab, and the Media Archaeological Fundus. The authors cover topics such as the evolution and delineation of lab-based communities, how labs’ tools and technologies contribute to defining their space, and a glossary of key hybrid lab techniques.”
Publisher University of Minnesota Press, March 2022
ISBN 9781517902179, 1517902177
x+333 pagesProject website
Publisher
WorldCatHTML (Manifold)
“In 2021, Networks of Care offered a platform at the nGbK enabling an exchange of ideas and information between practitioners and experts concerning strategies for dealing with artistic estates, private and public archives, or idle documentation volumes. The present contributions reflect—in their theoretical analyses and also partly fleeting or historical thoughts, notes, and reflections and through their polyphony and contradictoriness—the fact that practices of preserving and discarding are always also political and must be understood principally as unfinished processes of continuous selecting, deciding, translating, transferring, actualizing, and transforming. The publication concludes with a preliminary interim result and a proposal for next steps regarding these structural and cultural-political challenges.”
With contributions by Dušan Barok, Nanne Buurman, Amalia Calderòn, Mela Dávila Freire, Annet Dekker, Lukas Fuchsgruber, Michael Hiltbrunner, Megan Hoetger, Bettina Knaup, Christin Lahr, Anne Luther, Katalin Krasznahorkei, Laurence Rassel, Peter Rehberg, Elske Rosenfeld, Friederike Schäfer, Anna Schäffler, Olga Schubert, Cornelia Sollfrank, Ingrid Wagner, and Mark Waugh.
Publisher neue Gesellschaft für bildende Kunst (nGbK), Berlin, May 2022
ISBN 9783938515952
178 pages
Trading Zones: Camera Work in Artistic and Ethnographic Research (2022)
“This book introduces camera-based practices at the intersections of artistic and ethnographic research that critically examine the means of their own production and social embeddedness. In shared practices such as recording in the field, editing in post-production and modes of presentation, the camera is involved as an agent rather than an innocent device. How does the camera grapple with the invisible and how does it reveal what the camerawoman is unable to see? How do films, videos and photographs provide access to vulnerable knowledges and what presentation formats can extend the linearity of narration?
Taking account of their own situatedness and the limits of representation, many of this book’s contributors attempt to speak with — rather than about — the other. These negotiations appearing in the featured projects open up a shared field of artistic and ethnographic inquiry, whose potential — for experiments and reflections — is far from exhausted.”
Contributions by Sepideh Abtahi, Shirin Barghnavard, Laura Coppens, Louis Henderson, Heidrun Holzfeind, Mina Keshavarz, Daniel Kötter, Jürgen Krusche, Bärbel Küster, Bina Elisabeth Mohn, Laura von Niederhäusern, Uriel Orlow, Barbara Preisig, Rani al Raji, Nahid Rezaei, Anette Rose, Sahar Salahshoori, Christoph Schenker, Amira Solh, Lena Maria Thüring, Zheng Mahler.
Edited by Barbara Preisig, Laura von Niederhäusern, and Jürgen Krusche
Publisher Archive Books, Berlin
Creative Commons BY-NC-ND 4.0 license
ISBN 9783948212827
164 pages
Dora García (ed.): If I Could Wish for Something (2021)
“In 1930, German film composer Friedrich Hollaender wrote “Wenn ich mir was wünschen dürfte”, famously performed by Marlene Dietrich. It inspired the foundation of Dora García’s exhibition ‘If I Could Wish for Something’ and this accompanying publication. The song serves as a powerful expression of a complex concept: sadness as political strength. García in turn connects this concept with women’s struggles for emancipation. Disappointed in the promise made to them by revolutionary movements, which for now remains unfulfilled, women are seeking to transform this feeling to overcome the temptation of victimhood and open up the possibility of an ethical encounter. ”
With texts by Antonio Cataldo, Saddie Choua, Paloma Contreras Lomas, Dora García, Agnieszka Gratza, Carla Lamoyi, Hilde Methi, Andrea Valdés, Sayak Valencia, and Pieternel Vermoortel.
Publisher Fotogalleriet, Oslo, and Netwerk Aalst, Aalst, 2021
ISBN 9789081080064, 9081080067
222 pages
via KHiO
