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| + | Welcome to [[About Monoskop|Monoskop]], a wiki for arts and studies. | ||
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| + | <gallery mode=packed heights=300px style=" margin:auto"> | ||
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| + | <!-- Recent sections /// Communities, movements --> | ||
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| + | Fediposter_Jan_2020.png|link=Fediverse|[[Fediverse|Fediverse, federated networks]] | ||
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| + | Bibliotecha.jpg|link=Shadow_libraries|[[Shadow libraries]] | ||
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| + | Counter_Cloud_Action_2023.jpg|link=Community servers|[[Community servers]] | ||
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| + | Old Boys Network 1997 100 Anti-Theses of Cyberfeminism.jpg|link=Cyberfeminism|[[Cyberfeminism|Technofeminism, cyberfeminism, xenofeminism]] | ||
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| + | Ehlers_Jeannette_2013_Whip_It_Good_photo_Casper_Maare.jpg|link=Decolonial aesthetics|[[Decolonial aesthetics]] | ||
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| + | Kuenstlerinnengruppe_Erfurt.jpg|link=East_Central_Europe|[[East Central Europe]] | ||
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| + | Ukeles_Mierle_Laderman_1973_Washing_Tracks_Maintenance_Outside.jpg|link=Performance|[[Performance]] | ||
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| + | Grof_Ferenc_2021_Das_Kapital_Raum_2_39.jpg|link=1990s|[[1990s]] | ||
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| + | The Years Without Art 1990-1993 c1989.png|link=Art_and_activism|[[Art and activism|Activism]] | ||
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| + | The_worlds_protected_areas_2015.jpg|link=Anthropocene|[[Anthropocene|Degrowth]] | ||
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| + | Bibliotecha_Stuff_Youll_need.jpg|link=Free software|[[Free software|Free software, libre culture]] | ||
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| + | Radio_Punctum_.jpg|link=Community radio|[[Community radio]] | ||
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| + | Ono_Yoko_Grapefruit_1964.jpg|link=Artists publishing|[[Publishing]] | ||
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| + | </gallery> | ||
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| + | ==Log2== | ||
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| + | <!-- https://monoskop.org/log2 --> | ||
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| + | ==Recent files== | ||
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| + | [[Monoskop:Recent files|{{inf}}]] | ||
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| + | ==Recent edits== | ||
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| + | [[Monoskop:Recent edits|{{inf}}]] | ||
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| + | ==Recent pages== | ||
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| + | <div class=threecol> | ||
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| + | [[Monoskop:Recent pages|{{inf}}]] | ||
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| + | ==Log3== | ||
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| + | <!-- https://monoskop.org/log3 --> | ||
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| + | <div class=threecol> | ||
| + | {{:Log3}} | ||
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| − | + | [[Base:Mastodon|Mastodon:]] [[Mastodon::https://post.lurk.org/@monoskop]] | |
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| + | [[Log3|{{inf}}]] | ||
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| + | ==wiki== | ||
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| + | <gallery mode=packed heights=300px style=" margin:auto"> | ||
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| + | Maciunas_George_ed_Fluxus_1_box_version.jpg|link=Fluxus|[[Fluxus]] | ||
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| + | The_Situationist_Times_5_1964.jpg|link=Situationists|[[Situationist International]] | ||
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| + | Rosler Martha 1975 Semiotics of the Kitchen.jpg|link=Video|[[Video]] | ||
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| + | Marey_1894_Falling_cat.jpg|link=Experimental_film|[[Experimental film|Film]] | ||
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| + | Fuer_Augen_und_Ohren_1980.jpg|link=Sound_art|[[Sound art|Sound]] | ||
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| + | Varlez_Robert_Suites_2016.jpg|link=Conceptual_comics|[[Conceptual comics|Comics]] | ||
| − | + | Sa_Neide_1968_Transparencia.jpg|link=Women_in_concrete_poetry|[[Poetry]] | |
| − | + | MA_8_1_15_Oct_1922_back_cover.jpg|link=Magazines|[[Magazines]] | |
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| − | + | <!-- Sister projects --> | |
| − | + | Monoskop_Log_Screenshot_2022-05-16.png|link=Monoskop_Log|[[Monoskop_Log|Monoskop log]] | |
| − | + | Stein_Gertrude_The_Complete_Writings_2017.png|link=HTML|[[HTML]] | |
Dusan_Barok_and_Monoskop_2018_Exhibition_Library_at_Mediacity_Biennale_Seoul_1_small.jpg|link=Exhibition Library|[[Exhibition Library]] | Dusan_Barok_and_Monoskop_2018_Exhibition_Library_at_Mediacity_Biennale_Seoul_1_small.jpg|link=Exhibition Library|[[Exhibition Library]] | ||
| − | + | The_Ghassulian_star.jpg|link=Mundaneum_symposium|[[Mundaneum symposium]] | |
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| + | Griffiths_Mansoux_de_Valk_2010_Naked_on_Pluto.png|link=Naked on Pluto|[[Naked on Pluto]] | ||
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| + | The_worlds_protected_areas_2015.jpg|link=Anthropocene|[[Anthropocene|Climate action]] | ||
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| − | + | <!-- Writers, artists, scholars --> | |
| − | + | David_Graeber_speaks_at_Maagdenhuis_Amsterdam_2015-03-07.jpg|link=Graeber|[[Graeber]] | |
| − | + | Donna_Haraway.jpg|link=Haraway|[[Haraway]] | |
| − | + | Maryanne_Amacher_1985.jpg|link=Amacher|[[Amacher]] | |
| − | + | Steina_Woody.jpg|link=Vasulkas|[[The Vasulkas]] | |
| − | + | Harun_Farocki.jpg|link=Farocki|[[Farocki]] | |
| − | + | Trisha_Brown_Accumulation_1971_1979.jpg|link=Brown|[[Brown]] | |
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| + | Gustav_Metzger_The_Southbank_Demonstration_London_1961.jpg|link=Metzger|[[Metzger]] | ||
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| + | Sylvia_Wynter_1970s.jpg|link=Wynter|[[Wynter]] | ||
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| + | Frantz Fanon.jpg|link=Fanon|[[Fanon]] | ||
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| + | Teodoro_Wolf-Ferrari_1912_Poster_for_M1_the_first_Olivetti_typewriter.jpg|link=Kittler|[[Kittler]] | ||
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| + | Vilem_Flusser_with_his_family_Sao_Paulo_1969_or_1970.jpg|link=Flusser|[[Flusser]] | ||
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| + | The_worlds_protected_areas_2015.jpg|link=Anthropocene|[[Anthropocene|Living on a ruined planet]] | ||
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| + | Vertov_Dziga_1929_Man_with_a_Movie_Camera_still_2.jpg|link=Vertov|[[Vertov]] | ||
| − | + | Lissitzky_El_1924_Proun_99.jpg|link=Lissitzky|[[Lissitzky]] | |
| − | + | Moholy-Nagy_Laszlo_1930_Light-Space_Modulator_2.jpg|link=Moholy-Nagy|[[Moholy-Nagy]] | |
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| − | + | <!-- Fields, media, themes --> | |
| − | + | 0100101110101101.org_Epidemic_2001_Biennale_py.jpg|link=Software_art|[[Software art]] | |
| − | + | Hinton_et_al_2006_p_7.jpg|link=Neural_aesthetics|[[AI]] | |
| − | + | Russolo_intonorumori_1913.jpg|link=Noise|[[Noise]] | |
| − | + | Valie_Export_1967-68_Abstract_Film_No_1.jpg|link=Expanded cinema|[[Cinema]] | |
| − | + | Lippard_Lucy_R_Six_Years_The_Dematerialization_of_the_Art_Object_from_1966_to_1972_1973.jpg|link=Conceptual art|[[Conceptual art]] | |
| − | + | Kay_Emma_1999_Worldview.jpg|link=Conceptual_writing|[[Conceptual writing|Writing]] | |
| − | + | The_worlds_protected_areas_2015.jpg|link=Anthropocene|[[Anthropocene|Capitalocene]] | |
| − | + | Vocal_apparatus_and_Voder_ATT_pamphlet.jpg|link=Cybernetics|[[Cybernetics]] | |
| − | + | New_Tendencies_5_poster_by_Ivan_Picelj_1973.png|link=New Tendencies|[[New Tendencies]] | |
| − | + | Second_Spring_Exhibition_of_OBMOKhU_Moscow_May-June_1921.jpg|link=Constructivism|[[Constructivism]] | |
| − | + | HfG_Ulm_Metal_workshop_1958.jpg|link=Design research|[[Design]] | |
| − | + | Rossi_Aldo_1976_La_citta_analoga.jpg|link=Architecture|[[Architecture]] | |
| − | + | Buren_Mosset_Parmentier_Toroni_1967_Photo-souvenir_Manifestation_3.jpg|link=Art|[[Visual art]] | |
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</gallery> | </gallery> | ||
| − | + | [[Monoskop:Contents|{{inf}}]] | |
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| − | __NOTOC__ __NOEDITSECTION__ | + | [[Series:Monoskop]] __NOTOC__ __NOEDITSECTION__ |
Latest revision as of 15:37, 20 April 2024
Welcome to Monoskop, a wiki for arts and studies.
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File:Collective Creativity Kollektive Kreativitaet 2005.pdf
Kollektive Kreativität / Collective Creativity
Catalogue published to accompany an exhibition held at the Kunsthalle Fridericianum, Kassel (1 May–17 July 2005), curated by the collective What, How and for Whom/WHW. The exhibition explored notions of communal work and collective production, as well as their political dimensions, with regard to contemporary art production and discourse.
Contributions by Art & Language, Collective Situaciones, Charles Esche, Ljiljana Filipovic, Jon Hendricks, Brian Holmes, IRWIN, Ana Longoni, Viktor Misiano, Angelika Nollert, WHW and Stephen Wright.
Artists and groups: 3NÓS3 • AA Bronson • Allegoric Postcard Union • Pawel Althamer in collaboration with Artur Zmijewski and Nowolipie Group • Art & Language • B+B • BankMalbekRau • Joseph Beuys • BijaRi • Bokhorov / Gutov / Osmolovsky • Collective Actions • Contra Filé • Escape Program • Etcétera… • flyingCity • Freud’s Dreams Museum • General Idea • Gilbert & George • Gorgona • Group of Six Artists • Grupo de Arte Callejero • Gruppo Parole e Immagini • Guerilla Art Action Group • Dmitry Gutov • IRWIN • kleines postfordistisches Drama • Maj 75 • Moscow Portraits • Neue Slowenische Kunst • Oda Projesi • OHO • Pages • Radek Community • Mladen Stilinović • Superflex • ŠKART • Taller Popular de Serigrafia • Temporary Services and Angelo • The Revolution Will Not Be Televised • Tucmán Arde Archive (Graciela Carnevale) • Urucum • Zagreb – Cultural Kapital 3000 • What is to be done?…
Foreword & edited by René Block and Angelika Hollert Publisher Revolver, Frankfurt am Main, 2005 ISBN 3865880894, 9783865880895 German and English 383 pages PDF (75mb)
2024-04-24
File:KUNCI Study Forum and Collective eds Tools for Radical Study A Collection of Manuals 2024.pdf
Tools for Radical Study: A Collection of Manuals
edited by KUNCI Study Forum & Collective
"For Tools for Radical Study: A Collection of Manuals, KUNCI have invited education practitioners from diverse learning spaces to share their tools, which have been developed through collective learning practices. At least for those who reside amid the proliferation of collective practices in the Global South, talking about and sharing tools means talking about and performing the redistribution of power – a power that is most likely derived through the process of knowledge accumulation. Talking about tools also means talking about things one finds in places like public kitchens, village meeting halls, slaughterhouses, and residential gardens – places where theory and its methods are rarely found, whether on the ground or in quotidian conversation.
Building on their educational initiative the School of Improper Education, KUNCI uses cross-referencing as a framework to provide a grounded understanding of local study contexts while also engaging in the mobility and connection of people, ideas, tools, and institutions that, in turn, multiply the frame of references in each implicated study practice. Inhabiting the space of sharing and collectivity, this multiplication creates a commons-based production of knowledge rather than a centralized accumulation of intellectual property. All contributors to this publication offer alternative forms of studying that are fundamentally practiced as a mode of sharing and nurturing alternative publics or counterpublics."
Contributors include Al Maeishah, Fawaz, Feminist Search Tools, Sanchayan Ghosh, Moelyono, S. Soedjojono and Sindhusiswara, Sima Ting Kuan Wu, and Chen Yun.
KUNCI Study Forum & Collective experiments with methods of producing and sharing knowledge through acts of studying together at the intersections between affective, manual, and intellectual labor. Since its founding in 1999 in Yogyakarta, Indonesia, KUNCI has been continuously transforming its structure, ways, and medium of working."
Managing Editor Sarrita Hunn Copy Editor Bonnie Begusch Design & Illustration Celcea Tifani, Tasia Loekito Printing books factory Published by MARCH, March 2024 ISBN: 978-0-9980774-3-7 157+[16] pages Creative Commons Attribution-NonCommercial-Share-Alike 3.0 Unported License PDF (8.6mb)
2024-04-16
File:The Long 1980s Constellations of Art Politics and Identities 2018.pdf
The Long 1980s: Constellations of Art, Politics and Identities
"The Long 1980s considers the significance of the 1980s for culture and society today. It revisits this pivotal decade via a collection of microhistories from across Europe that span the fields of art, culture, and politics. Central to the stories in this book is the changing relationship between ideologies, governments, and their publics, the effects of which have come to shape the contemporary condition of Europe and beyond. Artists, writers, and activists were responding to and articulating these changes in myriad ways: in the streets, through words, images, objects, and actions. At the same time, new subjectivities were emerging at the intersection of race, class, gender, and sexuality, all voices that were demanding to be heard.
The publication is divided into four thematic chapters: 1. No Alternative? (on counter cultures, alternative forms of self-organization and art as activism); 2. Know Your Rights (on civil liberties, the rising planetary consciousness and new ecologies); 3. Processes of Identification (on anti-colonial positions and the drive for sexual and gender equality through culture); 4. New Order (on the far-reaching effects of the neoliberal regime and, finally, the significance of the year 1989). Comprising newly commissioned essays by leading thinkers alongside seventy case studies, including images and archival material published for the first time, this reader offers an invaluable and alternative reading of the recent past. A constellation of over seventy micro-histories, ranging from significant exhibitions or events to publications or key essays are presented across the four sections, spanning the different contexts out of which the research developed: Belgium, Catalonia, the Netherlands, Slovenia, Spain, Turkey and the UK. These case studies are presented through a rich combination of archival material, reproductions or reprinted texts with introductions by curators, historians, and theorists."
Editors: Nick Aikens (Van Abbemuseum, Eindhoven), Teresa Grandas (MACBA, Barcelona), Nav Haq (M HKA, Antwerp), Beatriz Herráez (independent curator, San Sebastián), and Nataša Petrešin-Bachelez (L'Internationale Online).
Contributors: Nick Aikens, Henry Andersen, Zdenka Badovinac, Barış Gençer Baykan, Cristina Cámara Bello, Hakim Bey, Manuel Borja-Villel, Rosi Braidotti, Boris Buden, Jesús Carrillo, Bojana Cvejić, Luc Deleu, Ayşe Düzkan, Diedrich Diederichsen, Nazım Hikmet Richard Dikbaş, Corinne Diserens, Merve Elveren, Charles Esche, Marcelo Expósito, Božidar Flajšman, Annie Fletcher, Diana Franssen, June Givanni, Lisa Godson, Teresa Grandas, Nav Haq, Beatriz Herráez, Lubaina Himid, Lola Hinojosa, Antony Hudek, Tea Hvala, Gal Kirn, Neža Kogovšek Šalamon, Anders Kreuger, Elisabeth Lebovici, Rogelio López Cuenca, Geert Lovink, Amna Malik, Pablo Martínez, Lourdes Méndez, Aleš Mendiževec, Ana Mizerit, Alexei Monroe, Meriç Öner, Nataša Petrešin-Bachelez, Bojana Piškur, Marta Popivoda, Carlos Prieto del Campo, Pedro G. Romero, Rafael Sánchez Ferlosio, Igor Španjol, Chris Straetling, Luis Trindade, Erman Ata Uncu, Jelena Vesić, Mar Villaespesa, Vladimir Jerić Vlidi, and Ana Vujanović.
Publisher Valiz, Amsterdam, with L'internationale, 2018 ISBN 978-94-92095-49-7 Open access (2024) 416 pages PDF (115 mb)
2024-04-11
File:Ludovico Alessandro Tactical Publishing Using Senses Software and Archives in the Twenty-First Century 2024.pdf
Tactical Publishing: Using Senses, Software, and Archives in the Twenty-First Century
"How to level up to the next transformative phase of publishing—with a critical methodology that transcends the dichotomy of paper and digital media production.
Publishing is experiencing one of the most transformative phases in its history. In Tactical Publishing, a sequel to Post-Digital Print, Alessandro Ludovico explores the forces driving this historical phase, highlighting the tremendous opportunities it presents. Our task, he believes, is to develop an alternative publishing system that transcends the dichotomy between paper and digital media. He focuses first on the two activities on which publishing is premised—reading and writing (with an emphasis on writing machines and post-truth in the latter)—and then deconstructs the concept, proposing alternative strategies inspired by recent practices and unconventional uses of technology.
Ludovico shows how the radical and strategic use of print in the past can serve as the basis for our transition to the next phase of publishing. He argues that the new ecology of publishing should be based on three main elements: the stimulation of our senses, the role of software in forming the publishing infrastructure, and the importance of archives. During this transition from the current post-digital phase to the next phase, independent publishers and artists, as well as readers and machines, will enable new structures and actions that realize the potential of publishing and the preservation of content, thereby enriching social practices. The author also considers the crucial social role played by new forms of libraries, as artists and publishers shape the coming publishing world in its various manifestations. Combining analytical accounts of tactical strategies with examples from artworks and experimental practices, the book concludes with a manifesto for publishing in the twenty-first century and an appendix with a selection of one hundred publications representing the “periodic table” of future publishing."
Foreword by Nick Montfort Publisher: The MIT Press Series: Leonardo Pub date: January 16, 2024 Creative Commons CC-BY-NC-ND license ISBN: 9780262542050 xii+324 pages PDF
2024-04-08
File:Lindgren Jacob ed Extra-curricular 2018.pdf
- Extra-curricular
edited by Jacob Lindgren
"Extra-curricular is a reader of texts on and around the topic of self-organized learning, curriculum, experiments, and alternatives in graphic design education. Occurring both within and separate from existing institutions, these other forms of learning and organization question how such learning takes place, for whom, and the ideologies inherent in existing models, among many other things. An (admittedly) incomplete inventory inspired by the widespread activity and educational turn (or shift) in the field, this book aims to serve as a point of departure for further discussion and experimentation."
With contributions from: Adam Cruickshank, Chris Lee, Decolonising Design, Diego Bustamante, Katharina Hetzeneder, & Ariadna Serrahima (Parallel School Cali), Elisabeth Klement & Laura Pappa (Signals from the Periphery), Esther McManus, Evening Class, Francisco Laranjo, Jack Henrie Fisher, James Langdon, Joe Potts (Southland Institute), Kristina Ketola Bore & João Doria (The Ventriloquist Summerschool), Leigh Mignogna & Frances Pharr (Recreating a Women’s School), Mark Owens, Robert Preusse, Till Wittwer, & Stefanie Rau (Parallel School Berlin/Brno), Sean Yendrys (A School, A Park), Silvio Lorusso, Sopie Demay & Clara Degay, Stuart Bertolotti-Bailey and David Reinfurt (The Serving Library), and Will Street (The Transparent School).
Publisher Onomatopee, Eindhoven, 2018 Creative Commons BY-SA 4.0 License ISBN 978-94-91677-92-2 340 pages PDF
2024-04-01
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