Difference between revisions of "Monoskop"

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Welcome to [[About Monoskop|Monoskop]], a wiki for collaborative studies of the arts, media and humanities.   
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Welcome to [[About Monoskop|Monoskop]], a wiki for the arts, media and humanities.   
  
 
This page shows a selection of the latest additions to the website. For more detailed listings see the [https://monoskop.org/log Log], [[Recent]], [[Contents]] and [[Index]] sections. Selected updates are posted on [https://monoskop.org/log/?feed=rss2 RSS], [http://twitter.com/monoskop Twitter], [http://www.facebook.com/monoskoplog Facebook] and [http://instagram.com/monoskoporg Instagram].
 
This page shows a selection of the latest additions to the website. For more detailed listings see the [https://monoskop.org/log Log], [[Recent]], [[Contents]] and [[Index]] sections. Selected updates are posted on [https://monoskop.org/log/?feed=rss2 RSS], [http://twitter.com/monoskop Twitter], [http://www.facebook.com/monoskoplog Facebook] and [http://instagram.com/monoskoporg Instagram].

Revision as of 16:45, 9 January 2019

Welcome to Monoskop, a wiki for the arts, media and humanities.

This page shows a selection of the latest additions to the website. For more detailed listings see the Log, Recent, Contents and Index sections. Selected updates are posted on RSS, Twitter, Facebook and Instagram.

Recent entries





































Monoskop Log

Defiant Muses: Delphine Seyrig and the Feminist Video Collectives in France, 1970s-1980s (2019)

“This publication explores the intersection between the histories of cinema, video and feminism in France. Focusing on the emergence of video collectives in the 1970s, the exhibition proposes to reconsider the history of the feminist movement in France through a set of media practices and looks at a network of creative alliances that emerged in a time of political turmoil.”

Contributors: Nataša Petrešin-Bachelez, Giovanna Zapperi, Alexandre Moussa, Ros Murray, François Vergès, Élisabeth Lebovici, Nicole Fernández Ferrer.

Introduction by Nataša Petrešin-Bachelez and Giovanna Zapperi
Publisher Museo Nacional Centro de Arte Reina Sofía (MACBA), Barcelona, 2019
Creative Commons BY-NC-ND 4.0 International License
ISBN 9788480266000, 8480266007 (EN)
231 pages

Exhibition
Publisher (EN)
WorldCat (EN)

English: PDF, PDF (20 MB)
Spanish: PDF, PDF (20 MB)

Lundimatin, 234: Des chauve-souris et des hommes: politiques épidémiques et coronavirus (2020) [French]

An issue of the French journal Lundimatin dedicated to the current Coronavirus (COVID-19) events and the state of exception.

Contributions by Wu Ming, Raoul Vaneigem, Sarah Mekdjian, Jacques Fradin, Lionel Ruffel, Jérome Benarroch, Philippe Tancelin, a.o.

The issue is in French, with the exception of the anonymous essay Monologue du virus [What the Virus Said] published also in Arabic, Armenian, English, Finnish, German, Greek, Italian, Japanese, Persian, and Spanish.

Publisher Lundimatin, Rouen, 16-22 Mar 2020

HTML

Coronavirus and Philosophers (2020) [Italian, English]

Debate on the current Coronavirus (COVID-19) events and the state of exception sparkled by Giorgio Agamben’s article with contributions from Jean-Luc Nancy, Roberto Esposito, Sergio Benvenuto, Divya Dwivedi, Shaj Mohan, Rocco Ronchi, Massimo de Carolis, and others, in the Italian journal Antinomie. Included is an excerpt from Michel Foucault’s Discipline and Punish on the measures taken in the wake of a plague in the 17th century.

English translations of selected texts have been published by the European Journal of Psychoanalysis.

HTML (Italian)
HTML (English)

Warren Sack: The Software Arts (2019)

“In The Software Arts, Warren Sack offers an alternative history of computing that places the arts at the very center of software’s evolution. Tracing the origins of software to eighteenth-century French encyclopedists’ step-by-step descriptions of how things were made in the workshops of artists and artisans, Sack shows that programming languages are the offspring of an effort to describe the mechanical arts in the language of the liberal arts.

Sack offers a reading of the texts of computing—code, algorithms, and technical papers—that emphasizes continuity between prose and programs. He translates concepts and categories from the liberal and mechanical arts—including logic, rhetoric, grammar, learning, algorithm, language, and simulation—into terms of computer science and then considers their further translation into popular culture, where they circulate as forms of digital life. He considers, among other topics, the “arithmetization” of knowledge that presaged digitization; today’s multitude of logics; the history of demonstration, from deduction to newer forms of persuasion; and the post-Chomsky absence of meaning in grammar. With The Software Arts, Sack invites artists and humanists to see how their ideas are at the root of software and invites computer scientists to envision themselves as artists and humanists.”

Publisher MIT Press, 2019
ISBN 9780262039703, 0262039702
xx+375 pages

Publisher
WorldCat

PDF (19 MB)

Nato Thompson (ed.): Living as Form: Socially Engaged Art from 1991-2011 (2012)

“Over the past twenty years, an abundance of art forms have emerged that use aesthetics to affect social dynamics. These works are often produced by collectives or come out of a community context; they emphasize participation, dialogue, and action, and appear in situations ranging from theater to activism to urban planning to visual art to health care. Engaged with the texture of living, these art works often blur the line between art and life. This book offers the first global portrait of a complex and exciting mode of cultural production—one that has virtually redefined contemporary art practice.

Living as Form grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a landmark survey of more than 100 projects selected by a thirty-person curatorial advisory team; each project is documented by a selection of color images. The artists include the Danish collective Superflex, who empower communities to challenge corporate interest; Turner Prize nominee Jeremy Deller, creator of socially and politically charged performance works; Women on Waves, who provide abortion services and information to women in regions where the procedure is illegal; and Santiágo Cirugeda, an architect who builds temporary structures to solve housing problems.

Living as Form contains commissioned essays from noted critics and theorists who look at this phenomenon from a global perspective and broaden the range of what constitutes this form.”

Contributing authors: Claire Bishop, Carol Becker, Teddy Cruz, Brian Holmes, Shannon Jackson, Maria Lind, Anne Pasternak, Nato Thompson.

Publisher Creative Time, New York, and MIT Press, 2012
ISBN 9780262017343, 0262017342
259 pages

Reviews: Tom Snow (review31, n.d.), Wendy Vogel (Brooklyn Rail, 2012), Jennie Klein (PAJ, 2015), Kim Yasuda (Public Art Dialogue, 2013), Régine Debatty (We Make Money Not Art, 2012), Mark Gardner (Urban Design Review, 2012), Michael DiRisio (Public Journal, 2014), Danielle Child (Reviews in Culture, 2012), Andreas Hudelist (Theater Forschung, 2014).
Exh. reviews: Jens Hoffmann (Frieze, 2012), Ben Davis (International Socialist Review, 2012), Rachel Daniell (emisferica, 2012).

Project website
Publisher
WorldCat

PDF (19 MB)