Welcome to Monoskop, a wiki for arts, media and humanities.
“This Life offers a profoundly inspiring basis for transforming our lives, demonstrating that our commitment to freedom and democracy should lead us beyond both religion and capitalism. Philosopher Martin Hägglund argues that we need to cultivate not a religious faith in eternity but a secular faith devoted to our finite life together. He shows that all spiritual questions of freedom are inseparable from economic and material conditions: what matters is how we treat one another in this life and what we do with our time.
Engaging with great philosophers from Aristotle to Hegel and Marx, literary writers from Dante to Proust and Knausgaard, political economists from Mill to Keynes and Hayek, and religious thinkers from Augustine to Kierkegaard and Martin Luther King, Jr., Hägglund points the way to an emancipated life.”
Publisher Pantheon Books, New York, 2019
ISBN 9781101870402, 1101870400
Interview with author: Meagan Day (Jacobin, 2019).
Reviews: Brandon M. Terry, Walter Benn Michaels, Benjamin Kunkel, Michael W. Clune, Jodi Dean, William Clare Roberts (Los Angeles Review of Books, 2020, with Hägglund’s response), Samuel Moyn (Jacobin, 2019), Michael A. McCarthy (Jacobin, 2019), Nathan Brown (Radical Philosophy, 2019), Tyler M. Williams (Critical Inquiry, 2020), Jedediah Britton-Purdy (The New Republic, 2019), Mathew Abbott (Marx & Philosophy, 2020), Martin Rayburn (Parrhesia, 2020), Conall Cash (boundary2, 2019), Oliver Burkeman (The Guardian, 2019), James Wood (New Yorker, 2019), Adam Kirsch (Wall Street Journal, 2019), Matt McManus (Areo, 2020), Daniel Steinmetz-Jenkins and Daniel Zamora (Dissent, 2019), William Egginton (Believer, 2020), Anton Jansson (Ord & Bild, 2020, SW), Matthew Engelke (Public Books, 2019), Kevin Schilbrack (Sophia, 2020).
“This collection of texts is being published either relatively early, or perhaps a bit late: about one year after the colloquium Art Works from the Digital Era in Galleries and Museums. Since then, unexpected events have altered our course, reframing our thinking about the overlap between art, time, entropy, duration and disappearance, and perhaps adding a greater sense of urgency than it had one year ago.
The colloquium was organized to celebrate the the first anniversary of the opening of the Vašulka Kitchen Brno: Center for New Media. The organizers discussed topics with colleagues from the Brno House of Arts and the National Film Archive in Prague, hoping to promote thinking about the state and fate of art works of an “unstable“ nature, especially within the context of Czech collections, galleries, and museums. The objective was to establish contact, and to potentially cooperate with similar initiatives in Central Europe. During the two‑day meeting, the contributions mostly touched on the orientation of artistic and expert initiatives and institutions which were already focused on this issue, or were planning to turn their attention to it. In addition to contributions from Czechia, Vasulka Kitchen also welcomed contributors from the Netherlands, Germany, France, Norway, Slovakia, Hungary, Poland and the United States, who shared their experiences of and opinions on the topic.
This publication is dedicated to the memory of Woody Bohuslav Vašulka.”
With English introduction and abstracts.
With contributions by Flóra Barkóczi, Dušan Barok, Martin Blažíček, Vannevar Bush, Lenka Dolanová, Kateřina Drajsajtlová, Jakub Frank, Joey Heinen, Jana Horáková, Erkki Huhtamo, Vít Janeček, Michal Klodner, Barbora Kundračíková, Štěpán Miklánek, Gustav Metzger, Anna Olszewska, Kryštof Pešek, Miklós Peternák, Pavel Sikora, Matěj Strnad, Barbora Šedivá, Miloš Vojtěchovský, Peter Weibel, Gaby Wijers, and Gene Youngblood.
Edited and with an Introduction by Miloš Vojtěchovský
Publisher Vašulka Kitchen Brno, Brno, October 2020
Creative Commons BY-NC-SA 4.0 License
“Radical changes within the field of printmaking the last twenty years have changed the approach towards media. Printmaking is now an art form that consists of sculpture, performance, clothes, installation, the commercial aspect, cyberspace, artist books, multiples, ready-mades, newspapers etc. This publication discusses the situation of printmaking today, from its tradition, theoretical aspects and future visions.
The publication concludes a research seminar held at Oslo National Academy of the Arts in September 2015.
Publisher Oslo National Academy of the Arts, Oslo, 2017
Proceedings from the international symposium School as a Laboratory of Modern Life held on the occasion of the 90th anniversary of the establishment of the School of Arts and Crafts in Bratislava and the 100th anniversary of the establishment of the Bauhaus, organised by the Slovak Design Center at the Goethe-Institut in Bratislava in September 2019.
Contributors: Katalin Bakos, Simona Bérešová, Meghan Forbes, Lada Hubatová-Vacková, Vít Jakubíček, Alena Kavčáková, Alexandra Panzert, Klára Prešnajderová, Sonia de Puineuf, Mária Rišková, Grit Weber, Patrick Werkner, Cornelia Wieg, Julia Witt.
Edited by Simona Bérešová, Klára Prešnajderová, and Sonia de Puineuf
Publisher Slovak Design Center, Bratislava, September 2020
“By way of a selection of hundreds of sound works, Audiosphere. Sound Experimentation 1980-2020 looks to cover an historical and cultural void in terms of the recognition, exhibition and analysis of a key part of the recent changes that have taken place in the artistic conception of sound creation.
In the following catalogue, the curatorial discourse that articulates the exhibition is displayed along with some texts that affect the relevance of sound art in contemporary art and, with it, in the social field.”
Contributors: Francisco López, Thomas Bey William Bailey, Margie Borschke, Victor Nubla, Luis Alvarado, Guy Marc Hinant, Salomé Voegelin, Caleb Kelly, Paul Hegarty, Greg Hainge, Christoph Cox, John Oswald.
Introduction by Francisco López
Edited by the Publications Department of MNCARS
Publisher Museo Reina Sofía, Madrid, October 2020
Creative Commons BY-NC-ND 4.0