Welcome to Monoskop, a wiki for collaborative studies of the arts, media and humanities.
This page shows a selection of the latest additions to the website. For more detailed overview see the Recent, Contents, Index and Media library sections. Updates are also being posted on Twitter and Facebook.
Monoskop supports the open letter In solidarity with Library Genesis and Sci-Hub.
“Anti-Natural prompts invited artists and theorists into a range of responses to notions on the production of the natural, where the human imperative is the need to produce or change nature, to re-nature nature, and so to make the highest poverty, the diagonalising of new ecologies and forms of life without the supra-prosthetic of ‘Nature’ itself.”
Contributions by Danilo Mandic, Himali Singh Soin, Inigo Wilkins, Jelena Stojkovic, Jonathan Kemp, Laboria Cuboniks / Diann Bauer, Marina Vishmidt, Nihal Yesil, Paul Abbott, Roc Jimenez de Cisneros, Sabina Ahn, Tim Goldie, Felix De Bousies, and _blank.
Publisher Even Press, London, 2016
“This book delineates a territory of investigation for sound art and its various manifestations through historical, theoretical, polemical and critical analyses of artistic, musical and literary works. In doing so, Migone gives radical definition to an auditory study that includes the complexity of silence and mutism, identity and abjecthood, and language and its stutterances. The recurring site of these stagings is the somatic under all its forms: embodied and disembodied, fragmented and amplified, vocal and mute.
Concrete sites that are investigated include: Antonin Artaud’s writings, Alvin Lucier’s recording I am sitting in a room, Erik Satie’s composition Vexations, Marina Abramovic’s performance “Rhythm 0”, Adrian Piper’s Untitled Performance for Max’s Kansas City, Melville’s short story Bartleby, the Scrivener, Bob Connolly and Robin Anderson’s documentary film First Contact, and John Cage’s 4’33.”
Publisher Errant Bodies Press, Los Angeles & Berlin, 2012
Audio Issues series, 5
ISBN 9780982743942, 0982743947
PDF (5 MB)
“In anthropology as much as in popular imagination, kings are figures of fascination and intrigue, heroes or tyrants in ways presidents and prime ministers can never be. This collection of essays by two of the world’s most distinguished anthropologists—David Graeber and Marshall Sahlins—explores what kingship actually is, historically and anthropologically. As they show, kings are symbols for more than just sovereignty: indeed, the study of kingship offers a unique window into fundamental dilemmas concerning the very nature of power, meaning, and the human condition.
Reflecting on issues such as temporality, alterity, and utopia—not to mention the divine, the strange, the numinous, and the bestial—Graeber and Sahlins explore the role of kings as they have existed around the world, from the BaKongo to the Aztec to the Shilluk and beyond. Richly delivered with the wit and sharp analysis characteristic of Graeber and Sahlins, this book opens up new avenues for the anthropological study of this fascinating and ubiquitous political figure.”
Publisher HAU Books, Chicago, 2017
Creative Commons BY License
ISBN 0986132500, 9780986132506
Disobedient Electronics: Protest “highlights confrontational work from industrial designers, electronic artists, hackers and makers from 10 countries that disobey conventions. Topics include the wage gap between women and men, the objectification of women’s bodies, gender stereotypes, wearable electronics as a form of protest, robotic forms of protest, counter-government-surveillance and privacy tools, and devices designed to improve an understanding of climate change.”
Edited by Garnet Hertz
Self-published in Vancouver, 2017
PDF edition, January 2018
“From the first vistas provided by flight in balloons in the eighteenth century to the most recent sensing operations performed by military drones, the history of aerial imagery has marked the transformation of how people perceived their world, better understood their past, and imagined their future. In Aerial Aftermaths Caren Kaplan traces this cultural history, showing how aerial views operate as a form of world-making tied to the times and places of war. Kaplan’s investigation of the aerial arts of war—painting, photography, and digital imaging—range from England’s surveys of Scotland following the defeat of the 1746 Jacobite rebellion and early twentieth-century photographic mapping of Iraq to images taken in the immediate aftermath of 9/11. Throughout, Kaplan foregrounds aerial imagery’s importance to modern visual culture and its ability to enforce colonial power, demonstrating both the destructive force and the potential for political connection that come with viewing from above.”
Publisher Duke University Press, Durham, 2018
Next Wave: New Directions in Women’s Studies series
ISBN 9780822370086, 0822370085