Monoskop

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Welcome to Monoskop, a wiki for collaborative studies of the arts, media and humanities.

This page shows a selection of the latest additions to the website. For more detailed listings see the Log, Recent, Contents and Index sections. Some updates are posted on RSS, Twitter and Facebook.

Recent entries



































Monoskop Log

Maria Inês Cruz, Lozana Rossenova (eds.): Bookspace: Collected Essays on Libraries (2015)

Bookspace: Collected Essays on Libraries focuses on the current development of library spaces as public institutions through the perspective of architects, writers, librarians, and readers. The book addresses the architecture of modern public spaces, and the development of library collections in the age of digital information, in order to discuss the larger social context of library institutions. It provides an insight into their management and how their functions are changing.

A comprehensive look at the social role of libraries is a key part of the book. In the Western World, constant funding cuts – justified with austerity measures in the current economic climate – affect the functioning and closing of libraries. While in the Middle East and Northern Africa, the challenges arise from socio-political conditions and military regimes, thus, threatening the preservation and sharing of knowledge, and overshadowing those libraries’ historical roots and social roles.

Recognising how patterns of information distribution and consumption are changing driven by both technical and social developments, we aim to suggest how they might evolve in the future.”

Contributions by David Pearson, Heba El-Sherif, Marie Lécrivain, Julius Motal, Jorge Reis, João Torres, and Tom Vandeputte.

Publisher Inland Editions, London, 2015
133 pages

Publisher (archived), Twitter
WorldCat

PDF (6 MB)

Cyber Folk: Digbee’s Electronic Chronicle (2019)

Cyber Folk: Digbee’s Electronic Chronicle gives a thorough look into a unique, highly personal approach to musical electronic instrument building, an approach that is many things: naïve, enthusiastic, sincere, alien, and familiar. This strange future/primitive work journal contains the release of tons of data, beautiful photos, schematics, building techniques, and the inside stories behind many of Digbee’s most beloved instruments.

Also inside are artist features for Digbee’s favorite musical electronic practitioners. Within are never-before-published photos and stories of the work of Craig Anderton, Charles Cohen, Michael Johnsen, and Nautical Almanac’s Twig Harper and Carly Ptak.

Peppered throughout the book are examples of connected imagery from comic books and science fiction illustration.

This book was not written for a specific niche. Anyone with a curious mind and interest in musical electronics, experimental music, art, and craft will find a place of connection.

Cyber Folk: Digbee’s Electronic Chronicle is produced by Harpy Gallery and Selfish 60 Studio for the art exhibition entitled New American Instruments which was up from July 20th to August 10th, 2019.”

Publisher Harpy Gallery & Selfish 60 Studio, Rutherford, NJ, 2019
143 pages

Publisher

PDF (21 MB)

Masha Tupitsyn: Love Sounds (2015)

“Cinema remains the last medium for speaking and performing love culturally. While much emphasis has been placed on the visual iconography of love, with the exception of music very little attention has been given to love as an aural phenomenon since the tradition and practice of amour courtois. Partly inspired by Christian Marclay’s ontology of time in cinema, The Clock, and René Magritte’s word paintings, which textualized the visual tropes of painting with “written” images, Love Sounds, a 24-hour sound poem and montage, dematerializes cinema’s visual legacy and reconstitutes it as an all-tonal history of critical listening.

Love Sounds, a 24 hour audio history and essay of love in cinema, concludes Tupitsyn’s immaterial trilogy. The film is accompanied by a catalogue published by Penny-Ante, featuring written works by Masha Tupitsyn and contributors McKenzie Wark, Berit Fischer, Isiah Medina, C. Spencer Yeh, and Yaniya Lee.”

Publisher Penny-Ante Editions, Los Angeles, 2015
Success and Failure series
Open access
ISBN 9780978556440
62 pages

Publisher

PDF (37 MB)

Sur moderno: recorridos de la abstracción (2019) [Spanish]

Sur moderno: Journeys of Abstraction explores the abstract and Concrete art movements that flourished in South America from the mid-1940s to the late 1970s. Published in conjunction with a major exhibition, this richly illustrated volume features work by artists from across the region, including Lidy Prati, Tomás Maldonado, Rhod Rothfuss, Lygia Clark, Hélio Oiticica, Jesús Rafael Soto, and Alejandro Otero. Sur moderno highlights a selection of works gifted to MoMA by Patricia Phelps de Cisneros between 1997 and 2016—a donation that has transformed the Museum’s holdings of Latin American art, enabling a more comprehensive representation of the region’s integral role in the development of modern art.”

With contributions by Glenn D. Lowry, Irene V. Small, María Amalia García, Monica Amor and Inés Katzenstein.

Edited by Inés Katzenstein and María Amalia García with Karen Grimson and Michaëla de Lazace
Publisher Museum of Modern Art, New York, Oct 2019
ISBN 9781633450981
224 pages
via El ojo motor

Exh. reviews: Roberta Smith (New York Times, 2019), Edward J. Sullivan (ARTnews, 2019).

Exhibition (EN)
Publisher (ES)
WorldCat

PDF (49 MB)

New Formations, 78: Materialities of Text: Between the Codex and the Net (2013)

“The cultural authority of the codex form of the book appears to be in a process of displacement ensuing from the rise of on-line digital media. The traditional material structures of the book – its physical forms and its institutional forms of production, circulation, and preservation – are often seen as being subject to dematerialisation; evaporating in the transitory appearances of the digital screen and in the proliferation of new systems of production. However, this issue of New Formations makes the case that the present historical juncture should be understood as a mixed media milieu, in which traditional and digital forms of writing and publishing coalesce and conflict in a complex array of textual materialities.

Such materialities of text are at once sites of political and aesthetic experimentation, and of intense capitalization, intersecting features which are approached in the articles collected here through a broad range of theoretical and empirical themes: diagrammatic writing; the material reading formations of a best-seller novel; grey literature in the institutions of cultural studies; Black Twitter; the politics of Open Access and the artists’ book; digital humanities and its political problematics; the bibliopolitics of the passport; and the political and aesthetic forms of independent publishing.”

Contributions by Richard Burt, Sanjay Sharma, Hanna Kuusela, Johanna Drucker, Ted Striphas and Mark Hayward, Sas Mays, Janneke Adema and Gary Hall, Jodi Dean, Sean Dockray, Alessandro Ludovico, Pauline van Mourik, Broekman, Nicholas Thoburn and Dmitry Vilensky.

Edited and with an Introduction by Sas Mays and Nicholas Thoburn
Publisher Lawrence & Wishart, Summer 2013
ISSN 0950-2378
207 pages

Review: Janneke Adema (2013).

Publisher

PDF