Difference between revisions of "Nancy Mauro-Flude"

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'''Nancy Mauro-Flude''' is an artist and theorist who researches how we articulate the resonances and dissonances between performing arts and computer culture. Under various pseudonyms she actively works to fuse radical forms of open culture by introducing experimental pedagogy with a particular focus upon relatively conservative and weakly networked regions. She is a professor in the Communications and New Media Department, National University Singapore. Founder of Miss Desponias Critical Media Salon [http://miss-hack.org miss-hack.org] and long term member of the [[Genderchangers]] home brewed since 1998, working to actively change the ‘gender’ of technology. Involves projects such as: [http://systerserver.net systerserver.net], [[Eclectic Tech Carnival]], [http://TacticalMagick.net TacticalMagick.net], [http://Microbites.me Microbites.me].
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[[Nancy Mauro-Flude]] is an artist and theorist driven by the demystification of technology, and the ‘mystification’ that lie in and through the performance of the machinic assemblage.  Her research grapples with the talismanic logics of island cultures. Media experimentation and pedagogy form the basis of her work where the computer is approached as a theatre machine. Under various pseudonyms she actively works to fuse radical forms of open culture by introducing experimental pedagogy with a particular focus upon relatively conservative and weakly networked regions. "...Gray magics, hijackings, driftings and seizures of power the sensitive and subversive subterfuges by which she urges, twists and explores the aesthetic politic of the open source spirit" (Anne Goldenberg, 2013) [http://dpi.studioxx.org/en/no/22-free-culture/dpi-22-culture-libre ".dpi  feminist journal of art and digital culture."]
  
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; Publications
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Alumni of [[Piet Zwart Institute]], co founder of [[Moddr]] part of the [[WORM]] venue in [[Rotterdam]].
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* Kendall Grady, [http://mastersofmedia.hum.uva.nl/2011/10/31/you-will-_know-how_-an-interview-with-nancy-mauro-flude/ "you will _KNOW how_ : an interview with Nancy Mauro-Flude"], 31 Oct 2011.
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* [http://www.fmk.singidunum.ac.rs/content/artmedia/2_AM%208_Nancy%20Mauro-Flude.pdf "Don’t mess with my settings"], ''AM Journal of Art and Media Studies'' 8, 2015.
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She leads the [[Holistic Computing Art, Technology, Materiality]] studio at [https://www.rmit.edu.au/contact/staff-contacts/academic-staff/m/mauro-flude-dr-marcia-nancy School of Design at RMIT Melbourne].
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Founder of [http://miss-hack.org Desponias Critical Media Coven] and long term member of the [[Genderchangers]] home brewed since 1998, working to actively change the ‘gender’ of technology. Involves projects such as: [http://systerserver.net systerserver], [[ Eclectic Tech Carnival]].
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; Selected projects
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*[http://sister0.org/?paraphernalia/ Paraphernalia] Live performance and Custom HID sound tools (2015-9)
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*[http://sister0.org/?error-in-time/ Error_in_Time()] Live Code Poetry performance [http://digicult.it/news/the-art-of-hacking/ Art of Hacking ]Netherlands New Media Art institute, and [https://transmediale.de/content/errorintime Transmediale] (2014-5)
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*[https://www.hkw.de/en/programm/projekte/veranstaltung/p_113331.php The Feminist Server Stack] Networked performance, Transmediale (2015).
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*[http://divination.cc/ Divination] Divination (2016) DarkMofo [https://mona.net.au/ MONA] Museum New and Old Art Tasmania
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*[http://www.lindadement.com/cyberfeminist-bedsheet.htm CyberFeminst Bedsheet Transfigured] 2018 - 2019 in collaboration with Linda Dement.
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; Selected Curatorial work:
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* [https://economythologies.network/] Economythologies MoneyLab#X 2020 - ongoing Critical thinking, making and trading for the New World Disorder,  an emphasis on voices from the Asia-Pacific region, participants to collectively imagine new aesthetic ways of (re-)configuring art and economy
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* [http://www.scotcotterell.com/index.php?/ono/curatecoencodingexperience/ encoding_experience/10_October_2008_18:00_EST.*] Plimsoll Gallery, Tasmania 2008.
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* [http://www.TacticalMagick.net TacticalMagick.net] Networked Art Forms: Tactical Magick Faerie Circuits, 2013.
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* [http://Microbites.me Microbites.me] Microbites of Innovation. Art Track ACM Creativity and Cognition, 2017.
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* [http://internetloreasia.hotglue.me Internet Lore Asia] Writing for the Internet: Internet lore in Asia. Asia Research Institute, 2018.
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* [http://vvitchvvavve.me Vvitchvvave] Post Digital Aesthetics Symposium and Exhibition, Siteworks, 2019.
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; Selected publications
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*Nancy Mauro-Flude & Yoko Akama (2022) [https://www.tandfonline.com/doi/abs/10.1080/15710882.2021.2021243?journalCode=ncdn20 "A feminist server stack"], CoDesign International Journal for Art and Design, 18:1, 48-62. doi:10.1080/15710882.2021.2021243.
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* Mauro-Flude, Nancy (2022) [https://www.routledge.com/Care-Ethics-and-Art/Millner-Coombs/p/book/9780367765651 "Caring about the Vast Non-Existent Horizon: Cosmographic infrastructures and performances of care in twenty-first century feminist art practice"] Care Ethics and Art an anthology. New York: Routledge. ISBN 9780367765651 Chapter 16 pp 212-223.
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*Mauro-Flude, Nancy (2021) [https://www.tandfonline.com/doi/full/10.1080/10304312.2021.1983260
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"Writing the Feminist Internet: A Chthonian Feminist Internet Theory for the Twenty First Century"] In Eds., A. Maddox, R. W .Gehl, T. Cinque. The Dark Social: Online Practices of Resistance, Motility and Power. Continuum Journal of Media & Cultural Studies 35:5, 788-804. doi:10.1080/10304312.2021.1983260.
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*Mauro-Flude, Nancy; Geck, Kate (2020) [https://isea2020.isea-international.org/wp-content/uploads/2020/10/PROCEEDING_271020.pdf?mc_cid=c716641caf&mc_eid=30328f3362 "Taxonomy for the Contiguous Spectrum: Corporeal Computing futures and the Performance of Signal Transmission"] 26th International Symposium on Electronic Art [[ISEA]] ISEA2020: WHY SENTIENCE? Montrea, pp. 275-282,  ISBN: 978-2-9816413-2-8.
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*Mauro-Flude, Nancy (2019) [https://www.artandaustralia.com/vessels-infinite-veracity-command-line-incantations "Vessels of Infinite Veracity: Command-line Incantation"] Art+Australia Journal. Outside Issue: 6. (56.1) December.
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*Mauro-Flude, Nancy (2019), [https://www.igi-global.com/gateway/chapter/220630 "Performing The Internet"], Post Digital Folklore, ''Digital Humanities and Scholarly Research Trends in the Asia-Pacific'', Pen:IGI-Global.
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*Mauro-Flude, Nancy (2015) [https://fmkjournals.fmk.edu.rs/index.php/AM/article/view/101 "Don’t mess with my settings"], ''AM Journal of Art and Media Studies'' 8.
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*Mauro-Flude, Nancy (2016) [http://unlikely.net.au/issue-2/divine-trash-strata "Divine Trash Strata"], ''Unlikely: Journal for Creative Arts'' Issue 2, University of Melbourne.
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*Mauro-Flude, Nancy (2016) [https://www.mitpressjournals.org/doi/abs/10.1162/LEON_a_01015 "Paraphernalia A Design Approach for Electronic-Performance Tools"], ''Leonardo'' MIT Volume 48, 3. June 2015.
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*Mauro-Flude, Nancy (2015) [http://scan.net.au/scn/journal/vol10number2/Nancy-Mauro-Flude.html "The Intimacy of the Command Line"], Scan | Journal of Media Arts Culture Volume 10, 2. 2013.
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*Mauro-Flude, N (2015), 'Linux for Artists: Embodiment & Nix Modus Operandi', in A Mansoux & M de Valk (eds.), FLOSS+Art, GOTO10, Poitiers, France. MUTE, London, pp. 206-223.
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; Selected interviews
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* Alana Hunt, Activating the textures of Post-Digital Aesthetics A conversation with Nancy Mauro-Flude, Tom Penney [http://unprojects.org.au/un-extended/dear-un/post-digital/], 28 February 2019.
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* Leandro Palacio, [https://open.abc.net.au/explore/50701 "Coding technology for a eulogy to Tasmanian elder. Valetudo"], 2013. Video.
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* Ragna Rök Jóns, Is the 4th wave of feminism digital? [https://bluestockingsmag.com/2013/08/19/is-the-4th-wave-of-feminism-digital/], August 19, 2013.
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* Kendall Grady, [http://mastersofmedia.hum.uva.nl/2011/10/31/you-will-_know-how_-an-interview-with-nancy-mauro-flude/ you will _KNOW how_ : an interview with Nancy Mauro-Flude], 31 Oct 2011.
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; Links
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* [http://sister0.tv/ Home page]
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[[Category:Net art]]
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[[Category:Software art]]
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{{DEFAULTSORT:Mauro-Flude, Nancy}}

Revision as of 04:44, 2 May 2022

Nancy Mauro-Flude is an artist and theorist driven by the demystification of technology, and the ‘mystification’ that lie in and through the performance of the machinic assemblage. Her research grapples with the talismanic logics of island cultures. Media experimentation and pedagogy form the basis of her work where the computer is approached as a theatre machine. Under various pseudonyms she actively works to fuse radical forms of open culture by introducing experimental pedagogy with a particular focus upon relatively conservative and weakly networked regions. "...Gray magics, hijackings, driftings and seizures of power the sensitive and subversive subterfuges by which she urges, twists and explores the aesthetic politic of the open source spirit" (Anne Goldenberg, 2013) ".dpi feminist journal of art and digital culture."

Alumni of Piet Zwart Institute, co founder of Moddr part of the WORM venue in Rotterdam.

She leads the Holistic Computing Art, Technology, Materiality studio at School of Design at RMIT Melbourne.

Founder of Desponias Critical Media Coven and long term member of the Genderchangers home brewed since 1998, working to actively change the ‘gender’ of technology. Involves projects such as: systerserver, Eclectic Tech Carnival.

Selected projects
Selected Curatorial work
  • [1] Economythologies MoneyLab#X 2020 - ongoing Critical thinking, making and trading for the New World Disorder, an emphasis on voices from the Asia-Pacific region, participants to collectively imagine new aesthetic ways of (re-)configuring art and economy
  • encoding_experience/10_October_2008_18:00_EST.* Plimsoll Gallery, Tasmania 2008.
  • TacticalMagick.net Networked Art Forms: Tactical Magick Faerie Circuits, 2013.
  • Microbites.me Microbites of Innovation. Art Track ACM Creativity and Cognition, 2017.
  • Internet Lore Asia Writing for the Internet: Internet lore in Asia. Asia Research Institute, 2018.
  • Vvitchvvave Post Digital Aesthetics Symposium and Exhibition, Siteworks, 2019.
Selected publications

"Writing the Feminist Internet: A Chthonian Feminist Internet Theory for the Twenty First Century"] In Eds., A. Maddox, R. W .Gehl, T. Cinque. The Dark Social: Online Practices of Resistance, Motility and Power. Continuum Journal of Media & Cultural Studies 35:5, 788-804. doi:10.1080/10304312.2021.1983260.

  • Mauro-Flude, Nancy (2019), "Performing The Internet", Post Digital Folklore, Digital Humanities and Scholarly Research Trends in the Asia-Pacific, Pen:IGI-Global.
  • Mauro-Flude, Nancy (2016) "Divine Trash Strata", Unlikely: Journal for Creative Arts Issue 2, University of Melbourne.
  • Mauro-Flude, N (2015), 'Linux for Artists: Embodiment & Nix Modus Operandi', in A Mansoux & M de Valk (eds.), FLOSS+Art, GOTO10, Poitiers, France. MUTE, London, pp. 206-223.
Selected interviews
  • Alana Hunt, Activating the textures of Post-Digital Aesthetics A conversation with Nancy Mauro-Flude, Tom Penney [2], 28 February 2019.
  • Ragna Rök Jóns, Is the 4th wave of feminism digital? [3], August 19, 2013.


Links
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