Difference between revisions of "Nancy Mauro-Flude"

From Monoskop
Jump to navigation Jump to search
(Created page with "; Articles Kendall Grady, "you will _KNOW how_ : an interview with Nancy Mauro-Flude", 31 October 2011 [http://mastersofmedia.hum.uva.nl/2011/10/31/you-will-_know-how_-an-intervi...")
 
m
(22 intermediate revisions by 2 users not shown)
Line 1: Line 1:
−
; Articles
+
[[Nancy Mauro-Flude]] is an artist and theorist driven by the demystification of technology, and the ‘mystification’ that lie in and through the performance of the machinic assemblage.  Her research grapples with the talismanic logics of island cultures. Media experimentation and pedagogy form the basis of her work where the computer is approached as a theatre machine. Under various pseudonyms she actively works to fuse radical forms of open culture by introducing experimental pedagogy with a particular focus upon relatively conservative and weakly networked regions. "...Gray magics, hijackings, driftings and seizures of power the sensitive and subversive subterfuges by which she urges, twists and explores the aesthetic politic of the open source spirit" (Anne Goldenberg, 2013) [http://dpi.studioxx.org/en/no/22-free-culture/dpi-22-culture-libre ".dpi  feminist journal of art and digital culture."]
−
Kendall Grady, "you will _KNOW how_ : an interview with Nancy Mauro-Flude", 31 October 2011 [http://mastersofmedia.hum.uva.nl/2011/10/31/you-will-_know-how_-an-interview-with-nancy-mauro-flude/]
+
 
 +
Alumni of [[Piet Zwart Institute]], Co founder of [[Moddr]] part of the [[WORM]] venue in [[Rotterdam]].
 +
 
 +
She leads [[post-digital]] HCI aesthetics studio [https://www.rmit.edu.au/contact/staff-contacts/academic-staff/m/mauro-flude-dr-marcia-nancy School of Design at RMIT Melbourne].
 +
 
 +
Founder of [http://miss-hack.org Desponias Critical Media Coven] and long term member of the [[Genderchangers]] home brewed since 1998, working to actively change the ‘gender’ of technology. Involves projects such as: [http://systerserver.net systerserver], [[ Eclectic Tech Carnival]].
 +
 
 +
; Selected projects
 +
*[http://sister0.org/?paraphernalia/ Paraphernalia] Live performance and Custom HID sound tools (2015-9)
 +
*[http://sister0.org/?error-in-time/ Error_in_Time()] Live Code Poetry performance [http://digicult.it/news/the-art-of-hacking/ Art of Hacking ]Netherlands New Media Art institute, and [https://transmediale.de/content/errorintime Transmediale] (2014-5)
 +
*[https://www.hkw.de/en/programm/projekte/veranstaltung/p_113331.php The Feminist Server Stack] Networked performance, Transmediale (2015).
 +
*[http://divination.cc/ Divination] Divination (2016) DarkMofo [https://mona.net.au/ MONA] Museum New and Old Art Tasmania
 +
*[http://www.lindadement.com/cyberfeminist-bedsheet.htm CyberFeminst Bedsheet Transfigured] 2018 - 2019 in collaboration with Linda Dement.
 +
 
 +
; Selected Curatorial work:
 +
* [http://www.scotcotterell.com/index.php?/ono/curatecoencodingexperience/ encoding_experience/10_October_2008_18:00_EST.*] Plimsoll Gallery, Tasmania 2008.
 +
* [http://www.TacticalMagick.net TacticalMagick.net] Networked Art Forms: Tactical Magick Faerie Circuits, 2013.
 +
* [http://Microbites.me Microbites.me] Microbites of Innovation. Art Track ACM Creativity and Cognition, 2017.
 +
* [http://internetloreasia.hotglue.me Internet Lore Asia] Writing for the Internet: Internet lore in Asia. Asia Research Institute, 2018.
 +
* [http://vvitchvvavve.me Vvitchvvave] Post Digital Aesthetics Symposium and Exhibition, Siteworks, 2019.
 +
 
 +
; Selected publications
 +
*Mauro-Flude, Nancy (2019), [https://www.igi-global.com/gateway/chapter/220630 "Performing The Internet"], Post Digital Folklore, ''Digital Humanities and Scholarly Research Trends in the Asia-Pacific'', Pen:IGI-Global.
 +
 
 +
*Mauro-Flude, Nancy (2015) [https://fmkjournals.fmk.edu.rs/index.php/AM/article/view/101 "Don’t mess with my settings"], ''AM Journal of Art and Media Studies'' 8.
 +
 
 +
*Mauro-Flude, Nancy (2016) [http://unlikely.net.au/issue-2/divine-trash-strata "Divine Trash Strata"], ''Unlikely: Journal for Creative Arts'' Issue 2, University of Melbourne.
 +
 
 +
*Mauro-Flude, Nancy (2016) [https://www.mitpressjournals.org/doi/abs/10.1162/LEON_a_01015 "Paraphernalia A Design Approach for Electronic-Performance Tools"], ''Leonardo'' MIT Volume 48, 3. June 2015.
 +
 
 +
*Mauro-Flude, Nancy (2015) [http://scan.net.au/scn/journal/vol10number2/Nancy-Mauro-Flude.html "The Intimacy of the Command Line"], Scan | Journal of Media Arts Culture Volume 10, 2. 2013.
 +
 
 +
 
 +
; Selected interviews
 +
* Alana Hunt, Activating the textures of Post-Digital Aesthetics A conversation with Nancy Mauro-Flude, Tom Penney [http://unprojects.org.au/un-extended/dear-un/post-digital/], 28 February 2019.
 +
 
 +
* Leandro Palacio, [https://open.abc.net.au/explore/50701 "Coding technology for a eulogy to Tasmanian elder. Valetudo"], 2013. Video.
 +
 
 +
* Ragna Rök Jóns, Is the 4th wave of feminism digital? [https://bluestockingsmag.com/2013/08/19/is-the-4th-wave-of-feminism-digital/], August 19, 2013.
 +
 
 +
* Kendall Grady, [http://mastersofmedia.hum.uva.nl/2011/10/31/you-will-_know-how_-an-interview-with-nancy-mauro-flude/ you will _KNOW how_ : an interview with Nancy Mauro-Flude], 31 Oct 2011.
 +
 
 +
 
 +
; Links
 +
* [http://sister0.tv/ Home page]
 +
 
 +
[[Category:Media art labs]]
 +
[[Category:Net art]]
 +
[[Category:Software art]]

Revision as of 05:50, 3 December 2019

Nancy Mauro-Flude is an artist and theorist driven by the demystification of technology, and the ‘mystification’ that lie in and through the performance of the machinic assemblage. Her research grapples with the talismanic logics of island cultures. Media experimentation and pedagogy form the basis of her work where the computer is approached as a theatre machine. Under various pseudonyms she actively works to fuse radical forms of open culture by introducing experimental pedagogy with a particular focus upon relatively conservative and weakly networked regions. "...Gray magics, hijackings, driftings and seizures of power the sensitive and subversive subterfuges by which she urges, twists and explores the aesthetic politic of the open source spirit" (Anne Goldenberg, 2013) ".dpi feminist journal of art and digital culture."

Alumni of Piet Zwart Institute, Co founder of Moddr part of the WORM venue in Rotterdam.

She leads post-digital HCI aesthetics studio School of Design at RMIT Melbourne.

Founder of Desponias Critical Media Coven and long term member of the Genderchangers home brewed since 1998, working to actively change the ‘gender’ of technology. Involves projects such as: systerserver, Eclectic Tech Carnival.

Selected projects
Selected Curatorial work
Selected publications
  • Mauro-Flude, Nancy (2019), "Performing The Internet", Post Digital Folklore, Digital Humanities and Scholarly Research Trends in the Asia-Pacific, Pen:IGI-Global.
  • Mauro-Flude, Nancy (2016) "Divine Trash Strata", Unlikely: Journal for Creative Arts Issue 2, University of Melbourne.


Selected interviews
  • Alana Hunt, Activating the textures of Post-Digital Aesthetics A conversation with Nancy Mauro-Flude, Tom Penney [1], 28 February 2019.
  • Ragna Rök Jóns, Is the 4th wave of feminism digital? [2], August 19, 2013.


Links
Retrieved from "https://monoskop.org/index.php?title=Nancy_Mauro-Flude&oldid=95605"