Difference between revisions of "Nancy Mauro-Flude"

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[[Nancy Mauro-Flude]] is an artist and theorist driven by the demystification of technology, and the ‘mystification’ that lie in and through the performance of the machinic assemblage.  Her research grapples with the talismanic logics of island cultures. Media experimentation and pedagogy form the basis of her work where the computer is approached as a theatre machine. Under various pseudonyms she actively works to fuse radical forms of open culture by introducing experimental pedagogy with a particular focus upon relatively conservative and weakly networked regions. "...Gray magics, hijackings, driftings and seizures of power the sensitive and subversive subterfuges by which she urges, twists and explores the aesthetic politic of the open source spirit" (Anne Goldenberg 2013)
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[[Nancy Mauro-Flude]] is an artist and theorist driven by the demystification of technology, and the ‘mystification’ that lie in and through the performance of the machinic assemblage.  Her research grapples with the talismanic logics of island cultures. Media experimentation and pedagogy form the basis of her work where the computer is approached as a theatre machine. Under various pseudonyms she actively works to fuse radical forms of open culture by introducing experimental pedagogy with a particular focus upon relatively conservative and weakly networked regions. "...Gray magics, hijackings, driftings and seizures of power the sensitive and subversive subterfuges by which she urges, twists and explores the aesthetic politic of the open source spirit" (Anne Goldenberg, 2013) [http://dpi.studioxx.org/en/no/22-free-culture/dpi-22-culture-libre ".dpi  feminist journal of art and digital culture."]
  
Alumni of [[Piet Zwart Institute]].  
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Alumni of [[Piet Zwart Institute]], Co founder of [[Moddr]] part of the [[WORM]] venue in [[Rotterdam]].
  
Currently leads [[post-digital]] aesthetics studio [https://www.rmit.edu.au/contact/staff-contacts/academic-staff/m/mauro-flude-dr-marcia-nancy at RMIT Melbourne].  
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She leads [[post-digital]] HCI aesthetics studio [https://www.rmit.edu.au/contact/staff-contacts/academic-staff/m/mauro-flude-dr-marcia-nancy School of Design at RMIT Melbourne].  
  
Founder of [http://miss-hack.org Miss Desponias Critical Media Salon] and long term member of the [[Genderchangers]] home brewed since 1998, working to actively change the ‘gender’ of technology. Involves projects such as: [http://systerserver.net systerserver], [[ Eclectic Tech Carnival]].
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Founder of [http://miss-hack.org Desponias Critical Media Coven] and long term member of the [[Genderchangers]] home brewed since 1998, working to actively change the ‘gender’ of technology. Involves projects such as: [http://systerserver.net systerserver], [[ Eclectic Tech Carnival]].
  
 
; Selected projects
 
; Selected projects
*[http://divination.cc/ Divination] Divination. DarkMofo Museum New and Old Art Tasmania, 2016.
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*[http://sister0.org/?paraphernalia/ Paraphernalia] Live performance and Custom HID sound tools (2015-9)
*[http://www.lindadement.com/cyberfeminist-bedsheet.htm CyberFeminst Flag performance] in collaboration with Linda Dement, CyberFeminst Bedsheet Flown as Flag. VCA. 2018.
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*[http://sister0.org/?error-in-time/ Error_in_Time()] Live Code Poetry performance [http://digicult.it/news/the-art-of-hacking/ Art of Hacking ]Netherlands New Media Art institute, and [https://transmediale.de/content/errorintime Transmediale] (2014-5)
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*[https://www.hkw.de/en/programm/projekte/veranstaltung/p_113331.php The Feminist Server Stack] Networked performance, Transmediale (2015).
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*[http://divination.cc/ Divination] Divination (2016) DarkMofo [https://mona.net.au/ MONA] Museum New and Old Art Tasmania
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*[http://www.lindadement.com/cyberfeminist-bedsheet.htm CyberFeminst Bedsheet Transfigured] 2018 - 2019 in collaboration with Linda Dement.
  
; Selected curated events
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; Selected Curatorial work:
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* [http://www.scotcotterell.com/index.php?/ono/curatecoencodingexperience/ encoding_experience/10_October_2008_18:00_EST.*] Plimsoll Gallery, Tasmania 2008.
 
* [http://www.TacticalMagick.net TacticalMagick.net] Networked Art Forms: Tactical Magick Faerie Circuits, 2013.
 
* [http://www.TacticalMagick.net TacticalMagick.net] Networked Art Forms: Tactical Magick Faerie Circuits, 2013.
 
* [http://Microbites.me Microbites.me] Microbites of Innovation. Art Track ACM Creativity and Cognition, 2017.
 
* [http://Microbites.me Microbites.me] Microbites of Innovation. Art Track ACM Creativity and Cognition, 2017.
* [http://internetloreasia.hotglue.me InternetLoreAsia] Writing for the Internet: Internet lore in Asia. Asia Research Institute, 2018.
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* [http://internetloreasia.hotglue.me Internet Lore Asia] Writing for the Internet: Internet lore in Asia. Asia Research Institute, 2018.
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* [http://vvitchvvavve.me Vvitchvvave] Post Digital Aesthetics Symposium and Exhibition, Siteworks, 2019.
  
 
; Selected publications
 
; Selected publications
* Mauro-Flude, Nancy (2019), Performing The Internet: Post Digital Folklore, "Digital Humanities and Scholarly Research Trends in the Asia-Pacific Hongkong:IGI-global.
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*Mauro-Flude, Nancy (2019), [https://www.igi-global.com/gateway/chapter/220630 "Performing The Internet"], Post Digital Folklore, ''Digital Humanities and Scholarly Research Trends in the Asia-Pacific'', Pen:IGI-Global.
* [https://fmkjournals.fmk.edu.rs/index.php/AM/article/view/101 "Don’t mess with my settings"], ''AM Journal of Art and Media Studies'' 8, 2015.
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* [http://unlikely.net.au/issue-2/divine-trash-strata "Divine Trash Strata"], ''Unlikely: Journal for Creative Arts'' 2, University of Melbourne, 2016.
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*Mauro-Flude, Nancy (2015) [https://fmkjournals.fmk.edu.rs/index.php/AM/article/view/101 "Don’t mess with my settings"], ''AM Journal of Art and Media Studies'' 8.
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*Mauro-Flude, Nancy (2016) [http://unlikely.net.au/issue-2/divine-trash-strata "Divine Trash Strata"], ''Unlikely: Journal for Creative Arts'' Issue 2, University of Melbourne.
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*Mauro-Flude, Nancy (2016) [https://www.mitpressjournals.org/doi/abs/10.1162/LEON_a_01015 "Paraphernalia A Design Approach for Electronic-Performance Tools"], ''Leonardo'' MIT Volume 48, 3. June 2015.
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*Mauro-Flude, Nancy (2015) [http://scan.net.au/scn/journal/vol10number2/Nancy-Mauro-Flude.html "The Intimacy of the Command Line"], Scan | Journal of Media Arts Culture Volume 10, 2. 2013.
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; Selected interviews
 
; Selected interviews
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* Alana Hunt, Activating the textures of Post-Digital Aesthetics A conversation with Nancy Mauro-Flude, Tom Penney [http://unprojects.org.au/un-extended/dear-un/post-digital/], 28 February 2019.
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* Leandro Palacio, [https://open.abc.net.au/explore/50701 "Coding technology for a eulogy to Tasmanian elder. Valetudo"], 2013. Video.
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* Ragna Rök Jóns, Is the 4th wave of feminism digital? [https://bluestockingsmag.com/2013/08/19/is-the-4th-wave-of-feminism-digital/], August 19, 2013.
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* Kendall Grady, [http://mastersofmedia.hum.uva.nl/2011/10/31/you-will-_know-how_-an-interview-with-nancy-mauro-flude/ you will _KNOW how_ : an interview with Nancy Mauro-Flude], 31 Oct 2011.
 
* Kendall Grady, [http://mastersofmedia.hum.uva.nl/2011/10/31/you-will-_know-how_-an-interview-with-nancy-mauro-flude/ you will _KNOW how_ : an interview with Nancy Mauro-Flude], 31 Oct 2011.
* Leandro Palacio, [https://open.abc.net.au/explore/50701 "Coding technology for a eulogy to Tasmanian elder. Valetudo"], 2013. Video.
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; Links
 
; Links
 
* [http://sister0.tv/ Home page]
 
* [http://sister0.tv/ Home page]
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[[Category:Media art labs]]
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[[Category:Net art]]
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[[Category:Software art]]

Revision as of 05:50, 3 December 2019

Nancy Mauro-Flude is an artist and theorist driven by the demystification of technology, and the ‘mystification’ that lie in and through the performance of the machinic assemblage. Her research grapples with the talismanic logics of island cultures. Media experimentation and pedagogy form the basis of her work where the computer is approached as a theatre machine. Under various pseudonyms she actively works to fuse radical forms of open culture by introducing experimental pedagogy with a particular focus upon relatively conservative and weakly networked regions. "...Gray magics, hijackings, driftings and seizures of power the sensitive and subversive subterfuges by which she urges, twists and explores the aesthetic politic of the open source spirit" (Anne Goldenberg, 2013) ".dpi feminist journal of art and digital culture."

Alumni of Piet Zwart Institute, Co founder of Moddr part of the WORM venue in Rotterdam.

She leads post-digital HCI aesthetics studio School of Design at RMIT Melbourne.

Founder of Desponias Critical Media Coven and long term member of the Genderchangers home brewed since 1998, working to actively change the ‘gender’ of technology. Involves projects such as: systerserver, Eclectic Tech Carnival.

Selected projects
Selected Curatorial work
Selected publications
  • Mauro-Flude, Nancy (2019), "Performing The Internet", Post Digital Folklore, Digital Humanities and Scholarly Research Trends in the Asia-Pacific, Pen:IGI-Global.
  • Mauro-Flude, Nancy (2016) "Divine Trash Strata", Unlikely: Journal for Creative Arts Issue 2, University of Melbourne.


Selected interviews
  • Alana Hunt, Activating the textures of Post-Digital Aesthetics A conversation with Nancy Mauro-Flude, Tom Penney [1], 28 February 2019.
  • Ragna Rök Jóns, Is the 4th wave of feminism digital? [2], August 19, 2013.


Links